The Does (film)
The Does (French: Les Biches) is a 1968 French-Italian drama film starring Stéphane Audran, Jean-Louis Trintignant, and Jacqueline Sassard. It was directed by Claude Chabrol, and depicts a tortured lesbian relationship between the Audran and Sassard characters. Audran won the Silver Bear for Best Actress at the 18th Berlin International Film Festival. The film had a total of 627,164 admissions in France.
Film poster for Les Biches
|Directed by||Claude Chabrol|
|Produced by||André Génovès|
|Written by||Claude Chabrol|
|Music by||Pierre Jansen|
|Edited by||Jacques Gaillard|
|Box office||627,679 admissions (France)|
While the film does not acknowledge any literary sources, it is loosely based on Patricia Highsmith's novel, The Talented Mr. Ripley. Chabrol's screenwriter, Paul Gégauff, had adapted the Highsmith novel into Purple Noon in 1960. Les biches switches the gender of the main characters.
The villa is occupied by two gay friends of Frédérique, Robegue and Riasis. At a party, Why meets an architect, Paul Thomas. She leaves the party with him. They are followed by Robegue and Riasis, acting on Frédérique's orders. They watch as Paul sleeps with Why.
Frédérique visits Paul and sets out to seduce him. The two start having an affair. Frédérique invites Paul to move into the villa, kicking out Robegue and Riasis.
One morning Why finds a note saying that Paul and Frédérique have gone to Paris. She follows them and goes to Frédérique's apartment. Discovering Frédérique alone, Why confesses to being jealous of both Frédérique and Paul. Frédérique tells Why she finds her love repulsive, and Why stabs her with a poisoned dagger.
Why calls Paul, pretending to be Frédérique, and invites him to the apartment. When he arrives Why is waiting for him dressed in Frédérique's clothes.
Chabrol talked about the story:
It is about the equilibrium of such a relationship, when someone else intervenes about the bargains that people make with each other. And about the rich, the advantage that they have over the poor, their richness. They can buy people, and the poor have to submit, until they revolt, and the only possible revolt is destruction. It is from a Marxist point of view but it is not political at all. I'm sure you cannot make a revolution with a camera. But you can show up all the people and things you dislike.
Chabrol said later the film marked a creative turning point for him. "With the films since Les Biches I think I'm finally on the right track," he said. "I knew I was interested in murder but what I didn't realise is that my interest isn't in solving puzzles. I want to study the human behaviour of people involved in murder.
- German, Yuri. "Overview: Les Biches". Allmovie. Retrieved November 18, 2009.
- "Les Biches". Box office Story.
- "Berlinale 1968: Prize Winners". berlinale.de. Retrieved 2010-03-06.
- Ebert, Roger (29 Nov 1970). "This Man Must Commit Murder". New York Times. p. 131.
- Waddy, Stacy (23 Nov 1968). "The bargains people make: Stacy Waddy interviews Claude Chabrol". The Guardian. p. 7.