Marching Through Georgia

"Marching Through Georgia" (sometimes spelled as "Marching Thru' Georgia" or "Marching Thro Georgia") is a marching song written by Henry Clay Work at the end of the American Civil War in 1865. The title and lyrics of the song refer to U.S. Army major general William T. Sherman's "March to the Sea" to capture the Confederate city of Savannah, Georgia in late 1864.


The song became widely popular with Union Army veterans after the American Civil War. The song, sung from the point of view of a Union soldier, tells of marching through Georgian territory, freeing slaves, meeting Unionist men glad to see the U.S. flag and U.S. soldiers, and punishing the Confederacy for their starting the war.

After the war, in parts of the southern United States, and particularly in Georgia, the song came to symbolize the devastation and political domination the Union wrought upon the Confederacy and southern U.S. states during the war. Coincidentally, Sherman himself came to dislike "Marching Through Georgia", in part because it was played at almost every public appearance that he attended. In fact, it was even played at his funeral.[1][2] Outside of the Southern United States, it had a widespread appeal: Japanese troops sang it as they entered Port Arthur, the British Army sang it in India, and a British town mistakenly thought the tune was appropriate to welcome southern American troops in World War II.[3]


The song remains popular with brass bands, and its tune has been adapted to other popular songs, including the controversial, sectarian anthem of Glasgow Rangers Football Club "Billy Boys" and "Come In, Come In". It was also sung by a carpetbagger in Gone with the Wind, and Ann Sheridan in 'Dodge City'.

In the United Kingdom, the tune is used for the Georgist anthem, The Land, the de facto party song of the Liberal Democrats and of the former Liberal Party. Liberal Assemblies and Liberal Democrat Conferences were formerly closed with the song, and the song continues to be a favourite at the conference Glee Club.

David Lloyd George used the tune for his campaign song George and Gladstone in his first election campaign in 1890.[4]

An anglicized version of the song was recorded between 1901 and 1903 during the Second Anglo Boer War. This version, although almost identical, included alternate lyrics and was issued as "Marching On Pretoria" on the Zonophone label.[5]

George M. Cohan referenced the "Hurrah! Hurrah!" line in one of the verses of "You're a Grand Old Flag", juxtaposed with a line from "Dixie".

In 1919 the song was adapted with lyrics by Tomomichi Soeda and Shogetsu Watanabe as Tokyo Bushi (Pai, pai, no pai), which subsequently became a perennially popular shin min'yō standard. The song was featured in the soundtrack to the film The Flower and the Angry Waves by Seijun Suzuki.

The Finnish protest song "Laiva Toivo, Oulu" (English: "The Ship Hope, Oulu") is set to the melody of "Marching Through Georgia", but with Finnish-language lyrics criticizing the actions of the captain of the titular frigate Toivo.[6]

The song is referenced in the title of two alternate history novels. S. M. Stirling's Marching Through Georgia references the title, and Ward Moore's Bring the Jubilee references the chorus.

In 1924, guitar and harmonica player Charlie Oaks released "Marching Through Flanders" for the Vocalion label (Vocalion 15104). It bears an identical melody to "Marching Through Georgia", but details the exploits of American troops in Belgium during World War I.

On October 12, 1929, for the first football game at Sanford Stadium at the University of Georgia, Yale University was heavily favored. The Yale Band had planned to play "Marching Through Georgia," but Yale lost 15-0, and the band had to play something else.

Composer Scott Bradley quoted it in his MGM cartoon scores of the 1940s, including the Oscar-winning Tom and Jerry short "Yankee Doodle Mouse" (1943) and Tex Avery's "King-Size Canary" (1947). In the latter he ironically juxtaposed it with the tune of "Yankee Doodle".

In the classic western movie Shane (1953), ex-Confederate Frank "Stonewall" Torrey (Elisha Cook, Jr.) is goaded by another, harmonica-playing, character with an impromptu rendition of "Marching Through Georgia".

