National Film and Sound Archive

The National Film and Sound Archive of Australia (NFSA) is Australia's audiovisual archive, responsible for developing, preserving, maintaining, promoting and providing access to a national collection of film, television, sound, radio, video games, new media, and related documents and artefacts. The collection ranges from works created in the late nineteenth century when the recorded sound and film industries were in their infancy, to those made in the present day.

National Film and Sound Archive of Australia
Established5 April 1984 (1984-04-05)
LocationMcCoy Circuit, Acton, Australian Capital Territory, Australia
Coordinates35.283950°S 149.121075°E / -35.283950; 149.121075
TypeAudiovisual Archive
Collection size3 million works
CEOJan Müller
ChairpersonGabrielle Trainor AO
OwnerGovernment of Australia
Employees162 (at June 2019)[1]
Nearest parkingFree parking surrounding the building on Liversidge Street
Websitewww.nfsa.gov.au

The NFSA collection first started as the National Historical Film and Speaking Record Library (within the then Commonwealth National Library) in 1935, becoming an independent cultural organisation in 1984. On 3 October, Prime Minister Bob Hawke officially opened the NFSA's headquarters in Canberra.

History of the organisation

The work of the Archive can be officially dated to the establishment of the National Historical Film and Speaking Record Library (part of the then Commonwealth National Library) by a Cabinet decision on 11 December 1935.

After being part of the National Library of Australia, and its predecessors, for nearly 50 years, the National Film and Sound Archive was created as a separate Commonwealth collecting institution through an announcement in Parliament on 5 April 1984 that took immediate effect.[2] At that time, an Advisory Committee was established to guide the institution.

On 21 June 1999, the name was changed to ScreenSound Australia, the National Collection of Screen and Sound, and changed again in early 2000 to ScreenSound Australia, National Screen and Sound Archive. It reverted to its original name, National Film and Sound Archive, in December 2004.

Meanwhile, consequent on amendments to the Australian Film Commission Act which took effect on 1 July 2003, it ceased to be a semi-autonomous entity within the Department of Communications, Information Technology and the Arts and became an integrated branch, later a division, of the Australian Film Commission, a funding and promotional body.

In 2007, the Liberal Government announced the creation of a new agency to be called Screen Australia which would incorporate the main functions of the Film Finance Corporation, the Australian Film Commission (including the Archive), and Film Australia. Following elections in November 2007, however, the new Labor Government implemented an election promise to allow the NFSA to become a statutory authority, similar to other major cultural institutions including the National Library of Australia, the National Gallery of Australia and the National Museum of Australia. The NFSA Act became law on 20 March 2008 and came into effect on 1 July 2008, with celebrations held that day.[3]

Inaugural Board

The Archive's first Board as a Statutory Authority comprised:[4]

  • Professor Chris Puplick AM (Chair)
  • Associate Professor Deb Verhoeven (Deputy Chair)
  • Professor Jill Matthews
  • Ms Grace Koch
  • Ms Catherine Robinson
  • Mr Andrew Pike OAM
  • Mr Philip Mortlock

Board

  • Ms Gabrielle Trainor AO (Chair)
  • Mr Wayne Denning (Deputy Chair)
  • Ms Toni Cody
  • Mr Peter Rose
  • Ms Fiona Scott
  • Mr Kim Ledger
  • Ms Caroline Elliot
  • Ms Jude Donnelly
  • Mr Ewen Jones

Collections

The NFSA collection includes more than 3 million items, encompassing sound, radio, television, film, video games and new media. In addition to discs, films, videos, audio tapes, phonograph cylinders and wire recordings, the Collection includes supporting documents and artefacts, such as personal papers and organisational records, photographs, posters, lobby cards, publicity, scripts, costumes, props, memorabilia and sound, video and film equipment.

Notable holdings include:

A 2010 study compared the curatorial practices of accessioning and cataloging for NFSA collections and for YouTube with regard to access to older Australian television programs. It found the NFSA to be stronger in current affairs and older programs, and YouTube stronger in game shows, lifestyle programs, and "human interest" material (births, marriages, and deaths). YouTube cataloging was found to have fewer broken links than the NFSA collection, and YouTube metadata could be searched more intuitively. The NFSA was found to generally provide more useful reference information about production and broadcast dates.[5]

The NFSA announced plans to collect Australian-developed video games as part of its collection starting in 2019 with new titles to be added on an annual basis.[6]

Special Collections

  • Film Australia Collection: contains a diverse range of more than 3,000 titles of Australian documentary and educational programs, spanning a century of Commonwealth documentary and docu-drama titles (1913–2008).
  • The Sounds of Australia is the NFSA's selection of sound recordings with cultural, historical and aesthetic significance and relevance, which inform or reflect life in Australia. It was established in 2007. Each year, the Australian public nominates new sounds to be added with final selections determined by a panel of industry experts.
  • NFSA Restores is the NFSA's program to digitise, restore and preserve, at the highest archival standards, classic and cult Australian films so they can be seen on the big screen in today's digital cinemas.
  • Oral History Collection
  • Non-Theatrical Lending Collection: Non-theatrical screenings take place on a non-commercial basis (no direct admission charge is levied) and are held by: educational, cultural, social and religious institutions; community groups; churches; film societies; government bodies; hospitals; libraries; museums and galleries.
  • Australian Jazz Archive

History of the building

The building to which the Archive moved in 1984 was the home of the Australian Institute of Anatomy from 1931-84. Originally it held the anatomy collection of Sir Colin MacKenzie. This collection included the heart of the celebrated Australian racehorse Phar Lap.

