Paulette Goddard

Paulette Goddard (born Marion Levy; June 3, 1910 – April 23, 1990) was an American actress, a child fashion model and a performer in several Broadway productions as a Ziegfeld Girl; she became a major star of Paramount Pictures in the 1940s. Her most notable films were her first major role, as Charlie Chaplin's leading lady in Modern Times, and Chaplin's subsequent film The Great Dictator. She was nominated for an Academy Award for Best Supporting Actress for her performance in So Proudly We Hail! (1943). Her husbands included Chaplin, Burgess Meredith, and Erich Maria Remarque.

Paulette Goddard
Studio publicity portrait, 1947
Marion Levy[lower-alpha 1]

(1910-06-03)June 3, 1910[lower-alpha 2]
DiedApril 23, 1990(1990-04-23) (aged 79)
Resting placeRonco Village Cemetery, Ticino, Switzerland
OccupationActress, film producer, dancer, model
Years active1926–1972
Edgar James
(m. 1927; div. 1932)

Charlie Chaplin
(m. 1936; div. 1942)

Burgess Meredith
(m. 1944; div. 1949)

Erich Maria Remarque
(m. 1958; died 1970)

Early life

Goddard was the daughter of Joseph Russell Levy (1881–1954), the son of a prosperous Jewish cigar manufacturer from Salt Lake City, and Alta Mae Goddard (1887–1983), who was of Episcopalian English heritage.[11][12] They married in 1908 and separated while their daughter was very young, although the divorce did not become final until 1926. According to Goddard, her father left them, but according to J. R. Levy, Alta absconded with the child.[11] Goddard was raised by her mother, and did not meet her father again until the late 1930s, after she had become famous.[13]

In a 1938 interview published in Collier's, Goddard claimed Levy was not her biological father.[13] In response, Levy filed a suit against his daughter, claiming that the interview had ruined his reputation and cost him his job, and demanded financial support from her. In a December 17, 1945 article written by Oliver Jensen in Life, Goddard admitted to having lost the case and being forced to pay her father $35 a week.

To avoid a custody battle, she and her mother moved often during her childhood, even relocating to Canada at one point.[11] Goddard began modeling at an early age to support her mother and herself, working for Saks Fifth Avenue, Hattie Carnegie, and others. An important figure in her childhood was her great uncle, Charles Goddard, the owner of the American Druggists Syndicate. He played a central role in Goddard's career, introducing her to Broadway impresario Florenz Ziegfeld.[11]

In 1926, she made her stage debut as a dancer in Ziegfeld's summer revue, No Foolin', which was also the first time that she used the stage name Paulette Goddard.[14] Ziegfeld hired her for another musical, Rio Rita, which opened in February 1927, but she left the show after only three weeks to appear in the play The Unconquerable Male, produced by Archie Selwyn.[15] It was, however, a flop and closed after only three days following its premiere in Atlantic City.[15]

Soon after the play closed, Goddard was introduced to Edgar James, president of the Southern Lumber Company, located in Asheville, North Carolina, by Charles Goddard.[16] Aged 17, considerably younger than James, she married him on June 28, 1927 in Rye, New York. It was a short marriage, and Goddard was granted a divorce in Reno, Nevada, in 1929, receiving a divorce settlement of $375,000.[16]

Film career

Early films

Goddard first visited Hollywood in 1929, when she appeared as an uncredited extra in two films, the Laurel and Hardy short film Berth Marks (1929), and George Fitzmaurice's drama The Locked Door (1929).[17]

Following her divorce, she briefly visited Europe before returning to Hollywood in late 1930 with her mother. Her second attempt at acting was no more successful than the first, as she landed work only as an extra.

Sam Goldwyn

In 1930, she signed her first film contract with producer Samuel Goldwyn to appear as a Goldwyn Girl in Whoopee! (1930). She also appeared in City Streets (1931) Ladies of the Big House (1931) and The Girl Habit (1931) for Paramount, Palmy Days (1931) for Goldwyn, and The Mouthpiece (1932) for Warners.

