The Message (1976 film)

The Message (Arabic: الرسالة Ar-Risālah; originally known as Mohammad, Messenger of God) is a 1976 epic historical drama film directed and produced by Moustapha Akkad, chronicling the life and times of the Islamic prophet Muhammad through the perspective of his uncle Hamza ibn Abdul-Muttalib and adopted son Zayd ibn Harithah.

The Message
Film poster
Directed byMoustapha Akkad
Produced by
  • Moustapha Akkad
Written by
  • English version:
  • H.A.L. Craig
  • Arabic version:
  • A.B. Jawdat al-Sahhar
  • Tawfiq al-Hakim
  • A.B Rahman al-Sharkawi
  • Mohammad Ali Maher
Based onProphet Muhammad
Narrated byRichard Johnson
Music byMaurice Jarre
CinematographyJack Hildyard
Edited by
Filmco International Productions Inc.
Distributed byTarik Film Distributors
Release date
  • 29 July 1976 (1976-07-29) (London)[1][2]
  • 9 March 1977 (1977-03-09) (New York)
Running time
  • English version:
  • 178 minutes
  • Arabic version:
  • 207 minutes[3]
  • Lebanon
  • Libya
  • Kuwait
  • Morocco
  • Saudi Arabia
  • United Kingdom
  • Arabic
  • English
Budget$10 million
Box office$15 million

Released in both separately-filmed Arabic and English-language versions, The Message serves as an introduction to early Islamic history. The international ensemble cast includes Anthony Quinn, Irene Papas, Michael Ansara, Johnny Sekka, Michael Forest, André Morell, Garrick Hagon, Damien Thomas, and Martin Benson. It was an international co-production between Lebanon, Kuwait, Libya, Morocco, Saudi Arabia, and the United Kingdom.

The film was nominated for Best Original Score in the 50th Academy Awards, composed by Maurice Jarre, but lost the award to Star Wars (composed by John Williams).


Muhammad is visited by the angel Gabriel, which shocks him deeply. The angel asks him to start and spread Islam. Gradually, almost the entire city of Mecca begins to convert. As a result, more enemies will come and hunt Muhammad and his companions from Mecca and confiscate their possessions.

They head north, where they receive a warm welcome in the city of Medina and build the first Islamic mosque. They are told that their possessions are being sold in Mecca on the market. Muhammad chooses peace for a moment, but still gets permission to attack. They are attacked but win the Battle of Badr. The Meccans want revenge and beat back with three thousand men in the Battle of Uhud, killing Hamza ibn Abd al-Muttalib. The Muslims run after the Meccans and leave the camp unprotected. Because of this, they are surprised by riders from behind, so they lose the battle. The Meccans and the Muslims close a 10-year truce.

A few years later, Khalid ibn Walid, a Meccan general who has killed many Muslims, converts to Islam. Meanwhile, Muslim camps in the desert are attacked in the night. The Muslims believe that the Meccans are responsible. Abu Sufyan comes to Medina fearing retribution and claiming that it was not the Meccans, but robbers who had broken the truce. None of the Muslims give him an audience, claiming he "observes no treaty and keeps no pledge." The Muslims respond with an attack on Mecca with very many troops and "men from every tribe".

Abu Sufyan seeks an audience with Muhammad on the eve of the attack. The Meccans become very scared but are reassured that no one will be abused in their houses, by the Kaaba, or in Abu Sufyan's house will be safe. They surrender and Mecca falls into the hands of the Muslims. The pagan images of the gods in the Kaaba are destroyed, and the very first azan in Mecca is called on the Kaaba by Bilaal Ibn Rabaah.


English version

Arabic version


While creating The Message, director Akkad, who was Muslim, consulted Islamic clerics in a thorough attempt to be respectful towards Islam and its views on portraying Muhammad. He received approval from Al-Azhar in Egypt but was rejected by the Muslim World League in Mecca, Saudi Arabia. Akkad had to go outside the United States in order to raise the production money needed for the film. Lack of financing nearly shut down the film because its initial backers pulled out.

Financing for the project finally came from the governments of Kuwait, Libya and Morocco, but when it was rejected by the Muslim World League, Emir Sabah III Al-Salim Al-Sabah of Kuwait withdrew financial support. King Hassan II of Morocco gave Akkad full support for the production, while King Khalid bin Abdulaziz of Saudi Arabia and then-Libyan leader Muammar al-Gaddafi provided financial support too.[4]

The film was shot in Morocco and Libya, with production taking four and a half months to build the cities of Mecca and Medina as they looked in Muhammad's time. Production took one year; Akkad filmed for six months in Morocco, but had to stop when the Saudi government exerted great pressure on the Moroccan government to stop the project. Akkad went to al-Gaddafi for support in order to complete the project, and the Libyan leader allowed him to move the filming to Libya for the remaining six months.

