The Reels

The Reels is an Australian rockindie pop band which formed in Dubbo, New South Wales, in 1976, disbanded in 1991, and reformed in 2007. Their 1981 song "Quasimodo's Dream" was voted one of the Top 10 Australian songs of all time by a 100-member panel from Australasian Performing Right Association (APRA) in 2001. The Reels had top-10 Australian Kent Music Report Singles Chart success with covers of Herb Alpert's "This Guy's in Love With You" (No. 7, 1982) and Creedence Clearwater Revival's "Bad Moon Rising" (No. 11, 1986). Rock music historian Ian McFarlane described them as "one of the most original and invigorating pop bands to emerge from the Australian New Wave movement of the late 1970s".

The Reels
OriginDubbo, New South Wales, Australia
GenresRock, indie pop, new wave
Years active1976–1991, 2007–present
Past membersKaren Ansel
Craig Hooper
Stefan Fidock
Colin "Polly" Newham
Dave Mason
John Bliss
Paul Abrahams

Early years

Native Sons, consisting of John Bliss on drums, Craig Hooper on lead guitar and synthesiser, and Dave Mason on vocals, formed in the country town of Dubbo, New South Wales in 1976.[1] Mason is the son of NSW parliamentarian, John Mason, who was the state's Liberal Party leader during 1978–1981. Colin (Polly) Newham (keyboards/brass) from Orange, N.S.W. joined in 1977.

Native Sons played in the Dubbo/Orange/Newcastle area for two years, playing cover versions & original songs. After moving to Sydney in 1978, the band added Paul Abrahams on bass guitar and changed their name to The Brucelanders.[2] They developed an original repertoire of fast-paced, quirky pop and ska, and their energetic performances gained them a following on the east coast live music scene. They were given support in Sydney by the Australian Broadcasting Corporation (ABC) rock radio station Double J, which moved to the FM band in 1980 and became Triple J.

By 1979, The Brucelanders had secured a recording contract with the Australian branch of Mercury Records and changed their name to The Reels, with the line-up of Abrahams, Bliss, Hooper, Mason and Newham. They released their debut single, "Love Will Find a Way" in October, which peaked into the top 40 of the Australian Kent Music Report Singles Chart.[3] Their self-titled debut album, The Reels, produced by Mark Opitz (The Angels, Cold Chisel) had appeared in November. With the follow-up single, "Prefab Heart" also appearing in November, combined with the band's distinctive image, they gained increasing attention with their music videos featured on the influential national ABC TV pop show Countdown from early 1980.[4][5]

In July 1980, The Reels added a sixth member, also a synthesiser player, Karen Ansel, a former member of local Melbourne group, The Romantics. This new line-up released their third single, "After the News". It marked a transition in their music — they dispensed with guitars, using synthesisers as their main instruments, and were one of the first groups to use headsets instead of traditional microphones.

During late July, the group undertook the innovative Reels By Rail Tour, using rail transport to destinations in the eastern states. At the end of the year, returning to their origins as a covers band, they released a five-track Christmas EP, Five Great Gift Ideas from The Reels, produced by Bruce Brown and Russell Dunlop, which included Jim Reeves' "According to My Heart", and Freda Payne's "Band of Gold".[4] "According to My Heart" was accompanied by a folksy music video filmed at a farm in New Zealand. The EP did, however, have one original, "The Bombs Dropped on Xmas", co-written by Mason, Newham, Ansel & Shalvey. Later that year their fourth single, "After The News", as a teaser for their upcoming second album.

Quasimodo's Dream

In May 1981 they released along with single "Shout & Deliver" the album considered by many to be their best work, Quasimodo's Dream, which saw the band displaying an impressive maturity in song writing, backed with strong performances, inventive arrangements and top-class production. It peaked at No. 27 in June. The album's title track, "Quasimodo's Dream", was released as a single but, although widely considered to be one of the best Australian singles of that period, it failed to chart. The band undertook the Kitchen Man Tour, which saw the stage dressed as a fully equipped Australian kitchen.

The Reels' lack of top 10 mainstream commercial success was at odds with their strong live following, but it was due in part to the restrictive programming on commercial radio at that time, which gave little exposure to local "new wave" acts. The group's deteriorating relationship with Mercury was also a factor, as evidenced by the album's track listing—it included the earlier hit "According to My Heart", but a disclaimer printed on the sleeve noted that it had been included at the insistence of the record company (i.e. against the band's wishes).

