Last Night (1998 film)

Last Night is a 1998 Canadian apocalyptic black comedy-drama film directed by Don McKellar and starring McKellar, Sandra Oh and Callum Keith Rennie. McKellar wrote the screenplay inspired by the French film project 2000, Seen By... to depict different countries' perspectives on the imminent turn of the millennium, and opted to make the story about the end of the world. The film was made and released when many were concerned about the Year 2000 problem, and was filmed and set in Toronto, Ontario.

Last Night
Theatrical poster
Directed byDon McKellar
Produced byNiv Fichman
Daniel Iron
Written byDon McKellar
StarringDon McKellar
Sandra Oh
Tracy Wright
Callum Keith Rennie
Sarah Polley
David Cronenberg
Music byAlexina Louie
Alex Pauk
CinematographyDouglas Koch
Edited byReginald Harkema
Distributed byLions Gate Films
Release date
Running time
95 minutes
Budget$2,300,000 CAD[1]
Box office$591,165[2]

The film was released to positive reviews for McKellar's direction and Oh's acting. It won awards at the Cannes and Toronto International Film Festivals, and three Genie Awards, including Best Actress for Oh.


In Toronto, a group of friends and family prepare for the end of the world, expected at midnight as the result of a calamity that is not explained, but which has been expected for several months. There has been panic and rioting after the imminent catastrophe was announced, but the chaos has since largely died down, with only sporadic murders and robberies. On the last evening, depressed widower Patrick meets with his family, including his sister Jennifer, for a mock Christmas dinner and celebration, though he leaves prematurely to spend his final hours alone in his apartment. He unexpectedly meets Sandra, who is stranded in the city and attempting to reunite with her new husband Duncan, who works at a power company. Duncan spends much of the day calling his customers to reassure them that their heating gas will be kept on until the very end. Sandra and Duncan have a suicide pact. Although intending to die alone, Patrick invites Sandra up to his apartment and attempts to help her find her husband.

Meanwhile, Patrick's best friend Craig embarks on a nearly non-stop sex marathon as he attempts to fulfill every fantasy he has ever had, pursuing interracial sex, sex with his old French teacher Mme. Carlton, and sex with a virgin, among others. With Sandra in need of a car and Craig having a car collection, Patrick and Sandra visit him and ask for one of his vehicles. Craig at first refuses, wanting to die with a complete collection, but Patrick persuades him to give one up. Craig also attempts to have a homosexual affair with Patrick, one of his fantasies, but Patrick indicates he is not interested in having sex with anyone on his last night.

Duncan is randomly murdered by a rioter, and Craig's car Sandra has borrowed is vandalized. Upon realizing she will not reunite with Duncan, Sandra asks Patrick to join her suicide pact. As midnight approaches, they both sit on the roof facing each other, listening to the song "Guantanamera", each holding a loaded pistol to the other's temple. However, as the final seconds approach, both characters are overcome with emotion and simultaneously let their pistols slip away as they slowly embrace in a kiss. The world finally ends.




Director Don McKellar wrote the screenplay after being approached by the French company Haut et Court,[1] which was putting together a project called "2000, Seen By..." consisting of films depicting the approaching millennium seen from the perspectives of 10 different countries.[3] Fearing a story about the millennium would become dated after 2000, McKellar was inspired to make his film about the end of the world,[4] and asked his friends what they would do if they knew the end was coming, basing his screenplay on their responses.[1] His script does not explain why the world is ending because he did not view that as the point of the story.[4] However, McKellar acknowledged that the film's sun shining throughout the night "seems to suggest some major planetary alignment problems".[5] The film marked McKellar's first attempt at directing a feature film.[6]

For the C$2.2 million budget, McKellar secured the Canadian Broadcasting Corporation as the main sponsor, with Haut et Court providing less than half of the budget. Afterwards, more money was raised.[7] Rhombus Media was a major sponsor.[5]


For the part of Duncan, McKellar cast Canadian director David Cronenberg, with McKellar explaining, "He takes his acting seriously," and "Cronenberg typified a certain type of person for me: a soft-spoken, articulate, careful character who may have a wild interior life- the most sane or the most insane character in the film."[8] Initially concerned about directing and acting at the same time, McKellar opted to keep the direction simple, aiming for a "fairly austere and elegant" style.[1] Shortly before shooting began, he learned a Hollywood film called Armageddon was in the works, but opted to go ahead upon hearing the stories were substantially different.[4]

