Sammy Davis Jr.

Samuel George Davis Jr. (December 8, 1925 – May 16, 1990) was an American singer, musician, dancer, actor, vaudevillian, comedian and activist known for his impressions of actors, musicians and other celebrities. At age three, Davis Jr. began his career in vaudeville with his father Sammy Davis Sr. and the Will Mastin Trio, which toured nationally. After military service, Davis Jr. returned to the trio and became an overnight sensation following a nightclub performance at Ciro's (in West Hollywood) after the 1951 Academy Awards. With the trio, he became a recording artist. In 1954, at the age of 29, he lost his left eye in a car accident. Several years later, he converted to Judaism, finding commonalities between the oppression experienced by African-American and Jewish communities.[2]

Sammy Davis Jr.
Davis in 1972
Samuel George Davis Jr.

(1925-12-08)December 8, 1925
Harlem, New York, U.S.
DiedMay 16, 1990(1990-05-16) (aged 64)
Resting placeForest Lawn Memorial Park, Glendale, California, U.S.
  • Singer
  • dancer
  • actor
  • comedian
  • activist
Years active1933–1990[1]
Musical career
  • Vocals
  • piano
  • drums
Associated acts Ray Vasquez

After a starring role on Broadway in Mr Wonderful (1956), he returned to the stage in 1964's Golden Boy. Davis Jr.'s film career began as a child in 1933. In 1960, he appeared in the Rat Pack film Ocean's 11. In 1966, he had his own TV variety show, titled The Sammy Davis Jr. Show. While Davis' career slowed in the late 1960s, his biggest hit, "The Candy Man", reached the top of the Billboard Hot 100 in June 1972, and he became a star in Las Vegas, earning him the nickname "Mister Show Business".[3][4]

Davis had a complex relationship with the black community and drew criticism after publicly supporting President Richard Nixon in 1972. One day on a golf course with Jack Benny, he was asked what his handicap was. "Handicap?" he asked. "Talk about handicap. I'm a one-eyed Negro who's Jewish."[5][6] This was to become a signature comment, recounted in his autobiography and in many articles.[7]

After reuniting with Frank Sinatra and Dean Martin in 1987, Davis toured with them and Liza Minnelli internationally, before his death in 1990. He died in debt to the Internal Revenue Service,[8] and his estate was the subject of legal battles.[9] Davis Jr. was awarded the Spingarn Medal by the NAACP and was nominated for a Golden Globe Award and an Emmy Award for his television performances. He was the recipient of the Kennedy Center Honors in 1987, and in 2001, he was posthumously awarded the Grammy Lifetime Achievement Award.

Early life

Davis was born on December 8, 1925 in the Harlem section of Manhattan in New York City, the son of African-American entertainer and stage performer Sammy Davis Sr. (1900–1988) and Cuban American tap dancer and stage performer Elvera Sanchez (1905–2000).[10] In the 2003 biography In Black and White, author Wil Haygood wrote that Davis' mother was born in New York City to Afro-Cuban parents.[11][12] Davis' parents were vaudeville dancers. As an infant, he was reared by his paternal grandmother. When he was three years old, his parents separated. His father, not wanting to lose custody of his son, took him on tour.

Davis learned to dance from his father and his "uncle" Will Mastin. Davis joined the act as a child and they became the Will Mastin Trio. Throughout his career, Davis included the Will Mastin Trio in his billing. Mastin and his father shielded him from racism, such as by explaining race-based snubs as jealousy. However, when Davis served in the United States Army during World War II, he was confronted by strong prejudice. He later said: "Overnight the world looked different. It wasn't one color any more. I could see the protection I'd gotten all my life from my father and Will. I appreciated their loving hope that I'd never need to know about prejudice and hate, but they were wrong. It was as if I'd walked through a swinging door for 18 years, a door which they had always secretly held open."[13] At age seven, Davis played the title role in the film Rufus Jones for President, in which he sang and danced with Ethel Waters.[14] He lived for several years in Boston's South End, and reminisced years later about "hoofing and singing" at Izzy Ort's Bar & Grille.[15]

