Leo Birinski (June 8, 1884 – October 23, 1951) was a playwright, screenwriter and director. He worked in Austria-Hungary, Germany and in the United States. As a playwright in Europe he gained his biggest popularity in 1910 – 1917, then he was forgotten. From the 1920s to 1940s he worked mainly as a screenwriter, first in Germany, later in the United States. In the United States he returned to writing the stage plays. He was writing in German and later on in the United States, in English. Until recently, only a minimal amount of information about his life was available. In addition there were many legends and rumours concerning Birinski's person, some of them even spread by himself. For example, the false report of his "suicide" in 1920 even found its way from the newspaper obituaries into encyclopedias.
Leo Birinski (approx. 1923)
|Born||June 8, 1884|
|Died||October 23, 1951 67) (aged|
|Resting place||Potter's Field, Hart Island, New York City|
|Other names||Leo Gottesmann|
|Occupation||Screenwriter, Film director Playwright|
|Parent(s)||Hersch (Hermann) Gottesmann (father), Carna Birinska (mother)|
Variations in his name
Leo Birinski – surname after his mother, approx. from 1908 his civil and stage name.
Other variations in spelling and form: Leo G. Birinski, Leo Birinsky, Lev G. Birinski, Lev Birinskij, Lav Birinski, Birinszki Leó, Lev Birinszkij, Leon Birinski, etc.
Leo Gottesmann – surname after his father, used as his civil name until at least 1906.
The circumstances of Birinski's early life are quite indefinite; different sources offer eight possibilities of his place and date of birth.
He was probably born on June 8, 1884, in Lysianka, Kiev Governorate, Russian Empire (in present-day Ukraine). He occasionally presented this information in official documents, and it is supported by some indirect evidence, although it is impossible to prove definitively because the local birth records for Lysianka were not preserved.
His mother, Carna, born Berinska or Birinska, was a tenant's daughter from Lysianka. Birinski spent his childhood in Ukraine and Czernowitz, the capital city of the Austro-Hungarian province of Bukovina.
At the beginning of the 20th century (either in 1901 or 1904, according to the sources consulted), he moved to Vienna. He worked in a bookshop, turned to translating and started to write by himself. From his Viennese era come three of Birinski's plays: the tragedies Der Moloch (The Moloch) and Raskolnikoff (after the novel Crime and Punishment by Dostoevsky), and his most successful comedy (or tragicomedy, according to Birinski) Narrentanz (Dance of Fools), written in 1912. In March 1920, the already-mentioned suicide rumour, caused by a mistaken identity with his younger namesake, Leon Gottesmann, was spread in the local newspapers. Although repeatedly denied, the report was included into several contemporary encyclopedias. In fact, in April 1921 Birinski left Vienna and moved to Berlin.
In Germany, Birinski probably married Jewish pianist Felicia Aschkenas, born probably in 1902 in Warsaw. He worked primarily for the movie industry, wrote many screenplays, and together with Paul Leni, directed the motion picture Das Wachsfigurenkabinett. During his German era he demonstrably participated in the screenplays of thirteen films, e.g. Tragedy of Love with Marlene Dietrich, Varieté by Ewald André Dupont, and pictures by Gennaro Righelli. Birinski also wrote stage play Der heilige Teufel (Rasputin). Its German text was not found, just the later English version. Probably in September 1927 Birinski left for the USA; two years later, his wife followed him. They both identified themselves to the immigration officers by Nicaraguan passports. Birinski had even listed the city of Bluefields in Nicaragua as his birthplace. Most probably this was just a false identity.