Goldwyn and she did not get along, and she began working for Hal Roach Studios, appearing in a string of uncredited supporting roles for the next four years, including Show Business (1932), Young Ironsides (1932), Pack Up Your Troubles (1932) (with Laurel and Hardy), and Girl Grief with Charley Chase.[17]

Goldwyn used Goddard in The Kid from Spain (1932), The Bowery (1933), Roman Scandals (1933), and Kid Millions (1934).

Charlie Chaplin

The year she signed with Goldwyn, Goddard began dating Charlie Chaplin, a relationship that received substantial attention from the press.[17][18] It marked a turning point in Goddard's career when Chaplin cast her as his leading lady in his next box office hit, Modern Times, in 1936. Her role as "The Gamin", an orphan girl who runs away from the authorities and becomes The Tramp's companion, was her first credited film appearance and garnered her mainly positive reviews, Frank S. Nugent of The New York Times describing her as "the fitting recipient of the great Charlot's championship".[17]

David O. Selznick & MGM

Following the success of Modern Times, Chaplin planned other projects with Goddard in mind as a co-star, but he worked slowly, and Goddard worried that the public might forget about her if she did not continue to make regular film appearances. She signed a contract with David O. Selznick and appeared with Janet Gaynor in the comedy The Young in Heart (1938) before Selznick lent her to MGM to appear in two films.

The first of these, Dramatic School (1938), co-starred Luise Rainer, but the film received mediocre reviews and failed to attract an audience.[19]

Her next film, The Women (1939), was a success. With an all-female cast headed by Norma Shearer, Joan Crawford, and Rosalind Russell, the film's supporting role of Miriam Aarons was played by Goddard. Pauline Kael later wrote of Goddard, "she is a stand-out. She's fun."[20]

Scarlett O'Hara

Selznick was pleased with Goddard's performances, particularly her work in The Young in Heart, and considered her for the role of Scarlett O'Hara. Initial screen tests convinced Selznick and director George Cukor that Goddard would require coaching to be effective in the role, but that she showed promise,[21] and she was the first actress given a Technicolor screen test.[21]

Russell Birdwell, the head of Selznick's publicity department, had strong misgivings about Goddard. He warned Selznick of the "tremendous avalanche of criticism that will befall us and the picture should Paulette be given this part...I have never known a woman, intent on a career dependent upon her popularity with the masses, to hold and live such an insane and absurd attitude towards the press and her fellow man as does Paulette Goddard...Briefly, I think she is dynamite that will explode in our very faces if she is given the part."

Selznick remained interested in Goddard for the role of Scarlett. After he was introduced to Vivien Leigh, he wrote to his wife that Leigh was a "dark horse" and that his choice had "narrowed down to Paulette, Jean Arthur, Joan Bennett, and Vivien Leigh".[21]

After a series of tests with Leigh that pleased both Selznick and Cukor, Selznick cancelled the further tests that had been scheduled for Goddard, and the part was given to Leigh.[21] It has been suggested that Goddard lost the part because Selznick feared that questions surrounding her marital status with Charlie Chaplin would result in scandal. However, Selznick was aware that Leigh and Laurence Olivier lived together, as their respective spouses had refused to divorce them,[22] and in addition to offering Leigh a contract, he engaged Olivier as the leading man in his next production Rebecca (1940).[23] Chaplin's biographer Joyce Milton wrote that Selznick was worried about legal issues by signing her to a contract that might conflict with her pre-existing contracts with the Chaplin studio.[24]


Goddard signed a contract with Paramount Pictures and her next film, The Cat and the Canary (1939) with Bob Hope, was a turning point in the careers of both actors. They promptly were re-teamed in The Ghost Breakers (1940).

Goddard starred with Chaplin again in his 1940 film The Great Dictator. The couple split amicably soon afterward, and Goddard allegedly obtained a divorce in Mexico in 1942, with Chaplin agreeing to a generous settlement.