Military service

During World War II, Davis was drafted into the U.S. Army in 1943 aged 18.[16] He was frequently abused by white soldiers from the South and later recounted that "I must have had a knockdown, drag-out fight every two days.” His nose was broken numerous times and permanently flattened. At one point he was offered a beer laced with urine.[17]

He was reassigned to the Army's Special Services branch, which put on performances for troops.[18] At one show he found himself performing in front of soldiers who had previously racially abused him.[16] Davis, who earned the American Campaign Medal and World War II Victory Medal, was discharged in 1945 with the rank of private.[16] He later said, "My talent was the weapon, the power, the way for me to fight. It was the one way I might hope to affect a man's thinking."[19]


After his discharge, Davis rejoined the family dance act, which played at clubs around Portland, Oregon. He also recorded blues songs for Capitol Records in 1949, under the pseudonyms Shorty Muggins and Charlie Green.[20]

On March 23, 1951, the Will Mastin Trio appeared at Ciro's as the opening act for headliner Janis Paige. They were to perform for only 20 minutes but the reaction from the celebrity-filled crowd was so enthusiastic, especially when Davis launched into his impressions, that they performed for nearly an hour, and Paige insisted the order of the show be flipped.[17] Davis began to achieve success on his own and was singled out for praise by critics, releasing several albums.[21]

In 1953, Davis was offered to his own television show on ABC, Three for the Road — with the Will Mastin Trio.[22][23][24] The network spent $20,000 filming the pilot which presented African Americans as struggling musicians, not slapstick comedy or the stereotypical mammy roles of the time. The cast included Frances Davis who was the first black ballerina to perform for the Paris Opera, actresses Ruth Attaway and Jane White, and Federick O'Neal who founded the American Negro Theater. The network couldn't get a sponsor, so the show was dropped.[24]

In 1954, Davis was hired to sing the title song for the Universal Pictures film Six Bridges to Cross.[25][26] In 1956, he starred in the Broadway musical Mr. Wonderful.

In 1958, Davis was hired to crown the winner of the Miss Cavalcade of Jazz beauty contest for the famed fourteenth Cavalcade of Jazz concert produced by Leon Hefflin Sr. held at the Shrine Auditorium on August 3. The other headliners were Little Willie John, Sam Cooke, Ernie Freeman, and Bo Rhambo. The event featured the top four prominent disc jockey of Los Angeles.[27][28]

In 1959, Davis became a member of the Rat Pack, led by his friend Frank Sinatra, which included fellow performers Dean Martin, Joey Bishop, and Peter Lawford, a brother-in-law of John F. Kennedy. Initially, Sinatra called the gathering "the Clan", but Davis voiced his opposition, saying that it reminded people of the Ku Klux Klan. Sinatra renamed the group "the Summit". One long night of poker that went on into the early morning saw the men drunken and disheveled. As Angie Dickinson approached the group, she said, "You all look like a pack of rats." The nickname caught on, and they were called the Rat Pack, the name of its earlier incarnation led by Humphrey Bogart and Lauren Bacall, who originally made the remark of the "pack of rats" about the group around her husband Bogart.

The group around Sinatra made several movies together, including Ocean's 11 (1960), Sergeants 3 (1962), and Robin and the 7 Hoods (1964), and they performed onstage together in Las Vegas.

