Kiri Te Kanawa
Dame Kiri Jeanette Claire Te Kanawa (/ /; born Claire Mary Teresa Rawstron, 6 March 1944) is a New Zealand former opera singer. Her career included a full lyric soprano voice, which has been described as "mellow yet vibrant, warm, ample and unforced".
Kiri Te Kanawa
Te Kanawa in 2013
Claire Mary Teresa Rawstron
6 March 1944
Gisborne, New Zealand
|Occupation||Opera singer (Soprano)|
(m. 1967; div. 1997)
Te Kanawa has received accolades in many countries, singing a wide array of works in many languages dating from the 17th to the 20th centuries. She is particularly associated with the works of Mozart, Strauss, Verdi, Handel and Puccini, and has found considerable success in portraying princesses, nobility, and other similar characters on stage.
Though she rarely sang opera later in her career, Te Kanawa frequently performed in concert and recital, gave masterclasses, and supported young opera singers in launching their careers. Her final performance was in Ballarat, Australia, in October 2016, but she did not reveal her retirement until September 2017.
Te Kanawa was born Claire Mary Teresa Rawstron in Gisborne, New Zealand, to Māori butcher Tieki "Jack" Wawatai and Mary Noeleen Rawstron. Wawatai was already married, to Apo, daughter of the Rev. Poihipi Kohere (brother of the community leader Reweti Tuhorouta Kohere and soldier and farmer Henare Mokena Kohere), and Rawstron's mother insisted the baby be given up for adoption. She was adopted as an infant by Thomas Te Kanawa, owner of a successful trucking business, and his wife Nell. She was educated at St Mary's College, Auckland, and formally trained in operatic singing by Sister Mary Leo Niccol. Te Kanawa began her singing career as a mezzo-soprano but developed into a soprano. Her recording of the "Nuns' Chorus" from the Strauss operetta Casanova was the first gold record produced in New Zealand.
Te Kanawa met Desmond Park on a blind date in London in August 1967, and they married six weeks later at St Patrick's Cathedral, Auckland. They adopted two children, Antonia (born 1976) and Thomas (born 1979). The couple divorced in 1997. Te Kanawa had never made any attempt to contact her biological parents, but around this time, her half-brother Jim Rawstron contacted her. Initially, she was not willing to meet him, but in 1997 agreed. The episode ended bitterly, when a newspaper ran a story on their meeting; despite Rawstron denying contact with the newspaper, she has since reaffirmed her decision to have nothing to do with her birth family.
In her teens and early 20s, Te Kanawa was a pop star and entertainer at clubs in New Zealand, and regularly appeared in newspapers and magazines. In 1963, she was runner-up to Malvina Major in the Mobil Song Quest with her performance of "Vissi d'arte" from Tosca, and in 1965 she won the same competition. As winner, she received a grant to study in London.
She appeared and sang in the 1966 musical comedy film Don't Let It Get You. In 1966, she won the Melbourne Sun-Aria contest, which Major had also won the previous year. Both singers had been taught by Sister Mary Leo.
Early years in London
In 1966, without an audition, she enrolled at the London Opera Centre to study under Vera Rózsa and James Robertson, who reputedly said Te Kanawa lacked a singing technique when she arrived at the school but that she did have a gift for captivating audiences. She first appeared on stage as the Second Lady in Mozart's The Magic Flute, as well as in performances of Purcell's Dido and Aeneas in December 1968 at the Sadler's Wells Theatre. She also sang the title role in Donizetti's Anna Bolena. In 1969, she sang Elena in Rossini's La donna del lago at the Camden Festival, and was also offered the role of the Countess in The Marriage of Figaro after an audition of which the conductor, Colin Davis, said, "I couldn't believe my ears. I've taken thousands of auditions, but it was such a fantastically beautiful voice." Praise for her Idamante in Mozart's Idomeneo led to an offer of a three-year contract as junior principal at the Royal Opera House Covent Garden where she made her debut as Xenia in Boris Godunov and a Flower Maiden in Parsifal in 1970. Under director John Copley, Te Kanawa was carefully groomed for the role of the Countess for a December 1971 opening.