Last Night was filmed on location in and near Toronto between September 15 and October 19, 1997.[1] Shooting primarily took place at the Macdonald Block and apartment buildings near The Annex.[9] Filmmakers used computers to depict an overturned streetcar, since overturning a real one would have been too expensive.[7] Cinematographer Douglas Koch used bleach bypass for sad visuals.[10]


Following an advance showing for critics in Paris, Last Night premiered at the Cannes Film Festival in May 1998, in the Directors' Fortnight section.[5] It was the first film played in Canada Perspectives at the Toronto International Film Festival. Afterwards, Lions Gate Entertainment obtained distribution rights in the United States.[7]

McKellar testified before the Parliament of Canada that Last Night played in theatres across Canada, before being replaced in many locations by Meet Joe Black.[11] By mid February 1999, Last Night grossed $400,000 in Canadian theatres, a "respectable" sum, though McKellar noted the film performed better in Athens, Greece than in Toronto.[12]


Critical reception

The film received positive reviews, with Rotten Tomatoes reporting an 84% approval rating of 49 reviews, with an average rating of 7.2/10, the critical consensus stating: "An engrossing, poignant film, Last Night examines the end of the world through humorous and thought-provoking dialogue."[13] Roger Ebert gave the film three stars, noting fears of Y2K were prominent when he was writing in December 1999, but Last Night's apocalypse "paints a picture more bittersweet than violent." He found "moments of startling poignancy" in the last two-thirds of the film.[14] Stephen Holden of The New York Times called the film "a smart, stiff-upper-lip alternative to a movie like Armageddon," and said McKellar and Sandra Oh give "intense performances," but expected more panic in the case of the apocalypse.[15] Entertainment Weekly gave the film an A-, calling it "a surreal, elegantly melancholy, and yet witty ensemble story" and Oh a "scene-stealer."[16] Peter Howell of the Toronto Star commented on the many Canadian cast members, suggesting the film is "too damn Canuck for its own good," and a riot scene would help.[17] For Maclean's, Tanya Davies declared it "A millennial coup".[18] Outside North America, critics favoured the film as "the perfect antidote" to U.S. apocalyptic films, with a U.K. critic adding "Only in Canada can you get away with a film like this."[19] Time Out called the film "a witty, perceptive movie, exceptionally well structured."[6]

In 2002, readers of Playback magazine voted Last Night the ninth greatest Canadian film of all-time.[20] In 2012, Oliver Lyttelton of IndieWire named it one of five "underseen" apocalypse films worth seeing, writing it compared well to Armageddon and Deep Impact (1998) for "its quiet, character driven approach," and that it was likely the inspiration for Seeking a Friend for the End of the World (2012).[21] In 2014, Colin McNeil of Metro News wrote "Last Night is perhaps the most upbeat end-of-the-world movie you’ll ever see."[22]


McKellar won the "Award of the Youth" at the Cannes Film Festival and Best Canadian First Feature Film at the 1998 Toronto International Film Festival[23] for Last Night. The film also won three Genie Awards, where McKellar was effectively competing against himself as a screenwriter of both Last Night and The Red Violin.[24]

Award Date of ceremony Category Recipient(s) Result Ref(s)
Canadian Comedy Awards 6 April 2000 Film Directing Don McKellar Won [25]
Film Writing Nominated
Film Performance– Male Callum Keith Rennie Nominated
Film Performance– Female Tracy Wright Nominated
Canadian Society of Cinematographers 1999 Cinematography in Theatrical Feature Douglas Koch Nominated [10]
Cannes Film Festival 13 – 24 May 1998 Award of the Youth Don McKellar Won [3]
Genie Awards 4 February 1999 Best Motion Picture Daniel Iron and Niv Fichman Nominated [24]
Best Direction Don McKellar Nominated
Best Actress Sandra Oh Won
Best Supporting Actor Callum Keith Rennie Won
Best Supporting Actress Geneviève Bujold Nominated
Roberta Maxwell Nominated
Best Screenplay Don McKellar Nominated
Best Art Direction John Dondertman and Patricia Cuccia Nominated
Best Cinematography Douglas Koch Nominated
Best Editing Reginald Harkema Nominated
Best Sound John J. Thomson, Dean Giammarco, Miguel Nunes and Paul A. Sharpe Nominated
Best Original Score Alex Pauk and Alexina Louie Nominated
Claude Jutra Award Don McKellar Won
Toronto Film Critics Association 16 December 1998 Best Canadian Film Won [26]
Toronto International Film Festival 10 – 19 September 1998 Best Canadian First Feature Film Won [27]
Vancouver International Film Festival 25 September – 11 October 1998 Woman in Film Award Sandra Oh Won [28]