Akkad saw the film as a way to bridge the gap between the Western and Islamic worlds, stating in a 1976 interview:

I did the film because it is a personal thing for me. Besides its production values as a film, it has its story, its intrigue, its drama. Besides all this I think there was something personal, being a Muslim myself who lived in the west I felt that it was my obligation my duty to tell the truth about Islam. It is a religion that has a 700 million following, yet it's so little known about which surprised me. I thought I should tell the story that will bring this bridge, this gap to the west.

Akkad also filmed an Arabic version of the film (in which Muna Wassef played Hind) simultaneously with an Arab cast, for Arabic-speaking audiences. He felt that dubbing the English version into Arabic would not be enough, because the Arabic acting style differs significantly from that of Hollywood and the Arab world. The actors took turns doing the English and Arabic versions in each scene, and both are now sold together on some DVDs.

Depiction of Muhammad

In accordance with the beliefs of some Muslims regarding depictions of Muhammad, his face is not depicted on-screen nor is his voice heard. Because Islamic tradition generally forbids any direct representation of religious figures, the following disclaimer is displayed at the beginning of the film:

The makers of this film honour the Islamic tradition which holds that the impersonation of the Prophet offends against the spirituality of his message. Therefore, the person of Mohammad will not be shown (or heard).

The rule above was also extended to his wives, his daughters including Fatimah, his sons-in-law, and the first caliphs (Abu Bakr, Umar, Uthman, and Ali ibn Talib his paternal cousin). This left Muhammad's uncle Hamza (Anthony Quinn) and his adopted son Zayd (Damien Thomas) as the central characters. During the battles of Badr and Uhud depicted in the movie, Hamza was in nominal command, even though the actual fighting was led by Muhammad.

Whenever Muhammad was present or very close by, his presence was indicated by light organ music. His words, as he spoke them, were repeated by someone else such as Hamza, Zayd or Bilal. When a scene called for him to be present, the action was filmed from his point of view. Others in the scene nodded to the unheard dialogue or moved with the camera as though moving with Muhammad.

The closest the film comes to a depiction of Muhammad or his immediate family are the view of Ali's famous two-pronged sword Zulfiqar during the battle scenes, a glimpse of a staff in the scenes at the Kaaba or in Medina, and Muhammad's camel, Qaswa.


In July 1976, five days before the film opened in London's West End, threatening phone calls to a cinema prompted Akkad to change the title from Mohammed, Messenger of God to The Message, at a cost of £50,000.[5]

Sunday Times film critic Dilys Powell described the film as a "Western … crossed with Early Christian". She noted a similar avoidance of direct depictions of Jesus in early biblical films, and suggested that "from an artistic as well as a religious point of view the film is absolutely right".[6] Richard Eder of The New York Times described the effect of not showing Muhammad as "awkward" and likened it to "one of those Music Minus One records," adding that the acting was "on the level of crudity of an early Cecil B. DeMille Bible epic, but the direction and pace is far more languid."[7] Variety praised the "stunning" photography, "superbly rendered" battle scenes and the "strong and convincing" cast, though the second half of the film was called "facile stuff and anticlimactic."[8] Charles Champlin of the Los Angeles Times thought the battle scenes were "spectacularly done" and that Anthony Quinn's "dignity and stature" were right for his role.[9] Gene Siskel of the Chicago Tribune gave it two stars out of four, calling it "a decent, big-budget religious movie. No more, no less."[10] John Pym of The Monthly Film Bulletin wrote: "The unalleviated tedium of this ten-million dollar enterprise (billed as the first 'petrodollar' movie) is largely due to the tawdry staginess of all the sets and the apparent inability of Moustapha Akkad ... to muster larger groups of people on any but two-dimensional planes."[11]

In 1977, as the film was scheduled to premiere in the United States, a splinter group of the black nationalist Nation of Islam calling itself the Hanafi Movement staged a siege of the Washington, D.C. chapter of the B'nai B'rith.[12] Under the mistaken belief that Anthony Quinn played Muhammad in the film,[13] the group threatened to blow up the building and its inhabitants unless the film's opening was cancelled.[12][13] The standoff was resolved after the deaths of a journalist and a policeman, but "the film's American box office prospects never recovered from the unfortunate controversy."[13]

Muna Wassef's role as Hind in the Arabic-language version won her international recognition.[14]

Awards and nominations

The film was nominated for an Oscar in 1977 for Best Original Score for the music by Maurice Jarre.[15]


The musical score of The Message was composed and conducted by Maurice Jarre and performed by the London Symphony Orchestra.