Davis was a headliner at The Frontier Casino in Las Vegas, but, due to Jim Crow practices in Las Vegas, he was required (as were all black performers in the 1950s) to lodge in a rooming house on the west side of the city, instead of in the hotels as his white colleagues did. No dressing rooms were provided for black performers, and they had to wait outside by the swimming pool between acts. Davis and other black artists could entertain but could not stay at the hotels where they performed, gamble in the casinos, or dine or drink in the hotel restaurants and bars. Davis later refused to work at places which practiced racial segregation.[29]

Canada provided opportunities for performers like Davis unable to break the color barrier in U.S. broadcast television, and in 1959, he starred in his own TV special Sammy's Parade on the Canadian network CBC[30] It was a breakthrough event for the performer, as in the United States in the 1950s, corporate sponsors largely controlled the screen: "Black people not portrayed very well on television, if at all," according to Jason King of the Clive Davis Institute of Recorded Music.[31]

In 1964, Davis was starring in Golden Boy at night and shooting his own New York-based afternoon talk show during the day. When he could get a day off from the theater, he recorded songs in the studio, performed at charity events in Chicago, Miami, or Las Vegas, or appeared on television variety specials in Los Angeles. Davis felt he was cheating his family of his company, but he said he was incapable of standing still.

Although he was still popular in Las Vegas, he saw his musical career decline by the late 1960s. He had a No. 11 hit (No. 1 on the Easy Listening singles chart) with "I've Gotta Be Me" in 1969. He signed with Motown to update his sound and appeal to young people.[32] His deal to have his own label with the company fell through. He had an unexpected No. 1 hit with "The Candy Man" with MGM Records in 1972. He did not particularly care for the song and was chagrined that he had become known for it, but Davis made the most of his opportunity and revitalized his career.

Although he enjoyed no more Top 40 hits, he did enjoy popularity with his 1976 performance of the theme song from the Baretta television series, "Baretta's Theme (Keep Your Eye on the Sparrow)" (1975–1978), which was released as a single (20th Century Records). He appeared on the television shows The Rifleman, I Dream of Jeannie, All in the Family (during which he famously kisses Archie Bunker (Carroll O'Connor) on the cheek), and Charlie's Angels (with his wife, Altovise Davis). He appeared in Japanese commercials for Suntory whisky in the 1970s.

On December 11, 1967, NBC broadcast a musical-variety special featuring Nancy Sinatra, daughter of Frank Sinatra, titled Movin' with Nancy. In addition to the Emmy Award-winning musical performances, the show is notable for Nancy Sinatra and Davis greeting each other with a kiss, one of the first black-white kisses in US television.[33]

Davis had a friendship with Elvis Presley in the late 1960s, as they both were top-draw acts in Vegas at the same time. Davis was in many ways just as reclusive during his hotel gigs as Elvis was, holding parties mainly in his penthouse suite which Elvis occasionally attended. Davis sang a version of Presley's song "In the Ghetto" and made a cameo appearance in Presley's concert film Elvis: That's the Way It Is. One year later, he made a cameo appearance in the James Bond film Diamonds Are Forever, but the scene was cut. In Japan, Davis appeared in television commercials for coffee, and in the United States he joined Sinatra and Martin in a radio commercial for a Chicago car dealership.

On May 27–28, 1973, Davis hosted (with Monty Hall) the first annual, 20-hour Highway Safety Foundation telethon. Guests included Muhammad Ali, Paul Anka, Jack Barry, Dr. Joyce Brothers, Ray Charles, Dick Clark, Roy Clark, Howard Cosell, Ossie Davis, Ruby Dee, Joe Franklin, Cliff Gorman, Richie Havens, Danny Kaye,[34] Jerry Lewis, Hal Linden, Rich Little, Butterfly McQueen, Minnie Pearl, Boots Randolph, Tex Ritter, Phil Rizzuto, The Rockettes, Nipsey Russell, Sally Struthers, Mel Tillis, Ben Vereen, and Lawrence Welk. It was a financial disaster. The total amount of pledges was $1.2 million. Actual pledges received were $525,000.[35]

Davis was a huge fan of daytime television, particularly the soap operas produced by the American Broadcasting Company. He made a cameo appearance on General Hospital and had a recurring role as Chip Warren on One Life to Live, for which he received a 1980 Daytime Emmy Award nomination. He was also a game show fan, appearing on Family Feud in 1979 and Tattletales with his wife Altovise in the 1970s.

