Harry Piel

Hubert August Piel (12 July 1892, in Düsseldorf – 27 March 1963, in Munich), known as Harry Piel, was a prolific German actor, film director, screenwriter and film producer who was involved in over 150 films.

Harry Piel
autographed photo, date unknown
Heinrich Piel

(1892-07-12)12 July 1892
Düsseldorf, Germany
Died27 March 1963(1963-03-27) (aged 70)
Munich, Bavaria, Germany
Years active1912–1953
Spouse(s)Dary Holm

Piel became a director in 1912, turning out such box-office successes as Mann Gegen Mann (1928), Achtung! - Auto-Diebe! (1930) and Artisten (1935). His last directorial effort was 1953's Gesprengte Gitter (Elephant Fury, a.k.a. Panic), which he also produced, wrote, and starred.


After attending elementary school in Benrath and High School in Derendorf, Piel became a cadet in 1909 on a sailing ship, the Grand Duchess Elizabeth. In 1911, however, he finished his cadethood and moved to Berlin in 1912 where he created the "Art Film Publishing House Company" and made, as a director, screenwriter and producer, his first feature Black Blood (1912) with Curt Goetz in the lead role. Further films followed, based on adventure and action.

Soon Piel received the nickname "the dynamite director" because of his penchant for including explosion sequences in his films. These were authentic: Piel had befriended a demolition engineer who was often commissioned to dynamite bridges and other condemned structures slated for demolition. The engineer notified Piel of these assignments in advance: Piel filmed the explosions, then inserted the footage into his films.

In 1915, Piel became bored with just standing behind the camera and he started to act. The first film with him as a leading actor, Die Grosse Wette, was a science fiction adventure, where he had to deal with robots. Unter heißer Zone, 1916 included for the first time scenes with wild animals, which he had partly trained himself and which he used later in other films.

This was followed by a number of films between 1918–1919, in which he played the detective "Joe Deebs" eight times and with the film To the Large Unknown Quantity (1919) began to be credited by the name "Harry Peel" internationally.

In 1927 he cast himself in a double role together with Marlene Dietrich in the film His Greatest Bluff. Also, in 1927 Piel married the actress Dary Holm (1897–1960), who appeared in several of his films

In 1930 he directed the comedy Him or Me (1930), and many successful adventure films were to follow, such as Shade of the Underworld (1931), Johnny Steals Europe (1932), The Ship Without a Port, The Call of the Jungle (1935) and His Best Friend (1937).

In 1933 Harry Piel became a patron member of the SS and also joined the NSDAP.[1]

This, however, did not avert difficulties with the Nazis, and his film Panik (1943) was banned for its all too realistic air attacks. It depicted a German hero who traps wild animals in Africa for German zoos. At the film's climax, an air-raid on a German city frees the zoo animals from their cages; when they run loose in the streets, the people are terrified and only the heroic trapper can recapture the beasts. During World War II, this film was suppressed by Reich censors who did not want the German people to believe that Germany was in danger from aerial bombardments.

Seventy-two negatives of his films, nearly all his silent movies, were destroyed in an air attack. After the collapse of the Third Reich, Harry Piel, who had been a sustaining member of the SS, and had at first concealed this, was sentenced to six months detention and five years professional disqualification. After his denazification, he founded "Ariel Film" in 1950 in Hamburg with which he had only moderate success.

After Gesprengte Gitter (Elephant Fury, 1953), Piel withdrew from the movie-making business and he died in 1963.


  • Dämone der Tiefe (1912)
  • Der Börsenkönig (1912)
  • Nachtschatten (1913)
  • Der schwarze Pierrot (1913)
  • Der grüne Teufel (1913)
  • Im Leben verspielt (1913)
  • Menschen und Masken (1913)
  • Seelenadel (1913)
  • Erblich belastet? (1913)
  • Harakiri (1913)
  • Menschen und Masken (1913)
  • Die Millionenmine (1913)
  • Die braune Bestie (1914)
  • Der geheimnisvolle Nachtschatten (1914)
  • Das Teufelsauge (1914)
  • Das geheimnisvolle Zeichen (1914)
  • Das Abenteuer eines Journalisten (1914)
  • Der schwarze Husar (1915)
  • Der Bär von Baskerville (1915)
  • Manya, die Türkin (1915)
  • Im Banne der Vergangenheit (1915)
  • Das Geheimnis von D. 14 (1915)
  • Police Nr. 1111 (1915)
  • Das verschwundene Los (1915)
  • Das lebende Rätsel (1916)
  • Unter heißer Zone (1916)
  • Das geheimnisvolle Telephon (1916)
  • Zur Strecke gebracht (1917)
  • Der Sultan von Johore (1917)
  • Der weiße Schrecken (1917)
  • Um eine Million (1917)
  • Der stumme Zeuge (1917)
  • Sein Todfeind (1917)
  • Das amerikanische Duell (1918)
  • The Rat (1918))
  • Das rollende Hotel (1918)
  • Diplomaten (1918)
  • Die närrische Fabrik (1918)
  • Das Auge des Götzen (1919)
  • The Muff (1919)
  • Der blaue Drachen (1919)
  • Der rätselhafte Klub (1919)
  • Der grosse Coup (1919)
  • Über den Wolken (1919)
  • Die Geheimnisse des Zirkus Barré (1920)
  • The Air Pirates (1920)
  • The Flying Car (1920)
  • Der Verächter des Todes (1920)
  • Das Gefängnis auf dem Meeresgrund (1920)


  1. Ernst Klee: Das Kulturlexikon zum Dritten Reich. Wer war was vor und nach 1945. S. Fischer, Frankfurt am Main 2007, p. 457.
  • Gerald Ramm: Das märkische Grabmal. Vergessene Filmlegenden zweier Drehorte. Woltersdorf 1997, p. 158, ISBN 3-930958-06-6 (in German)
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