Edith Wharton

Edith Wharton (/ˈhwɔːrtən/; born Edith Newbold Jones; January 24, 1862 – August 11, 1937) was an American novelist, short story writer, playwright, and designer. Wharton drew upon her insider's knowledge of the upper class New York "aristocracy" to realistically portray the lives and morals of the Gilded Age. She was the first woman to win the Pulitzer Prize for Literature in 1921. She was inducted into the National Women's Hall of Fame in 1996.[1]

Edith Wharton
Edith Wharton, c. 1895
BornEdith Newbold Jones
(1862-01-24)January 24, 1862
New York City
DiedAugust 11, 1937(1937-08-11) (aged 75)
Saint-Brice-sous-Forêt, France
Resting placeCimetière des Gonards
OccupationNovelist, short story writer, designer.
Notable awardsPulitzer Prize for Literature
1921 The Age of Innocence
SpouseEdward Roberts Wharton (1885–1913)



Early life

Edith Wharton was born Edith Newbold Jones on January 24, 1862 to George Frederic Jones and Lucretia Stevens Rhinelander at their brownstone at 14 West Twenty-third Street in New York City.[2][3] To her friends and family she was known as "Pussy Jones."[4] She had two older brothers, Frederic Rhinelander, who was 16, and Henry Edward, who was 12.[2] She was baptized April 20, 1862, Easter Sunday, at Grace Church.[2]

Wharton's paternal family, the Joneses, were a very wealthy and socially prominent family having made their money in real estate.[5] The saying "keeping up with the Joneses" is said to refer to her father's family.[6][7] She was related to the Rensselaers, the most prestigious of the old patroon families, who had received land grants from the former Dutch government of New York and New Jersey. Her father's first cousin was Caroline Schermerhorn Astor.[8] She had a lifelong friendship with her niece, the landscape architect Beatrix Farrand of Reef Point in Bar Harbor, Maine. Fort Stevens in New York was named for Wharton's maternal great-grandfather, Ebenezer Stevens, a Revolutionary War hero and General.[9]

Wharton was born during the Civil War; although Wharton in describing her family life does not mention the war except that their travels to Europe after the war were due to the depreciation of American currency.[2][10] From 1866 to 1872, the Jones family visited France, Italy, Germany, and Spain.[11] During her travels, the young Edith became fluent in French, German, and Italian. At the age of nine, she suffered from typhoid fever, which nearly killed her, while the family was at a spa in the Black Forest.[2] After the family returned to the United States in 1872, they spent their winters in New York City and their summers in Newport, Rhode Island.[11] While in Europe, she was educated by tutors and governesses. She rejected the standards of fashion and etiquette that were expected of young girls at the time, which were intended to allow women to marry well and to be put on display at balls and parties. She considered these fashions superficial and oppressive. Edith wanted more education than she received, so she read from her father's library and from the libraries of her father's friends.[12] Her mother forbade her to read novels until she was married, and Edith obeyed this command.[13]

Early writing

Wharton wrote and told stories from an early age.[14] When her family moved to Europe and she was just four or five she started what she called "making up."[14] She invented stories for her family and walked with an open book, turning the pages as if reading while improvising a story.[14] Wharton began writing poetry and fiction as a young girl, and attempted to write her first novel at age eleven.[15] Her mother's criticism quashed her ambition and she turned to poetry.[15] At age 15, her first published work appeared, a translation of a German poem "Was die Steine Erzählen" ("What the Stones Tell") by Heinrich Karl Brugsch, for which she was paid $50. Her family did not want her name to appear in print, since writing was not considered a proper occupation for a society woman of her time. Consequently, the poem was published under the name of a friend's father, E. A. Washburn, a cousin of Ralph Waldo Emerson who supported women's education.[16] In 1877, at the age of 15, she secretly wrote a 30,000 word novella Fast and Loose. In 1878 her father arranged for a collection of two dozen original poems and five translations, Verses, to be privately published.[17] Wharton published a poem under a pseudonym in the New York World in 1879.[18] In 1880 she had five poems published anonymously in the Atlantic Monthly, an important literary magazine.[19] Despite these early successes, she was not encouraged by her family or her social circle, and though she continued to write, she did not publish anything more until her poem "The Last Giustiniani" was published in Scribner's Magazine in October 1889.[20]

