Yannis Livadas

Yannis Livadas (Greek: Γιάννης Λειβαδάς; born September 26, 1969) is a contemporary Greek poet.


Biography

Yannis Livadas is one of the most prolific and innovative among the Modern Greek poets and one of the leading contemporary European poets. Also, he is the most productive scholar and translator concerning modernist and postmodernist English and American literature — mainly specialized in the Beat Generation and the first period of American postmodernist poetry (1950-1970)- and haiku, in Greek language.[1][2] He has delved into the work of Walt Whitman, Thomas Wolfe, William Gaddis, Blaise Cendrars, Charles Olson, Jack Kerouac, Charles Bukowski, William Gass, Allen Ginsberg, Gregory Corso, Harold Norse, Larry Eigner, Frank O'Hara, John Berryman and Malcolm Lowry. He periodically contributes as a columnist and a freelancer to various literary magazines, both in Greece and other countries.[3] Since January 2019 he is the editor-in-chief of the series "Threads" of Exandas editions. In 1993 he invented the "fusion sonnet",[4] which first appeared in a poetry collection entitled "Οι Κρεμαστοί Στίχοι Της Βαβυλώνας" [The Hanging Verses Of Babylon].[4][5][6][7] According to Karen Van Dyck in Austerity Measures: The New Greek Poetry (Penguin Books 2016):

'[h]e never fulfilled his Greek military service and refused to complete his formal schooling or attend university because of his individualist and anarchist beliefs. Since 2008 in both his own poetry and his literary criticism he promotes artistic production in which indeterminacy of meaning as well as syntactical and structural innovation, what he calls organic antimetathesis, is paramount'.[8]

His thesis on poetry and poetics is composed of quite contradictory aspects such as

'[p]oetry is a privilege. Language hosts the poet. The poet's task is apotheosis. The defloration, that is, of every evidential proof. The reason being that poetic speech is always situated, by little or by far, ahead of its most recent interpretation'.[9]

Gradually, since the mid-1990s, he wrote a series of iconoclastic poems that reshaped and transformed the concept of modern poetry, more than once; being focused on the prospect and difficulty of creating "new content", considering that hybrid types of writing degrade the art of poetry. A few years ago he also experimented with a new genre he calls "autoreportage", as a form of the concurrent unfolding of organic antimetathesis—As meaning that the "autoreportage" is substantive evidence of the content of an ultimate difference, rather than a recording or narrative of personal experiences. Or else, is worthless.[10] His statement concerning his idea on poetry and poetics, in his own words: "«» is based on the scaling indeterminacy of meaning, of syntactic comparisons and structural contradistinction".[11] He was deeply connected with the jazz/avant-garde tradition and during the period 1995-2008 produced poetical works based on jazz aesthetics and improvisation.[12]. Apropos contemporary poetry he has noted that: "the poet starts from emptiness and creates an emptiness. Otherwise, he is not a poet. If there is no created emptiness, there is no poetry. Without that emptiness, there can be only a poetic representation based on pre-existing poetic texts, emerged from pre-existing texts". In the last decade, through a series of long poems (of five or six thousand words each) Livadas synthesizes a demanding and critical approach of poetic textuality by creating an explorative content, full of inflections and juxtapositions of forms. His poems have been translated into ten languages [English, French, Spanish, Hungarian, Bangla, Urdu, German, Croatian, Serbian, Japanese]. He has traveled extensively to India, Europe and North Africa.[13] He lives in Paris, France.