At Paramount, Goddard was used by Cecil B. De Mille in the action epic North West Mounted Police (1940), playing the second female lead.

She was Fred Astaire's leading lady in Second Chorus (1940), where she met actor Burgess Meredith, her third husband,.

Goddard made Pot o' Gold (1941), a comedy with James Stewart, then supported Charles Boyer and Olivia de Havilland in Hold Back the Dawn (1941), from a script by Wilder and Brackett, directed by Mitchell Leisen.

Goddard was teamed with Hope for a third time in Nothing But the Truth (1942), then made The Lady Has Plans (1942), a comedy with Ray Milland.

She did Reap the Wild Wind (1942), playing the lead, a Scarlett O'Hara type character. Co-starring Milland and John Wayne, it was a huge hit.

Goddard did The Forest Rangers (1942). One of her better-remembered film appearances was in the variety musical Star Spangled Rhythm (1943), in which she sang "A Sweater, a Sarong, and a Peekaboo Bang" with Dorothy Lamour and Veronica Lake. She and Milland did The Crystal Ball (1943).

Oscar nomination

Goddard received one Oscar nomination for Best Supporting Actress for the 1943 film So Proudly We Hail!.

Goddard was teamed with MacMurray in Standing Room Only (1944) and Sonny Tufts in I Love a Soldier (1944). She was one of many Paramount stars in Duffy's Tavern (1945).

Goddard's most successful film was Kitty (1945), in which she played the title role.


In The Diary of a Chambermaid (1946), Goddard starred with Burgess Meredith, to whom she was married at the time, under the direction of Jean Renoir. It was made for United Artists.

At Paramount she did Suddenly It's Spring (1947) and De Mille's Unconquered (1947).[25] During the Hollywood Blacklist, when she and blacklisted husband Meredith were mobbed by a baying crowd screaming "Communists!" on their way to a premiere, Goddard is said to have turned to her husband and said, "Shall I roll down the window and hit them with my diamonds, Bugsy?"

In 1947, she made An Ideal Husband in Britain for Alexander Korda, and was accompanied on a publicity trip to Brussels by Clarissa Spencer-Churchill, niece of Sir Winston Churchill and future wife of future Prime Minister Anthony Eden.

Goddard and her husband were among several stars in On Our Merry Way (1948).

At Paramount, she did two movies with MacDonald Carey: Hazard (1948) and Bride of Vengeance (1949). She then left the studio.


In 1949, she formed Monterey Pictures with John Steinbeck. Goddard starred in Anna Lucasta (1949), then went to Mexico for The Torch (1950). In England, she was in Babes in Bagdad (1952), then she went to Hollywood for Vice Squad (1953), Sins of Jezebel (1953), Paris Model (1953), and Charge of the Lancers (1954). Her last starring role was in the English production A Stranger Came Home (known as The Unholy Four in the United States).


Goddard began appearing in summer stock and on television, guest starring on episodes of Sherlock Holmes, an adaptation of The Women, this time playing the role of Sylvia Fowler [18] The Errol Flynn Theatre, The Joseph Cotten Show, and The Ford Television Theatre.

She was in an episode of Adventures in Paradise and a TV version of The Phantom.

Later life

After her marriage to Erich Maria Remarque, Goddard largely retired from acting and moved to Ronco sopra Ascona, Switzerland.

In 1964, she attempted a comeback in films with a supporting role in the Italian film Time of Indifference, which was her last feature film.

After Remarque's death in 1970, she made one last attempt at acting, when she accepted a small role in an episode of The Snoop Sisters (1972) for television.[25]

Upon Remarque's death, Goddard inherited much of his money and several important properties across Europe, including a wealth of contemporary art, which augmented her own long-standing collection. During this period, her talent at accumulating wealth became a byword among the old Hollywood élite. During the 1980s, she became a fairly well known (and highly visible) socialite in New York City, appearing covered with jewels at many high-profile cultural functions with several well-known men, including Andy Warhol, with whom she sustained a friendship for many years until his death in 1987.[26]


Goddard underwent invasive treatment for breast cancer in 1975, successfully by all accounts.[27] On April 23, 1990, she died from heart failure while under respiratory support due to emphysema, aged 79,[28] at her home in Switzerland.[26] She is buried in Ronco Village Cemetery, next to Remarque and her mother.