Socialite and debutante

Between 1880 and 1890 Wharton put her writing aside to perform as debutante and socialite. Wharton keenly observed the social changes happening around her which appeared later in her writing.[21] Wharton officially came out as a debutante to society in 1879.[22] Wharton was allowed to bare her shoulders and wear her hair up for the first time at a December dance given by a wealthy socialite, Anna Morton.[22] Wharton began a courtship with Henry Leyden Stevens, the son of a wealthy businessman. Henry's father was Paran Stevens, a hotelier and real estate investor from rural New Hampshire. His sister Minnie Stevens Paget married Arthur Paget (British Army officer). [23] Wharton's family did not approve of Stevens.[23]

In the middle of Wharton's debutante season, the Jones family returned to Europe in 1881 for Wharton's father's health.[24] Wharton's father, George Frederic Jones, died in Cannes in 1882 of a stroke.[25] Stevens was with the Wharton family in Europe during this time.[24] Wharton and her mother returned to the United States and Wharton continued her courtship with Stevens, announcing their engagement in August 1882.[24] The month the two were to marry, the engagement abruptly ended.[26]

Wharton's mother, Lucretia Stevens Rhinelander, moved back to Paris in 1883 and lived there until her death in 1901.[10]


Wharton married in 1885 and began to build upon three interests—American houses, writing, and Italy. [27]

On April 29, 1885,[28] at age 23, Wharton married Edward (Teddy) Robbins Wharton, who was 12 years her senior, at the Trinity Chapel Complex.[29][30] From a well-established Boston family, he was a sportsman and a gentleman of the same social class and shared her love of travel. The Whartons set up house at Pencraig Cottage in Newport.[27] They then bought and moved to Land's End on the other side of Newport in 1893 for $80,000.[27] Wharton decorated Land's End with the help of designer Ogden Codman. The Whartons purchased their New York home, 884 Park Avenue, in 1897.[31] They traveled abroad from February to June between 1886 and 1897–mostly to Italy, but also to Paris and England.[31]

From the late 1880s until 1902, Teddy Wharton suffered from acute depression, and the couple ceased their extensive travel.[32] At that time his depression manifested as a more serious disorder, after which they lived almost exclusively at their estate The Mount. During those same years, Wharton herself was said to suffer from bouts of depression and health issues with asthma.[33]

In 1908 her husband's mental state was determined to be incurable. In the same year, she began an affair with Morton Fullerton, a journalist for The Times, in whom she found an intellectual partner.[34] She divorced Edward Wharton in 1913 after 28 years of marriage.[32] Around the same time, Edith was beset with harsh criticisms leveled by the naturalist writers.

In addition to novels, Wharton wrote at least 85 short stories.[12] She was also a garden designer, interior designer, and a taste-maker of her time. She wrote several design books, including her first major published work, The Decoration of Houses (1897), co-authored by Ogden Codman. Another of her "home and garden" books is the generously illustrated Italian Villas and Their Gardens of 1904.

Travels and life abroad

She eventually crossed the Atlantic 60 times.[35] In Europe, her primary destinations were Italy, France, and England. She also went to Morocco in North Africa. She wrote many books about her travels, including Italian Backgrounds and A Motor-Flight through France.

Her husband Edward Wharton shared her love of travel and for many years they spent at least four months of each year abroad, mainly in Italy. Their friend Egerton Winthrop accompanied them on many journeys in Italy.[36] In 1888, the Whartons and their friend James Van Alen took a cruise through the Aegean islands. Wharton was 26. The trip cost the Whartons $10,000 and lasted four months.[37] She kept a travel journal during this trip that was thought to be lost but was later published as The Cruise of the Vanadis, now considered her earliest known travel writing.[38]

In 1897, Edith Wharton purchased Land's End in Newport, Rhode Island, from Robert Livingston Beeckman, a former U.S. Open Tennis Championship runner-up who became governor of Rhode Island. At the time, Wharton described the main house as "incurably ugly." Wharton agreed to pay $80,000 for the property, and spend thousands more to alter the home's facade, decorate the interior, and landscape the grounds.

