The Whole Truth (1958 film)
The Whole Truth is a 1958 British thriller film directed by John Guillermin and starring Stewart Granger, George Sanders, Donna Reed, Gianna Maria Canale and Peter Dyneley. It was based on the 1955 play of the same title by Philip Mackie.
|The Whole Truth|
|Directed by||John Guillermin|
|Produced by||Jack Clayton|
|Written by||Jonathan Latimer|
|Based on||play The Whole Truth by Philip Mackie|
Gianna Maria Canale
|Music by||Mischa Spoliansky|
|Edited by||Gerry Hambling|
|Distributed by||Columbia Pictures|
|Box office||392,806 admissions (France)|
While making a film on the French Riviera, the producer Max Poulton has been having an affair with his star, Gina Bertini. A married man, Max does not want to lose his wife Carol, but the hot-tempered Gina threatens to tell all.
Max comes home with a blood stain on his shirt cuff. A visit follows from an Inspector Carliss of Scotland Yard, who says Gina's body has just been found, stabbed to death.
Rushing to the house where he and Gina used to secretly meet, Max gathers up possessions he's left behind. A neighbor spots his car. Upon returning home, to a party Carol is hosting, Max is astounded to find Gina alive and well among the guests.
Confused, he drives her home, leaves her in the car briefly, then returns to find her lifeless body, once again stabbed. Max thinks he must be losing his mind. This time a local police official, Inspector Simon, comes to call. The only conclusion Max can draw is that Carliss is somehow trying to frame him.
His suspicions are correct. Carliss is not a Scotland Yard inspector at all but Gina's jealous ex-husband. He has arranged things to make Max appear guilty, and Simon, having the neighbor's eyewitness description of seeing Max's car, has little choice but to place Max under arrest.
When it looks as though Carliss intends to harm Carol as well, Max escapes from jail. He manipulates Carliss into stealing his own car, and when the police give chase to the wrong man, Carliss, in a panic, drives off a cliff to his death. Max's innocence becomes apparent to the police.
- Stewart Granger as Max Poulton
- Donna Reed as Carol Poulton
- George Sanders as Carliss
- Gianna Maria Canale as Gina Bertini
- Michael Shillo as Inspector Simon
- Richard Molinas as Gilbert
- Peter Dyneley as Willy Reichel
- John Van Eyssen as Archer
- Philip Vickers as Jack Leslie
- Jimmy Thompson as Assistant
- Hy Hazell as American Woman
Original TV Play
- Ellen Blueth as Deenie
- Michael Brill as Hugh Carliss
It was then turned into a stage play which was presented by Henry Sherek in London in October 1955 starring Leslie Philips.
The US rights and film rights were bought by Gilbert Miller in January 1956.
The film was made by Romulus Productions. Stewart Granger had just finished his contract with MGM and signed a two-picture deal with Romulus, of which The Whole Truth was to be the first; the second was to be The Night Comers from a novel by Eric Ambler and co-starring Jean Simmons. (This movie was never made.)
- Box office information for Stewart Granger films in France at Box Office Story
- WHOLE TRUTH, The Monthly Film Bulletin; London Vol. 25, Iss. 288, (Jan 1, 1958): 106.
- Our, R. C. (5 March 1956). SUCCESSFUL PLAY REPEATED. The Manchester Guardian
- Review of London production of play at Variety
- Tynan, K. (16 October 1955). Music while you work. The Observer
- By, S. Z. (10 January 1956). MILLER TWIN BILL PLAY BE A SINGLE. New York Times (1923-Current File) Retrieved from http://search.proquest.com/docview/113596657
- MOVIELAND EVENTS. (17 October 1956). Los Angeles Times (1923-Current File) Retrieved from http://search.proquest.com/docview/166981939
- Special to The New York Times. (14 August 1957). MOPPING UP BEGUN ON BATTLE MOVIE. New York Times (1923-Current File) Retrieved from http://search.proquest.com/docview/114176715
- Drama. (21 May 1956). Los Angeles Times
- Cornel Wilde Readies Hungary Saga; George Sanders Stars Abroad Schallert, Edwin. Los Angeles Times 2 July 1957: B7.
- Schallert, E. (5 November 1957). British want howard keel. Los Angeles Times