Frankenstein Created Woman

Frankenstein Created Woman is a 1967 British Hammer horror film directed by Terence Fisher. It stars Peter Cushing as Baron Frankenstein and Susan Denberg as his new creation. It is the fourth film in Hammer's Frankenstein series.

Frankenstein Created Woman
Theatrical release poster
Directed byTerence Fisher
Produced byAnthony Nelson Keys
Written byJohn Elder (Anthony Hinds)
StarringPeter Cushing
Susan Denberg
Thorley Walters
Music byJames Bernard
CinematographyArthur Grant
Edited bySpencer Reeve
Distributed byWarner-Pathé (UK)
20th Century-Fox (US)
Release date
  • 15 March 1967 (1967-03-15)
Running time
86 min. / USA: 92 min.
CountryUnited Kingdom
Box office457,019 admissions (France)[2]

Where Hammer's previous Frankenstein films were concerned with the physical aspects of the Baron's work, the interest here is in the metaphysical dimensions of life, such as the question of the soul, and its relationship to the body.


A man is taken from a cart and taunts the police and the priest escorting him to the guillotine, where he is to be executed for murder. The man spots his son, Hans, in a nearby copse and begs that he should not see him die. Despite the priest's attempts to shoo him away, Hans watches as his father is positioned under the blade. He yells, "Papa!" Then the blade falls, and Hans flees.

Years later, Hans Werner is working as an assistant to Baron Victor Frankenstein. The Baron, with the help of Dr Hertz, is in the process of discovering a way of trapping the soul of a recently deceased person. Frankenstein believes he can transfer that soul into another recently deceased body to restore it to life.

Hans is also the lover of Christina, daughter of innkeeper Kleve. Christina's entire left side is disfigured and partly paralysed. Young dandies Anton, Johann and Karl frequent Kleve's inn yet refuse to pay. Johann threatens to have his father revoke Kleve's license if he complains. The three insist that they be served by Christina and mock her for her deformities. The taunting angers Hans, who fights the three of them and cuts Anton's face with a knife.

Eventually Kleve throws the dandies out. They return in the night to steal wine from his inn, and when Kleve catches them they beat him to death. Hans, the son of a murderer known for his short temper, is convicted. Despite the Baron and Hertz's defences against the accusations, Hans is executed by the guillotine. Seeing this as an opportunity, Frankenstein gets hold of Hans' fresh corpse and traps his soul.

Distraught over Hans's death, Christina drowns herself. The peasants bring her body to Dr Hertz to see if he can do anything. Frankenstein and Hertz transfer Hans' soul into her body. Over months of complex and intensive treatment, they cure her physical deformities. The result is a physically healthy woman with no memory. Frankenstein insists on telling her nothing but her name and keeping her in Hertz's house. Despite coming to her senses regarding her identity, Christina is taken over by the spirit of the vengeful Hans.

She kills Anton and Karl driven mostly by the ghostly insistence of Hans. Frankenstein and Hertz become rather suspicious of her behaviour surrounding the killings and take her to the guillotine where Hans and his father were executed. However, they believe she subconsciously retains the memories of Hans' father's death rather than of Hans. By the time Frankenstein realises the truth, he finds her already murdering Johann. Despite Frankenstein and Hertz's pleas, Christina knows she now has no one and nothing left to live for, and so drowns herself again.



Frankenstein Created Woman was originally mooted as a follow-up to The Revenge of Frankenstein during its production in 1958, at a time when Roger Vadim's Et Dieu créa la femme (And God Created Woman) was successful (in fact, the film's original working title was And Then Frankenstein Created Woman). The film finally went into production at Bray Studios on 4 July 1966. It was Hammer's penultimate production there.

Critical reaction

Variety wrote that the film has "the excellent technical aspects which have come to be expected of the Hammer Film people," but that the script "often seems overly influenced by other and better-written screen efforts."[3] The Monthly Film Bulletin expressed disappointment that the film did not focus on Frankenstein's work, but that the script was rather "more concerned with the gory murder spree which follows in the wake of Christina's restoration," concluding that "the poverty of the script is little compensation for the loss of the old tradition."[4] Leonard Maltin is blunt: "everything goes wrong, including script."[5] Halliwell's Film and Video Guide describes this film as a crude and gory farrago"[6] while the Time Out Film Guide says it is "full of cloying Keatsian imagery which somehow transcends the more idiotic aspects of the plot."[7]

Some commentators on Frankenstein Created Woman have been more positive. Martin Scorsese picked the movie as part of a 1987 National Film Theatre season of his favourite films, saying "If I single this one out it's because here they actually isolate the soul... The implied metaphysics are close to something sublime."[8] The film currently holds 60% on Rotten Tomatoes.

Box Office

According to Fox records, the double bill of film and The Mummy’s Shroud needed to earn $1,625,000 in rentals to break even and made $1,590,000, meaning it made a loss.[9]

Blu-ray release

Frankenstein Created Woman was released in October 2013 in the U.K. and on 28 January in the U.S.A. Each disc featured a restored version of the film, the episodes of "World of Hammer" episodes included on the DVD released by Anchor Bay over a decade before. Among the highlights is an audio commentary with actors Robert Morris and Derek Fowlds, moderated by Hammer expert Jonathan Rigby.

See also

Selected reading

  • Rigby, Jonathan, (2000). English Gothic: A Century of Horror Cinema. Reynolds & Hearn Ltd. ISBN 1-903111-01-3.CS1 maint: extra punctuation (link) CS1 maint: multiple names: authors list (link)


  1. Marcus Hearn & Alan Barnes, The Hammer Story: The Authorised History of Hammer Films, Titan Books, 2007 p 79
  2. Box office information for Terence Fisher films in France at Box office Story
  3. "Frankenstein Created Woman". Variety: 6. 15 March 1967.
  4. "Frankenstein Created Woman". The Monthly Film Bulletin. 34 (401): 95. June 1967.
  5. Leonard Maltin Movie Guide 2009, New York and London: Plume, 2008, p.489
  6. John Walker (ed) Halliwell's Film and Video Guide 2000, London: HarperCollins, 1999, p.307
  7. John Pym (ed) Time Out Film Guide 2009, London: Aurum Press, 2008, p.378
  8. Cited in M. Hearn & A. Barnes, The Hammer Story, Titan Books, 1997, ISBN 1-85286-876-7, p.111
  9. Silverman, Stephen M (1988). The Fox that got away : the last days of the Zanuck dynasty at Twentieth Century-Fox. L. Stuart. p. 326.
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