Wahnfried was the name given by Richard Wagner to his villa in Bayreuth.[1] The name is a German compound of Wahn (delusion, madness) and Fried(e) (peace, freedom).

Established24 July 1976 (1976-07-24)
LocationBayreuth, Germany
Coordinates49.9412838°N 11.583052100000032°E / 49.9412838; 11.583052100000032
FounderRichard Wagner Foundation
SecretaryDoris Wiezorek
DirectorDr Sven Friedrich
CuratorOliver Zeidler
ArchitectCarl Wölfel after Wilhelm Neumann
OwnerCity of Bayreuth
Public transit accessBus: Number 302 and 307, “Haus Wahnfried“ bus stop
Nearest car parkP6 (city hall Stadthalle/Am Geißmarkt) and P7 (multi-storey carpark in Badstrasse)

Financed by King Ludwig II of Bavaria, the house was constructed from 1872 to 1874 under Bayreuth Carl Wölfel's supervision after plans from Berlin architect Wilhelm Neumann, the plans being altered according to some ideas of Wagner. He and his family moved in on 28 April 1874,[2] while the house was still under construction. Engraved across the portal is Wagner's motto: Hier wo mein Wähnen Frieden fand – Wahnfried – sei dieses Haus von mir benannt ("Here where my delusions have found peace, let this place be named Wahnfried"), which initially caused some amusement among local townsfolk.[3]

Leading up to and during World War II, the Bayreuth Festspielhaus and Wahnfried were frequently visited by Adolf Hitler,[4][5] himself an avid admirer of Wagner, but in 1945 the living room with its rotunda and the guest room located on the side and rear of the house were destroyed by allied bombing, along with two-thirds of the rest of Bayreuth. Books, paintings and archives had been secured beforehand in the basement of the Winifred Wagner Hospital, however a Gestapo official stopped Winifred from removing historic furnishings such as Wagner's writing desk, accusing her of "defeatism". As a result, these were later destroyed in the bombing.[6][7]

From 1949, after expropriation was lifted on the Festspielhaus, Richard Wagner's grandson Wieland Wagner, with his wife and their four children, returned to live in the habitable part of the hastily repaired Wahnfried, while Winifred lived at her late husband, Siegfried Wagner's house next door. Upon Wieland's death in 1966, Wahnfried ceased to be a dwelling, after Wieland's brother, Wolfgang Wagner, had the house measured and asked his widow, Gertrud (née Reissinger), to pay rent,[8] thereby forcing her to move out with her children. From 1953, Wolfgang had been settled in a house built on the edge of the Festpielhaus, with Winifred remaining in Siegfried's house until her death in 1980.

In 1973, Wolfgang and Winifred gifted Wahnfried to the city of Bayreuth. Over the next three years, the war- and weather-damaged parts of the house were restored to their original state with the recreation of the rotunda, salon and guest room, so that the official inauguration of the Richard Wagner Museum in Bayreuth was able to go ahead as planned on July 24, 1976.

A stylized version of Villa Wahnfried was used for the sets of Stefan Herheim's new production of Parsifal at the Bayreuth Festival in 2008.

The house was closed again in 2010 for extensive restoration and renovation at a cost of 20 million Euros. On 26 July 2015, there was a grand re-opening of the villa, with archive rooms and a new pavilion.[9][10][11]

Along with the Bayreuth Festspielhaus, Wahnfried has become a shrine for admirers of Wagner. Visitors can take a walk in the remote Hofgarten, the baroque park of Bayreuth's New Castle, to where a path directly leads.

Wagner did not spend the closing days of his life at Wahnfried, leaving Bayreuth on 6 September 1882 for the sixth and final time for Venice, where he resided until his death 13 February 1883 at the Palazzo Vendramin-Calergi. Wagner's body was repatriated to Wahnfried in a public procession through Bayreuth on 18 February,[12] and his grave lies next to that of his wife, Cosima on its grounds.

See also

Citations and references

  1. Kiesel, Markus and Mildner, Joachim. (2016). Wahnfried, Das Haus von Richard Wagner (Wahnfried, the Home of Richard Wagner). ISBN 978-3-940768-59-9. Bestellnummer CB 1259. ConBrio Verlagsgesellshaft mbH. (Regensburg, Germany).
  2. Wagner, Cosima. Cosima Wagner's Diaries: Volume I (1869-1877). Diary entry: 1874: 28 April. William Collins, Sons. ISBN 0 00 216130 3. (Glasgow, Scotland).
  3. Watson, Derek. (1979). Richard Wagner - A Biography. Chapter 12: 'The Master of Bayreuth'. J. M. Dent & Sons Ltd. ISBN 0-460-03166-X. (London, UK).
  4. Gibbons, Andrew. (6 May 2017). "Wahnfried, and I cannot rid myself of Hitler". (Bayreuth, Germany).
  5. (29 July 2016). "Rediscovered films show a 'friendly' Hitler in Bayreuth". Music. Deutsche Welle. (Germany).
  6. Spotts, Frederic. (1994). Bayreuth: A History of the Wagner Festival. Chapter 6: "All that lives and soon must die" (Parsifal). Yale University Press. ISBN 0-300-05777-6. (Avon, UK).
  7. Wahnfried reconstruction.
  8. Kurbjuweit, Dirk. (12 April 2013). "Wagner's Dark Shadow: Can We Separate the Man from His Works?" Spiegel Online. (Germany).
  9. Fulker, Rick. (24 July 2015). "Richard Wagner's house reopens to the public". Music. Deutsche Welle. (Germany).
  10. Roddy, Michael. (24 July 2015). "New Bayreuth Wagner museum confronts family Nazi ties head on". Reuters. (Bayreuth, Germany).
  11. Heilmeyer, Florian. (21 March 2016). "Taking a Staab at Wagner – Extending the Richard Wagner Museum in Bayreuth". Uncube Magazine.
  12. Watson, Derek. (1979). Richard Wagner – A Biography. Chapter 14: "Art and Religion". J. M. Dent & Sons Ltd. ISBN 0-460-03166-X. (London, UK).

This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.