A silversmith is a metalworker who crafts objects from silver. The terms silversmith and goldsmith are not exactly synonyms as the techniques, training, history, and guilds are or were largely the same but the end product may vary greatly as may the scale of objects created.


In the ancient Near East the value of silver to gold being less, allowed a silversmith to produce objects and store these as stock. Ogden states that according to an edict written by Diocletian in 301 A.D., a silversmith was able to charge 75, 100, 150, 200, 250, or 300 denarii for material produce (per Roman pound). At that time, guilds of silversmiths formed to arbitrate disputes, protect its members' welfare and educate the public of the trade.[2]

Silversmiths in medieval Europe and England formed guilds and transmitted their tools and techniques to new generations via the apprentice tradition. Silver working guilds often maintained consistency and upheld standards at the expense of innovation. Beginning in the 17th century, artisans emigrated to America and experienced fewer restrictions. As a result, silver working was one of the trades that helped to inaugurate the Technological and industrial history of the United States Silver-working shift to industrialization in America.

Very exquisite and distinctly designed silverware, that goes by the name of Swami Silver, emerged from the stable of watchmaker turned silversmith P Orr and Sons in the South Indian city of Madras (now Chennai) during the British rule in 1875.

The Falasha Clan , or Beta Israel, of Ethiopia were known for their silversmithing skills.

Tools, materials and techniques

Silversmiths saw or cut specific shapes from sterling and fine silver sheet metal and bar stock, and then use hammers to form the metal over anvils and stakes. Silver is hammered cold (at room temperature). As the metal is hammered, bent, and worked, it 'work-hardens'. Annealing is the heat-treatment used to make the metal soft again. If metal is work-hardened, and not annealed occasionally, the metal will crack and weaken the work.

Silversmiths can use casting techniques to create knobs, handles and feet for the hollowware they are making.

After forming and casting, the various pieces may be assembled by soldering and riveting.

During most of their history, silversmiths used charcoal or coke fired forges, and lung-powered blow-pipes for soldering and annealing. Modern silversmiths commonly use gas burning torches as heat sources. A newer method is laser beam welding.

Silversmiths may also work with copper and brass, especially when making practice pieces, due to those materials having similar working properties and being more affordable than silver.

Although jewelers also work in silver and gold, and many of the techniques for working precious metals overlap, the trades of jeweler and Silversmith have distinct histories. Chain-making and gem-setting are common practices of jewelers that are not usually considered aspects of silversmiths.

The tradition of making (iron / plate) armor was interrupted sometime after the 17th century. Silversmithing and goldsmithing, by contrast, have an unbroken tradition going back many millennia. The techniques used to make armor today (whether for movies or for historical recreation groups) are an amalgam of silversmith forming techniques and blacksmith iron-handling techniques.

Canadian observations

In the western Canadian silversmith tradition, guilds do not exist; however, mentoring through colleagues becomes a method of professional learning within a community of craftspersons.[4]

In the native Canadian western tradition, silversmithing is done through hand tooling and bright-cut engraving of silver. There are silversmiths who only make jewellery and there are silversmiths who only make utensils.[5]

Notable and historical silversmiths


* still living.
** Garrad & Co. was founded by George Wickes in London in 1722, and is still operating.

See also


  1. Marcin Latka. "Silver sarcophagus of Saint Stanislaus". artinpl. Retrieved 3 August 2019.
  2. Jack Ogden (1992). Ancient Jewelry. University of California Press. Retrieved 10 April 2012.
  3. Brain, Charles. "Pickling Notes". The Ganoksin Project. Retrieved 15 June 2013.
  4. Mangum, A.J. "Trade Secrets". Western Horseman. National Cowboy & Western Heritage Museum. Archived from the original on 8 March 2013. Retrieved 18 March 2019.
  5. Blair, Claude (1987). The Craft of Silversmith. The History of Silver. Ballantine Books. p. 225. ISBN 1-85501-900-0.
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