In the United States, he continued his work as an author of motion picture stories and screenplays (he participated in the ten documented films). The first Birinski's American work was probably direction of Das große Glück – the German version of A Ship Comes In from 1928. Some of his pictures belong among the so-called "major" films of the period: e.g. Mata Hari with Greta Garbo or Mamoulian´s movies The Song of Songs, with Marlene Dietrich, and The Gay Desperado. He once again tried the work of film director with Flirtation in 1934. The last known picture by Birinski was the spy comedy The Lady Has Plans in 1942. An adaptation for the radio series, Lux Radio Theater, was also created, and broadcast in April 1943 on the CBS radio network with Rita Hayworth and William Powell in the leads. Birinski also wrote several stage plays in the USA. On Broadway his play Nowhere Bound was presented in January 1935 at the Imperial Theatre, and The Day Will Come in September 1944 at the National Theatre. In addition to these works, a manuscript of a stage play The Holy Devil (Rasputin) was found among the papers left by Herman Bernstein (a journalist and writer who died in August 1935). This play was probably never performed or published.
The last seven years of Birinski's life are enfolded in mist again. According to the extant death certificate, Leo Birinski died on October 23, 1951 at Lincoln Hospital in The Bronx, New York City. The certificate includes almost no information about the deceased. It appears that Birinski died in poverty and probably entirely alone (without any relatives or heirs). He was buried at Potter's Field at Hart Island in a mass-grave ("plot 45, section 2, no. 14"). In 2009, Birinski's relatives living in Israel and United States were found.
- Der Moloch (The Moloch), tragedy in three acts (1910). Premiere: January 21, 1910, Neue Wiener Bühne Vienna.
- Other productions in German: Modernes Theater Berlin (1910), Deutsches Theater Cologne (1911), Volkstheater Munich (season 1910 / 1911), Altes Stadt-Theater Leipzig (season 1910 / 1911) etc.
- Translated into:
- Raskolnikoff (aka Raskolnikow), tragedy in three acts after Dostoevsky (the first reference in 1910, published 1912). Play based on the novel Crime and Punishment. Premiere: April 9, 1913, Fürstliches Hoftheater Gera.
- Other productions in German: Residenz-Theater Berlin (1917), Wiener Kammerspiele Vienna (1917).
- Translated into:
- Narrentanz (The Dance of Fools), tragicomedy in four acts (1912). Premiere: September 28, 1912, Lessing-Theater Berlin.
- Global premiere at the same time on September 28, 1912: Neues Deutsches Theater Prague, Neue Wiener Bühne Vienna, Schauspielhaus Munich, Schauspielhaus Dresden, Schauspielhaus Cologne, Stadttheater Königsberg (now Kaliningrad), Schauspielhaus Leipzig, Neues Theater Frankfurt, and Deutsches Theater Hannover.
- Other productions in German: about 40 productions in various towns through the whole German language area. On November 13, 1912 it was produced even at Irving Place German Theatre in New York City.
- Reversal translation from Czech into German (!!!): Jiří Vrba and Stephan Stroux (1969), title Mummenschanz. Premiere: September 5, 1971, Volkstheater, Vienna.
- Translated into:
- Czech: Vincenc Červinka (1912), title Mumraj, production in National Theatre Prague (1912), National Theatre Brno (1912 at a former house), amateur theatre Maryša Prague (1976), The Drama Club Prague (1991), The Vinohrady Theatre Prague (2009), The Drama Club Prague (2017) etc.
- Polish: Jarosław Czesław Pieniążek (1913), title Taniec czynowników, production in Lviv – Teatr miejski (City Theatre, 1913), Kraków (1913 and 1920), Poznań (1913), Warsaw (1915), Łódź (1915), Lublin (1915), Płock (1915), Vilnius (1922).
- Slovenian: Anton Melik (1913), title Vrtoglavci, production in Ljubljana (1913), Nova Gorica (1987).
- Hungarian: Ferenc Herczeg (1913), title Bolondok tánca, production in Budapest (1913). Miklós Győrffy (1994), title Bolondok tánca; production in Szeged (1994), Marosvásárhely (1995), Budapest (1998), Pécs (2009). An unknown translator (2002), title Maskarádé, production in Budapest (2002).
- Danish: Carl Behrens (1913), title Narredans, production in Copenhagen (1913).
