Ross (play)

Ross is a 1960 play by British playwright Terence Rattigan.[1]

1st edition (publ. Hamish Hamilton),
Alec Guinness as Ross
Written byTerence Rattigan
CharactersT. E. Lawrence
Date premiered1960
Place premieredTheatre Royal, Haymarket, London
Original languageEnglish
SettingDorset & Arabia

It is a biographical play about T. E. Lawrence and his time in the Royal Air Force.[2]

Plot synopsis

The play is structured with a framing device set in 1922, when Lawrence was hiding under an assumed name as "Aircraftman Ross" in the Royal Air Force, and is being disciplined by his Flight Lieutenant for alleged misconduct. No one seems to have become aware of his true identity, except for a man named Dickinson, who had seen Lawrence at the Paris Peace Conference of 1919 and quickly attempts to blackmail him to keep his identity secret. Lawrence, however, refuses, and Dickinson decides to reveal his identity to the Daily Mirror.

After Lawrence has a dream sequence, flashing back to the various figures in his life, the play flashes back to mid-1916. Lawrence is being given an unofficial assignment as a liaison officer to the forces of the Arab Revolt, under Prince Feisal (who, although he is frequently mentioned, never appears as a character). Sir Ronald Storrs, the head of the Arab Bureau, tries to talk him out of the mission, as does Colonel Barrington, a bull-headed intelligence officer. Along with two Arab servants, Hamed and Rashid (similar to Lawrence's real-life companions Farraj and Daud), Lawrence enters the desert, revealing that he feels that the supreme being of the world is "the will", and he believes that he can achieve anything if he puts his mind to it.

Lawrence later meets Auda ibu Tayi, leader of the Howeitat tribe of Bedouin, using flattery to convert him to the Arab cause (he has been paid off by the Turks to support them). Auda and Lawrence soon plan an expedition through the Nefud Desert to capture the Turkish-held port of Aqaba, which is weakly defended from the landward side. Along the way to Aqaba, however, he is forced to execute an Arab for murdering another in a feud.

Meanwhile, the Turkish military governor of Deraa and his subordinate, a Captain, watch with growing unease Lawrence's campaign against the Hejaz Railway, though they fail to ascertain the target of his campaign. The General decides to place a reward of £20,000 on Lawrence for his capture, and these leads to a comic scene where the Captain arrives in Auda's camp to offer him the reward, and Lawrence is present. Unable to act despite recognising Lawrence, the Captain is forced to leave the camp. At the end of Act I, Lawrence arrives at an army outpost in the Sinai Peninsula and uses a telephone station (despite the protests of a British naval officer) to report the Arab capture of Aqaba.

Act II begins in the office of the new commander of the Egyptian Expeditionary Force, General Edmund Allenby, who is present with Storrs and Barrington. Allenby asks their opinions of Lawrence before Lawrence himself arrives. Storrs praises Lawrence, while Barrington finds him repugnant and undeserving of a position of responsibility. Allenby engages Lawrence in a brief discussion, which includes chat about archaeology, literature, and furniture, alternating with a serious discussion about the progress of the war. While Allenby wants Lawrence to be the permanent commander of the Arab liaison forces, Lawrence expresses the view that he is not up to the task, and admits to a conflict of conscience over aiding the Arabs while being aware of the Sykes-Picot Agreement to divide up the Ottoman Empire – although Allenby convinces him otherwise.

On a reconnaissance mission in Deraa, Lawrence speaks with Hamed, with whom he has grown close, as Rasheed, the other servant, died on the march to Aqaba. Hamed has tried to bribe more Arabs into joining the cause, but they have been frightened into refusing by the Turks. Lawrence is arrested by a Turkish army sergeant, believing him to be a Circassian army deserter. He is taken back to Turkish HQ, where on the orders of the General, he is beaten and then raped. This is a deliberate action by the General, who feels that Lawrence is too extraordinary an enemy to simply kill; he must destroy his will and his personality through such an act, thus revealing his weakness.

At the beginning of Act III, Allenby has just received word of the fall of Jerusalem and is posing for photographs for a journalist named Franks (a stand-in for Lowell Thomas), who requests an interview with Lawrence. During this scene Barrington (now a Brigadier General on Allenby's staff) asks Lawrence to deny that his men execute prisoners, although he is disgusted when Lawrence admits that they have. Allenby interrupts the conversation, and discusses Lawrence's request to be transferred from Arabia – a request Allenby turns down. Lawrence feels that he has learned "the truth" about himself, refusing to discuss his rape with Allenby. At this point, Storrs enters, informing Allenby that the British government wants him to enter Jerusalem in a triumph – and Allenby all but forces Lawrence to take part in the parade.

The last sequence occurs in September 1918, the last days of the war, after the Battle of Megiddo has smashed the Turkish armies and the road to Damascus is all but open. Speaking with an RAF officer, Flight Lieutenant Higgins, Lawrence recounts his own forces' hand in the operation, including the massacre of 4,000 Turks outside the Tafas village, in retaliation for their sack of the village. However, Higgins is more disturbed about Lawrence's execution of a wounded colleague – later revealed to be Hamed, Lawrence's servant.

Lawrence then meets with Auda, recounting the death of Hamed. Lawrence inadvertently reveals the British treachery towards the Arabs to Auda, although he then promises Auda that he will fight for the Arabs "to the limits of my strength". At this point Barrington arrives, and Auda expresses his admiration for Lawrence to him before exiting.

After Auda's departure, Barrington complains that the Arab forces occupying Deraa have committed atrocities against Turkish soldiers captured there and refuses to allow the Arabs to garrison the city. He also discusses the Tafas massacre with Lawrence, referring to him as a "callous, soulless, sadistic little brute", while Lawrence concedes that he is "lost to all human feeling". The play ends in 1922, with the RAF officers trying to smuggle Lawrence away from the barracks before the press, newly alerted to the identity of "Ross", can descend on them.

Notable productions


  1. "Terence Rattigan plays: timeline and synopsis". 27 September 2017 via
  2. Cavendish, Dominic (9 June 2016). "Ross, Chichester Festival Theatre, review: 'Joseph Fiennes's finest hour in a long while'" via
  3. "Ross - Drama Online".
  4. Wansell, Geoffrey (3 May 2012). "Terence Rattigan: A Biography". Oberon Books via Google Books.
  5. League, The Broadway. "Ross – Broadway Play – Original - IBDB".
  6. "Ross". 18 October 1970 via IMDb.
  7. "Simon Ward: Dashing actor who made his name playing the young Winston". 24 July 2012.
  8. "Production of Ross - Theatricalia".
  9. Brownlow, Kevin. David Lean: A Biography. New York: St. Martin's Press, 1996. p. 407
  10. Wansell, Geoffrey. Terence Rattigan. London: Fourth Estate, 1995. p. 204
  11. "Lawrence of Arabia".
  12. "Google Translate".
  13. "Ross". Chichester Festival Theatre. Retrieved 17 April 2017.
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