Personal life

Goddard married the much older lumber tycoon Edgar James on June 28, 1927, when she was 17 years old; the couple moved to North Carolina. They separated two years later and divorced in 1932.[29]

In 1932, Goddard began a relationship with Charlie Chaplin. She later moved into his home in Beverly Hills. They were reportedly married in secret in Canton, China, in June 1936. Years later Chaplin privately told relatives that they were married only in common law. Aside from referring to Goddard as "my wife" at the October 1940 premiere of The Great Dictator, neither Goddard nor Chaplin publicly commented on their marital status. On June 4, 1942, Goddard was granted a Mexican divorce from Chaplin.[30]

In May 1944, she married Burgess Meredith at David O. Selznick's home in Beverly Hills.[31] They divorced in June 1949.[32]

In 1958, Goddard married author Erich Maria Remarque. They remained married until Remarque's death in 1970.[33]

Goddard had no children. In October 1944, she suffered the miscarriage of a son with Burgess Meredith.[34]


Arguably, Goddard's foremost legacies remain her two feature films with Charles Chaplin, Modern Times and The Great Dictator, and a large donation to a prominent American educational institution. Goddard, whose own formal education did not go beyond high school, bequeathed US$20 million to New York University (NYU) in New York City.

This contribution was also in recognition of her friendship with the Indiana-born politician and former NYU President John Brademas. Goddard Hall, a residence hall for NYU freshmen in Greenwich Village, is named in her honor. Efforts to raise CHF 6.2M ($7M) to purchase and save Remarque and Goddard's villa from demolition are underway, proposing to transform the Casa Monte Tabor into a museum and home to an artist-in-residence program, focused on creativity, freedom, and peace.[35]

Fictional portrayals

Goddard was portrayed by Gwen Humble in the made-for-TV movie Moviola: The Scarlett O'Hara War (1980), by Diane Lane in the 1992 film Chaplin, and by actress Natalie Wilder in the 2011 play Puma, written by Julie Gilbert, who also wrote Opposite Attraction: The Lives of Erich Maria Remarque and Paulette Goddard.[36]


