Artie Shaw on the cover of the
September 1949 issue
The magazine in its early years catered for musicians in marching and then dance bands, but from the swing era, Metronome focused primarily on the genre of Jazz music appealing to fans. Notable writers for the magazine were its co-editors, Leonard Feather and Barry Ulanov; Miles Davis cited them as the only two white music critics in New York to understand bebop. The magazine closed in 1961.
Metronome All-Stars Band
Metronome magazine conducted an annual poll during the years 1939-1961 to choose the musicians whom their readers considered as the top jazz instrumentalists, for that year, playing each instrument. Often, the Metronome organization recorded the all-stars on a regular basis, with recording sessions of the bands chosen in 1939-1942, 1945–1950, 1953, and 1956.
- "Dan Morgenstern oral history", Ed Berger, March 2007, webpage (PDF):smithsonianjazz-Morgenstern.
- Teicher, Jordan G. (11 August 2015). "Rare Photographs of Jazz Icons from the Archives of Metronome Magazine". Slate. Retrieved 22 February 2016.
- Davis, Miles (1989). Autobiography.
- "Metronome All-Stars Band Discography" (overview), Discogs.com, 2009, webpage: Dcogs.
- "Jazz CDs, Pt. 1 - November 2002", John Henry, Audiophile Audition, AudAud.com, 2002, webpage: AA-NOV02.