Davis was an avid photographer who enjoyed shooting pictures of family and acquaintances. His body of work was detailed in a 2007 book by Burt Boyar titled Photo by Sammy Davis, Jr.[36] "Jerry [Lewis] gave me my first important camera, my first 35 millimeter, during the Ciro's period, early '50s," Boyar quotes Davis. "And he hooked me." Davis used a medium format camera later on to capture images. Boyar reports that Davis had said, "Nobody interrupts a man taking a picture to ask ... 'What's that nigger doin' here?'" His catalog includes rare photos of his father dancing onstage as part of the Will Mastin Trio and intimate snapshots of close friends Jerry Lewis, Dean Martin, Frank Sinatra, James Dean, Nat "King" Cole, and Marilyn Monroe. His political affiliations also were represented, in his images of Robert Kennedy, Jackie Kennedy, and Martin Luther King Jr. His most revealing work comes in photographs of wife May Britt and their three children, Tracey, Jeff and Mark.

Davis was an enthusiastic shooter and gun owner. He participated in fast-draw competitions. Johnny Cash recalled that Davis was said to be capable of drawing and firing a Colt Single Action Army revolver in less than a quarter of a second.[37] Davis was skilled at fast and fancy gunspinning and appeared on television variety shows showing off this skill. He also demonstrated gunspinning to Mark on The Rifleman in "Two Ounces of Tin." He appeared in Western films and as a guest star on several television Westerns.

Vietnam performances

In February 1972, during the later stages of the Vietnam War, Davis went to Vietnam to observe military drug abuse rehabilitation programs and talk to and entertain the troops. He did this as a representative from President Nixon’s Special Action Office For Drug Abuse Prevention.[38] He performed shows for up to 15,000 troops; after one two-hour performance he reportedly said "I've never been so tired and felt so good in my life."[39] The U.S. Army made a documentary about Davis' time in Vietnam performing for troops on behalf of Nixon's drug treatment program.[40]

Personal life

Accident and conversion

Davis nearly died in an automobile accident on November 19, 1954, in San Bernardino, California, as he was making a return trip from Las Vegas to Los Angeles.[41] During the previous year, he had started a friendship with comedian and host Eddie Cantor, who had given him a mezuzah. Instead of putting it by his door as a traditional blessing, Davis wore it around his neck for good luck. The only time he forgot it was the night of the accident.[42] The accident occurred at a fork in U.S. Route 66 at Cajon Boulevard and Kendall Drive.[43] Davis lost his left eye to the bullet-shaped horn button (a standard feature in 1954 and 1955 Cadillacs) as a result. His friend, actor Jeff Chandler, said he would give one of his own eyes if it would keep Davis from total blindness.[44] Davis wore an eye patch for at least six months following the accident.[45][46] He was featured with the patch on the cover of his debut album and appeared on What's My Line? wearing the patch.[47] Later, he was fitted for a glass eye, which he wore for the rest of his life.

Eddie Cantor talked to Davis in the hospital about the similarities between the Jewish and black cultures. Davis, who was born to a Catholic mother and Baptist father, began studying the history of Jews. He converted to Judaism several years later in 1961.[5][48] One passage from his readings (from the book A History of the Jews by Abram L. Sachar), describing the endurance of the Jewish people, interested him in particular: "The Jews would not die. Three millennia of prophetic teaching had given them an unwavering spirit of resignation and had created in them a will to live which no disaster could crush."[49] The accident marked a turning point in Davis' career, taking him from a well-known entertainer to a national celebrity.[50]


In 1957, Davis was involved with actress Kim Novak, who was under contract with Columbia Pictures. Because Novak was white, Harry Cohn, the president of Columbia, gave in to his worries that racist backlash against the relationship could hurt the studio. There are several accounts of what happened, but they agree that Davis was threatened by organized crime figures close to Cohn.[51] According to one account, Cohn called racketeer John Roselli, who was told to inform Davis that he must stop seeing Novak. To try to scare Davis, Roselli had him kidnapped for a few hours.[52] Another account relates that the threat was conveyed to Davis' father by mobster Mickey Cohen.[51] Davis was threatened with the loss of his other eye or a broken leg if he did not marry a black woman within two days. Davis sought the protection of Chicago mobster Sam Giancana, who said that he could protect him in Chicago and Las Vegas but not California.[17] [51][53]