  1. Swedko, Pam (3 November 1997). "On set with Don McKeller's Last Night". Playback. Retrieved 13 August 2016.
  2. "Last Night (1999)". Box Office Mojo. Retrieved October 8, 2011.
  3. KH (2002). Allon, Yoram; Cullen, Del; Patterson, Hannah (eds.). Contemporary North American Film Directors: A Wallflower Critical Guide. London and New York: Wallflower Press. p. 367. ISBN 1903364523.
  4. Ostroff, Joshua (23 October 1998). "Just the Beginning". Retrieved 13 August 2016.
  5. Johnson, Brian D. (25 May 1998). "French connection". Maclean's. Vol. 111 no. 21. p. 60.
  6. G.A. "Last Night". Time Out. Retrieved 13 August 2016.
  7. Ratzlow, Dave (8 November 1999). "Interview: 'Last Night,' Don McKellar's Intimate Armageddon". IndieWire. Retrieved 13 August 2016.
  8. Romney, Jonathan (24 June 1999). "Cheer up - we're all about to die". The Guardian. Retrieved 13 August 2016.
  9. Cole, Susan G.; Sumi, Glenn; Wilner, Norman; Semley, John (31 December 2013). "Top 25 Toronto Films". Now. Retrieved 15 August 2016.
  10. Dillon, Mark (3 May 1999). "DOP: The versatile Doug Koch". Playback. Retrieved 16 April 2017.
  11. McKellar, Don (6 April 2005). "38th Parliament, 1st Session: Standing Committee on Canadian Heritage". Parliament of Canada. Retrieved 16 April 2017.
  12. Jenish, D'Arcy (15 February 1999). "All smiles on Genie night". Maclean's. Vol. 112 no. 7. p. 52.
  13. "Last Night (1998)". Rotten Tomatoes. Retrieved 4 December 2018.
  14. Ebert, Roger (24 December 1999). "Last Night". Retrieved 13 August 2016.
  15. Holden, Stephen (5 November 1999). "Stranded in the City. On Doomsday to Boot". The New York Times. Retrieved 13 August 2016.
  16. "Last Night". Entertainment Weekly. 5 November 1999. Retrieved 13 August 2016.
  17. Loiselle, Andre (2002). "The Radically Moderate Canadian: Don McKellar's Cinematic Persona". North of Everything: English-Canadian Cinema Since 1980. Edmonton: The University of Alberta Press. p. 263. ISBN 088864390X.
  18. Davies, Tanya (28 December 1998). "The year's brightest screen gems". Maclean's. Vol. 111 no. 52. p. 14.
  19. Melnyk, George (2004). "English Canada's Next Generation". One Hundred Years of Canadian Cinema. Toronto, Buffalo and London: University of Toronto Press. p. 217. ISBN 0802084443.
  20. "Canada's all-time best movies list". Playback. Retrieved 3 March 2014.
  21. Lyttelton, Oliver (22 June 2012). "5 Underseen Apocalypse Movies To Accompany 'Seeking A Friend For The End Of The World'". IndieWire. Retrieved 13 August 2016.
  22. McNeil, Colin (15 July 2014). "Last Night: A very Canadian apocalypse movie". Metro News. Retrieved 13 August 2016.
  23. "Last Night, No, take top prizes at fest". Hamilton Spectator, September 21, 1998.
  24. Kirkland, Bruce (8 December 1998). "McKellar vs. McKellar". Archived from the original on 28 August 2016. Retrieved 13 August 2016.
  25. Kelly, Brendan (7 March 2000). "McKellar tops comedy noms". Variety. Retrieved 18 August 2016.
  26. "Rogers Best Canadian Film Award". Toronto Film Critics Association. Retrieved 13 August 2016.
  27. "Awards". Toronto International Film Festival. Retrieved 13 August 2016.
  28. Dretzka, Gary (24 December 1999). "Oh, Maybe Just The One". The Chicago Tribune. Retrieved 16 April 2017.

See also

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