Year Title Role Notes
1929 Berth Marks Train passenger Short, Uncredited
1929 The Locked Door Girl on rum boat Uncredited
1930 Whoopee! Goldwyn Girl Uncredited
1931 City Streets Dance extra Uncredited
1931 The Girl Habit Lingerie salesgirl
1931 Palmy Days Goldwyn Girl Uncredited
1931 Ladies of the Big House Inmate in midst of crowd Uncredited
1932 The Mouthpiece Blonde at party Uncredited
1932 Show Business Blonde train passenger Short, Uncredited
1932 Young Ironsides Herself, Miss Hollywood Short, Uncredited
1932 Pack Up Your Troubles Bridesmaid Uncredited
1932 Girl Grief Student Short, Uncredited
1932 The Kid from Spain Goldwyn Girl Uncredited
1933 Hollywood on Parade No. B-1 Herself Short
1933 The Bowery Blonde who announces Brodie's jump Uncredited
1933 Hollywood on Parade No. B-5 Herself Short
1933 Roman Scandals Goldwyn Girl Uncredited
1934 Kid Millions Goldwyn Girl Uncredited
1936 Modern Times Ellen Peterson – A Gamine
1936 The Bohemian Girl Gypsy vagabond Uncredited
1938 The Young in Heart Leslie Saunders
1938 Dramatic School Nana
1939 The Women Miriam Aarons
1939 The Cat and the Canary Joyce Norman
1940 The Ghost Breakers Mary Carter
1940 The Great Dictator Hannah
1940 Screen Snapshots: Sports in Hollywood Herself Short
1940 North West Mounted Police Louvette Corbeau Alternative titles: Northwest Mounted Police
The Scarlet Riders
1940 Second Chorus Ellen Miller
1941 Pot o' Gold Molly McCorkle Alternative titles: The Golden Hour
Jimmy Steps Out
1941 Hold Back the Dawn Anita Dixon
1941 Nothing But the Truth Gwen Saunders
1942 The Lady Has Plans Sidney Royce
1942 Reap the Wild Wind Loxi Claiborne Alternative title: Cecil B. DeMille's Reap the Wild Wind
1942 The Forest Rangers Celia Huston Stuart
1942 Star Spangled Rhythm Herself
1943 The Crystal Ball Toni Gerard
1943 So Proudly We Hail! Lt. Joan O'Doul Nominated — Academy Award for Best Supporting Actress
1944 Standing Room Only Jane Rogers / Suzanne
1944 I Love a Soldier Evelyn Connors
1945 Duffy's Tavern Herself
1945 Kitty Kitty
1946 The Diary of a Chambermaid Célestine Producer, Uncredited
1947 Suddenly, It's Spring Mary Morely
1947 Variety Girl Herself
1947 Unconquered Abigail "Abby" Martha Hale
1947 An Ideal Husband Mrs. Laura Cheveley Alternative title: Oscar Wilde's An Ideal Husband
1948 On Our Merry Way Martha Pease
1948 Screen Snapshots: Smiles and Styles Herself Short
1948 Hazard Ellen Crane
1949 Bride of Vengeance Lucretia Borgia
1949 Anna Lucasta Anna Lucasta
1949 A Yank Comes Back Herself Short, Uncredited
1950 The Torch María Dolores Penafiel Associate producer
Alternative title: Bandit General
1952 Babes in Bagdad Kyra