In 1902, Wharton designed The Mount, her estate in Lenox, Massachusetts, which survives today as an example of her design principles. Edith Wharton wrote several of her novels there, including The House of Mirth (1905), the first of many chronicles of life in old New York. At The Mount, she entertained the cream of American literary society, including her close friend, novelist Henry James, who described the estate as "a delicate French chateau mirrored in a Massachusetts pond".[39] Although she spent many months traveling in Europe nearly every year with her friend, Egerton Winthrop (John Winthrop's descendant), The Mount was her primary residence until 1911.[40] When living there and while traveling abroad, Wharton was usually driven to appointments by her longtime chauffeur and friend Charles Cook, a native of nearby South Lee, Massachusetts. [41][42] When her marriage deteriorated, she decided to move permanently to France, living first at 53 Rue de Varenne, Paris, in an apartment that belonged to George Washington Vanderbilt II.

Wharton was preparing to vacation for the summer when World War I broke out. Though many fled Paris, she moved back to her Paris apartment on the Rue de Varenne and for four years was a tireless and ardent supporter of the French war effort.[43] One of the first causes she undertook in August 1914 was the opening of a workroom for unemployed women; here they were fed and paid one franc a day. What began with 30 women soon doubled to 60, and their sewing business began to thrive.[44] When the Germans invaded Belgium in the fall of 1914 and Paris was flooded with Belgian refugees, she helped to set up the American Hostels for Refugees, which managed to get them shelter, meals, and clothes, and eventually created an employment agency to help them find work.[45] She collected more than $100,000 on their behalf.[46] In early 1915 she organized the Children of Flanders Rescue Committee, which gave shelter to nearly 900 Belgian refugees who had fled when their homes were bombed by the Germans.[47]

Aided by her influential connections in the French government, she and her long-time friend Walter Berry (then president of the American Chamber of Commerce in Paris), were among the few foreigners in France allowed to travel to the front lines during World War I. She and Berry made five journeys between February and August 1915, which Wharton described in a series of articles that were first published in Scribner's Magazine and later as Fighting France: From Dunkerque to Belfort, which became an American bestseller.[48][49] Travelling by car, Wharton and Berry drove through the war zone, viewing one decimated French village after another. She visited the trenches, and was within earshot of artillery fire. She wrote, "We woke to a noise of guns closer and more incessant ... and when we went out into the streets it seemed as if, overnight, a new army had sprung out of the ground".[50]

Throughout the war she worked tirelessly in charitable efforts for refugees, the injured, the unemployed, and the displaced. She was a "heroic worker on behalf of her adopted country".[51] On April 18, 1916, the President of France appointed her Chevalier of the Legion of Honour, the country's highest award, in recognition of her dedication to the war effort.[52][53] Her relief work included setting up workrooms for unemployed French women, organizing concerts to provide work for musicians, raising tens of thousands of dollars for the war effort, and opening tuberculosis hospitals. In 1915 Wharton edited The Book of the Homeless, which included essays, art, poetry, and musical scores by many major contemporary European and American artists, including Henry James, Joseph Conrad, William Dean Howells, Anna de Noailles, Jean Cocteau, and Walter Gay, among others. Wharton proposed the book to her publisher, Scribner's. She handled all of the business arrangements, lined up contributors, and translated the French entries into English. Theodore Roosevelt wrote a two-page introduction in which he praised Wharton's effort and urged Americans to support the war.[54] She also kept up her own work during the war, continuing to write novels, short stories, and poems, as well as reporting for The New York Times and keeping up her enormous correspondence.[55] Wharton urged Americans to support the war effort and encouraged America to enter the war.[56] She wrote the popular romantic novel Summer in 1916, the war novella, The Marne, in 1918, and A Son at the Front in 1919, (though it was not published until 1923). When the war ended, she watched the Victory Parade from the Champs Elysees' balcony of a friend's apartment. After four years of intense effort, she decided to leave Paris in favor of the peace and quiet of the countryside. Wharton settled ten miles north of Paris in Saint-Brice-sous-Forêt, buying an 18th-century house on seven acres of land which she called Pavillon Colombe. She lived there in summer and autumn for the rest of her life. She spent winters and springs on the French Riviera at Sainte Claire du Vieux Chateau in Hyères.[57]

Wharton was a committed supporter of French imperialism, describing herself as a "rabid imperialist", and the war solidified her political views.[58] After the war, she traveled to Morocco as the guest of Resident General Hubert Lyautey and wrote a book, titled In Morocco, about her experiences. Wharton's writing on her Moroccan travels is full of praise for the French administration and for Lyautey and his wife in particular.

During the post-war years, she divided her time between Hyères and Provence, where she finished The Age of Innocence in 1920. She returned to the United States only once after the war to receive an honorary doctorate from Yale University in 1923.