Meanwhile, word of her success had reached John Crosby at the Santa Fe Opera, a summer opera festival in New Mexico, then about to begin its fifteenth season. He cast her in the role of the Countess in The Marriage of Figaro, which opened on 30 July 1971. The performance also featured Frederica von Stade in her debut as Cherubino. "It was two of the newcomers who left the audience dazzled: Frederica von Stade as Cherubino and Te Kanawa as the Countess. Everyone knew at once that these were brilliant finds. History has confirmed that first impression."
On 1 December 1971 at Covent Garden, Te Kanawa repeated her Santa Fe performance and created an international sensation as the Countess: "with 'Porgi amor' Kiri knocked the place flat." This was followed by performances as the Countess at the Opéra National de Lyon and San Francisco Opera in the autumn of 1972. She first sang as Desdemona in Glasgow in 1972, while her Metropolitan Opera début in 1974 as Desdemona in Otello took place at short notice: she replaced an ill Teresa Stratas at the last minute. Te Kanawa sang at the Glyndebourne Festival in 1973, with further débuts in Paris and (1975), Sydney (1976), Milan (1978), Salzburg (1979), and Vienna (1980). In 1982, she gave her only stage performances as Tosca in Paris. In 1989, she added Elisabeth de Valois in Don Carlos to her repertory at Chicago, and, in 1990, the Countess in Capriccio, sung first at San Francisco and with equal success at Covent Garden, Glyndebourne and the Metropolitan in 1998.
In subsequent years, Te Kanawa performed at the Lyric Opera of Chicago, Paris Opera, Sydney Opera House, the Vienna State Opera, La Scala, San Francisco Opera, Munich and Cologne, adding to her repertoire the Mozart roles of Donna Elvira, Pamina, and Fiordiligi to Italian roles such as Mimi in Puccini's La bohème. She played Donna Elvira in Joseph Losey's 1979 film adaptation of Don Giovanni. She was seen and heard around the world in 1981 by an estimated 600 million people when she sang Handel's "Let the bright Seraphim" at the wedding of Charles, Prince of Wales, and Lady Diana Spencer.
In 1984, Leonard Bernstein decided to re-record the musical West Side Story, conducting his own music for the first time. Generally known as the "operatic version", it starred Te Kanawa as Maria, José Carreras as Tony, Tatiana Troyanos as Anita, Kurt Ollmann as Riff, and Marilyn Horne as the offstage voice who sings "Somewhere". Te Kanawa was the first of the singers to join the project, and said at the time "I couldn't believe it ... This was music I'd grown up with, music I'd always wanted to sing." The album won a Grammy Award for Best Cast Show Album in 1985, and the recording process was filmed as a documentary.
Te Kanawa has a particular affinity for the heroines of Richard Strauss. Her first appearance in the title role in Arabella was at the Houston Grand Opera in 1977, followed by the roles of the Marschallin in Der Rosenkavalier and the Countess in Capriccio. Many performances were given under the baton of Georg Solti and it was with him that in 1981 she made a recording of The Marriage of Figaro.
In recent years, her appearances onstage have become infrequent, although she remains busy as a concert singer. She appeared in performances in Samuel Barber's Vanessa in Monte Carlo (televised in 2001), with the Washington National Opera (2002), and the Los Angeles Opera in November to December 2004. Te Kanawa has appeared as a Pennington Great Performers series artist with the Baton Rouge Symphony Orchestra in 2004.
In April 2010, Te Kanawa sang the Marschallin in Der Rosenkavalier by Richard Strauss in two performances at the Cologne Opera in Germany. That same year, she played the spoken part of The Duchess of Krakenthorp in Donizetti's La fille du régiment at the Metropolitan Opera, and sang a tango. She repeated this role at the Met in a revival during the 2011–12 season, repeating it again in Vienna in 2013 and at Covent Garden in March 2014, a run that encompassed her 70th birthday. In the meantime, she performed at Haruhisa Handa's inaugural Tokyo Global Concert at Nakano-Zero Hall in Nakano, Tokyo, Japan, on 10 September 2013. In October 2013 she appeared in the role of Nellie Melba in the television series Downton Abbey.
