Old Acquaintance

Old Acquaintance is a 1943 drama film made by Warner Bros. It was directed by Vincent Sherman and produced by Henry Blanke with Jack L. Warner as executive producer from a screenplay by John Van Druten, Lenore Coffee and Edmund Goulding based on Van Druten's play.

Old Acquaintance
Theatrical release poster
Directed byVincent Sherman
Produced byHenry Blanke
Screenplay byJohn Van Druten
Lenore Coffee
Edmund Goulding
Based onOld Acquaintance
1940 play
by John Van Druten
StarringBette Davis
Miriam Hopkins
Gig Young
Music byFranz Waxman
CinematographySol Polito
Edited byTerry O. Morse
Distributed byWarner Bros.
Release date
  • November 27, 1943 (1943-11-27)
Running time
110 min
CountryUnited States
Box office$2.7 million (US rentals)[2] or $3,639,000[1]

The film starred Bette Davis and Miriam Hopkins with Gig Young, John Loder, Dolores Moran, Roscoe Karns and Anne Revere.


The John Van Druten play on which the film is based had its premiere at the Morosco Theatre, New York City on 23 December 1940 in a production staged by Auriol Lee and designed by Richard Whorf. The play starred Jane Cowl, Peggy Wood and Kent Smith. It ran for 170 performances.

Bette Davis initially wanted Norma Shearer to take the role of Millie. But Shearer, who was semi-retired, declined to take the secondary role and second billing. Miriam Hopkins who had filmed The Old Maid with Davis and had endured a difficult working relationship with Davis (owing to the resentment created when Davis allegedly had an affair with Hopkins' husband Anatole Litvak) accepted the role.


In 1924, newly successful author Kit Marlowe (Bette Davis) returns to her hometown to speak, as part of a lecture tour, and to visit her dear childhood friend Millie (Miriam Hopkins). Millie has married Preston Drake (John Loder) and is pregnant, and she surprises Kit when she discloses she has also written a book, a romance novel. Millie asks Kit to present her book to her publisher. Upon their meeting, Preston appears to be impressed by Kit Marlowe.

Eight years pass, and the childhood friends have each formed distinctly opposite personalities. Kit is witty, perceptive, wry and calmer in comparison to Millie who is intense, self-involved and histrionic. Millie becomes increasingly difficult and resentful of any diversion from full attention being focused upon herself. When Kit jokes and glowingly reports about her shopping trip with Preston and Millie's only child, Deirdre (Dolores Moran), Millie impudently retorts "Time you had one of your own!" as she swans out.

Preston immediately asks Kit why she has remained so loyal to Millie over the years. Kit confides in Preston despite Millie's often emotionally unstable and dysfunctional behaviour, she feels indebted as Millie was her first real friend. Kit feels a particular loyalty to Millie as orphaned Kit grew up with an aunt who died and found a sense of home and family through Millie's parents kindness and generosity towards Kit.

Millie has become a very successful writer, with a string of romance novels. This has made her very arrogant and condescending to those around her. Visiting New York, on the eve of the opening of a play written by Kit, the Drakes' marriage is slowly disintegrating. In an interview with a reporter, Preston, an architect and engineer, is shown to feel very much ‘second’ to his wife’s success. In a private moment with Kit, Preston professes his love for Kit. In another private moment, when Millie mentions Preston’s drinking habit to Kit, Kit replies “people drink for escape”. Millie and Preston clash with Kit playing referee. The response is complete ingratitude from self-absorbed Millie and growing romantic feelings from an increasingly frustrated Preston.

Moments later, as the three converse, Preston and Millie's argument escalates (with Millie displaying what some might interpret as ‘manic’ behavior) and Preston leaves Millie ‘for good’. Kit tracks down Preston and tries to convince him to return to Millie, but he tries to convince Kit that he is in love with her. Selflessly, Kit tells him she can not reciprocate, as she could not do that to Millie. They kiss goodbye and part.

Ten years pass, and World War Two is underway. Kit is on a radio show espousing the good of the American Red Cross, and Preston, now a major in the Army, hears her. He calls the radio station to suggest they meet for a drink. They do, but Kit also has her much-younger beau, Rudd Kendall (Gig Young), and Preston’s almost 18-year-old daughter, Deirdre, whom Preston has not seen in those ten years, join them. Preston tells Kit he is engaged, and Kit is happy for him. Preston and his daughter become reacquainted. The next morning Rudd (again) presses Kit to marry him, but she puts him off, promising an answer in a few days, and he leaves. Rudd, feeling reproached and rejected, then meets with Deirdre.

Millie treats Preston's return as a victory and sets the scene for a desperate reconciliation. Preston however dashes her hopes by revealing his engagement and asks for ‘joint custody’ of Deirdre. Preston incidentally discloses to Millie that he was once in love with Kit. An outraged Millie throws him out. Millie then rants and raves to Deirdre about how Kit is a Jezebel (the writer's tongue-in-cheek reference to Davis’s 1938 film Jezebel). Millie spitefully does her best to poison Deirdre against Kit and relishes in excessively establishing herself as the center of attention and reveling in her self-indulgence, oblivious to Deirdre's clear distress.

Millie also discloses that Kit is to marry Rudd, causing Deirdre further distress, and Deirdre leaves. Kit and Millie have an all-out argument about all that hasn’t been said until now, where Millie acts victimized and Kit reveals a few brutal home truths to an in denial and melodramatic Millie. Millie even goes as far to discard to her own daughter to her love rival. Realizing her words are falling on deafened ears, frustrated Kit physically shakes Millie to "knock some sense" into her self-obsessed friend in arguably the film's most remembered scene.

That night, Kit, having decided to marry Rudd, finds out from him that he is now in love with Deirdre. Kit tracks down Deirdre at a handsome but incompatible beau's bachelor pad, calms her, and returns her to Rudd. Kit then returns home to find Millie, and they reconcile. Millie tells Kit about her new book, about the trials of two women friends, and Kit suggests that Millie title the book “Old Acquaintance”. Millie agrees.



According to Warner Bros records the film earned $2,279,000 domestically and $1,360,000 foreign.[1]



  1. Warner Bros financial information in The William Shaefer Ledger. See Appendix 1, Historical Journal of Film, Radio and Television, (1995) 15:sup1, 1-31 p 24 DOI: 10.1080/01439689508604551
  2. "Top Grossers of the Season", Variety, 5 January 1944 p 54
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