Monica Mason

Dame Monica Mason, DBE, (born 6 September 1941) is a former ballet dancer, teacher, and artistic director of the Royal Ballet, England's foremost theatrical dance troupe. In more than fifty years with the company, she established a formidable reputation as a versatile performer, a skilled rehearsal director, and a capable administrator.[1][2]

Monica Mason

Monica Mason, 2014
Monica Margaret Mason

(1941-09-06) 6 September 1941
Johannesburg, South Africa
OccupationBallet dancer and administrator
TitleArtistic director of the Royal Ballet
PredecessorRoss Stretton
SuccessorKevin O'Hare

Early life and training

Monica Margaret Mason was born in Johannesburg, South Africa, into a family of British ancestry. She studied ballet from a young age with Ruth Inglestone, Reina Berman, and Frank Staff in her home city and, later, with Nesta Brooking in London. As an advanced student, she entered the Royal Ballet School in 1956, where she continued her education in both dance and academics.[3]

Performing career

Taken into the corps of the Royal Ballet in 1958, Mason was, at 16, the company's youngest member.[4] She soon caught the eye of choreographer Kenneth MacMillan, who had been commissioned to create yet another dance version of The Rite of Spring, set to Igor Stravinsky's famous score that had caused such a ruckus at its premiere with Diaghilev's Ballets Russes in 1913. Impressed by her talent and energy, and conscious, no doubt, of her youth and innocence, he cast her as the Chosen Maiden, around whom the rite evolves. She scored a marked success and thereafter became a particular favorite of MacMillan. Over the years, she danced in almost all his works in the Royal Ballet repertory, creating roles in six of them.[5] Besides the Chosen Maiden, they are as follows.

  • 1974. Manon, music by Jules Massenet. Role: Lescaut's Mistress.
  • 1975. Elite Syncopations, music by Scott Joplin. Role: Calliope Rag.
  • 1975. The Four Seasons, music by Giuseppi Verdi. Role: Summer.
  • 1975. Rituals, music by Béla Bartók. Role: The Midwife.
  • 1981. Isadora, music by Richard Rodney Bennett. Role: Nursey.

Appointed a soloist in 1963, Mason was promoted to principal dancer in 1968. The range of roles in her personal repertory was broad, encompassing the classicism of Odette/Odile in Swan Lake' and Nikiya in La Bayadère as well as the austerity of purely abstract works such as Song of the Earth, set by MacMillan to Gustav Mahler's meditative "Das Lied von der Erde. She was dramatically effective in such disparate roles as the ruthless Black Queen in Checkmate, by Ninette de Valois, and the gentle Lady Elgar in Enigma Variations (My Friends Pictured Within), by Frederick Ashton. Coldly implacable as Myrtha in Giselle and furiously malevolent as Carabosse in The Sleeping Beauty, she displayed warmth, charm, and grace in such evocative works as Liebeslieder Waltzer, by George Balanchine, and Dances at a Gathering, by Jerome Robbins.[6]

Administrative career

After many years on the stage of the Royal Opera House, Covent Garden, Mason began a new phase of her career as a ballet mistress and teacher.[7] She was appointed principal répétiteur (rehearsal director) for MacMillan's ballets in 1980, when she also began teaching classical variations to senior girls at the Royal Ballet School. She became the company's principal répétiteur in 1984, assistant to the director in 1988, and assistant director, to Anthony Dowell, in 1991. Capping her administrative career, she was named artistic director in 2002.[8] After ten years service, during which she fostered many talents and greatly enriched the repertory, she retired in July 2012.[9] Peter Wright regarded her as the best artistic director since Ninette de Valois[10]

Honors and awards

Mason has received numerous accolades, awards, and honours for her accomplishments during her long career. She was appointed Officer of the Order of the British Empire (OBE) in 2002 and elevated to the rank of Dame Commander of the Order of the British Empire (DBE) in 2008.


  1. Zoë Anderson, The Royal Ballet: 75 Years (London: Faber & Faber, 2006).
  2. The Royal Ballet, The Royal Ballet Yearbook, 2010/11 (London: Oberon Books, 2011).
  3. Barbara Newman, "Mason, Monica," in International Encyclopedia of Dance, edited by Selma Jeanne Cohen and others (New York: Oxford University Press, 1998), vol. 4, p.306.
  4. John Gruen, "Monica Mason," in the Private World of Ballet (New York: Viking, 1975).
  5. Debra Craine and Judith Mackrell, "Mason, Monica," in The Oxford Dictionary of Dance (Oxford University Press, 2000).
  6. Newman, "Mason, Monica," in International Encyclopedia of Dance (1998), vol. 4, p. 307.
  7. Alexander Bland, The Royal Ballet: The First Fifty Years (London: Threshold Books, 1981).
  8. Dalya Alberge, "Dancers' Joy over Choice of Royal Ballet Director," The Times (London), 19 December 2002.
  9. Alistair Macaulay, "With Departure, a Ballet Director Comes into Focus," New York Times, 12 November 2013.
  10. Alberge, Dalya (17 June 2016). "Sir Peter Wright memoir reveals monster feuds of ballet greats". Retrieved 2 January 2018 via
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