Te Kanawa was appointed a Dame Commander of the Order of the British Empire (DBE) in the 1982 Birthday Honours for services to opera. She was awarded the New Zealand 1990 Commemoration Medal, and was appointed to the Order of New Zealand in the 1995 Birthday Honours. In the 1990 Australia Day Honours, she was appointed an Honorary Companion of the Order of Australia for services to the arts, particularly opera, and to the community.
In 2010, she received the Brit Award for Outstanding Contribution to Music.
Te Kanawa was appointed a Member of the Order of the Companions of Honour (CH) in the 2018 Birthday Honours for services to music. She received the Order from the Prince of Wales in a ceremony at Buckingham Palace on 20 December.
In November 2019, the ASB theatre in the Aotea Centre was renamed the Kiri Te Kanawa Theatre in acknowledgement of the work Te Kanawa has done on the world stage and to also mark her 75th birthday. Te Kanawa unveiled a plaque with the change before a gala that was held in her honour.
Te Kanawa has received honorary degrees from the UK universities of Bath, Cambridge, Dundee, Durham, Nottingham, Oxford, Sunderland, Warwick as well as the Universities of Chicago, Auckland (New Zealand) and Waikato. She is an honorary fellow of Somerville College, Oxford, and Wolfson College, Cambridge. She is also patron of Ringmer Community College, a school in the South-East of England situated not far from Glyndebourne.
She was selected as Artist of the Year by Gramophone Magazine in 1982. On 10 June 2008 she received the Edison Classical Music Award during the Edison Classical Music Gala (formerly: 'Grand Gala du Disque') in the Ridderzaal in The Hague. In 2012, Te Kanawa was awarded a World Class New Zealand award in the Iconic New Zealander category.
Kiri Te Kanawa Foundation
Te Kanawa founded the Kiri Te Kanawa Foundation with the vision "that talented young New Zealand singers and musicians with complete dedication to their art may receive judicious and thoughtful mentoring and support to assist them in realising their dreams."
The foundation manages a trust fund to provide financial and career scholarships to young New Zealand singers and musicians.
The Kiri Prize
In January 2010, Te Kanawa and BBC Radio 2 launched an initiative to find a gifted opera singer of the future. The initiative was the BBC Radio 2 Kiri Prize competition.
Following regional auditions of over 600 aspiring opera singers, 40 were invited to attend masterclasses in London with Te Kanawa, mezzo-soprano Anne Howells and conductor Robin Stapleton. From these masterclasses fifteen singers were selected for the semi-finals which were broadcast on 5 consecutive weeks on BBC Radio 2's Friday Night Is Music Night. The semi-finalists were accompanied by the BBC Concert Orchestra, conducted by Martin Yates, Richard Balcombe and Roderick Dunk and their performances were judged by Te Kanawa, Anne Howells, Robin Stapleton and director John Cox.
Five singers went through to the final which was broadcast on Radio 2 on 3 September 2010. The winner, soprano Shuna Scott Sendall, performed with Te Kanawa and José Carreras at the BBC Proms in the Park in Hyde Park, London on 11 September 2010, and was given the opportunity to attend a three-week residential course at the Solti Te Kanawa Accademia in Italy.
In a 2003 interview with the Melbourne-based Herald Sun, Te Kanawa criticised the high rate of welfare dependence among the Māori people, angering some of her compatriots.
In 2007, Te Kanawa was sued for breach of contract by the event-management company Leading Edge for cancelling a concert with Australian singer John Farnham. She cancelled after learning that his fans sometimes threw their underwear on stage, which he would then proudly display. The court found that no contract had been made by the two parties, so Te Kanawa was not liable for damages, but Mittane, the company which employs and manages her, was ordered to reimburse Leading Edge A$130,000 for expenditures already incurred.
