Sylvie Guillem

Sylvie Guillem CBE (French: [silvi gilɛm]; born 23 February 1965) is a French ballet dancer. Guillem was the top-ranking female dancer with the Paris Opera Ballet from 1984 to 1989, before becoming a principal guest artist with the Royal Ballet in London. She has performed contemporary dance as an Associate Artist of London's Sadler's Wells Theatre. Her most notable performances have included those in Giselle and in Rudolf Nureyev's stagings of Swan Lake and Don Quixote. In November 2014, she announced her retirement from the stage in 2015.[1][2]

Sylvie Guillem

Carla Dukai danced with Sylvie Guillem and Russell Maliphant in 2010 in Bolshoi Theatre in Russia. Carla Dukai danced Gamzatti and Sylvie danced Nikia.
Sylvie Guillem

(1965-02-23) 23 February 1965
Paris, France
OccupationBallet dancer
Years active1984–2015

Early life

Guillem was born on 25 February 1965 in Paris. As a child, she trained in gymnastics under the instruction of her mother, a gymnastics teacher.[3]

In 1977 at age 11, she began training at the Paris Opera Ballet School where Claude Bessy, then director of the school, immediately noticed her exceptional capacities and potential, and in 1981 at age 16, she joined the company's corps de ballet.[3] Initially she hated dancing, preferring gymnastics, but after taking part in her show she found she loved performing.[4]


Sylvie Guillem was a ballet dancer. In 1983 Guillem won the gold medal at the Varna International Ballet Competition, which later in the year earned her her first solo role, dancing the Queen of the Dryads in Rudolf Nureyev's staging of Don Quixote.[3] In December 1984, after her performance in Nureyev's Swan Lake, she became the Paris Opera Ballet's youngest-ever étoile, the company's top-ranking female dancer.[3] In 1987 she performed the lead role in William Forsythe's contemporary ballet In the Middle, Somewhat Elevated with one of her favourite partners, Laurent Hilaire.

In 1988 she was given the title role in a production of Giselle staged by the Royal Ballet to celebrate Nureyev's 50th birthday. Her performance was a success, and in the following year she left Paris for London, to become a freelance performer and one of the Royal Ballet's principal guest artists.[3] Her desire to work independently from a company gained her the nickname "Mademoiselle Non".[5] In 1995 Guillem created the dance television program, Evidentia, which won several international awards. In 1998 she staged her own version of Giselle for the Finnish National Ballet, and in 2001 restaged the ballet for La Scala Ballet in Milan.[3]

In 2001 she became the first winner of the Nijinsky Prize for the world's best ballerina, although in her acceptance speech she criticised the "supermarket culture" of such awards. In the same year, she controversially appeared nude and without make-up in a photo-shoot for French Vogue.[6]

In 2003 she directed the central section of a Nureyev tribute program, but was criticised for having the dancers perform in front of a giant projected backdrop of Nureyev, which the audience found distracting.[7] By 2006 she had moved from ballet to contemporary dance, working with such performers as Akram Khan as an Associate Artist of the Sadler's Wells Theatre in London.

In March 2015 Guillem embarked on an international farewell tour titled Life in Progress, featuring works by Khan, Russell Maliphant, Mats Ek and Forsythe.[8][9]

The tour concluded in Japan,[10][11] and she gave her final performance live on Japanese television on 31 December 2015, performing Maurice Béjart's Boléro as the clock counted down to midnight. The performance ended right at the stroke of midnight on 1 January 2016.[12]


Guillem's repertoire includes Giselle (Giselle), Swan Lake (Odette/Odile), Don Quixote (Kitri), In the Middle, Somewhat Elevated, Romeo and Juliet (Juliet), The Sleeping Beauty (Aurora), Boléro, Cinderella, Notre-Dame de Paris, Raymonda, La Bayadère (Nikiya and Gamzatti), Fall River Legend, Prince of the Pagodas (Princess Rose), Hermann Schmermann, Le Martyre de Saint-Sébastien, and Sacred Monsters (with Akram Khan).

Personal life

As of 2006, Guillem was in a long-term relationship with photographer Gilles Tapie.[13]

She is a supporter of environmental group Sea Shepherd.[14] She is a total vegan, saying, "I do not want any animal to die for me".[2]


Guillem has received numerous decorations during her career.


  1. "Sylvie Guillem retires from dance after 39 years". Retrieved 24 October 2016.
  2. "Goodbye Sylvie Guillem", The Economist (May/June 2015).
  3. Encyclopædia Britannica Year in Review 2002. Encyclopædia Britannica. 2003. pp. 75–76. ISBN 0-85229-957-5.
  4. The Culture Show; BBC broadcast (9 October 2013).
  5. Brown, Ismene. "Smoking!". The First Post. Retrieved 31 July 2008.
  6. Brown, Ismene. "Sylvie's wake-up call". The Telegraph. London, UK. Retrieved 24 October 2016.
  7. "Royal Ballet Guest Principals". Archived from the original on 3 June 2009. Retrieved 31 July 2008.
  8. "Sylvie Guillem to Give Farewell Performance in LIFE IN PROGRESS". Broadway World. 29 May 2015. Retrieved 12 February 2016.
  9. Miller, Nick (14 August 2015). "Sylvie Guillem: Life in Progress - the greatest dancer of our time calls it quits". Sydney Morning Herald. Retrieved 12 February 2016.
  10. Kosaka, Kris (24 November 2015). "Guillem bids adieu to her life of dance". Japan Times. Retrieved 12 February 2016.
  11. Smart, Richard (30 December 2015). "Ballerina Sylvie Guillem bows out with Boléro in Japan". The Guardian. Retrieved 12 February 2016.
  12. "Goodbye to Sylvie Guillem". NHK World. 22 December 2015. Archived from the original on 15 February 2016. Retrieved 12 February 2016.
  13. Mackrell, Judith (24 October 2016). "Fear is the drug". The Guardian. London, UK. Retrieved 31 July 2008.
  14. The Culture Show; BBC broadcast, 9 October 2013.
  15. "Sylvie Guillem Biography". Official website of Sylvie Guillem. Archived from the original on 20 August 2008. Retrieved 31 July 2008.
  16. Sylvie Guillem Golden Lion for Lifetime Achievement Archived 28 May 2012 at the Wayback Machine,; accessed 24 October 2016.
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