Noah's Ark (1928 film)
Noah's Ark is a 1928 American epic romantic melodramatic disaster film directed by Michael Curtiz and starring Dolores Costello and George O'Brien. The story is by Darryl F. Zanuck. The film was released by the Warner Bros. studio. It is representative of the transition from silent movies to "talkies", although it is essentially a hybrid film known as a part-talkie, which used the new Vitaphone sound-on-disc system. Most scenes are silent with a synchronized music score and sound effects, in particular the biblical ones, while some scenes have dialogue.
Theatrical release poster
|Directed by||Michael Curtiz|
|Edited by||Harold McCord|
|Distributed by||Warner Bros. Pictures|
108 minutes (restored)
|Language||English (intertitles with talking sequences)|
|Box office||$2,305,000 (worldwide rentals)|
The film opens after the great flood, with Noah and his family outside of the Ark praising the Lord. Then comes depictions of the building of the Tower of Babel and the worshipping of the golden calf. Then it switches to the eve of World War I. The theme of the gold calf is carried forward by a scene in which a bankrupted trader (Otto Hoffman) shoots his uncaring stockbroker.
In 1914, American playboy Travis (George O'Brien) and his New York taxi driver buddy Al (Guinn 'Big Boy' Williams) are traveling aboard the "Oriental Express" train. Travis helps a pious minister (Paul McAllister) reclaim his seat from a rude fellow passenger. A washed-out bridge causes a deadly derailment. Travis and Al rescue Marie (Dolores Costello), a German member of a small theatrical troupe, from underneath the wreckage with the help of a prisoner (Malcolm Waite) who had just unhandcuffed himself from a now-dead escort.
At the nearby lodge where they take shelter, fellow survivor Nickoloff (Noah Beery), an officer in the Russian Secret Service, tries to sneak into Marie's room. When Travis objects, a fight breaks out, during which Nickoloff is cut on the hand by a bottle he was wielding. They are interrupted by French soldiers, who announce that war has broken out. Travis, Al and Marie sneak away in the confusion and head to Paris together. Travis and Marie fall in love.
When America enters the war, Al enlists as soon as he can. Travis tells him he cannot, as he has married Marie. However, when he later sees Al marching with his unit down the streets of Paris, he impulsively joins up as well. He loses touch with his wife.
Travis and Al meet by chance in the trenches. They are each assigned a squad to attack a machine gun nest holding up the American offensive. Tragically, Travis tosses a hand grenade into the position, not knowing that Al had captured it moments before. Al is fatally wounded, but lives long enough to bid his friend adieu.
Later, Nickoloff spots Marie in a group of dancers entertaining the troops. He threatens to have her arrested as a German spy unless she meets him later. When she tries to sneak away, he carries through his threat, and she is sentenced to face a firing squad. She is comforted by the minister from the train. Travis, who by chance is part of the squad, recognizes her in the nick of time. Then the couple and others are trapped below a demolished building by a German artillery barrage. The minister compares the war and its flood of blood to the biblical story of Noah's Ark.
The film reverts to that time, with the actors playing second roles. King Nephilim (Beery) has converted his subjects into worshippers of the god Jaghuth. Only Noah (McAllister) and his family remain faithful to Jehovah. Following Jehovah's command, Noah and his three sons (O'Brien, Williams and Waite) begin building the Ark on a mountainside.
Nephilim orders the sacrifice of the most beautiful virgin in his realm to his god in a month. His soldiers choose Miriam (Costello), a handmaiden of Noah's. When Noah's son Japheth (O'Brien) tries to save her, he is blinded and set to labor turning a stone-mill with other prisoners. Just as Miriam is about to be slain, Jehovah unleashes his wrath, with the great flood destroying and drowning everything in its path. Among the chaos, Japheth, freed from his chains, finds and carries Miriam back to the Ark, where Jehovah restores his sight. Nephilim tries to climb aboard the Ark, only to have the door slam on his hand, inflicting the same injuries Nickoloff suffered.
