Seymour Nebenzal (22 July 1899 – 23 September 1961) was an American-born, Jewish-German film producer. He produced 46 films between 1927 and 1961.
|Died||23 September 1961 62) (aged|
He got into film production through his father Heinrich Nebenzahl (1870–1938) who in the early 1920s worked with German action star Harry Piel. In 1926 Heinrich Nebenzahl and director-producer Richard Oswald founded the company Nero-Film. As head of this company Seymour Nebenzal became one of the most important producers of the transition period from silent to sound film in Germany. He worked with the directors Georg Wilhelm Pabst, Arthur Ripley, Douglas Sirk, Harold S. Bucquet, Edgar G. Ulmer, Léonide Moguy, Paul Czinner and Fritz Lang among others.
In 1933 the Nazis forced him into exile. In Paris he produced films by other exiles from Germany such as his cousin Robert Siodmak and Max Ophüls as well as Anatole Litvak, Fedor Ozep, and Raymond Bernard.
In 1939 he went on to Hollywood where he became one of the first independent producers. He made films with Edgar G. Ulmer, Douglas Sirk, Léonide Moguy, Arthur Ripley, and Albert S. Rogell. He produced remakes of his successes from the early 1930s: Siren of Atlantis with Maria Montez and M (1951), that was directed by Joseph Losey.
Associate producer of M (1951) was his son Harold Nebenzal (31 March 1922 in Berlin – 14 February 2019 in Los Angeles) who became a script writer (The Wilby Conspiracy), film producer (Cabaret, Gabriela) and novelist (Cafe Berlin). Harold was in charge of foreign film production for many years for MGM, and also worked on many of the films of Billy Wilder, Harold's closest friend for 30 years. Seymour had years earlier made possible Wilder's first film, People on Sunday, by borrowing the needed funds to make the picture from his father, Heinrich.
- His Greatest Bluff (1927)
- The Prisoners of Shanghai (1927)
- Night of Mystery (1927)
- The Last Fort (1928)
- Love's Masquerade (1928)
- The Story of a Little Parisian (1928)
- Tragedy at the Royal Circus (1928)
- Scampolo (1928)
- Die Büchse der Pandora (1929)
- Perjury (1929)
- Diary of a Coquette (1929)
- Marriage in Trouble (1929)
- People on Sunday (1930)
- Westfront 1918 (1930)
- Scandalous Eva (1930)
- The Widow's Ball (1930)
- Kohlhiesel's Daughters (1930)
- Die 3-Groschen-Oper (1931)
- Ariane (1931)
- A Night at the Grand Hotel (1931)
- M (1931)
- Ariane (1931)
- 24 Hours in the Life of a Woman (1931)
- Kameradschaft (1931)
- L'Atlantide (1932) three versions: German, French, and English
- Das Testament des Dr. Mabuse (1933)
- Le sexe faible (1933)
- Three Lucky Fools (1933)
- The Crisis is Over (1934)
- Parisian Life (1936)
- Mayerling (1936)
- White Cargo (1937)
- The Novel of Werther (1938)
- Princess Tarakanova (1938)
- Les ôtages (1939)
- We Who Are Young (1940)
- Hitler's Madman (1943)
- Summer Storm (1944)
- Whistle Stop (1945)
- The Chase (1946)
- Siren of Atlantis (1948)
- M (1951)
- Girl from Hong Kong (1961)
- Erika Wottrich (Ed.), M wie Nebenzahl. Nero - Filmproduktion zwischen Europa und Hollywood, Munich, edition text + kritik, 2002
- "Seymour Nebenzal". Film Portal. Retrieved 4 January 2019.
- McGilligan, Patrick (1997). Fritz Lang: The Nature of the Beast. New York: St. Martin's Press. p. 169.