John Boorman

John Boorman /ˈbʊərmən/, CBE (born 18 January 1933) is an English filmmaker who is best known for his feature films such as Point Blank, Hell in the Pacific, Deliverance, Zardoz, Exorcist II: The Heretic, Excalibur, The Emerald Forest, Hope and Glory, The General, The Tailor of Panama and Queen and Country.

John Boorman
Boorman at the San Sebastián International Film Festival in September 2006
Born (1933-01-18) 18 January 1933
Years active1962–present
Spouse(s)Christel Kruse
Isabella Weibrecht
Charley, Daisy, Katrine and Telsche (by 1st wife) and Lily Mae, Lee and Lola (by 2nd wife)

He has directed 22 films and received five Academy Award nominations, twice for Best Director (for Deliverance, and Hope and Glory). He is also credited with creating the first Academy Award screeners to promote The Emerald Forest.[1] In 2004 Boorman received the BAFTA Fellowship for lifetime achievement from the British Academy of Film and Television Arts.

Early life

Boorman was born in Shepperton, Middlesex, England, the son of Ivy (née Chapman) and George Boorman.[2] He was educated at the Salesian School in Chertsey, Surrey.


Boorman first began by working as a drycleaner and journalist in the late 1950s. He ran the newsrooms at Southern Television in Southampton and Dover before moving into TV documentary filmmaking, eventually becoming the head of the BBC's Bristol-based Documentary Unit in 1962.

Capturing the interest of producer David Deutsch, he was offered the chance to direct a film aimed at repeating the success of A Hard Day's Night (directed by Richard Lester in 1964): Catch Us If You Can (1965) is about competing pop group Dave Clark Five. While not as successful commercially as Lester's film, it drew good reviews from distinguished critics such as Pauline Kael and Dilys Powell and smoothed Boorman's way into the film industry. Boorman was drawn to Hollywood for the opportunity to make larger-scale cinema and in Point Blank (1967), based on a Richard Stark novel, brought a stranger's vision to the decaying fortress of Alcatraz and the proto-hippy world of west coast America. Lee Marvin gave the then-unknown director his full support, telling MGM he deferred all his approvals on the project to Boorman.

After Point Blank, Boorman re-teamed with Lee Marvin and Toshiro Mifune for the robinsonade of Hell in the Pacific (1968), which tells a fable story of two representative soldiers stranded together on an island.

Returning to the United Kingdom, he made Leo the Last (US/UK, 1970). This film exhibited the influence of Federico Fellini and even starred Fellini regular Marcello Mastroianni, and won him a Best Director award at Cannes.

Boorman achieved much greater resonance with Deliverance (US, 1972, adapted from a novel by James Dickey), the ordeal of four urban men, played by Jon Voight, Burt Reynolds, Ronny Cox and Ned Beatty, who encounter danger from an unexpected quarter while whitewater rafting through the Appalachian backwoods. The film became Boorman's first true box office success, earning him several award nominations.

At the beginning of the 1970s, Boorman was planning to film The Lord of the Rings and corresponded about his plans with the author, J. R. R. Tolkien. Ultimately the production proved too costly, though some elements and themes can be seen in Excalibur.

A wide variety of films followed. Zardoz (1974), starring Sean Connery, was a post-apocalyptic science fiction piece, set in the 23rd century. According to the director's film commentary, the "Zardoz world" was on a collision course with an "effete" eternal society, which it accomplished, and in the story must reconcile with a more natural human nature.

Boorman was selected as director for Exorcist II: The Heretic (USA, 1977), a move that surprised the industry given his dislike of the original film. Boorman declared: "Not only did I not want to do the original film, I told the head of Warner Brothers John Calley I'd be happy if he didn't produce the film too."[3] The original script by Broadway playwright William Goodhart was intellectual and ambitious, based around the metaphysical nature of the battle between good and evil, and specifically the writings of Catholic theologian Pierre Teilhard De Chardin,[3] "I found It extremely compelling. It was based on Chardin's intoxicating Idea that biological evolution was the first step In God's plan, starting with inert rock, and culminating In humankind." [4] Despite Boorman's continued rewriting throughout shooting, the film was rendered incomprehensible. The film, released in June 1977, was a critical and box office disaster. Boorman was denounced by author William Peter Blatty, the author of the original novel The Exorcist, and William Friedkin, director of the first Exorcist film. Boorman later admitted that his approach to the film was a mistake. The Heretic is often considered not just the worst film of The Exorcist series, but one of the worst films of all time.