- 1971 - Verdi - Rigoletto - as Countess Ceprano in a studio recording with the London Symphony Orchestra conducted by Richard Bonynge
- 1972 – Mozart – Exsultate Jubilate – (Exsultate, jubilate, Vesperae solennes de confessore, Kyrie in D minor, Ave verum corpus), Te Kanawa, London Symphony Orchestra and Chorus, Sir Colin Davis [Philips] (also re-issued 1986)
- 1972 – Mozart – Don Giovanni – as Donna Elvira in a studio recording with Covent Garden Royal Opera House Chorus and Orchestra, Colin Davis
- 1973 – Mozart – "Great Mass in C Minor" – Studio recording with Ileana Cotubas and the New Philharmonia Orchestra conducted by Raymond Leppard
- 1973 – My Favourite Things [Hallmark, SHM 3218]
- 1974 – Herrmann – Salammbo's Aria from Citizen Kane – The Classic Film Scores of Bernard Herrmann – Kiri Te Kanawa, National Philharmonic Orchestra, Charles Gerhardt [RCA Victor, BMG Classics]
- 1975 – Bizet – Carmen – as Micaëla in a studio recording with the London Philharmonic Orchestra, Georg Solti
- 1976 – Mozart – Le nozze di Figaro – Te Kanawa (Contessa Almaviva), Freni (Susanna), Prey (Figaro), Fischer-Dieskau (Conte Almaviva), Ewing (Cherubino), Begg (Marcellina), Montarsolo (Don Bartolo), Wiener Philharmoniker, conductor Karl Böhm [DVD]
- 1977 – Duruflé – Requiem/"Danse lente" – Te Kanawa, Nimsgern, Ambrosian Singers, Desborough School Choir, Andrew Davis, New Philharmonia Orchestra [CBS Schallplatten GmbH]
- 1977 – Mozart – Così fan tutte – as Fiordiligi in a studio recording under Alain Lombard. For details, see here
- 1978 - Humperdinck - Hänsel und Gretel - as the Sandman in a studio recording under Sir John Pritchard. For details, see here
- 1978 – Mozart – Die Zauberflöte – as Pamina in a studio recording under Alain Lombard
- 1979 – Strauss – Four Last Songs – London Symphony Orchestra, Andrew Davis [CBS Masterworks]
- 1979 – Brahms – A German Requiem – Variations on a Theme By Haydn – Chicago Symphony Orchestra & Chorus, Kiri Te Kanawa, Sir Georg Solti, Bernd Weikl, Margaret Hillis [London Records]
- 1981 – Gay – The Beggar's Opera – as Polly Peachum in a studio recording with National Philharmonic Orchestra, Richard Bonynge
- 1981 – Mozart – Le nozze di Figaro – as Contessa Almaviva in a studio recording with London Philharmonic Orchestra, Georg Solti. For details, see here
- 1981 – Puccini – La rondine – as Magda de Civry in a studio recording with the London Symphony Orchestra, Lorin Maazel
- 1981 – Mozart Concert Arias – Kiri Te Kanawa, Wiener Kammerorchester, Gyorgy Fischer [London/Decca Jubilee 417756]
- 1983 – Canteloube – Chants D'Auvergne (Songs of The Auvergne) / Villa-Lobos – Bachianas Brasileiras [Polygram SXDL 7604]
- 1983 – Mozart Opera Arias – London Symphony Orchestra, Sir Colin Davis [Philips], [Polygram 5414319]
- 1983 – Verdi & Puccini – London Philharmonic Orchestra, John Pritchard [CBS 37298]
- 1984 – Come to the Fair – Folk Songs & Ballads – with the Medici String Quartet and members of the National Philharmonic Orchestra, Douglas Gamley [EMI EMC 222]
- 1984 – Puccini – Tosca – as Floria Tosca in a studio recording under Georg Solti
- 1984 – Ave Maria – a collection of religious favorites with the English Chamber Orchestra and the Choir of St. Paul's Cathedral, London [Philips 412629]
- 1984 – A Portrait of Kiri Te Kanawa [CBS SBR 236068]
- 1985 – Handel – Messiah – with Anne Gjevang, Keith Lewis, Gwynne Howell, Chicago Symphony Orchestra & Chorus, Sir Georg Solti [3xLP, Album + Box, London Records]
