Around 1789, Haibel joined Emanuel Schikaneder's company of performers at the Freihaus-Theater auf der Wieden. While there, he acted in plays and sang in operas and other musical productions. In the mid-1790s he started composing incidental music for company's plays and writing singspiele. His first score for the company was the ballet Le nozze disturbate, which premiered in 1795 to great success. The company performed the work 39 times that year alone. Beethoven based his 12 variations on a Menuett à la Vìganò WoO 68 (1795) on an air from the ballet. In 1796, his opera Der Tiroler Wastel premiered at the theater to rave reviews. The work was Haibel's greatest success and was given 66 times that year and 118 times in all at the Freihaus-Theater. The work was staged in a multitude of other theatres throughout the Austro-German part of Europe and no other original score by Haibel ever equalled its success.
Haibel continued to compose music for the theater until the death of his first wife Katharina (ca. 1768 – Vienna, 14 February 1806). At the time, he was not to be found in Vienna, for in 1804 he had already left for Diakowar (Đakovo), Slavonia, where he spent the rest of his life as the cathedral choirmaster. Recent research has brought to light 16 Masses by Haibel written during this time, preserved in the Kuhač collection at the Nacionalna i Sveučilišna Knjižnica in Zagreb.
- Lorenz, Michael (2008) Neue Forschungsergegnisse zum Theater auf der Wieden und Emanuel Schikaneder ("New research results concerning the Theater auf der Wieden and Emanuel Schikaneder"), p. 13. Wiener Geschichtsblätter. 4, 2008. Available on line.
- Peter Branscombe. The New Grove Dictionary of Opera, edited by Stanley Sadie (1992), ISBN 0-333-73432-7 and ISBN 1-56159-228-5
- Zdravko Blažeković and Ennio Stipčević. "Johann Petrus Jakob Haibel (1762-1826) and His Sixteen Newly Discovered Masses from Djakvo (Croatia)", in: Off-Mozart: Glazbena kultura i "mali majstori" srednje Europe, 1750–1820 / Musical Culture and the "Kleinmeister" of Central Europe, 1850–1826. Muzikološki zbornici 3 (Zagreb: Hrvatsko muzikološko društvo, 1995), 67–75. ISBN 953-6090-02-3
- Zdravko Blažeković, "Due musicisti nella Pannonia del primo Ottocento: Ðuro Arnod e Petrus Jakob Haibel", Danubio: Una civiltà musicale. IV: Croazia, Serbia, Bulgaria, Romania, ed. by Carlo de Incontrera and Alba Zanini (Monfalcone: Teatro Comunale di Monfalcone, 1994), 47–64.