The building is often classified as art deco, though its overall architectural style is technically "Late 20th Century Stripped Classical", the style of ancient Greece and Rome but simplified and modernised. It features a symmetrical façade, a horizontal skyline, classical columns and a central entrance. The decorative foyer features images of native flora, fauna and Aboriginal art and motifs. Face masks of well-known scientists from the late 19th century and early 20th century are featured on the foyer’s walls as a reminder of its previous incarnation as the Institute of Anatomy.

The building also features a landscaped courtyard, theatre and research centre. In 1999, the building was extended to accommodate the Archive's growth. The new wing’s design is in keeping with the Art Deco style of the main structure with details and finishes to match the original.

Awards

Ken G Hall Film Preservation Award

The Ken G Hall Film Preservation Award was established in 1995 as a tribute to producer/director Ken G Hall. It is presented in recognition of an individual, group, or organisation, for their outstanding contribution to the art of moving image and its preservation. It is presented to candidates where there is a significant link between their work and its impact or relationship to the Australian film industry. Examples of this contribution include technical innovation, scholarship in the field, involvement with the survival of film as an art form and as a cultural experience, advocacy, sponsorship and fundraising.

National Folk Recording Award

The NFSA National Folk Recording Award was established in 2001 to encourage and reward excellence in Australian folk music recording. Award entrants are selected from recordings submitted each year to the National Folk Festival in Canberra. The judging panel comprises representatives from the National Folk Festival, ABC Radio and the Archive.[7]

  • 2013 Not a Note Wasted by Luke R Davies and the Recycled String Band
  • 2012 Carried in Mind by Jeff Lang
  • 2011 Love and Sorrow by Kavisha Mazzella
  • 2010 A Voice that was Still by Chloe and Jason Roweth, with Jim McWhinnie
  • 2009 Urban Sea Shanties by Fred Smith and the Spooky Men's Chorale
  • 2008 The Next Turn by Trouble in the Kitchen
  • 2006 Diamond Wheel by Kate Fagan
  • 2005 Songs of the Wallaby Track by Dave de Hugard
  • 2003 Swapping Seasons by Kate Burke and Ruth Hazleton
  • 2002 Bagarap Empires by Fred Smith[8]
  • 2001 Follow the Sun by Seaman Dan

Cochrane-Smith Award for Sound Heritage

The Cochrane-Smith Award for Sound Heritage[9] recognises the achievements of a person who has made a substantial contribution to the preservation, survival and recognition of sound heritage. It is named for Fanny Cochrane Smith, who features on the only known recording of Tasmanian Aboriginal songs and language.

  • 2012 Dr Ros Bandt
  • 2011 Bill Armstrong
  • 2010 Dr Karl Neuenfeldt

Orlando Short Film Award

The Orlando Short Film Award is an annual celebration of Australia’s best lesbian, gay, bisexual, transgender or intersex short films. It recognises the nation’s cultural diversity and the role screen culture plays within the broader community.

  • 2012 Craig Boreham Writer and director of Drowning
  • 2011 Grant Scicluna Writer and director of Neon Skin

Award for an Emerging Cinematographer

First presented in 2010, the NFSA Australian Cinematographers Society John Leake OAM Award for an Emerging Cinematographer is designed to enable emerging cinematographers to develop their craft, and is presented annually at the Australian Cinematographers Society Awards. The Award is named in honour of Australian Cinematographers Society (ACS) co-founder and industry icon John Leake OAM ACS (1927–2009). The judging panel will comprise the Federal President of the Australian Cinematographers Society, the Chief Executive Officer of the National Film and Sound Archive, and two other executive members of the ACS.

  • 2013 Dale Bremner
  • 2012 Jimmy Ennett
  • 2011 Edward Goldner
  • 2010 Kirsty Stark

Preservation Award

The South East Asia Pacific Audiovisual Archives Association (SEAPAVAA) NFSA Preservation Awardrecognises the extraordinary efforts of individuals or organisations within the South East Asia and Pacific region in preserving or promoting audiovisual archiving in the region. It is presented at the annual SEAPAVAA conference.

  • 2012 Kae Ishihara

Exhibitions

The following exhibitions have been developed by the NFSA:

From August 2018, the NFSA re-opened its exhibition gallery to present temporary exhibitions, including:

See also

References

  1. NFSA Annual report 2018-19 (Report).
  2. CA 4123: National Film and Sound Archive of Australia, Central Office, National Archives of Australia, retrieved 20 March 2014
  3. Massola, James (2008) "Innovative film sets the scene for the Archive's new role", The Canberra Times, 2008-07-02, p. 7
  4. NFSA Board Archived 20 July 2008 at the Wayback Machine
  5. McKee, Alan (2011). "YouTube versus the National Film and Sound Archive: Which Is the More Useful Resource for Historians of Australian Television?". Television & New Media. 12 (2): 154.
  6. Reilly, Luke (26 September 2019). "National Film and Sound Archive of Australia to Collect, Preserve Aussie Video Games". IGN. Retrieved 26 September 2019.
  7. NFSA 2008 National Folk Recording Award Archived 2 March 2014 at the Wayback Machine
  8. Minion, Lynne (24 April 2009) "Uniting folk in triumph of voices", The Canberra Times, p. 5
  9. National Film and Sound Archive: Cochrane-Smith Award for Sound Heritage Archived 24 March 2012 at the Wayback Machine

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