- 1985 – Leonard Bernstein – West Side Story – a recording of Bernstein's music for the Broadway production West Side Story, with José Carreras singing the part of Tony and Leonard Bernstein conducting the orchestra and chorus [Polygram 415253]
- 1985 – A Room with a View (OST) – the Puccini arias "O mio babbino caro" (Gianni Schicchi) and "Chi bel sogno di Doretta" (La Rondine) in the Merchant Ivory film A Room with a View [DRG CDSBL 12588]
- 1986 – Richard Strauss – Arabella – as Arabella in a studio recording with Covent Garden Royal Opera House Chorus and Orchestra, Jeffrey Tate
- 1986 – Gounod – Faust – sang the role of Marguerite in a studio recording with the Bavarian Radio Symphony Orchestra and Chorus, Colin Davis
- 1986 – Rodgers and Hammerstein – South Pacific – London Studio Cast, Kiri Te Kanawa, Mandy Patinkin, José Carreras and Sarah Vaughan
- 1986 – Kiri – Blue Skies – with Nelson Riddle And His Orchestra [Polygram/Decca 414 666–1 ]
- 1986 – Christmas with Kiri (with Philharmonia Orchestra of London and Chorus, Carl Davis) London Classic / Polygram
- 1987 – Puccini – Manon Lescaut – sang the title role in a studio recording with Teatro Comunale di Bologna, Riccardo Chailly
- 1987 – Alan Jay Lerner and Frederick 'Fritz' Loewe – My Fair Lady – a studio cast recording with Te Kanawa singing the role of Eliza Doolittle and Jeremy Irons singing the role of Henry Higgins [Polygram 421200]
- 1987 – Kiri Sings Gershwin, a collection of George Gershwin songs with the New Princess Theater Orchestra, John McGlinn [EMI]
- 1987 – Portrait [Polygram 417645]
- 1987 – Beethoven – Symphonie No.9 – Te Kanawa, Hamari, Burrows, Holl, London Symphony Chorus, London Symphony Orchestra, Eugen Jochum [EMI]
- 1988 – Mozart – Così fan tutte – recorded the role of Fiordiligi again this time with Vienna State Opera, James Levine
- 1988 – Bach – Matthäus-Passion – Te Kanawa, von Otter, Rolfe Johnson, Krause, Blochwitz, Bär, Chicago Symphony Orchestra, Sir Georg Solti [Box, Album + 3xCD, Decca]
- 1988 – Fauré – Requiem · Pelléas Et Mélisande · Pavane – Te Kanawa, Milnes, Choeur De L'Orchestre Symphonique De Montreal, Orchestre Symphonique De Montréal, Charles Dutoit [Decca]
- 1989 – Verdi – Simon Boccanegra – in the role of Amelia Grimaldi in a studio recording with La Scala, Milan, Georg Solti
- 1989 – Songs of Inspiration – Kiri Te Kanawa, Mormon Tabernacle Choir, Utah Symphony Orchestra, Julius Rudel [London/Decca/Polygram 425431]
- 1989 – Mozart – Die Zauberflöte – recorded the role of Pamina again this time with Neville Marriner and the Academy of St. Martin in the Fields
- 1990 – Johann Strauss II – Die Fledermaus – sang the part of Rosalinde with Vienna State Opera, André Previn
- 1990 – Mozart – Le nozze di Figaro – re-recorded the role of Contessa Almaviva in a studio recording with the Metropolitan Opera, James Levine
- 1990 – Richard Strauss – Der Rosenkavalier – sang the role of the Marschallin with the Semperoper Dresden under Bernard Haitink
- 1990 – Mozart – Der Schauspieldirector – sang the role of Mademoiselle Silberklang with the Vienna Philharmonic under John Pritchard
- 1990 – Kiri in Recital – Liszt, Obradors, Ravel – Kiri Te Kanawa, with Roger Vignoles (Piano) [London/Decca 425820 ]
- 1990 – Italian Opera Arias – with London Symphony Orchestra, Myung-Whun Chung
- 1991 – Richard Strauss – 4 Letzte Lieder and other songs – with Georg Solti and the Vienna Philharmonic
- 1991 – The Kiri Selection
- 1991 – Kiri Sings Kern
- 1991 – World in Union (Single, 7") – (Rugby Union World Cup Theme Song) [Columbia]
- 1992 – Paul McCartney and Carl Davis – Paul McCartney's Liverpool Oratorio (Movement VII: "Crises")