Internal tensions were also a factor in the group's career vicissitudes—Bliss left just after the recording of the album, to be replaced by Stephan Fidock (who played with Ansel in the Romantics). The new five-piece lineup (with Fidock) promoted the album with the Kitchen Man Tour, once ended gradually over a 6-month period Ansel, Newham then Abrahams left the band. Now reduced to a trio (Mason, Hooper and Fidock) continued performing by augmenting their live sound with taped backing tracks, and used the new Fairlight synthesiser for studio recordings.


In late 1982, having signed a new contract with the RCA Records label, The Reels scored a hit with a wry, languid cover of the Burt Bacharach-Hal David song, originally recorded by Herb Alpert, "This Guy's In Love With You", which reached No. 7. They followed this with a one-off album for K-tel, which was known for its licensed pop hit compilations and budget 'golden oldie'. Although the tracks on Beautiful walked a fine line between sincere tribute and gentle parody, it proved to be the biggest success of their career, selling in excess of 40,000 copies and reaching No. 32 on the album chart, as well as being certified gold. The album was later released through RCA.

In 1983 released five track EP of original songs, Pitt Street Farmers (the title is an old Sydney satirical expression referring to wealthy rural landowners who never leave the city). This was followed by a new version of "Quasimodo's Dream" in December 1983, which demonstrated the band's faith in the song, although it failed to chart on its second release. At this point Mason was forced to give up performing after contracting hepatitis, which effectively ended the group. Hooper joined The Church as keyboard player, and later joined The Mullanes, the original incarnation of what became Crowded House, and Fidock returned to Melbourne to live.

By late 1985 Mason had recovered and The Reels was revived (with the line-up of Mason, Hooper, Bliss and Newham) and completed their commitments to RCA with a single, a cover version of Etta James's "It Must Be Love".

Later Years

They then signed with Regular Records and released a radically slowed-down, synthesiser-driven version of Creedence Clearwater Revival's "Bad Moon Rising". It proved to be another surprise hit, reaching No. 11 (October 1986); the arrangement featuring prominent use of the Vocoder voice synthesiser, which the band also used extensively on stage to augment Mason's vocals. Bliss left the band again at the end of 1986.

Their next single (Jan. 1987) was a cover of the old Edison Lighthouse hit "Love Grows (Where My Rosemary Goes)" . During the year they embarked on the popular "Reels By Request" tour, where the audience was allowed to call out for the songs they wanted to hear.[6] This was followed by an 'all Australian songs' version of the same concept, and this in turn led to the Reels' next studio album, Neighbors - the name of which, excluded the 'u' which would normally be contained in the Australian English spelling. This LP contained their idiosyncratic versions of thirteen Australian rock classics,[7] including the singles "Are You Old Enough" (originally a hit for Dragon) and "Forever Now" (by Cold Chisel). Steve Prestwich, who wrote "Forever Now", played on The Reels' version. The album also featured a new version of the Reels' own "Shout & Deliver".

The end...

In 1989 Mason appeared in the acclaimed Australian feature film Ghosts... of the Civil Dead, in which he co-starred with Nick Cave. In September 1991 the Reels issued their first original single in five years, "I Don't Love You Anymore", followed by what proved to be their last single, a remix by Filthy Lucre of "Bad Moon Rising" . The group officially disbanded to coincide with the release of the compilation CD Requiem. In 1999, Rock music historian, Ian McFarlane described them as "one of the most original and invigorating pop bands to emerge from the Australian new wave movement of the late 1970s" in his Encyclopedia of Australian Rock and Pop.[4] The Reels however never got to reunite as a six-piece group.

The comeback

In May 2007, Dave Mason released his first album in more than 15 years, Reelsville, an acoustic celebration of The Reels hits re-recorded by the original artist. In August 2007 Reel To Reel was also released, a compilation of The Reels classic tracks with new liner notes as written by Mason.

Dave Mason, John Bliss and Colin Newham have resurrected themselves in their former guise ‘The Reels’ and played shows in May 2008.

At a subsequent show (the Gaelic Club, Surry Hills; 27 September 2008), Mason announced that Newham was retiring from the band. It wasn't obvious whether this was a serious or joke announcement, though. Since Newham retired, original bassist Abrahams has rejoined the band after twenty-three years.

After The Reels

Hooper was also a member of The Church, The Mullanes (the original incarnation of Crowded House), and also recorded with The Rockmelons and Ross Wilson.

Karen Ansel retired from the music business and became a noted film and TV computer graphics specialist in the US (IMDb).

Paul Abrahams also played bass in a band with Colin Newham called 'The Company of Strangers' and was also a member of Peter Blakeley's band 'The Resurrection'. In addition, he played bass for Wendy Matthews, plus drums for Ya Ya Choral, Rat Tat Tat (Peter Blakeley and Jeff Stapleton) and The Bonerattlers who were regular buskers at Paddington Markets.

