Vocalion Records

Vocalion Records is an American record company and label active for many years in the U.S. and the U.K.

For Decca's Vocalion label, see Disques Vogue

Vocalion Records
1921 Vocalion label
Founded1916 (1916)
FounderAeolian Piano Company
Country of originU.S., U.K.


Vocalion (pronounced "vo-CAL-yun")[1] was founded in 1916 by the Aeolian Piano Company of New York City, which introduced a retail line of phonographs at the same time. The name was derived from one of their corporate divisions, the Vocalion Organ Company. The label issued single-sided, vertical-cut disc records but switched to double-sided. In 1920 it switched to the more common lateral-cut system.

In 1925 the label was acquired by Brunswick Records. During the 1920s Vocalion also began the 1000 race series, records recorded by and marketed to African Americans.[2]

In April 1930, Warner Bros. bought Brunswick Records and. In December 1931 Warner Bros. licensed the entire Brunswick and Vocalion operation to the American Record Corporation. ARC used Brunswick as their flagship 75-cent label and Vocalion as one of their 35-cent labels. New signings (Dick Himber, Clarence Williams, Leroy Carr) contributed to the growing popularity of the label.

Starting in about 1935, Vocalion became even more popular with the signing of Billie Holiday, Mildred Bailey, Stuff Smith, Putney Dandridge, and Red Allen. Coupled with other short-term signings, including Fletcher Henderson, Phil Harris, Earl Hines, and Isham Jones, and their healthy Race and Country releases made Vocalion a powerhouse presence.

In 1935, Vocalion started reissuing titles that were still selling from the recently discontinued OKeh label. In 1936 and 1937 Vocalion produced the only recordings by blues guitarist Robert Johnson (as part of their ongoing field recording of blues, gospel and "out of town" jazz groups). From 1935 through 1940, Vocalion was one of the most popular labels for small-group swing, blues, and country. After the short-lived Variety label was discontinued (in late 1937), many titles were reissued on Vocalion, and the label continued to release new recordings made by Master/Variety artists through 1940. This added Cab Calloway and the Duke Ellington small groups-within-his-band (Rex Stewart, Johnny Hodges, Barney Bigard and Cootie Williams) to the label.

ARC was purchased by CBS and Vocalion became a subsidiary of Columbia Records in 1938. The popular Vocalion label was discontinued in 1940. The discontinuance of Vocalion (along with Brunswick in favor of the revived Columbia label) voided the lease arrangement Warner Bros. had made with ARC in late 1931. In a complicated move, Warner Bros. got the two labels back and promptly sold them to Decca, but CBS retained control of the post-1931 Brunswick and Vocalion masters.

The name Vocalion was resurrected in the late 1950s by Decca (US) as a budget label for back-catalog reissues. This incarnation of Vocalion ceased operations in 1973; however, its replacement as MCA's budget imprint, Coral Records, kept many Vocalion titles in print. In 1975, MCA reissued five albums on the Vocalion label.[3]

In the UK, Decca used the Vocalion label mainly to issue US artists, replacing its Vogue label, the rights to whose name had reverted to the French Disques Vogue.

In 1997 the Vocalion brand was brought back for a new series of compact discs produced by Michael Dutton, of Dutton Laboratories, in Watford, England. This label specializes in sonic refurbishments of recordings made between the 1920s and the 1970s, often leasing master recordings made by Decca and EMI.

Notable recordings

See also


  1. "How does one pronounce Vocalion". Answers.com. Retrieved 2018-11-23.
  2. Archived February 8, 2007, at the Wayback Machine
  3. "Vocalion Album Discography". Bsnpubs.com. 2014-04-27. Retrieved 2014-08-04.
  4. Robert Palmer. Deep Blues. Penguin Books. p. 109. ISBN 978-0-14-006223-6.
  5. "Peter Seeger: American Favorite Ballads : Liner Notes" (PDF). Media.smithsonianfolkways.org. Retrieved 2014-08-04.
  6. "GRAMMY Hall Of Fame". GRAMMY.org. Retrieved 2014-08-04.
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