- Dutch: Herman Heijermans (1913), title Narrendans, production in Amsterdam (1914).
- French: Maurice Rémon (1914), title La Danse des fous, production in Paris (1914).
- Macedonian: Vladimir Milčin (1980), title Бркотница (Brkotnica), production in Skopje (1980).
- Croatian: Tomislav Lipljin (1982), title Maskerada, production in Varaždin (1982).
- Serbian: Vida Ognjenović (1988), title Луда игрa (Luda igra), production in Novi Sad (1988).
- Slovak: Martin Porubjak (1991), title Chaos, production in Bratislava (1991).
- Russian: Oleg Malevych and Viktoria Kamenskaya (2004), title: Хоровод масок (Khorovod masok), in: Baltiyskiye sezony no. 10/2004, Saint Petersburg. Produced as one-time diploma performance at State Theater Institute in Yaroslavl (June 2010).
- There are mentioned translations into English and Japanese too, but they are not credited.
- Nur Ruhe!, farce in three acts by Johann Nestroy, adapted for modern stage by Leo Birinski (published 1913). Premiere: January 5, 1914, Deutsches Volkstheater Vienna.
- Der heilige Teufel (Rasputin), play written before 1927. Not published and not produced till this time. Its German text was not found.
- The Holy Devil (Rasputin), play in three acts (written before 1935). English version of the older German play. Not published and not produced till this time. Typescript of its text was found in Herman Bernstein papers.
- Nowhere Bound, play in three acts (1935). Premiere: January 22, 1935, Imperial Theatre New York City. Director: Archimedes H. van Buren.
- The Day Will Come, play in three acts (1944). Premiere: September 7, 1944, National Theatre New York City. Director: Lee Elmore.
- Tragedy of Love – screenplay, Germany 1923. Director: Joe May, starring: Emil Jannings, Mia May, Charlotte Ander, Marlene Dietrich. Movie studio: May-Film.
- Waxworks – second director and producer, Germany 1924. The main director: Paul Leni, starring: Wilhelm Dieterle, Emil Jannings, Werner Krauss, Conrad Veidt, Olga Belajeff. Movie studio: Neptun Film AG.
- Love's Finale – screenplay, Germany 1925. Director: Felix Basch, starring: Lucy Doraine. Movie studio: Lucy Doraine-Film GmbH.
- Variety – screenplay, Germany 1925. Director: Ewald André Dupont, starring: Emil Jannings, Maly Delschaft, Lya de Putti, Warwick Ward, Georg John, Kurt Gerron, Georg Baselt, Enrico Rastelli. Movie studio: Universum-Film AG (UFA).
- Der Bastard – screenplay, Germany 1925. Director: Gennaro Righelli. Movie studio: Phoebus Film.
- Der Mann aus dem Jenseits – screenplay, Germany 1925. Director: Manfred Noa, starring: Paul Wegener, Hans Albers, Olga Tschechowa. Movie studio: Gloria-Film GmbH.
- The Prince and the Dancer – screenplay, Germany 1926. Director: Richard Eichberg, starring: Hans Albers, Lucy Doraine, Adolphe Engers, Willy Fritsch, Fritz Kampers, Hermann Picha. Movie studio: Richard Eichberg Film.
- The Circus of Life – screenplay, Germany 1926. Director: Guido Parish (as Schamberg) and Mario Bonnard, starring: Marcella Albani, Fritz Kampers, Henry Bender, Eugen Burg, Wilhelm Dieterle, Hermann Picha. Movie studio: Greenbaum-Film GmbH.
- Winnetou (not realised) – screenplay, Germany 1926. Scheduled Director: Gennaro Righelli, scheduled star: Wilhelm Dieterle. Scheduled movie studio: Universum-Film AG (UFA).
- The Mistress – screenplay, Germany 1927. Director: Robert Wiene, starring: Harry Liedtke, Eugen Burg, Hedwig Pauly-Winterstein. Movie studio: Pan Europa-Film GmbH.