Later years

The Age of Innocence (1920) won the 1921 Pulitzer Prize for literature,[59] making Wharton the first woman to win the award. The three fiction judges—literary critic Stuart Pratt Sherman, literature professor Robert Morss Lovett, and novelist Hamlin Garland—voted to give the prize to Sinclair Lewis for his satire Main Street, but Columbia University's advisory board, led by conservative university president Nicholas Murray Butler, overturned their decision and awarded the prize to The Age of Innocence.[60] She was also nominated for the Nobel Prize in Literature in 1927, 1928, and 1930.[61]

Wharton was friend and confidante to many gifted intellectuals of her time: Henry James, Sinclair Lewis, Jean Cocteau, and André Gide were all her guests at one time or another. Theodore Roosevelt, Bernard Berenson, and Kenneth Clark were valued friends as well. Particularly notable was her meeting with F. Scott Fitzgerald, described by the editors of her letters as "one of the better known failed encounters in the American literary annals". She spoke fluent French, Italian, and German, and many of her books were published in both French and English.

In 1934 Wharton's autobiography A Backward Glance was published. In the view of Judith E. Funston, writing on Edith Wharton in American National Biography,

What is most notable about A Backward Glance, however, is what it does not tell: her criticism of Lucretia Jones [her mother], her difficulties with Teddy, and her affair with Morton Fullerton, which did not come to light until her papers, deposited in Yale's Beinecke Rare Book Room and Manuscript Library, were opened in 1968.[62]


On June 1, 1937, Wharton was at the French country home of Ogden Codman, where she was at work on a revised edition of The Decoration of Houses, when she suffered a heart attack and collapsed.[63]

Edith Wharton later died of a stroke on August 11, 1937 at Le Pavillon Colombe, her 18th-century house on Rue de Montmorency in Saint-Brice-sous-Forêt. She died at 5:30 p.m., but her death was not known in Paris. At her bedside was her friend, Mrs. Royall Tyler.[64] Wharton was buried in the American Protestant section of the Cimetière des Gonards in Versailles, "with all the honors owed a war hero and a chevalier of the Legion of Honor...a group of some one hundred friends sang a verse of the hymn 'O Paradise'..."[65]



Despite not publishing her first novel until she was forty, Wharton became an extraordinarily productive writer. In addition to her 15 novels, seven novellas, and eighty-five short stories, she published poetry, books on design, travel, literary and cultural criticism, and a memoir.[66]

In 1873, Wharton wrote a short story and gave it to her mother to read. Her mother criticized the story, so Wharton decided to just write poetry. While she constantly sought her mother's approval and love, it was rare that she received either. From the start, the relationship with her mother was a troubled one.[67] Before she was 15, she wrote Fast and Loose (1877). In her youth, she wrote about society. Her central themes came from her experiences with her parents. She was very critical of her own work and wrote public reviews criticizing it. She also wrote about her own experiences with life. "Intense Love’s Utterance" is a poem written about Henry Stevens.[37]

In 1889, she sent out three poems for publication. They were sent to Scribner’s, Harper’s and Century. Edward L. Burlingame published "The Last Giustiniani" for Scribner’s. It was not until Wharton was 29 that her first short story was published. "Mrs. Manstey's View" had very little success, and it took her more than a year to publish another story. She completed "The Fullness of Life" following her annual European trip with Teddy. Burlingame was critical of this story but Wharton did not want to make edits to it. This story, along with many others, speaks about her marriage. She sent Bunner Sisters to Scribner's in 1892. Burlingame wrote back that it was too long for Scribner's to publish. This story is believed to be based on an experience she had as a child. It did not see publication until 1916 and is included in the collection called Xingu. After a visit with her friend, Paul Bourget, she wrote "The Good May Come" and "The Lamp of Psyche". "The Lamp of Psyche" was a comical story with verbal wit and sorrow. After "Something Exquisite" was rejected by Burlingame, she lost confidence in herself. She started "travel writing" in 1894.[37]

In 1901, Wharton wrote a two-act play called Man of Genius. This play was about an English man who was having an affair with his secretary. The play was rehearsed, but was never produced. She collaborated with Marie Tempest to write another play, but the two only completed four acts before Marie decided she was no longer interested in costume plays. One of her earliest literary endeavors (1902) was the translation of the play, Es Lebe das Leben ("The Joy of Living"), by Hermann Sudermann. The Joy of Living was criticized for its name because the heroine swallows poison at the end, and was a short-lived Broadway production. It was, however, a successful book.[37]

Many of Wharton's novels are characterized by a subtle use of dramatic irony. Having grown up in upper-class, late-19th-century society, Wharton became one of its most astute critics, in such works as The House of Mirth and The Age of Innocence.