Davis briefly married black dancer Loray White in 1958 to protect himself from mob violence[51]; Davis had previously dated White, who was 23, twice divorced and had a six-year-old child.[17] He paid her a lump sum, $10,000 or $25,000, to engage in a marriage on the condition that it would be dissolved before the end of the year.[17][51] Davis became inebriated at the wedding and attempted to strangle White en route to their wedding suite. Checking on him later, Silber found Davis with a gun to his head. Davis despairingly said to Silber, "Why won’t they let me live my life?" The couple never lived together,[17] and commenced divorce proceedings in September 1958.[51][54] The divorce was granted in April 1959.[55]

In 1960, there was another racially charged public controversy when Davis married white, Swedish-born actress May Britt in a ceremony officiated by Rabbi William M. Kramer at Temple Israel of Hollywood. While interracial marriage had been legal in California since 1948, anti-miscegenation laws in the United States still stood in 23 states, and a 1958 opinion poll had found that only 4 percent of Americans supported marriage between black and white spouses.[56] Davis received racist hate mail while starring in the Broadway adaptation of Golden Boy during 1964–1966, in which his character is in a relationship with a white woman, paralleling his own interracial relationship. At the time Davis appeared in the musical, although New York had no laws against it, debate about interracial marriage was still ongoing in America as Loving v. Virginia was being fought. It was only in 1967, after the musical had closed, that anti-miscegenation laws in all states were ruled unconstitutional by the Supreme Court of the United States.[57]

Davis' daughter Tracey Davis also revealed in a 2014 book that this marriage also resulted in President Kennedy refusing to allow Davis to perform at his Inauguration.[58] The snub was confirmed by director Sam Pollard, who revealed in a 2017 American Masters documentary that Davis' invitation to perform at his inauguration was abruptly canceled on the night of his inaugural party.[59]

Davis and Britt had one daughter, Tracey, and adopted two sons.[2] Davis performed almost continuously and spent little time with his wife. They divorced in 1968, after Davis admitted to having had an affair with singer Lola Falana. That year, Davis started dating Altovise Gore, a dancer in Golden Boy. They were married on May 11, 1970, by the Reverend Jesse Jackson. Kathy McKee replaced Gore in Davis' nightclub act. They adopted a son, Manny, in 1989. Davis and Gore remained married until his death in 1990.

Political beliefs

Davis was a registered Democrat and supported John F. Kennedy's 1960 election campaign as well as Robert F. Kennedy's 1968 campaign.[60] John F. Kennedy would later refuse to allow Davis to perform at his inauguration on account of his marriage with the white actress May Britt.[58][61] Nancy Sinatra revealed in her 1986 book Frank Sinatra: My Father how Kennedy had planned to snub Davis as plans for his wedding to Britt were unfolding.[61] He went on to become a close friend of President Richard Nixon and publicly endorsed him at the 1972 Republican National Convention.[60] Davis also made a USO tour to South Vietnam at Nixon's request.

Nixon invited Davis and his wife, Altovise, to sleep in the White House in 1973, the first time African-Americans were invited to do so. The Davises spent the night in the Lincoln Bedroom.[62] Davis later said he regretted supporting Nixon, accusing Nixon of making promises on civil rights that he did not keep.[63] Davis was a long-time donor to the Reverend Jesse Jackson's Operation PUSH organization.[64]

Illness and death

In August 1989, Davis began to develop symptomsa tickle in his throat and an inability to taste food.[65] Doctors found a cancerous tumor in Davis' throat.[66] He had often smoked four packs of cigarettes a day as an adult.[66] When told that surgery (laryngectomy) offered him the best chance of survival, Davis replied he would rather keep his voice than have a part of his throat removed; he was initially treated with a combination of chemotherapy and radiation.[65] His larynx was later removed when his cancer recurred.[12][67] He was released from the hospital on March 13, 1990.[68]