1953 Vice Squad Mona Ross Alternative title: The Girl in Room 17
1953 Sins of Jezebel Jezebel
1953 Paris Model Betty Barnes Alternative title: Nude at Midnight
1954 Charge of the Lancers Tanya
1954 A Stranger Came Home Angie Alternative title: The Unholy Four
1964 Time of Indifference Mariagrazia Alternative titles: Les Deux Rivales
Gli Indifferenti
Year Title Role Notes
1951 Four Star Revue Guest actress Episode #1.41
1952 The Ed Sullivan Show Herself 2 episodes
1953 Ford Theatre Nancy Whiting Episode: "The Doctor's Downfall"
1954 Sherlock Holmes Lady Beryl Episode: "The Case of Lady Beryl"
1955 Producers' Showcase Sylvia Fowler Episode: "The Women"
1957 The Errol Flynn Theatre Rachel Episode: "Mademoiselle Fifi"
1957 The Joseph Cotten Show: On Trial Dolly Episode: "The Ghost of Devil's Island"
1957 Ford Theatre Holly March Episode: "Singapore"
1959 Adventures in Paradise Mme. Victorine Reynard Episode: "The Lady from South Chicago"
1959 What's My Line? Guest panelist November 29, 1959 episode[37]
1961 The Phantom Mrs. Harris TV movie
1972 The Snoop Sisters Norma Treet TV movie
Alternative title: Female Instinct (last acting role and last live appearance on celluloid)
Year Title Role Notes
(Source:[38] unless otherwise noted.)
1939 Lux Radio Theatre Episode: "Front Page Woman"
1939 The Campbell Playhouse Episode: "Algiers"[39]
1940 The Gulf Screen Guild Theatre Episode: "The Firebrand"
1941 The Gulf Screen Guild Theatre Episode: "Destry Rides Again"
1941 Lux Radio Theatre Episode: "Hold Back the Dawn"
1941 Cavalcade of America Episode: "The Gorgeous Hussy"
1941 Screen Guild Players Frenchy Episode: "Destry Rides Again"[40]
1942 Philip Morris Playhouse Episode: "They All Kissed the Bride"[41]
1942 The Screen Guild Theater Episode: "Parent by Proxy"[42]
1942 The Screen Guild Theater The night club queen Episode: "Ball of Fire"[43]
1942 The Screen Guild Theater Episode: "Torrid Zone"
1942 Lux Radio Theatre Episode: "North West Mounted Police"
1942 The Screen Guild Theater Episode: "Ball of Fire"
1943 Lux Radio Theatre Episode: "Reap the Wild Wind"
1943 Lux Radio Theatre Episode: "So Proudly We Hail!"
1944 The Screen Guild Theater Episode: 'I Love You Again"
1944 Lux Radio Theatre Episode: "Standing Room Only"
1944 The Screen Guild Theater Episode: "You Belong to Me"[44]
1945 Harold Lloyd Comedy Theatre Episode: "Standing Room Only"
1945 Theatre Guild on the Air Episode: "At Mrs. Beam's"
1947 Lux Radio Theatre Episode: "Kitty"
1947 Hollywood Players Episode: "5th Ave. Girl"[45]
1948 The Screen Guild Theater Episode: "Suddenly It's Spring"[46]
1952 Philip Morris Playhouse Episode: "The Romantic Years"[47]
1952 Broadway Playhouse Standing Room Only[48]