Themes in writings

Versions of her mother, Lucretia Jones often appeared in Wharton's fiction. Biographer Hermione Lee described it as "one of the most lethal acts of revenge ever taken by a writing daughter."[25] In her memoir, A Backward Glance, Wharton describes her mother as indolent, spendthrift, censorious, disapproving, superficial, icy, dry and ironic.[25]

Wharton's writings often dealt with themes such as “…social and individual fulfillment, repressed sexuality, and the manners of old families and the new elite...".[68] Maureen Howard, editor of Edith Wharton: Collected Stories,  notes several recurring themes in Wharton's short stories, including confinement and attempts at freedom, the morality of the author, critiques of intellectual pretension, and the “unmasking” of the truth.[69] Wharton's writing also explored themes of “social mores and social reform” as they relate to the “extremes and anxieties of the Gilded Age”.[68]

A key recurring theme in Wharton's writing is the relationship between the house as a physical space and its relationship to its inhabitant's characteristics and emotions. Maureen Howard argues “..Edith Wharton conceived of houses, dwelling places, in an extended imagery of shelter and dispossession. Houses – their confinement and their theatrical possibilities…they are never mere settings.[69]


American children's stories containing slang were forbidden in Wharton's childhood home.[70] This included such popular authors as Mark Twain, Bret Harte or "Uncle Remus." She was allowed to read Louisa May Alcott but Wharton preferred Lewis Carroll's Alice in Wonderland and Charles Kingsley's Water Babies.[70] Wharton's mother forbade her from reading many novels and Wharton said she "read everything else but novels until the day of my marriage." [70] Instead Wharton read the classics, philosophy, history, and poetry in her father's library including Daniel Defoe, John Milton, Thomas Carlyle, Alphonse de Lamartine, Victor Hugo, Jean Racine, Thomas Moore, Lord Byron, William Wordsworth, John Ruskin, and Washington Irving.[71] Biographer Hermione Lee describes Wharton as having read herself "out of Old New York" and her influences included Herbert Spencer, Charles Darwin, Friedrich Nietzsche, T. H. Huxley, George Romanes, James Frazer, and Thorstein Veblen.[72] These influenced her ethnographic style of novelization.[72] Wharton developed a passion for Walt Whitman.[73]


Source: Campbell, Donna M. "Works by Edith Wharton". Washington State University. Retrieved 22 January 2018.


Source: Marshall, Scott (1996). "Edith Wharton on Film and Television" (PDF). Edith Wharton Review: 21–25. ISSN 2330-3964. Retrieved 22 January 2018.




  • The House of Mirth was adapted as a play in 1906 by Edith Wharton and Clyde Fitch[75][76]
  • The Age of Innocence was adapted as a play in 1928. Katharine Cornell played the role of Ellen Olenska.
  • In The Young Indiana Jones Chronicles, Edith Wharton (Clare Higgins) travels across North Africa with Indiana Jones in Chapter 16, Tales of Innocence.
  • Edith Wharton is mentioned in the HBO television series Entourage in the third season's 13th episode: Vince is handed a screenplay for Wharton's The Glimpses of the Moon by Amanda, his new agent, for a film to be directed by Sam Mendes. In the same episode, period films of Wharton's work are lampooned by agent Ari Gold, who says that all her stories are "about a guy who likes a girl, but he can't have sex with her for five years, because those were the times!" Carla Gugino, who plays Amanda, was the protagonist of the BBC-PBS adaptation of The Buccaneers (1995), one of her early jobs.
  • "Edith Wharton's Journey" is a radio adaptation, for the NPR series Radio Tales, of the short story "A Journey" from Edith Wharton's collection The Greater Inclination.
  • The American singer and songwriter Suzanne Vega paid homage to Edith Wharton in her song "Edith Wharton's Figurines" on her studio album Beauty & Crime.