Returning to World War I, the trapped group is freed. Soon after they emerge, they learn that the Armistice has been signed and the war is over.
- Dolores Costello as Marie / Miriam
- George O'Brien as Travis / Japheth
- Noah Beery as Nickoloff / King Nephilim
- Louise Fazenda as Hilda / Tavern Maid
- Guinn 'Big Boy' Williams as Al / Ham
- Paul McAllister as Minister / Noah
- Myrna Loy as Dancer / Slave Girl
- Anders Randolf as The German / Leader of soldiers
- Armand Kaliz as The Frenchman / Leader of the King's Guard
- William V. Mong as Innkeeper / Guard
- Malcolm Waite as The Balkan / Shem
- Nigel De Brulier as Soldier / High Priest
- Noble Johnson as Slave broker
- Otto Hoffman as Trader
- "Heart o' Mine" - music by Louie Silvers, lyrics by Billy Rose
- "Old Timer" - music by Louie Silvers, lyrics by Billy Rose
It is claimed that during the filming of the climactic flood scene, the great volume of water used was so overwhelming (600,000 US gallons [2,300 m3]) that three extras drowned, one was so badly injured that his leg needed to be amputated, and a number suffered broken limbs and other serious injuries, which led to implementation of stunt safety regulations the following year. Dolores Costello caught a severe case of pneumonia. Thirty-five ambulances attended the wounded.
Portions of the movie were filmed at the Iverson Movie Ranch in Chatsworth, California, and the location was incorporated into an iconic special effects shot that opens the film. The shot depicts the massive ark "beached" on the giant boulders of the movie ranch's Garden of the Gods, which later would become famous for appearances in hundreds of movies including John Ford's Stagecoach (1939).
Release and re-release
The film premiered in Hollywood in late 1928, with a running time of 135 minutes. Originally, it had been planned as a silent film in 1926 for potential release in 1927, but a number of talking sequences were added. (These were directed not by Michael Curtiz but by Roy Del Ruth.) After the premiere, Warner Bros. withdrew the film for extensive revision, which included removing about a half-hour of footage, including all the talking scenes featuring Paul McAllister, who played both a minister and Noah. The film then opened around the country in reserved-seat engagements, after which it concluded its successful run at popular prices, even though by that time "part-talking" films like this one were considered nearly obsolete. Although it had cost far more than any Warner Bros. film to date—over $1 million—it ultimately grossed more than twice its cost.
The original 2 hour and 15 minute release is believed to be lost. The film has been partially restored to the length of 108 minutes (including overture and exit music) by the UCLA Film and Television Archive in conjunction with the project American Moviemakers: The Dawn of Sound.
A copy of the 1950s television release version is in the Library of Congress.
- Glancy, H Mark (1995). "Warner Bros Film Grosses, 1921–51: the William Schaefer ledger". Historical Journal of Film Radio and Television. 15.
- Noah's Ark at the silentera.com database
- The AFI Catalog of Feature Films 1893-1993: Noah's Ark
- Baxter, John O. (1974). Stunt; the story of the great movie stunt men. Garden City, N.Y: Doubleday. ISBN 0-385-06520-5.
- Vogel, Michelle (2010). Olive Borden: The Life and Films of Hollywood's Joy Girl. Garden City, N.Y: Mcfarland.
- Warner Bros financial information in The William Shaefer Ledger. See Appendix 1, Historical Journal of Film, Radio and Television, (1995) 15:sup1, 1-31 p 6 DOI: 10.1080/01439689508604551
- 1957 MOVIES FROM AAP Warner Bros Features & Cartoons SALES BOOK DIRECTED AT TV
- Catalog of Holdings The American Film Institute Collection and The United Artists Collection at The Library of Congress, (<-book title) p.128 c.1978 by The American Film Institute
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