In the 1966 Howard Hawks western El Dorado, the character Bull, in response to being shot at from a bell-laden church tower and then asked to provide cover, proclaims, "Well, just give me another gun and I'll play "Marching Through Georgia."

The Stockton, California band Pavement emphatically reference Sherman's March to the Sea and song "Marching Through Georgia" in their song "Unseen Power of the Picket Fence" from their 1994 album reissue "Crooked Rain, Crooked Rain: LA's Desert Origins."

At the end of Game 5 of the 1996 World Series, after Paul O'Neill caught the final out of the game by robbing Luis Polonia of a potential game-tying (or winning) hit, Vin Scully, who called the World Series on CBS Radio, announced that the New York Yankees had been "marching through Georgia, and where have we heard that before?"

St George Girls High School and Hurlstone Agricultural High School in Sydney, Australia have school songs set to the music.


Bring the good old bugle, boys, we'll sing another song
Sing it with a spirit that will start the world along
Sing it as we used to sing it, fifty thousand strong[N 1]usic t
While we were marching through Georgia.

Hurrah! Hurrah! we bring the jubilee!<ref group="N">A biblical allusion to the freeing of slaves. See Leviticus 25.</ref>
Hurrah! Hurrah! the flag that makes you free!
So we sang the chorus from Atlanta to the sea
While we were marching through Georgia.

How the darkeys shouted when they heard the joyful sound
How the turkeys gobbled which our commissary found
How the sweet potatoes even started from the ground
While we were marching through Georgia.

Yes and there were Union men who wept with joyful tears,
When they saw the honored flag they had not seen for years;
Hardly could they be restrained from breaking forth in cheers,
While we were marching through Georgia.

"Sherman's dashing Yankee boys will never reach the coast!"
So the saucy rebels said and 'twas a handsome boast
Had they not forgot, alas! to reckon with the Host
While we were marching through Georgia.

So we made a thoroughfare for freedom and her train,
Sixty miles in latitude, three hundred to the main;
Treason fled before us, for resistance was in vain
While we were marching through Georgia.


"Come In"

One version of the chorus for Come In is as follows:

Come in, come in, I'll do the best I can
Come in, come in, bring the whole bloody clan
Take it slow and easy, and I'll shake you by the hand
Set you down, I'll treat you decent, I'm an Ulsterman

The Land

The first verse and chorus from "The Land" is as follows:

Sound the call for freedom boys, and sound it far and wide,
March along to victory, for God is on our side,
While the voice of nature thunders o'er the rising tide:
"God gave the land to the people."

The land, the land,'twas God who made the land,
The land, the land, The ground on which we stand,
Why should we be beggars with a ballot in our hand?
God gave the land to the people!

The song was interpolated into The United States of America's "The American Metaphysical Circus".

See also


  1. Sherman's armies in Georgia actually had closer to 62,000 men."Marching Thro' Georgia." LCCN2003Eicher 2001, p. 762.


  1. Erbsen 2008, p. 51.
  2. Eicher 2001, p. 763.
  3. "Scottish Hillbillies and Rednecks?".
  4. Cregier, Don M. (1976). "Poacher's Lawyer, 1884-1890". Bounder from Wales: Lloyd George's Career before the First World War. Columbia & London: University of Missouri Press. p. 35-36. ISBN 0-8262-0203-9.
  5. "flatinternational - south african audio archive - Ian Colquhoun - Marching on Pretoria".
  6. Kaukiainen, Yrjö (1998). Laiva Toivo, Oulu (in Finnish). Helsinki: Suomalaisen Kirjallisuuden Seura. pp. 10–13. ISBN 951-746-026-0.


  • Eicher, David J., The Longest Night: A Military History of the Civil War, Simon & Schuster, 2001, ISBN 0-684-84944-5.
  • Erbsen, Wayne, Rousing Songs and True Tales of the Civil War, Native Ground Books & Music, 2008, ISBN 978-1-883206-33-8.

Further reading

This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.