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  11. "Chronology". The Mount: Edith Wharton's Home.
  12. Baym, Nina. The Norton Anthology of American Literature (Eighth ed.). W. W. Norton & Company, Inc. ISBN 978-0-393-91885-4.
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  28. New York, New York, Marriage Index 1866-1937
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  30. U.S., Newspaper Extractions from the Northeast, 1704–1930
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  34. "Edith Wharton's World, Portrait of People and Places". US: National Portrait Gallery. Retrieved 23 Dec 2009.
  35. Wright, Sarah Bird, Editor (1995). Edith Wharton Abroad: Selected Travel Writings, 1888–1920, p. xvii–xviii. New York, St. Martin's Griffin.
  36. Wright, Sarah Bird, Editor (1995). Edith Wharton Abroad: Selected Travel Writings, 1888–1920, p.3. New York, St. Martin's Griffin.
  37. Lewis, R.W.B. Edith Wharton: A Biography (1st ed.). Harper & Row. ISBN 0-06-012603-5.
  38. Wright, Sarah Bird, Editor (1995). Edith Wharton Abroad: Selected Travel Writings, 1888–1920, p.17. New York, St. Martin's Griffin
  39. Benstock 1994, pp. 129-130.
  40. Lewis, R.W.B. (1975). Edith Wharton: A Biography. Harper & Row, Publishers. ISBN 9780060126032.
  41. Benstock 1994, p. 143.
  42. Singley, Carol J. (2003). A Historical Guide to Edith Wharton. Oxford University Press. p. 238. ISBN 0-19-513591-1. Photograph of Edith Wharton, Teddy Wharton, Henry James and Chauffeur Charles Cook
  43. Dwight, Eleanor (1994). Edith Wharton: An Extraordinary Life, An Illustrated Biography, p.183. New York: Harry N. Abrams. ISBN 0-8109-3971-1
  44. Edith Wharton: An Extraordinary Life, An Illustrated Biography, p.183-184. New York: Harry N. Abrams. ISBN 0-8109-3971-1
  45. Edith Wharton: An Extraordinary Life, An Illustrated Biography, p.188-189. New York: Harry N. Abrams. ISBN 0-8109-3971-1
  46. Wolff, Cynthia Griffin(1995) A Feast of Words: The Triumph of Edith Wharton, Second Edition, p.253. Reading, Massachusetts: Addison-Wesley. ISBN 0-201-40918-6.
  47. Edith Wharton: An Extraordinary Life, An Illustrated Biography, p.190. New York: Harry n. Abrams. ISBN 0-8109-3971-1
  48. Lee 2008, p. 486.
  49. Edith Wharton p. 486. New York: Alfred A. Knopf. ISBN 978-0-375-40004-9
  50. "In Argonne", Chapter 2 of Fighting France: From Dunkerque to Belfort, published in Edith Wharton Abroad: Selected Travel Writings, 1888–1920, p. 150. New York: St. Martin's Griffin. ISBN 0-312-16120-4
  51. Lee 2008, p. 454.
  52. Wolff, Cynthia Griffin (1995) A Feast of Words: The Triumph of Edith Wharton, Second Edition, p.253. Reading, Massachusetts: Addison-Wesley. ISBN 0-201-40918-6.
  53. Lee 2008, p. 9.
  54. Edith Wharton: An Extraordinary Life, An Illustrated Biography, pp.202–203. New York: Harry n. Abrams. ISBN 0-8109-3971-1
  55. Lee 2008, p. 450.
  56. Edith Wharton: An Extraordinary Life, An Illustrated Biography, p.201. New York: Harry n. Abrams. ISBN 0-8109-3971-1
  57. Edith Wharton: An Extraordinary Life, An Illustrated Biography, p.210. New York: Harry N. Abrams. ISBN 0-8109-3971-1
  58. Wegener, Fredrick (December 2000). ""Rabid Imperialist"': Edith Wharton and the Obligations of Empire in Modern American Fiction". American Literature. 72 (4): 783–812. doi:10.1215/00029831-72-4-783.
  59. Nelson, Randy F. (1981). The Almanac of American Letters. Los Altos, California: William Kaufmann, Inc. p. 9. ISBN 0-86576-008-X.
  60. "Reader's Almanac: A Controversial Pulitzer Prize Brings Edith Wharton and Sinclair Lewis Together." Reader's Almanac: A Controversial Pulitzer Prize Brings Edith Wharton and Sinclair Lewis Together. Library of America, 28 June 2011. Web. 11 Mar. 2015.
  61. "Nomination Database – Literature". www.nobelprize.org. Retrieved 14 September 2017.
  62. Judith E. Funston, "Edith Wharton", in American National Biography; New York: Oxford University Press, 1999; Vol. 23, pp. 111–112. ISBN 0-19-512802-8.
  63. Benstock 1994, p. 86.
  64. "Edith Wharton, 75, Is Dead in France." Www.nytimes.com. The New York Times, 13 Aug. 1937. Web. 11 Mar. 2015.
  65. Benstock 1994, p. 456.
  66. Benstock 1994.
  67. Armitage, Robert. "Edith Wharton, A Writing Life: Childhood." Edith Wharton, A Writing Life: Childhood. New York Public Library, 6 May 2013. Web. 11 Mar. 2015.
  68. Mulalic, Almasa (2012). "Material Details in Edith Wharton's Writings". Epiphany: Journal of transdisciplinary studies. 5: 95–107 via ResearchGate.
  69. Howard, Maureen (2001). "Remarks on Edith Wharton's Collected Stories by editor Maureen Howard". Library of America.
  70. Lee 2008, p. 31.
  71. Lee 2008, pp. 31-34.
  72. Lee 2008, p. 23.
  73. Lee 2008, p. 32.
  74. Wikipedia english / Joan_Crawford / Move to Warner Bros.
  75. Wharton, Edith; Loney, Glenn; Fitch, Clyde. "The house of mirth : the play of the novel / dramatized by Edith Wharton and Clyde Fitch, 1906 ; edited, with an introd., notes, and appendixes by Glenn Loney". Fairleigh Dickinson University Press ; Associated University Presses. Retrieved 14 September 2017 via National Library of Australia.
  76. Wharton, Edith (14 September 1980). "The play of the novel The house of mirth: the play of the novel". Fairleigh Dickinson University Press. Retrieved 14 September 2017 via The Open Library.


