Root carving

Root carving is a traditional Chinese art form. It consists of carving and polishing tree roots into various artistic creations.


Using roots to make necessities has been practiced since primitive society. Like other artistic crafts, art of roots produced from primitive labor. The earliest root carvings are “辟邪” and “角形器” showing up in the Warring States period.

In the Sui and Tang dynasties, root carving works not only prevailed in folk, but they were also cherished by the governing class. In the Tang dynasty, people laid emphasis on the natural forms of roots, cleverly taking advantage of the effect of corrosion and moth-eaten.

In the Song and Yuan dynasties, art of root carving not only developed in the court and folk, but also appeared in grottoes and temples. Roots were used to carve the statues of the Buddha, always comparing favorably with the clay.


Root carving preserves natural beauty. Ancient artists created lifelike and vivid works by a special technique using expression based on the roots' natural forms. This kind of creation is not completely artificial, but created by both human beings and nature.

Root carving is different from engraving. It combines peculiarity with ingeniousness. Although its aesthetic principals share common ground with engraving, at the same time they are applied uniquely. The common ground is that they share expressive techniques of wood carving, sculpture, stone carving and so on, overcoming weaknesses by acquiring others strong points. The difference lies in the natural shape of roots. During the creative process, root carving mostly maintains the natural form of the root, adding some artificial polishing. In other words, root carving is guided by the inherent qualities of the root, rather than by shaping images merely through carving.[1][2]


Creative effect achieved from the same material can vary from artist to artist. Within the field three factors are considered of major importance.

  • Uniqueness of the root - To some degree, root carving is an act of discovery. Finding and working with a unique root is half of the task and requires experience and a keen aesthetic vision.
  • Cultural foundation - Rich cultural foundation, referring to the overall creative process, highlights the natural beauty of the root.
  • Craftsmanship - The natural beauty of roots can be realized from a fertile imagination and a high degree of composition.[3][4][5][6][7][8][9][10][11]


  1. "根雕艺术的特点". 2010-03-07. Retrieved 2011-09-22.
  2. "根雕艺术发展史". 2011-06-23. Retrieved 2011-09-22.
  3. "根雕艺术(三)图1_树木果实_天极图片". 2010-12-05. Retrieved 2011-09-22.
  4. "根雕艺术(三)图2_树木果实_天极图片". 2010-12-05. Retrieved 2011-09-22.
  5. "用树根雕塑人生-健康平安网". 2010-05-11. Retrieved 2011-09-22.
  6. "缅甸黄金樟树瘤 让根雕艺术焕发无穷魅力 树瘤- 红木知识、红木种类". 2011-08-23. Retrieved 2011-09-22.
  7. "根雕艺术你了解吗 - 头头外挂网". Retrieved 2011-09-24.
  8. "四川芦山第四届根雕艺术节开幕_四川新闻网-雅安频道". 2011-03-25. Retrieved 2011-09-22.
  9. "嵊州新闻网-中国根雕艺术精品展". Retrieved 2011-09-22.
  10. "根雕艺术概述". Retrieved 2011-09-22.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.