Stephan Fidock's 'Fidock Handcrafted Drums' are considered one of the worlds best.

Nick Cave in 1994 and Dirty Three in 1998 as guest programmers selected "Quasimodo's Dream" for TV show Rage.

John Bliss co-authored the book The A to Zen of Lawn Bowls with John Salter in 1997.

David Mason appeared in the Countdown Spectacular 2 concert series in Australia between late-August and early-September 2007 as a solo performer. He sang only one song- "Quasimodo's Dream".[8]

In 2007, Dave Mason released a new album Reelsville on Liberation Blue. Dave performed one gig to launch the album at 'the Basement' in Sydney on 16 May 2007. A further gig was booked for 'the Factory Enmore Theatre' in Sydney on 24 May 2008. This show became a local cause celebre when police with sniffer dogs arrested two 60-year-old punters for smoking illegals.

Dave Mason appeared on Episode 114 of RocKwiz on Australian SBS TV, broadcast on Saturday 26 March 2011. Dave performed The Reels' "Quasimodo's Dream" and ended the show in a duet with Sally Seltmann doing the Conway Twitty song "As Soon As I Hang Up The Phone".

Mason, who now suffers bipolar disorder, continues to play occasionally in three separate shows, an acoustic duo with Brendan Gallagher from Karma County & an Electronic (one man show) "Dark" with visuals by Artist Libby Blainey, Music by Scott Saunders from Dig, both these shows are mostly interpretations of Reels songs. 2017 saw the formation of the group "Sandy Shores' with Mason, Gallagher, Blainey together with Lindy Morrison and Amanda Brown from The Go-Betweens, playing hits from past bands but mostly new original material.


  • Dave Mason – production, design, lead vocals (founding member Native Sons)
  • Keith Greig:- Keyboards (founding member Native Sons)
  • Tony Martin: - Bass (founding member Native Sons)
  • Colin 'Polly' Newham – keyboards, vocoder, brass, production, songwriter, vocal
  • Craig Hooper – guitars, keyboards, sax, production, songwriter, vocals (founding member Native Sons)
  • Paul Abrahams – bass, vocal
  • John Bliss – drums (founding member Native Sons)
  • Karen Ansel – keyboards, design, costumes, vocals
  • Stefan Fidock – drums, vocals
Membership timeline




  • Unreel (October 1983)
  • Requiem, (Best of...) (1992)
  • Reel To Reel (2007)




The song "Quasimodo's Dream" is regarded as an Australian rock classic and has been covered by Kate Ceberano, Rob Snarski, Mick Harvey and Jimmy Little. In 2001 it was voted one of the Top 10 Australian songs of all time by APRA.


  • McFarlane, Ian (1999). "Whammo Homepage". Encyclopedia of Australian Rock and Pop. St Leonards, NSW: Allen & Unwin. ISBN 1-86508-072-1. Archived from the original on 5 April 2004. Retrieved 27 February 2010. Note: Archived [on-line] copy has limited functionality.
  • Spencer, Chris; Zbig Nowara; Paul McHenry (2002) [1987]. The Who's Who of Australian Rock. Noble Park, Vic.: Five Mile Press. ISBN 1-86503-891-1.[9] Note: [on-line] version established at White Room Electronic Publishing Pty Ltd in 2007 and was expanded from the 2002 edition.
  1. Spencer et al, (2007) NATIVE SONS entry. Retrieved 27 February 2010.
  2. Spencer et al, (2007) BRUCELANDERS entry. Retrieved 27 February 2010.
  3. Kent, David (1993). Australian Chart Book 1970–1992. St Ives, NSW: Australian Chart Book Ltd. ISBN 0-646-11917-6. NOTE: Used for Australian Singles and Albums charting from 1974 until ARIA created their own charts in mid-1988. In 1992, Kent back calculated chart positions for 1970–1974.
  4. McFarlane 'The Reels' entry. Retrieved 27 February 2010.
  5. Spencer et al, (2007) REELS, THE entry. Retrieved 27 February 2010.
  6. Stuart Coupe (24 August 1986). "Reels: The most unlikely pop stars". Sydney Morning Herald. Retrieved 23 October 2013.
  7. Geoff Winestock (22 December 1989). "Reels put their own touch on cover songs". The Age. Retrieved 23 October 2013.
  8. Peter Lalor (24 May 2007). "From the Reels to real-life depression". The Australian. Retrieved 23 October 2013.
  9. "Who's who of Australian rock / compiled by Chris Spencer, Zbig Nowara & Paul McHenry". catalogue. National Library of Australia. Retrieved 27 February 2010.
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