The Chambermaid on the Titanic

The Chambermaid on the Titanic (Spanish: La camarera del Titanic, French: La Femme de chambre du Titanic, Italian: L'immagine del desiderio) is a 1997 French-Italian-Spanish drama film directed by Bigas Luna, starring Oliver Martinez, Romane Bohringer and Aitana Sanchez-Gijon. It is based on the novel La Femme de chambre du Titanic by Didier Decoin.[1] The film is known variously by its French title, La Femme de chambre du Titanic, and also by the shortened English title The Chambermaid, which was adopted in late August 1998[2] to avoid the impression that it was trying to cash in on the success of James Cameron's popular film, Titanic, which was released the year before The Chambermaid on the Titanic made its US debut.[3]

The Chambermaid on the Titanic
Theatrical release poster
Directed byBigas Luna
Produced by
Written by
Based onLa Femme de chambre du Titanic
by Didier Decoin
Music byAlberto Iglesias
CinematographyPatrick Blossier
Edited byKenout Peltier
La Sept Cinéma
France 2 Cinéma
Rodeo Drive
Mate Producciones S.A.
Tornasol Films
Westdeutscher Rundfunk
Sofinergie 4
Centre National de la Cinématographie
Distributed bySamuel Goldwyn Company
Release date
  • October 24, 1997 (1997-10-24) (Spain)
Running time
96 minutes
LanguageFrench, Spanish, Italian


In 1912, the protagonist, Horty, leads an uneventful life as a foundry worker in the Lorraine region of northern France with his wife, Zoe, "the most beautiful woman in town." The owner of the foundry where Horty works, Simeon, lusts after Zoe. When Horty wins a company athletic contest, Simeon's prize is a ticket to Southampton to see the sailing of the RMS Titanic.

The night before the Titanic departs, Horty meets a beautiful young woman named Marie, who explains that she is a chambermaid aboard the Titanic. Marie has nowhere to sleep because all of the local hotels are full, and Horty agrees to share his room. Their encounter is seemingly chaste, with Marie sleeping in the bed while Horty spends the night in the armchair. However, in the middle of the night Marie tries to seduce him. Whether or not she succeeds is ambiguous, and she is gone when Horty awakes. Attending the departure of the Titanic, Horty spots a photographer taking a picture of Marie, and asks the photographer for the photo.

Upon returning home, Horty finds that he has been promoted, but this good news is dampened by rumors of an affair between his wife, Zoe, and the foundry owner, Simeon. A bitter and jealous Horty visits a local bar to drown his sorrows. Drunk, he tells friends and co-workers about the lovely chambermaid he met in Southampton, earning him free drinks and tips. Following the sinking of the Titanic, Horty's tales become increasingly erotic, and the viewer is never sure what is truth and what is fantasy.

Horty catches the attention of a traveling entertainer named Zeppe. Zeppe offers Horty the chance to escape his dismal dreary life. Horty agrees and begins to work with Zeppe, converting his story into a play. One night, Zoe attends the play; later, Horty explains his tale as a work of fiction. However, Horty's story becomes more elaborate and romantic attracting a larger audience for each re-telling steadily driving a wedge between him and his wife. Eventually Zoe demands a part in the performance, playing the role of Marie poignantly fighting against the waves after the Titanic sinks. The film ends by revealing why Marie would sleep with Horty.



The Chambermaid on the Titanic received an 81% fresh rating on Rotten Tomatoes based on 16 reviews.[4] Mick LaSelle of the San Francisco Chronicle praised Chambermaid for what he felt was a rare honest portrayal of male sexuality. He also called it "a tribute to longing itself" saying that that made it "unique."[3] Bill Gallo of the Dallas Observer called it "beautiful, complex [and] occasionally overwrought" and "a rich meditation on the uses of imagination and the power of desire".[5] However, Stephen Holden of the New York Times felt that the film "never finds a visual vocabulary to match the elegance of its ideas".[1] Richard von Busack of Metro Silicon Valley criticised some of the casting, finding Aitana Sanchez-Gijon as Marie too obvious a temptress and never quite believing that Romane Bohringer as Zoe could have been unfaithful. However, he compared Chambermaid favourably to James Cameron's film Titanic saying The Chambermaid on the Titanic "is a smarter and far more elegant film" and that "it gets into the heart of the matter. The central question is not why did the great ship go down? but why do we love to tell stories about it?"[6] Peter Keough of The Phoenix agreed saying, "[Chambermaid's] treatment of the same themes of love, catastrophe, and the redeeming power of fantasy is a lot more subtle and satisfying."[2] Jeff Vice of the Deseret News was unimpressed with the film feeling that the ending was "contrived" and that many of the cast seem "unsure of [their] motivations". He also felt that "the set pieces are bound to pale in comparison to those in [James Cameron's film] Titanic."[7]



  1. Stephen Holden (14 August 1998). "A Sensual Story the Heart Tells the Head". New York Times. Retrieved 18 June 2011.
  2. Peter Keough (27 August 1998). "Chambermaid cleans up on the Titanic". The Phoenix. Retrieved 19 June 2011.
  3. Mick LaSalle (4 September 1998). "More Legendary Romance on Titanic `Chambermaid' looks at power of fantasies". San Francisco Chronicle. Retrieved 19 June 2011.
  4. The Chambermaid on the Titanic at Rotten Tomatoes
  5. Bill Gallo (17 September 1998). "A night to remember". Dallas Observer. Retrieved 19 June 2011.
  6. Richard von Busack (3–9 September 1998). "Mythic Romance". Metro. Retrieved 19 June 2011.
  7. Jeff Vice (9 October 1998). "Chambermaid, The". Deseret News. Retrieved 19 June 2011.
  8. Kim Williamson (14 August 1998). "The Chambermaid on the Titanic". Box Office Magazine. Retrieved 19 June 2011.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.