Excalibur (UK, 1981), a long-held dream project of Boorman's, is a retelling of the Arthurian legend, based on Le Morte D'Arthur. Boorman cast actors Nicol Williamson and Helen Mirren against their protests, as the two disliked each other intensely, but Boorman felt their mutual antagonism would enhance their characterizations of the characters they were playing. The production was based in the Republic of Ireland, where Boorman had relocated. For the film he employed all of his children as actors and crew and several of Boorman's later films have been 'family business' productions. The film, one of the first to be produced by Orion Films, was a moderate success.

Hope and Glory (1987, UK) is his most autobiographical movie to date, a retelling of his childhood in London during The Blitz. Produced by Goldcrest Films, with Hollywood financing the film, it proved a box office hit in the US, receiving numerous Oscar, BAFTA and Golden Globe nominations. However, his 1990 US-produced comedy about a dysfunctional family, Where the Heart Is, was a major flop.

The Emerald Forest (1985) saw Boorman cast his actor son Charley Boorman as an eco-warrior, in a rainforest adventure that included commercially required elements – action and near-nudity – with authentic anthropological detail. Rospo Pallenberg's original screenplay was adapted into a book of the same name by award-winning author Robert Holdstock. Because the film's distributor faced business troubles that year, the film did not receive a traditional "For Your Consideration" advertising campaign for the 1985 Academy Awards, despite positive critical reviews. Boorman took the initiative to promote the film himself by making VHS copies available for no charge to Academy members at several Los Angeles-area video rental stores. Boorman's idea later became ubiquitous during Hollywood's award season, and by the 2010s, more than a million Oscar screeners were mailed to Academy members each year. However, Emerald Forest itself received no nominations from Boorman's strategy.[1]

When his friend David Lean died in 1991, Boorman was announced to be taking over direction of Lean's long-planned adaptation of Nostromo, though the production collapsed. Beyond Rangoon (US, 1995) and The Tailor of Panama (US/Ireland, 2000) both explore unique worlds with alien characters stranded and desperate.

Boorman won the Best Director Award at the 1998 Cannes Film Festival for The General,[5] his biopic of Martin Cahill. The film is about a glamorous, yet mysterious, criminal in Dublin who was killed, apparently by the Provisional Irish Republican Army. Boorman himself had been one of Cahill's burglary victims, having the gold record awarded for the score to Deliverance stolen from his home.

He was appointed CBE in the 1994 Birthday Honours for services to the film industry.[6] In 2004, Boorman was also made a Fellow of BAFTA.

Released in 2006, his The Tiger's Tail was a thriller set against the tableau of early 21st century capitalism in Ireland. At the same time, Boorman began work on a long-time pet project of his, a fictional account of the life of Roman Emperor Hadrian (entitled Memoirs of Hadrian), written in the form of a letter from a dying Hadrian to his successor. In the meantime, a re-make/re-interpretation of the classic The Wonderful Wizard Of Oz with Boorman at the helm was announced in August 2009.[7]

In 2007 and 2009 he took part in a series of events and discussions as part of the Arts in Marrakech Festival along with his daughter Katrine Boorman including an event with Kim Cattrall called 'Being Directed'.

In November 2012 he was selected as a President of the main competition jury at the 2012 International Film Festival of Marrakech.

In Autumn 2013 Boorman began shooting Queen and Country, the sequel to his 1987 Oscar-nominated Hope and Glory, using locations in Shepperton and Romania. The film was selected to be screened as part of the Directors' Fortnight section of the 2014 Cannes Film Festival.[8]

John Boorman's debut novel, Crime of Passion, was published in 2016 (by Liberties Press, Dublin), with a French-language edition published by Marest in 2017.[9]

