Peter Collinson (film director)
|Died||16 December 1980 44) (aged|
Peter Collinson was born in Cleethorpes, Lincolnshire in 1936. His parents, an actress and a musician, separated when he was two years old; he was raised by his grandparents. From the age of eight until 14 he attended the Actor's Orphanage in Chertsey, Surrey, where he had the chance to write and act in many plays.
Noël Coward, who was president of the orphanage at the time, became his godfather and helped him to obtain jobs in the entertainment industry, which was dramatized in the radio play Mr Bridger's Orphan by Marcy Kahan in 2013. (Collinson later directed Coward in his best-known film, The Italian Job (1969)). He auditioned for RADA but was rejected, so went to work for the New Cross Empire theatre when aged 14. He did a variety of theatrical jobs until 1954, when he was called up for national service. He served as a private with the Queen's Royal Regiment (West Surrey) for two years in Malaya during the Malayan Emergency.
Collinson's early television work included time as a floor manager for the BBC and directing for ATV at Elstree studios. He was an assistant director on a short, The Pit (1962), and made a documentary, Blackwater Holiday (1963).
He also worked with Telefís Éireann, the Republic of Ireland's national TV station, and in 1963 he won a Jacob's Award for his production The Bomb. He produced a stage musical in Dublin, Carrie (1963), starring Ray McAnally.
Collinson began to direct TV: the film Don't Ever Talk to Clocks (1964), In Loving Memory (1964), The One Nighters. He also made episodes of Sergeant Cork (1964), The Sullavan Brothers (1964), The Plane Makers (1964), Love Story (1964-65), Front Page Story (1965), Knock on Any Door (1965), A Day of Peace (1965) Blackmail (1965-66), and The Power Game, Women, Women, Women and The Informer (all 1966).
Whilst working in TV he met producer Michael Klinger, who offered him the director role on the film The Penthouse (1967); this became Collinson's directorial debut. Starring Suzy Kendall, the low-budget film was released in the US and proved to be a surprise hit.
Collinson directed two films for Paramount, both produced by Michael Deeley: The Long Day's Dying (1968), a low-budget war film, and The Italian Job (1969), a caper movie starring Michael Caine and Noel Coward. Dino De Laurentiis said he was to direct a film about Ned Kelly in Australia, The Iron Outlaw, but it was never made.
Instead, Collinson went to Turkey where he directed Tony Curtis and Charles Bronson in You Can't Win 'Em All (1970). He clashed with Curtis during filming. He was meant to helm a biopic of Robert Capa, but it was never made.
Back in England he made Fright (1971), a thriller with Susan George. He did a horror movie for Hammer Films, Straight On till Morning (1972), with Rita Tushingham, then Innocent Bystanders (1972), a thriller shot in Spain and Turkey with Stanley Baker.
Collinson went to Spain to direct a Western, The Man Called Noon (1973). He followed it with Open Season (1974), starring Peter Fonda; a remake of And Then There Were None (1974), filmed in Iran with Oliver Reed; a remake of The Spiral Staircase (1975), shot in England with Jacqueline Bisset; Target of an Assassin (1976), filmed in South Africa with Anthony Quinn; and The Sell Out (1976), shot in Israel with Reed.
He went to Canada for Tomorrow Never Comes (1978), with Donald Sutherland and Susan George; it was entered into the 11th Moscow International Film Festival. He followed it with The House on Garibaldi Street (1979), a US telemovie starring Topol.
Although Collinson was lauded as a talented director, he was also known as a rather sadistic authoritarian towards his actors. He was said to have driven child actor Ricky Schroder to tears on numerous occasions during the filming of The Earthling (1980). During that filming Collinson discovered he was terminally ill; he died from lung cancer in Los Angeles. He was survived by his wife Hazel and two sons, aged 13 and 10.
- The Pit (1962) (short) - assistant director
- Blackwater Holiday (1963) (documentary)
- Don't Ever Talk to Clocks (1964) (TV movie)
- Sergeant Cork (1964) (TV series)
- The Sullavan Brothers (1964) (TV series)
- The Plane Makers (1964) (TV series)
- Love Story (1964-65) (TV series)
- Front Page Story (1965) (TV series)
- Knock on Any Door (1965) (TV series)
- Blackmail (1965-66) (TV series)
- The Power Game (1966) (TV series)
- Women, Women, Women (1966) (TV series)
- The Informer (1966) (TV series)
- The Penthouse (1967)
- Up the Junction (1968)
- The Long Day's Dying (1968)
- Un jour de paix en Angleterre: Demain, peut-être... (1968) (short)
- The Italian Job (1969)
- You Can't Win 'Em All (1970)
- Fright (1971)
- Straight On till Morning (1972)
- Innocent Bystanders (1972)
- The Man Called Noon (1973)
- Open Season (1974)
- And Then There Were None (1974)
- The Spiral Staircase (1975)
- Target of an Assassin (1976)
- The Sell Out (1976)
- Tomorrow Never Comes (1978)
- The House on Garibaldi Street (1979)
- The Earthling (1980)
- BBC – Afternoon Play – Mr Bridger's Orphan
- BRIEFING/WHO & WHY: "Plain hunt of an actor" The Observer (1901- 2003); London (UK) [London (UK)]14 Nov 1965: 23
- "Presentation of television awards and citations", The Irish Times, 4 December 1963
- "Death of film director" The Irish Times (1921-Current File); Dublin, Ireland [Dublin, Ireland] 20 Dec 1980: 7.
- "FESTIVAL PLAYS WELL BOOKED-EXCEPT ONE" Irish Times Reporter. The Irish Times 27 Sep 1963: 4.
- "COLLINSON REPLACED AS FESTIVAL DIRECTOR" Irish Times Reporter. The Irish Times (1921-Current File); Dublin, Ireland [Dublin, Ireland] 04 Aug 1964: 1.
- "Big Rental Films of 1968", Variety, 8 January 1969 p 15. Please note this figure is a rental accruing to distributors.
- "And Now Antonioni Will 'Blow Up' America" By A.H. WEILER. The New York Times 8 Oct 1967: X19
- "DINO DE LAURENTIIS SETS NED KELLY FILM" Los Angeles Times 23 May 1969: e13.
- "Tony Curtis Ends Turkey Filming" Los Angeles Times 5 Nov 1969: f15.
- "A Kooky Time for Coco: Kooky Coco" By A.H. WEILER. The New York Times 12 Apr 1970: D13.
- "Englishman Puts On His Chaps" Johnson, Molly. Los Angeles Times 22 Oct 1972: m22.
- Obituary 2 -- No Title, Chicago Tribune 20 Dec 1980: w_a10.
- "11th Moscow International Film Festival (1979)". MIFF. Archived from the original on 3 April 2014. Retrieved 14 January 2013.
- AN AUSSIE WELCOME FOR 'EARTHLING' Johnson, Patricia. Los Angeles Times 20 Jan 1980: n24.
- ""THE EARTHLING"". The Australian Women's Weekly. 47 (24). Australia. 14 November 1979. p. 19. Retrieved 27 July 2019 – via National Library of Australia.
- TV VIEW: 'The Gangster Chronicles'--A Flashy Portrait of Some Unpretty People O'Connor, John J. The New York Times 22 Feb 1981: D29.
- OBITUARY: "British film and TV director" The Guardian 20 Dec 1980: 2.
- Field M. (2001). The Making of the Italian Job. Batsford. ISBN 0-7134-8682-1.