Bibliography

  • My Bones In The Soup Of My Grave: Selected Shorter Poems 1996-2012 (Ragged Lion Press, United Kingdom 2019)
  • A Sum of Haiku: 1991-1997 (Ragged Lion Press, United Kingdom 2019)
  • Haiku 1991-2008 (Ekati, Greece 2018)
  • Inferred Emptiness (Koukoutsi, Greece 2017)
  • Magnat De La Mort: Poems Courts 1997-2011 (Editions L'Harmattan, Paris, France 2017)
  • Austerity Measures: Poetry Anthology [with 4 poems](Agra, Greece 2017)
  • An interview and Five Poems (Co-edition of Moloko Print [Germany] and Sea Urchin Editions [Holland] 2017).
  • Austerity Measures / The New Greek Poetry [with 6 poems] (New York Review Books, USA 2017)
  • Austerity Measures / The New Greek Poetry [with 6 poems] (Penguin Books, United Kingdom 2016)
  • Modart (Alloglotta, Greece 2015)
  • Cross-Section: An Anthology of Contemporary Greek Poetry (CreateSpace Independent Publishing, USA 2015)
  • Strictly Two (Sea Urchin Editions, Netherlands 2015)
  • The Fat of the Fly (Kedros, Greece 2015)
  • Sound Bones (Iolkos, Greece 2014)
  • At the La Manne Stand at 90 by Claude Bernard (Private Edition, Paris 2013)
  • La Chope Daguerre + Husk Poems (Kedros, 2013)
  • Bezumlje (Peti Talas, Serbia 2012)
  • Ravaged By The Hand Of Beauty (Cold Turkey Press, France 2012)
  • Kelifus (Cold Turkey Press, France 2011)
  • Ati / Poems 2001-2009 (Kedros, Greece 2011)
  • The Margins Of A Central Man (Graffiti Kolkata, India 2010)
  • The Star Electric Space / An International Anthology Of Indie Writers [with 4 Poems] (Graffiti Kolkata, India 2010)
  • Apteral Nike/Business-Sphinx (Heridanos, Greece 2008)
  • John Coltrane & 15 Poems for Jazz (C.C. Marimbo, Berkeley-California, USA 2008)
  • John Coltrane & 13 Poems fot Jazz (Apopeira, Greece 2007)
  • The hanging verses of Babylon (Melani, Greece 2007)
  • Annex of temperate emotion (Indiktos, Greece 2003)
  • Invoice of Retail Poetry (Akron, Greece 2002)
  • Expressionist Feedback (Akron, Greece 2000)

Notable translations of his work

  • My Bones In The Soup Of My Grave: Selected Shorter Poems 1996-2012 (Ragged Lion Press, United Kingdom 2019) ISBN 978-1937073855
  • A Sum of Haiku: 1991-1997 (Ragged Lion Press, United Kingdom 2019) ISBN 978-1937073862
  • Αutoreportages (Moloko Print, Germany 2018)
  • Magnat De La Mort [Poèmes courts 1997-2011] (Éditions L'Harmattan, Paris, France, 2017) ISBN 978-2-343-13449-9
  • Yannis Livadas Interviewed by Ben Schot and Five Poems (Co-edition of Moloko Plus [Germany] and Sea Urchin Editions [Netherlands] 2017) ISBN 978-3-943603-33-0
  • Austerity Measures: The New Greek Poetry [is included with six poems], edited by Karen van Dyck (New York Review Books, USA 2017) ISBN 9781681371146
  • Austerity Measures: The New Greek Poetry [is included with six poems], edited by Karen van Dyck (Penguin Books, United Kingdom 2016) ISBN 0241250625[14][15][16]
  • Strictly Two (Sea Urchin Editions, Netherlands 2015) [Collector's item, limited edition]
  • Cross-Section: An Anthology of Contemporary Greek Poetry (CreateSpace Independent Publishing, USA 2015) ISBN 978-1514201886
  • Bezumlje: Rasute Pesme 2001-2009, translated by Momčilo Radić (Serbia 2012) ISBN 978-86-88891-01-1
  • Kelifus, translated by Gerard Bellaart & Agnes Racine (Cold Turkey Press, France 2011) [Collector's item, limited edition]
  • John Coltrane & 15 Poems for Jazz, translated by Jack Hirschman & Dimitri Charalambous (C.C. Marimbo Books, USA 2008) ISBN 1-930903-46-4
  • The Margins Of A Central Man (Graffiti Kolkata, India 2010)
  • The Star Electric Space/An International Anthology Of Indie Writers [is included with four poems] (Graffiti Kolkata, India 2010)

