Lured is a 1947 film noir directed by Douglas Sirk and starring George Sanders, Lucille Ball, Charles Coburn, and Boris Karloff.[2] The film is a remake of Robert Siodmak's 1939 French film Pieges (titled Personal Column in the United States).

theatrical release poster
Directed byDouglas Sirk
Produced byJames Nasser
Screenplay byLeo Rosten
Story byJacques Companéez
Simon Gantillon
Ernest Neuville
StarringGeorge Sanders
Lucille Ball
Charles Coburn
Boris Karloff
Music byMichel Michelet
CinematographyWilliam H. Daniels
Edited byJohn M. Foley
James E. Newcom
Hunt Stromberg Productions
Distributed byUnited Artists
Release date
  • September 5, 1947 (1947-09-05) (US)
Running time
102 minutes
CountryUnited States
Box office$700,000[1]


Sandra Carpenter (Lucille Ball) is an American who came to London to perform in a show, but now is working as a taxi dancer. She is upset to find out that friend and fellow dancer Lucy Barnard (Tanis Chandler) is missing and believed to be the latest victim of the notorious "Poet Killer," who lures victims with ads in newspapers' personal columns and sends poems to taunt the police.

Scotland Yard Inspector Harley Temple (Charles Coburn) believes the killer to be influenced by the 19th-century French poet Charles Baudelaire. He asks if Sandra would be willing to work undercover to help find her missing friend and the killer. He sees first-hand how observant she is and gives her a temporary police identification card and a gun. Sandra is asked to answer personal ads, watched over by an officer bodyguard, H.R. Barrett (George Zucco).

By coincidence, she meets the dashing man-about-town stage revue producer Robert Fleming (George Sanders). In the meantime, Sandra answers an ad placed by Charles van Druten (Boris Karloff), a former fashion designer who is now mentally imbalanced. Barrett has to come to her rescue.

She also needs to be saved, this time by Fleming, from a mysterious figure named Mr. Moryani (Joseph Calleia). He apparently lures young women to South America by offering them a promising opportunity while, in reality, wanting to recruit them for forced slavery or other forced services.

Fleming shares a stately home with Julian Wilde (Cedric Hardwicke), his business partner and friend. Fleming ultimately does win Sandra's heart, and they become engaged. Inspector Temple thanks her for her efforts and even agrees to come to their engagement party.

During the party, however, Sandra accidentally discovers incriminating evidence in Fleming's desk, including a distinctive bracelet worn by her friend Lucy and her photograph. Fleming is placed under arrest. Circumstantial evidence mounts up, his typewriter is identified as the one used for the poems, although he adamantly denies any involvement in the crimes. Sandra believes him, but Scotland Yard do not.

Lucy's body is found in the river. Wilde assures his incarcerated friend that he will hire the best attorney and do everything possible to clear him. It occurs to Inspector Temple that it is Wilde who fancies poetry and more likely to be the killer, but having no proof, he and Sandra arrange a trap wherein Fleming supposedly confessed to the murders without Temple knowing while he discusses his suspicion of Wilde with the man openly before finding out about the confession. As he is preparing to flee the country in fear of being caught onto quickly thereafter, Wilde is visited by Sandra at home. He is secretly obsessed with her, just as he was with the other women he abducted. Wilde at first expresses his desire for Sandra, then removes his scarf and tries to strangle her. Scotland Yard's men break through the windows to rescue her just in time. Fleming is set free, and he and Sandra drink to better days ahead.



Film critic Dennis Schwartz gave the film a mixed review, writing, "The flawed film never settles into a dark and sinister mood (filmed in a Hollywood studio) but succeeds only in keeping things tension-free and lighthearted with continuous breezy comical conversations as Ball does a sturdy Nancy Drew turn at sleuthing with her comical detective partner Zucco (who knew the usually typecast villain could be so amusing!). It can't quite measure up to compelling film noir, but it's pleasing and easy to handle despite everything feeling so contrived and confining."[3]


  1. Variety 7 January 1948
  2. Lured at the American Film Institute Catalog.
  3. Schwartz, Dennis. "Ozus' World Movie Reviews", film review, March 7, 2007. Last accessed: July 8, 2010.
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