- Forbidden Love – screenplay, Germany 1927. Director: Friedrich Feher, starring: Magda Sonja, Evi Eva, Paul Otto, Fritz Kampers. Movie studio: Deitz & Comp. GmbH., National-Film AG.
- Marie's Soldier – screenplay, Germany 1927. Director: Erich Schönfelder, starring: Xenia Desni, Harry Liedtke, Grit Haid, Hilde Maroff, Margarete Kupfer, Julia Serda, Siegfried Arno, Hans Albers, Hermann Picha. Movie studio: Eichberg-Film GmbH.
- The Champion of the World (1927 film) – screenplay, Germany 1927. Director: Gennaro Righelli, starring: Xenia Desni, Olga Tschechowa, Paul Graetz, Fritz Kampers. Movie studio: Greenbaum-Film GmbH.
- The Vice of Humanity – screenplay, Germany 1927. Director: Rudolf Meinert, starring: Asta Nielsen, Werner Krauss, Alfred Abel, Charles Willy Kayser, Trude Hesterberg, Ekkehard Arendt. Movie studio: International Film-AG (IFA).
- Mata Hari – screenplay, Germany 1927. Director: Friedrich Feher, starring: Magda Sonja, Wolfgang Zilzer, Fritz Kortner, Mathias Wieman, Alexander Murski. Movie studio: National-Film AG.
- Das große Glück – Director, USA, probably 1929, starring: Rudolph Schildkraut, Louise Dresser, Fritz Feld. Movie studio: De Mille Pictures Corp., A William K. Howard Production. The German version of the movie A Ship Comes In (1928).
- Love and the Devil – story, USA 1929. Director: Alexander Korda, starring: Milton Sills, María Corda, Ben Bard. Movie studio: First National Pictures.
- The Bargain in the Kremlin (not realised) – screenplay, USA 1929. Scheduled Director: Paul Leni, scheduled star: Joseph Schildkraut.
- Black Eagles (not realised) – screenplay, USA 1929. Scheduled director: Lothar Mendes, scheduled stars: Fay Wray, Gary Cooper, William Powell.
- Queen Kelly – one version of screenplay, USA 1929. Realised after another screenplay.
- Olympia – screenplay, USA 1930. Director: Jacques Feyder, starring: Nora Gregor, Theo Shall, Julia Serda, Karl Etlinger, Arnold Korff. Movie studio: Metro-Goldwyn-Mayer. The German version of the movie His Glorious Night by Lionel Barrymore (1929).
- Murders in the Rue Morgue – one version of screenplay, USA 1931. Realised after another screenplay.
- Mata Hari – screenplay, USA 1931. Director: George Fitzmaurice, starring: Greta Garbo, Ramón Novarro, Lionel Barrymore, Lewis Stone, Karen Morley. Movie studio: Metro-Goldwyn-Mayer, Loew´s Inc., George Fitzmaurice Production Distribution Co.
- Cheaters at Play – contributing to screenplay, USA 1932. Director: Hamilton MacFadden. Movie studio: Fox Film Corporation.
- The Song of Songs – screenplay, USA 1933. Director: Rouben Mamoulian, starring: Marlene Dietrich, Brian Aherne, Lionel Atwill, Alison Skipworth, Hardie Albright. Movie studio: Paramount Pictures Inc., Rouben Mamoulian Production Distribution Co.
- Stamboul Quest – story and contributing to screenplay, USA 1934. Director: Sam Wood, starring: Myrna Loy, George Brent, Lionel Atwill, C. Henry Gordon, Mischa Auer. Movie studio: Loew´s Inc., A Sam Wood Production Distribution Co.
- Flirtation (aka Mating Time) – Director and probably screenplay, USA 1934. Starring: Jeanette Loff, Ben Alexander, Emma Dunn, Franklin Pangborn, William Pawley. Movie studio: Salient Pictures Corp.