- 1992 – Tchaikovsky – Eugene Onegin – sang the role of Tatyana in a studio recording with Welsh National Opera under Charles Mackerras
- 1992 – Verdi – La traviata – sang the role of Violetta in a studio recording with the Maggio Musicale Fiorentino, Zubin Mehta
- 1992 – Kiri Sidetracks: The Jazz Album
- 1992 – Mahler – Symphony No. 4 – Kiri Te Kanawa, Chicago Symphony Orchestra, Georg Solti [Decca]
- 1993 – Wagner – Tannhäuser – sang the role of Elisabeth in a studio recording with the London Philharmonia Orchestra and the Ambrosian Singers, Marek Janowski
- 1993 – Mozart Arias (Grand Voci) [Decca]
- 1993 – Classics – Mozart, Handel, Gounod, Schubet, Strauss [Philips 434725]
- 1994 – Mozart – Great Mass in C minor – (chorus master: Laszlo Heltay) [Philips]
- 1994 – Heart to Heart (with Malcolm McNeill)
- 1994 – Puccini – La bohème – recorded the role of Mimì in a studio recording with the London Symphony Orchestra, Kent Nagano
- 1994 – The Sorceress – arias from Handel operas with Hogwood and The Academy of Ancient Music
- 1994 – Kiri!: Her Greatest Hits Live [Decca 443600]
- 1994 – Kiri Sings Porter – Cole Porter songs [Angel]
- 1995 – Christmas with Kiri Te Kanawa: Carols from Coventry Cathedral – Kiri Te Kanawa, Michael George, BBC Philharmonic Orchestra, Robin Stapleton [Teldec]
- 1996 – Richard Strauss – Capriccio – recorded the role of the Countess in a studio recording with Wiener Philharmoniker, Ulf Schirmer, Decca/London
- 1996 – Franz Schubert – Lieder – Judith Raskin, Kiri Te Kanawa, Elly Ameling, Peter Pears, Judith Blegen [Sony Classical]
- 1997 – French Songs and Arias
- 1997 – Sole et amore – Puccini Arias – Te Kanawa, Vignoles, Orchestre de L'Opera National de Lyon, Kent Nagano [Erato]
- 1998 – Bizet – Carmen – Highlights – Troyanos, Domingo, Te Kanawa, London Philharmonic Orchestra, Georg Solti [Decca]
- 1998 – The Greatest Classical Stars on Earth – Plácido Domingo, Kiri Te Kanawa, Luciano Pavarotti, Lesley Garrett, Nigel Kennedy (2CD, Compilation) [Decca]
- 1999 – Maori Songs (Air New Zealand) [EMI Classics 5 56828-2]
- 1999 – Greatest Hits [EMI Classics]
- 2001 – Kiri (also known as Kiri – The Best Of)
- 2003 – The Very Best Of
- 2004 – Kiri – A Portrait
- 2004 – Dame Kiri Te Kanawa & Friends: The Gala Concert – Gold
- 2005 – The Best of Kiri Te Kanawa [20th Century Masters – The Millennium Collection]
- 2006 – Kiri Sings Karl: Songs of Mystery & Enchantment – arranged and conducted by Karl Jenkins [EMI Classics]
- 2013 – Waiata Sony Music Entertainment
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We met on a blind date in London and wed about six weeks later.
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- Te Kanawa had previously made videos in 1973 and 1975 under Pritchard and Böhm.
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- Lebrecht, Norman (2000). Covent Garden: The Untold Story: Dispatches from the English Culture War, 1945–2000. London: Simon & Schuster. ISBN 0-684-85143-1.
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- LaBlanc, Michael L. (1990). Contemporary musicians. Volume 2: profiles of the people in music. Detroit, Mich.: Gale Research. ISBN 9781414412856.
- 1000 makers of the millennium. DK Publishing, Inc. (1st American ed.). New York: DK Pub. 1999. ISBN 9780789447098. OCLC 41076136.CS1 maint: others (link)
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- The Kiri Te Kanawa Foundation
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- Kiri Te Kanawa on IMDb
- Kiri Te Kanawa discography at Operadis