Rasputin the Mad Monk

Rasputin, the Mad Monk is a 1966 Hammer film directed by Don Sharp and starring Christopher Lee as Grigori Rasputin, the Russian peasant-mystic who gained great influence with the Tsars prior to the Russian Revolution. It also features Barbara Shelley, Francis Matthews, Suzan Farmer, Richard Pasco, Dinsdale Landen and Renée Asherson. The story is largely fictionalized, although some of the events leading up to Rasputin's assassination are very loosely based on Prince Yusupov's account of the story. For legal reasons, the character of Yusupov was replaced by Ivan (Matthews). Yusupov was still alive when the film was released, dying on 27 September 1967.

Rasputin, the Mad Monk
Original French film poster
Directed byDon Sharp
Produced byAnthony Nelson Keys
Written byAnthony Hinds
StarringChristopher Lee
Barbara Shelley
Francis Matthews
Richard Pasco
Suzan Farmer
Music byDon Banks
CinematographyMichael Reed
Edited byRoy Hyde
Distributed byWarner-Pathé Distributors (UK)
Twentieth Century-Fox Film Corporation (US)
Release date
6 March 1966 (UK)
6 April 1966 (US)
Running time
91 min.
CountryUnited Kingdom
Budget£100,000 (approx)[1]

The emphasis is on Rasputin's terrifying powers both to work magic and to seduce women.


In the Russian countryside, Rasputin heals the sick wife of an innkeeper (Derek Francis). When he is later hauled before an Orthodox bishop for his sexual immorality and violence, the innkeeper springs to the monk's defense. Rasputin protests that he is sexually immoral because he likes to give God "sins worth forgiving" (loosely based on Rasputin's rumored connection to Khlysty, an obscure Christian sect which believed that those deliberately committing fornication, then repenting bitterly, would be closer to God). He also claims to have healing powers in his hands, and is unperturbed by the bishop's accusation that his power comes from Satan.

Rasputin heads for Saint Petersburg, where he forces his way into the home of Dr. Zargo (Pasco), from where he begins his campaign to gain influence over the Tsarina (Asherson). He manipulates one of the Tsarina's ladies-in-waiting, Sonia (Shelley), whom he uses to satisfy his voracious sexual appetite and gain access to the Tsarina. He places her in a trance and commands her to cause an apparent accident that will injure the czar's young heir Alexei, so that Rasputin can be called to court to heal him. After this success, he hypnotizes the Tsarina to replace her existing doctor with Zargo (who has previously been struck off after a scandal).

However, Rasputin's ruthless pursuit of wealth and prestige, and increasing control over the royal household, attracts opposition. Sonia's brother, Peter (Landen), enraged by Rasputin's seduction of his sister, enlists the help of Ivan to bring about the monk's downfall. Peter, in challenging the monk, is horribly scarred by acid thrown in his face, and suffers a lingering death.

Tricking Rasputin into thinking his sister Vanessa (Farmer) is interested in him, Ivan arranges a supposed meeting. However, Zargo has poisoned the wine and chocolates, which the Monk starts to consume. Soon Rasputin collapses, but the poison is not enough to kill him. In the ensuing struggle between the three men, Zargo is stabbed by Rasputin and quickly dies. Ivan manages to throw Rasputin out of the window to his death.



Rasputin the Mad Monk was filmed back-to-back in 1965 with Dracula: Prince of Darkness, using the same sets at Hammer's Bray Studios. Lee, Matthews, Shelley and Farmer appeared in both films. In some markets, it was released on a double feature with The Reptile.

Don Sharp says the budget was cut during filming, causing the loss of several key scenes. He also claims Yusopov's lawyers threatened Hammer shortly before filming was to commence, necessitating last minute rewriting of the script.[2]

"I think it's the best thing Chris Lee's ever done," said Sharp in 1992. "Rasputin was supposed to have had this ability to hypnotise people, well Chris practically developed that ability."[3]

A scene of Sonia's suicide was filmed but not shown.[4]

The original ending had the lifeless Rasputin lying on the ice with his hands held up to his forehead in benediction. However, it was considered controversial for religious reasons, and was removed. Stills of the original ending still exist.

Sharp says the final fight scene between Francis Matthews and Christopher Lee was greatly cut by Tony Keys when Sharp had to leave the film during editing. Sharp had greatly enjoyed his first two Hammer films but not Rasputin.[5]

As a child in the 1920s, Lee had actually met Rasputin's killer, Felix Yusupov. In later life Lee met Rasputin's daughter Maria.

A novelization of the film was written by John Burke as part of his 1967 book The Second Hammer Horror Film Omnibus.


According to Fox records, the film and The Reptile needed to earn $1,200,000 in rentals to break even and made $1,645,000, meaning it made a profit.[6]


  1. Marcus Hearn & Alan Barnes, The Hammer Story: The Authorised History of Hammer Films, Titan Books, 2007 p. 96
  2. Koetting p 11
  3. Murphy p 23
  4. "Fangs for the Memories Part 2". Fangoria. 2010. p. 60.
  5. Koetting p 11
  6. Silverman, Stephen M (1988). The Fox that got away : the last days of the Zanuck dynasty at Twentieth Century-Fox. L. Stuart. p. 325.


This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.