An indicative list of his translations

An indicative list of essays published in literary reviews

  • Disasters caused by poets [in Greek] [30]
  • Cioran's literature [in Greek] [31]
  • The self-aware isolation of evolving [in Greek] [32]
  • Poetry Today, Austerity Measures and the Reign of Verisimilitude [in English] [16]
  • Poetry, the unredeemed origin [in Greek]
  • Contemporary poetry [in Greek]
  • Poetry, political act and symptom [in Greek]
  • The procedure and the incumbency [on poetry] [in Greek]
  • A reminder of the essentials [on poetry] [in Greek]
  • The Recognitions of William Gaddis [in Greek] 2018
  • The reasoning of care [on poetry] [in Greek] 2018
  • In need of the equal enough [on poetry] [in Greek] 2017
  • Poetry without poets, poets without poetry [on poetry] [in Greek] 2017
  • John Berryman, the internal mask [in Greek] 2017
  • Under the volcano, the requiem of Malcolm Lowry [in Greek] 2017
  • Four cigarettes essay [on poetry] [in Greek] 2017
  • Impermissibly congruous [on poetry] [in Greek] 2017
  • The violence of social panic in poetry and the stimulus of disembodiment [on poetry] [in Greek] 2017
  • The temporality of the burning end [on poetry] [in Greek] 2017
  • The Poetry of Antimetathesis [in English] 2017
  • The 30’s generation of Greek poets and its correlations to contemporary Greek poetry [in English] 2017
  • Blaise Cendrars: A Poet for the Twenty-First Century [in English]
  • Visions of Cody, a book of martyrdom [in English] 2017
  • Charles Bukowski, the renditions [in Greek] 2016
  • The independence and the molding of postmodernism [3 parts]: [in Greek] 2016
  • a) Redefinitions of William Gaddis’ "Recognitions"
  • b) The residue of hypercriticism
  • c) Validation and management
  • A note from Place Halpern [on poetry] [in Greek] 2016
  • Dashing against the fatigue of poetical idleness [on poetry] [in Greek] 2016
  • Moravagine and Journey To The End Of The Night [in Greek] 2015
  • Poésie et situation [on poetry] [in French] 2014
  • Lampe apocalyptique [on poetry] [in French] 2013
  • Walt Whitman [in Greek] 2011