  1. Birth names also cited include: Marion Levy;[1][2][3][4] Pauline Marion Levy;[5] Marion Goddard Levy[6][7][8]
  2. There are discrepancies regarding her year of birth. According to biographer Julie Gilbert, she was born in 1910.[9] Legal documents and a passport listed her birth year as 1905 and 1915.[9] In a 1945 interview with Life, Goddard claimed she was born in 1915.[9][10]


  1. Thomson, David. The New Biographical Dictionary of Film: Completely Updated and Expanded, Knopf Doubleday (2010) p. 385
  2. Brando, Marlon. Brando: Songs My Mother Taught Me, Random House Publ. (1994) p. 79
  3. Hale, Georgia. Charlie Chaplin: Intimate Close-Ups, Scarecrow Press (1999) p. 38
  4. Friedrich, Otto. City of Nets: A Portrait of Hollywood in the 1940s, Univ. of California Press (1986) p. 187
  5. Booker, Keith M. Historical Dictionary of American Cinema, Scarecrow Press (2011) p. 150
  6. Scovell, Jane. Oona Living in the Shadows: A Biography of Oona O'Neill Chaplin, Grand Central Publishing (1998) ebook
  7. Chaplin, Lita Grey. Wife of the Life of the Party: A Memoir, Scarecrow Press (1998) p. 115
  8. Stange, Ellen. New York State of Fame, Page Publishing (2015) ebook
  9. Rimler, Walter (2009). George Gershwin: An Intimate Portrait. University of Illinois Press. p. 147. ISBN 0-252-09369-0.
  10. Jensen, Oliver (December 17, 1945). "The Mystery of Paulette Goddard". Life. Time Inc. 19 (25): 124. ISSN 0024-3019. The interview moved on to her date of birth. It was pointed out that the dates most frequently given were 1911, 1905, and 1914. "Isn't that funny", observed Miss Goddard, "because I was actually born in 1915."
  11. Gilbert, Julie (1995). Opposite Attraction – The Lives of Erich Maria Remarque and Paulette Goddard. Pantheon Books; ISBN 0-679-41535-1, pp. 37–41 for parents' names and backgrounds, as well as Alta's birth year; pp. 159–60 for Levy's death year and p. 477 for Alta's death year.
  12. Harms, John W.; Goddard Harms, Pearl (1990). The Goddard Book. 2. Gateway Press. p. 1364.
  13. Gilbert, pp. 159–60
  14. Gilbert, p. 43
  15. Gilbert, p. 46
  16. Gilbert, pp. 46–51.
  17. Gilbert, pp. 53–70.
  18. Monush, Barry (2003). Monush, Barry (ed.). Screen World Presents the Encyclopedia of Hollywood Film Actors: From the Silent Era to 1965, Volume 1. 1. Hal Leonard Corporation. p. 282. ISBN 1-55783-551-9.
  19. Shipman, p. 247
  20. Kael, p. 660.
  21. Haver, pp. 251, 259-60.
  22. Walker, p. 150.
  23. Haver, p. 318.
  24. Milton, Joyce. Tramp: The Life of Charlie Chaplin, HarperCollins (1996) p. 373.
  25. Paulette Goddard on IMDb
  26. Flint, Peter B. (April 24, 1990). "Paulette Goddard, 78, Is Dead; Film Star of 1930s Through 50s". p. 1. Retrieved February 15, 2013.
  27. "BOOKS OF THE TIMES; Made for Each Other, and Unfortunately So". New York Times. August 17, 1995. Retrieved December 2, 2015.
  28. Details of death of Paulette Goddard,; accessed April 25, 2014.
  29. "FORMER FOLLIES GIRL SUES.; Paulette Goddard James, Wed Here in 1927, Seeks Reno Divorce". New York Times. p. 21.
  30. "Paulette Goddard Divorces Charles Chaplin in Mexico". St. Petersburg Times. June 5, 1942. p. 8. Retrieved February 16, 2013.
  31. "Paulette Goddard Becomes Bride of Burgess Meredith". The Evening Independent. May 23, 1944. p. 10. Retrieved February 16, 2013.
  32. "Goddard Mexican Divorce Final". Pittsburgh Post-Gazette. June 8, 1949. p. 12. Retrieved February 16, 2013.
  33. "Paulette Goddard, Chaplin's ex-wife". The Pittsburgh Press. April 23, 1990. p. B4. Retrieved February 17, 2013.
  34. Paulette Goddard (1910–1990) profile, American National Biography Online; accessed April 25, 2014.
  35. (in German) "La villa d'Erich Remarque en danger", sur; accessed November 2010.
  36. "New Jersey Rep Presents PUMA Through April 3 Read more about New Jersey Rep Presents PUMA Through April 3". February 17, 2011. Retrieved February 17, 2013.
  37. What's My Line? - Rodgers & Hammerstein; Martin Gabel & Paulette Goddard (panel; November 29, 1959)
  38. "Goddard, Paulette". Retrieved May 12, 2015.
  39. "The Campbell Playhouse: Algiers". Orson Welles on the Air, 1938–1946. Indiana University Bloomington. October 8, 1939. Retrieved July 29, 2018.
  40. "Western Theme Predominates Sunday Dramas Over WHP". Harrisburg Telegraph. February 1, 1941. p. 22. Retrieved May 9, 2015 via
  41. "Air Ya Listenin?". The Mason City Globe-Gazette. October 9, 1942. p. 2. Retrieved May 11, 2015 via
  42. "Fred Allen, Quiz Kids and Jack Benny Tangle on WHP'". March 28, 1942. p. 23. Retrieved May 9, 2015 via
  43. "Paulette Goddard, Kay Kyser Featured in 'Ball of Fire'". The Mason City Globe-Gazette. November 28, 1942. p. 8. Retrieved May 9, 2015 via
  44. "WSOY Offers 'Screen Guild'". November 27, 1944. p. 8. Retrieved May 9, 2015 via
  45. "Goddard Star of Hollywood Players". Harrisburg Telegraph. December 28, 1946. p. 17. Retrieved September 4, 2015 via
  46. "'Spring' Star". Harrisburg Telegraph. March 13, 1948. p. 22. Retrieved August 8, 2015 via
  47. Kirby, Walter (April 27, 1952). "Better Radio Programs for the Week". The Decatur Daily Review. p. 48. Retrieved May 8, 2015 via
  48. Kirby, Walter (November 23, 1952). "Better Radio Programs for the Week". The Decatur Daily Review. p. 48. Retrieved June 16, 2015 via


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