Track listing for the first release on LP

Side One

  1. The Message (03:01)
  2. Hegira (04:24)
  3. Building the First Mosque (02:51)
  4. The Sura (03:34)
  5. Presence of Mohammad (02:13)
  6. Entry to Mecca (03:15)

Side Two

  1. The Declaration (02:38)
  2. The First Martyrs (02:27)
  3. Fight (04:12)
  4. Spread of Islam (03:16)
  5. Broken Idols (04:00)
  6. The Faith of Islam (02:37)
Track listing for the first release on CD
  1. The Message (03:09)
  2. Hegira (04:39)
  3. Building the First Mosque (02:33)
  4. The Sura (03:32)
  5. Presence of Mohammad (02:11)
  6. Entry to Mecca (03:14)
  7. The Declaration (02:39)
  8. The First Martyrs (02:26)
  9. Fight (04:11)
  10. The Spread of Islam (03:35)
  11. Broken Idols (03:40)
  12. The Faith of Islam (02:33)

Potential remake

In October 2008, producer Oscar Zoghbi revealed plans to "revamp the 1976 movie and give it a modern twist," according to IMDb and the World Entertainment News Network.[16][17][18][19] He hoped to shoot the remake, tentatively titled The Messenger of Peace, in the cities of Mecca and Medina in Saudi Arabia.

In February 2009, Barrie M. Osborne, producer of The Matrix and The Lord of the Rings film trilogies, was attached to produce a new film about Muhammad. The film was to be financed by a Qatari media company and was to be supervised by Sheikh Yusuf al-Qaradawi.[20]

Any remakes have not had any further information as of now, suggesting the films have been shelved or abandoned.

See also


  1. "'Mohammad' Preems In London, July 29". Variety: 5. 7 July 1976.
  2. Fitzpatrick, Coeli; Walker, Adam Hani, eds. (2014). Muhammad in History, Thought, and Culture: An Encyclopedia of the Prophet of God. Santa Barbara, California: ABC-CLIO, LLC. p. 98. ISBN 9781610691789.
  3. "THE MESSAGE [ARABIC VERSION] (A)". British Board of Film Classification. 20 August 1976. Retrieved 28 January 2016.
  4. حقيقة الفيلم الذي اسلم من بعده الاجانب وحاربه ال سعود on YouTube published September 20, 2012
  5. "Muhammad film title changed after threats." The Times (London, 27 July 1976), 4.
  6. Dilys Powell, "In pursuit of the Prophet", Sunday Times (London, 1 August 1976), p. 29.
  7. Eder, Richard (10 March 1977). "Screen: 3-Hour 'Mohammad'". The New York Times: 28.
  8. "The Message". Variety: 22. 18 August 1976.
  9. Champlin, Charles (March 8, 1977). "Islam as It Lives and Bleeds". Los Angeles Times. Part IV, p. 1.
  10. Siskel, Gene (March 29, 1977). "Protests aside, 'Mohammad' is a faithful, big-budget epic". Chicago Tribune. Section 2, p. 10.
  11. Pym, John (September 1976). "Al-Risalah (The Message [Mohammad Messenger of God])". The Monthly Film Bulletin. 43 (512): 187.
  12. Brockopp, Jonathan E (19 April 2010). The Cambridge Companion to Muhammad. Cambridge University Press. p. 287.
  13. Deming, Mark. "Mohammad: Messenger of God". New York Times. Archived from the original on 21 May 2008. Retrieved 8 August 2016.
  14. Samir Twair and Pat Twair, "Syrian stars receive first Al-Ataa awards", The Middle East (1 December 1999).
  15. "1977 Oscars - 50th Annual Academy Awards Oscar Winners and Nominees". 3 April 1978. Retrieved 25 March 2012.
  16. "The Message Gets A Modern Remake," IMDB, 28 October 2008.
  17. Irvine, Chris (28 October 2008). "Prophet Mohammed film The Message set for remake". The Daily Telegraph. London. Retrieved 13 May 2010.
  18. Brooks, Xan (27 October 2008). "Controversial biopic of Muhammad set for remake". The Guardian. London. Retrieved 13 May 2010.
  19. "Prophet Muhammad film announced". BBC News. 28 October 2008. Retrieved 13 May 2010.
  20. "'Matrix' And 'Lord of the Rings' Producer To Make Movie About The Founder Of Islam". Retrieved 25 April 2012.
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