- Nana – contributing to story, USA 1934. Director: Dorothy Arzner, starring: Anna Sten. Movie studio: Samuel Goldwyn Company, United Artists Corp.
- Tornado (not realised) – story, USA 1935. Scheduled screenwriter: Reginald Berkeley, scheduled film producer: Erich Pommer.
- The Gay Desperado – story, USA 1936. Director: Rouben Mamoulian, starring: Nino Martini, Ida Lupino, Leo Carrillo, Harold Huber, Stanley Fields, Mischa Auer. Movie studio: Pickford-Lasky Productions Inc., Rouben Mamoulian Production Distribution Co., United Artists Corp.
- Mademoiselle Docteur – screenplay, France 1936. Director: Georg Wilhelm Pabst, starring: Dita Parlo, Pierre Blanchar, Pierre Fresnay, Roger Karl, Viviane Romance, Jean-Louis Barrault, Gaston Modot. Movie studio: Film Trocadéro. The French remake of the movie Stamboul Quest.
- I Gave My Wife to the King (not realised) – story, USA 1936. Banned by MPPDA according to Hays Code. Movie should concern about the affair of former king Edward VIII and Mrs. Wallis Simpson.
- Full Confession – story, USA 1939. Director: John Farrow, starring: Victor McLaglen, Sally Eilers, Joseph Calleia, Barry Fitzgerald, Elisabeth Risdon. Movie studio: RKO Radio Pictures Inc..
- Whitechapel (not realised) – screenplay, USA 1939. Scheduled star: Robert Montgomery. Scheduled movie studio: Metro-Goldwyn-Mayer.
- Palace of Thousand Lies (not realised) – story, USA 1942. Scheduled star: Claudette Colbert. Scheduled movie studio: Paramount Pictures Inc. The story was used for the following movie.
- The Lady Has Plans – story, USA 1942. Director: Sidney Lanfield, starring: Paulette Goddard, Ray Milland, Roland Young, Albert Dekker, Margaret Hayes, Cecil Kellaway, Genia Nikolaieva. Movie studio: Paramount Pictures Inc.
This article is partially based on a translation from the article in Czech Wikipedia.
- Bock, Hans-Michael (Ed.): CineGraph – Lexikon zum deutschsprachigen Film, edition text + kritik, Munich, 50. Lieferung (March 2011), ISBN 978-3-86916-130-3.
- Enciclopedia dello spettacolo, Casa editrice Le Maschere, 2nd volume, Rome 1954.
- Wininger, Salomon: Große Jüdische National-Biographie, 2nd volume, Cernăuti 1925 – 1936.
- Gevinson, Alan (ed.): American Film Institute Catalog – Within Our Gates: Ethnicity in American Feature Films, 1911-1960, University of California Press: Berkeley, Los Angeles, and London 1997. ISBN 0-520-20964-8.
- Doyle, Billy H.: The Ultimate Directory of Film Technicians…, Scarecrow Press: Lanham (Maryland) and Folkestone 1999. ISBN 0-8108-3546-0.
- Hübl, Dušan: Lev Birinskij – životopisný mumraj, Praha 2004 (1st band), 2008 (2nd band), 2010 (Addenda).
- Wiener Stadt- und Landesarchiv, Vienna, Austria (police registrations).
- Municipal Archives of New York City (resting place).
|Wikimedia Commons has media related to Leo Birinski.|
- Leo Birinski on IMDb
- Leo Birinski at the Internet Broadway Database
- Works by or about Leo Birinski in libraries (WorldCat catalog)
- Works by or about Leo Birinski in libraries (WorldCat catalog)
- Herman Bernstein Papers (YIVO Institute) – Typescript of The Holy Devil (Rasputin): Series VI, subseries 17, box 57, no. 948.
- Ancestry.com – Genealogical web.
- KinoTV by Unicorn Media – European Movie Database (in German).
- Amateur Theatre Esence – Searching for Birinski (in Czech).