References

  1. https://livadaspoetry.blogspot.com/2016/05/yannis-livadas-haiku.html | Lucien Stryk: on Yannis Livadas' haiku|
  2. Παρίδης, Χρίστος (19 November 2011). "Ο Γιάννης Λειβαδάς και η τέχνη της γραφής του" [Yannis Livadas and the Art of his Writing]. Eleftherotypia (in Greek). Retrieved August 7, 2016.
  3. Livadas, Yannis (7 December 2008). "Ενας εμβληματικός ποιητής" [An Emblimatic Poet]. Kathimerini (in Greek). Retrieved October 4, 2016.
  4. https://en.wikipedia.org/wiki/Sonnet#20th_century
  5. Livadas, Yannis. "Regarding the "fusion sonnet" of 21 lines". Retrieved December 23, 2016.
  6. Osborne, Jordan (13 October 2016). "Interview: Greek Poet Yannis Livadas". Vendor. Retrieved October 15, 2016.
  7. "Greek Books in Translation". National Book Centre of Greece. Retrieved October 8, 2016.
  8. Dyck, Karen Van (2016) Austerity Matters: The New Greek Poetry, p. 361. London: Penguin Books. ISBN 0241250625
  9. Livadas, Yannis (2015) Anaptygma: Essays and Notes on Poetry, p. 13. Athens: Koukoutsi. ISBN 978-618-5202-04-0
  10. Autoreportages - Yannis Livadas (Moloko Print 2018) http://www.molokoplusrecords.de/finder.php?folder=News&content=80
  11. Χαχής, Παναγιώτης (9 January 2018). "Γιάννης Λειβαδάς: Το κυλιόμενο ντεμπούτο της ποίησης" [The repeating debut of poetry]. Unfollow (in Greek). Retrieved May 15, 2018.
  12. Limnios, Michael (10 December 2011). "An interview with the poet Yannis Livadas: Jazz offered me a faith in permanent innovation in poetry". Blues.gr. Retrieved December 23, 2016.
  13. Τρούσας, Φώντας (22 May 2015). "Ο ποιητής, μεταφραστής και μελετητής της beat generation Γιάννης Λειβαδάς" [Yannis Livadas: The Poet, Translator and scholar of the Beat Generation]. LIFO (magazine) (in Greek). Retrieved October 4, 2016.
  14. Dyck, Karen Van (25 March 2016). "The new Greek poetry". The Guardian. Retrieved October 4, 2016.
  15. Kelaway, Kate (3 April 2016). "Austerity Measures: The New Greek Poetry – review". The Guardian. Retrieved October 4, 2016.
  16. https://www.dispatchespoetrywars.com/commentary/poetry-today-austerity-measures-and-the-reign-of-verisimilitude
  17. Βαϊλάκης, Γιώργος (12 May 2012). ""Φωτογραφία" της ζωής με τη μορφή διηγήματος" ["Photograph" of Life Formed as Novel]. Imerisia (in Greek). Retrieved October 4, 2016.
  18. Κουζέλη, Λαμπρινή (18 March 2012). "Αλήτες που φαντάζονταν ότι ήταν συγγραφείς" [Vagabonds Who Used to Imagine Themselves as Writers]. To Vima (in Greek). Retrieved October 4, 2016.
  19. Φύσσας, Δημήτρης (17 November 2011). "Short list του χειμώνα" [Short List of the Winter]. Athens Voice (in Greek). Retrieved October 4, 2016.
  20. Μπρουντζάκης, Ξενοφών (31 March 2011). "Ιερές αναγνώσεις" [Sacred Readings]. To Pontiki (in Greek). Retrieved October 8, 2016.
  21. Βαϊλάκης, Γιώργος (5 March 2011). "Τα οράματα μιας απίθανης γενιάς" [The Visions of an Amazing Generation]. Imerisia (in Greek). Retrieved October 4, 2016.
  22. Παπασπύρου, Σταυρούλα &, Σπίνου, Παρή (30 January 2011). "Μπίτνικ, Τζαζ και Θρησκεία" [Beatnik, Jazz and Religion]. Eleftherotypia (in Greek). Retrieved October 8, 2016.
  23. Ρούβαλης, Βασίλης (15 March 2011). "Ποίηση και ποίηση" [Poetry and Poetry]. I Avgi (in Greek). Retrieved October 8, 2016.
  24. Νταραδήμου, Αρετή (4 January 2009). "Ταξίδι εμπειριών στη χώρα της νοσταλγίας" [Journey of Experiences to the Country of Nostalgia]. Eleftheros Typos (in Greek). Retrieved October 2008, 2016.
  25. Παπαγιαννίδου, Μαίρη (14 September 2008). "Δεν είμαι μπιτ, είμαι καθολικός" [I Am not Beat, I Am Catholic]. To Vima (in Greek). Retrieved October 8, 2016.
  26. Σταυρόπουλος, Σταύρος (31 August 2008). "Ύμνος στην τζαζ, στο περιθώριο και στην χαμένη αθωότητα" [Anthem to Jazz, to the Margins and to Lost Innocence]. I Kathimerini (in Greek). Retrieved October 8, 2016.
  27. Χαρτουλάρη, Μικέλα (9 August 2008). "Κέρουακ ο αγνός" [Kerouac the Pure]. Ta Nea (in Greek). Retrieved October 8, 2016.
  28. Χατζηβασιλείου, Βαγγέλης (30 November 2008). "Αποκαλύπτοντας την ανθρώπινη ανοησία" [Revealing Huaman Stupodity]. Eleftherotypia (in Greek). Retrieved October 8, 2016.
  29. https://catalogue.nlg.gr/Record/b.506207?
  30. https://www.bookpress.gr/stiles/eponimos/apo-tin-ylopoiisi-sto-endexomeno
  31. https://www.bookpress.gr/stiles/eponimos/cioran-m-emil-yannis-livadas
  32. https://www.bookpress.gr/stiles/eponimos/autognosiaki-apoksenosi-yannis-livadas
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