Davis died of complications from throat cancer two months later at his home in Beverly Hills, California, on May 16, 1990, aged 64.[68] He was interred in the Forest Lawn Memorial Park. On May 18, 1990, two days after his death, the neon lights of the Las Vegas Strip were darkened for ten minutes as a tribute.[69]


Davis Jr. left the bulk of his estate to his wife, Altovise Davis.[70][71] After her death in 2009, their son Manny was named executor of the estate and majority rights holder of his intellectual property.[72] Davis was inducted into the National Rhythm & Blues Hall of Fame in 2017 in Detroit, Michigan.

On June 25, 2019, The New York Times Magazine listed Sammy Davis Jr. among hundreds of artists whose material was reportedly destroyed in the 2008 Universal fire.[73]



Honors and awards

Grammy Awards

Year Category Song Result Notes
2002 Grammy Hall of Fame Award "What Kind of Fool Am I?" Inducted Recorded in 1962
2001 Grammy Lifetime Achievement Award Winner Posthumously
1972 Pop Male Vocalist "Candy Man" Nominee
1962 Record of the Year "What Kind of Fool Am I?" Nominee
1962 Male Solo Vocal Performance "What Kind of Fool Am I?" Nominee

Emmy Awards

Year Category Program Result
1990 Outstanding Variety, Music or Comedy Sammy Davis Jr.'s 60th Anniversary Celebration Winner[77]
1989 Outstanding Guest Actor in a Comedy Series The Cosby Show Nominee
1980 Outstanding Cameo Appearance in a Daytime Drama Series One Life to Live Nominee
1966 Outstanding Variety Special The Swinging World of Sammy Davis Jr. Nominee
1956 Best Specialty Act — Single or Group Sammy Davis Jr. Nominee

Other honors

Year Category Organization Program Result
2008 International Civil Rights Walk of Fame Martin Luther King Jr. National Historic Site Inducted
2006 Las Vegas Walk of Stars[78] front of Riviera Hotel Inducted
1989 NAACP Image Award NAACP Winner
1987 Kennedy Center Honors John F. Kennedy Center for
the Performing Arts
1984 Worst Supporting Actor Golden Raspberry Awards Cannonball Run II (1984) Nominee
1977 Best TV Actor — Musical/Comedy Golden Globe Sammy and Company (1975) Nominee
1974 Special Citation Award National Academy of Television Arts and Sciences Winner
1968 NAACP Spingarn Medal Award NAACP Winner
1965 Best Actor — Musical Tony Award Golden Boy Nominee
1960 Hollywood Walk of Fame Star at 6254 Hollywood Blvd.