Further reading

  • Armbruster, Elif S. (2011) "Domestic Biographies: Stowe, Howells, James, and Wharton at Home." New York: Peter Lang (ISBN 978-1433112492)
  • Benstock, Shari (1994) No Gifts From Chance: a biography of Edith Wharton. New York: Charles Scribner's Sons.
  • Collas, Philippe and Eric Villedary, Edith Wharton's French Riviera (2002) Paris, New York : Flammarion/Rizzoli (ISBN 2-84110-161-4)
  • Drizou, Myrto, ed. Critical Insights: Edith Wharton (2018) Salem Press.
  • Dwight, Eleanor. (1994) Edith Wharton: An Extraordinary Life, An Illustrated Biography New York: Harry N. Abrams.
  • Franzen, Jonathan (February 13–20, 2012). "A Critic at Large: A Rooting Interest". The New Yorker. 88 (1): 60–65. Retrieved 2014-11-13.
  • Hutchinson, Hazel (2015). The War That Used Up Words: American Writers and the First World War. New Haven, CT: Yale University Press.
  • Lee, Hermione (2007) Edith Wharton. London: Chatto & Windus; New York: Knopf.
  • Lewis, R. W. B. (1975) Edith Wharton: a biography New York: Harper & Row ISBN 0-06-012603-5
  • Lowry, Elizabeth (December 9, 2011). "What Edith Knew: Freeing Wharton from the Master's Shadow". Harper's Magazine. 317 (1903): 96–100, 102.
  • Montgomery, Maureen E. (1998) Displaying Women: Spectacles of Leisure in Edith Wharton's New York New York: Routledge. ISBN 0-415-90566-4
  • Novellas and Other Writings (Cynthia Griffin Wolff, ed.) (The Library of America, 1990) ISBN 978-0-940450-53-0, which contains her autobiography, A Backward Glance.
  • The Letters of Edith Wharton (R. W. B. Lewis and Nancy Lewis, eds.) ISBN 0-02-034400-7, particularly the editorial introductions to the chronological sections, especially for 1902–07, 1911–14, 1919–27, and 1928–37, and the editorial footnotes to the letter to F. Scott Fitzgerald (8 June 1925)
  • Twilight Sleep (R. F. Godfrey, ed.) ISBN 0-684-83964-4
  • Wolff, Cynthia Griffin (1977) A Feast of Words: The Triumph of Edith Wharton Oxford. ISBN 0-19-502117-7
  • Wolff, Cynthia Griffin (1995) A Feast of Words: The Triumph of Edith Wharton, Second Edition. Reading, Massachusetts: Addison-Wesley. ISBN 0-201-40918-6

Online editions

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