Personal life

Boorman has been a longtime resident of the Republic of Ireland and lives in Annamoe, County Wicklow, close to the Glendalough twin lakes.[10] He has seven children. His son Charley Boorman has a career as an actor but reached a wider audience when he and actor Ewan McGregor made a televised motorbike trip across Europe, Central Asia, Siberia, Alaska, Canada, and the Midwest US during 2004. His daughter Katrine Boorman (Igrayne in Excalibur) works as an actress in France. John Boorman's daughter Telsche Boorman[11] wrote the screenplay for Where the Heart Is. She died of ovarian cancer in 1996 at the age of 36.[12] She was married to the journalist Lionel Rot-cage, the son of French singer Régine. John Boorman also has a daughter, Daisy Boorman, who is the twin sister of Charley, and three other children: Lola, Lee and Lily Mae. According to a 2012 interview, he was recently divorced.[13]

Awards and nominations

Academy Awards

British Academy Film Awards

Golden Globe Awards

  • Best Director (1973) (Deliverance) – Nominated
  • Best Director (1988) (Hope and Glory) – Nominated
  • Best Screenplay (1988) (Hope and Glory) – Nominated

Partial filmography

Year Film Credited as Notes
Director Writer Producer
1965 Catch Us If You Can Yes
1967 Point Blank Yes
1968 Hell in the Pacific Yes
1970 Leo the Last Yes Yes
1972 Deliverance Yes Yes Nominated—Academy Award for Best Picture
Nominated—Academy Award for Best Director
Nominated—Golden Globe Award for Best Director - Motion Picture
1974 Zardoz Yes Yes Yes
1977 Exorcist II: The Heretic Yes Yes
1981 Excalibur Yes Yes Yes
1985 The Emerald Forest Yes Yes
1987 Hope and Glory Yes Yes Yes Nominated—Academy Award for Best Picture
Nominated—Academy Award for Best Director
Nominated—Academy Award for Best Original Screenplay
Nominated—Golden Globe Award for Best Director - Motion Picture
Nominated—Golden Globe Award for Best Screenplay – Motion Picture
Nominated—BAFTA Award for Best Film
Nominated—BAFTA Award for Best Direction
Nominated—BAFTA Award for Best Original Screenplay
1990 Where the Heart Is Yes Yes Yes
1995 Beyond Rangoon Yes Yes
1998 Lee Marvin: A Personal Portrait by John Boorman Yes
1998 The General Yes Yes Yes
2001 The Tailor of Panama Yes Yes Yes
2004 In My Country Yes Yes
2006 The Tiger's Tail Yes Yes Yes
2014 Queen and Country Yes Yes Yes
2019 The Professor and the Madman[14] Yes


  • Boorman, John (2003). Adventures of a Suburban Boy. London: Faber and Faber.
  • Boorman, John (1985). Money Into Light: The Emerald Forest: A Diary. London: Faber and Faber.
  • Boorman, John (1992). "Bright Dreams, Hard Knocks: A Journal for 1991". Projections: A Forum for Film Makers. London: Faber and Faber.
  • Boorman, John (2016). Crime of Passion. Liberties Press.


  1. Miller, Daniel (1 March 2018). "The Oscar screener was invented by accident, and other secrets of an awards season staple". The Los Angeles Times. Retrieved 13 March 2018. "The Emerald Forest" didn't get any Oscar nominations — but Boorman's gambit made an impact: He effectively invented the movie screener, now an integral part of Hollywood's awards season apparatus.
  2. John Boorman Biography (1933–)
  3. Pallenberg, Barbara (18 August 1977). The Making of Exorcist II: The Heretic (1st ed.). New York: Warner Books. ISBN 9780446893619.
  4. Boorman, John (4 September 2003). Adventures of a Suburban Boy (Main ed.). London; New York: Faber & Faber. ISBN 9780571216956.
  5. "Festival de Cannes: The General". Retrieved 2 October 2009.
  6. "No. 53696". The London Gazette (Supplement). 10 June 1994. p. 9.
  7. "John Boorman – A very English visionary is back". Article in The Independent. London. 21 August 2009. Retrieved 28 April 2010.
  8. "Cannes Directors' Fortnight 2014 lineup unveiled". Screendaily. Retrieved 26 April 2014.
  10. Flynn, Arthur. The Story of Irish Film, Currach Press, 2005, ISBN 978-1-85607-914-3, p. 131.
  11. fr:Telsche Boorman
  12. tombstone Pere Lachaise Cemetery
  13. Adams, Mark (22 May 2012). "Me And Me Dad | Reviews | Screen". Retrieved 16 June 2015.

Further reading

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