See also


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  3. Casey Kasem's American Top 40 – The 70's from April 29 & May 6, 1972
  4. Sammy Davis Jr.: Mr. Show Business. Retrieved February 2, 2013.
  5. Religion: Jewish Negro Time February 1, 1960
  6. Sammy Davis Jr. "Is My Mixed Marriage Mixing Up My Kids", Ebony, October 1966, p. 124.
  7. Rebecca Dube, "Menorah Illuminates Davis Jr.'s Judaism", The Jewish Daily Forward, May 29, 2009.
  8. Sammy Davis, Jr.'s 'Music, Money, Madness' - NPR
  9. GlobeNewswire (May 6, 2010). "LegalZoom Will Upheld In Sammy Davis, Jr. Estate Battle".
  10. "Obituary: Elvera Davis, 95, Tap Dancer And Mother of Sammy Davis Jr". The New York Times. September 8, 2000. Archived from the original on March 30, 2018. Retrieved September 18, 2009.
  11. "What Made Sammy Dance?". Time. October 23, 2003. Retrieved May 14, 2008.
  12. Haygood, Wil (2003). In Black and White: The Life of Sammy Davis Junior. New York: A. A. Knopf (Random House). p. 516. ISBN 0-375-40354-X. Retrieved April 29, 2006.
  13. Davis, Sammy; Boyar, Jane; Boyar, Burt (2000). Sammy: An Autobiography: with Material Newly Revised from Yes I Can and Why Me?. Farrar, Straus and Giroux. pp. 46–. ISBN 978-0-374-29355-0. Retrieved August 17, 2017.
  14. "Rufus Jones for President", British Film Institute, (1933)
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  17. Kashner, Sam (September 2013). "The Color of Love". Vanity Fair. Retrieved October 6, 2019.
  18. Monod, David (2005). Settling scores: German Music, Denazification, & the Americans, 1945–1953. UNC Press. p. 57.
  19. "Sammy Davis Jr". Oral Cancer Foundation. February 6, 2008. Archived from the original on February 9, 2008. Retrieved May 14, 2008.
  20. Eagle, Bob L.; Leblanc, Eric (2013). Blues: A Regional Experience. ABC-CLIO. p. 261. ISBN 9780313344244. Retrieved January 15, 2016.
  21. E.g. Billboard, July 25, 1953, p. 11.
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  30. Parris, Amanda (April 25, 1986), CBC's digging up its music archives, and it couldn't have happened at a better time, CBC
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  33. Nancy Sinatra (June 17, 2000). "Nancy Sinatra Reminisces; Alan Dershowitz Talks About Justice; Hamilton Jordan Discusses Cancer; Lou Cannon Puts Reagan in Perspective" (transcript). Larry King Live. CNN.
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  35. Staff Writer (1973). "The Highway Safety Foundation: A Chronology". Documenting reality. Retrieved March 5, 2014.
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  69. Clarke, Norm (May 17, 2015). "Anniversary of Sammy Davis Jr.'s death comes and goes in Las Vegas". Las Vegas Review Journal. Retrieved March 30, 2018. Many consider Davis the greatest all-around entertainer. After he died on May 16, 1990, he received the ultimate Las Vegas tribute — the lights went dark on the Strip to honor the song-and-dance icon.
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  72. Yoder, C. (June 2010). "Sammy Davis, Jr.'s Son Tests LegalZoom Last Will in Court". LegalZoom. Retrieved March 30, 2018.
  73. Rosen, Jody (June 25, 2019). "Here Are Hundreds More Artists Whose Tapes Were Destroyed in the UMG Fire". The New York Times. Retrieved June 28, 2019.
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  75. "HOME". I GOTTA BE ME.
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  78. "Las Vegas Walk of Stars" (PDF). Retrieved February 10, 2013.
  79. "Fantasy Island – Season 7, Episode 21: Bojangles and the Dancer / Deuces Are Wild". Retrieved November 21, 2015.
  80. "You Were There", a song by Michael Jackson and Buz Kohan, was performed by Michael Jackson during this show

Further reading


  • Yes, I Can (with Burt and Jane Boyar) (1965), ISBN 0-374-52268-5
  • Why Me? (with Burt and Jane Boyar) (1989), ISBN 0-446-36025-2
  • Sammy (with Burt and Jane Boyar) (2000), ISBN 0-374-29355-4; consolidates the two previous books and includes additional material
  • Hollywood in a Suitcase (1980), ISBN 0-425-05091-2


  • Haygood, Wil (2003). In Black and White: The Life of Sammy Davis, Jr. New York: A. A. Knopf (Random House). ISBN 0-375-40354-X.
  • Birkbeck, Matt (2008), Deconstructing Sammy. Amistad. ISBN 978-0-06-145066-2
  • Silber Jr., Arthur (2003), "Sammy Davis Jr: Me and My Shadow, Samart Enterprises, ISBN 0-9655675-5-9


  • Photo by Sammy Davis, Jr. (Burt Boyar) (2007) ISBN 0-06-114605-6
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