Diana Serra Cary

Diana Serra Cary (born Peggy-Jean Montgomery, October 29, 1918), known as Baby Peggy, is an American former child film actress, vaudevillian, author and silent film historian. Although other child actors from the time who had minor roles or bit-parts are still living, she is the last living film star of the Silent Era of Hollywood.[2]

Diana Serra Cary
Baby Peggy, circa 1922
Peggy-Jean Montgomery

(1918-10-29) October 29, 1918[1]
Other namesBaby Peggy
Baby Peggy Montgomery
Peggy Montgomery
Peggy Jane
Diana Ayres
EducationLawlor Professional School
Fairfax High School
  • Actress
  • vaudevillian
  • author
  • silent film historian
Years active1921–1938
Gordon Ayres
(m. 1938; div. 1948)

Bob Cary
(m. 1954; died 2001)

Montgomery, as she then was, was one of the three major American child stars of the Hollywood silent movie era along with Jackie Coogan and Baby Marie. Between 1921 and 1923 she made over 150 short films for the Century Film Corporation. In 1922 she received over 1.2 million fan letters and by 1924, she had been dubbed The Million Dollar Baby for her $1.5 million a year salary ($22 million in 2018). Despite her childhood fame and wealth, she found herself poor and working as an extra by the 1930s.[3]

Having an interest in both writing and history since her youth, Montgomery found a second career as an author and silent film historian in her later years under the name Diana Serra Cary. She is the author of several books including her historical novel, The Drowning of the Moon, and became an advocate for child actors' rights.[4]

Early life

Cary was born on October 29, 1918, in San Diego, California,[5] as Peggy-Jean Montgomery,[6] the second daughter of Marian (née Baxter) and Jack Montgomery. While some sources incorrectly give her birth name as Margaret, Cary herself, in her autobiography, notes that she was indeed born as Peggy-Jean. She further explains that although the Roman Catholic nuns at her birth hospital recommended the name Margaret, her parents rejected the suggestion. Her elder sister, legally named Jack-Louise (1916–2005), was called Louise or occasionally Jackie.[7]



Baby Peggy was "discovered" at the age of 19 months, when she visited Century Studios on Sunset Boulevard in Hollywood with her mother and a film-extra friend. Her father, Jack, a former cowboy and park ranger, had done work as a stuntman and stand-in for Tom Mix in a number of his cowboy movies. Impressed by Peggy's well-behaved demeanor and willingness to follow directions from her father, director Fred Fishback hired her to appear in a series of short films with Century's canine star, Brownie the Wonder Dog. The first film, Playmates in 1921, was a success, and Peggy was signed to a long-term contract with Century.[8]

Between 1921 and 1924, Peggy made close to 150 short comedy films for Century. Her movies often spoofed full-length motion pictures, social issues and stars of the era; in one, Peg O' The Movies, she satirized both Rudolph Valentino and Pola Negri. She also appeared in film adaptations of novels and fairy tales, such as Hansel and Gretel and Jack and the Beanstalk, contemporary comedies, and a few full-length motion pictures.[8]

In 1923, Peggy began working for Universal Studios, appearing in full-length dramatic films. Among her works from this era were The Darling of New York, directed by King Baggot, and the first screen adaptation of Captain January. In line with her status as a star, Peggy's Universal films were produced and marketed as "Universal Jewels," the studio's most prestigious and most expensive classification. During this time, she also starred in Helen's Babies, opposite Clara Bow.[8]

The success of the Baby Peggy films brought her into prominence. When she was not filming, she embarked on extensive "In-Person" personal appearance tours across the country to promote her movies. She was also featured in several short skits on major stages in Los Angeles and New York, including Grauman's Million Dollar Theatre and the Hippodrome. Her likeness appeared on magazine covers and was used in advertisements for various businesses and charitable campaigns. She was also named the Official Mascot of the 1924 Democratic Convention in New York, and stood onstage waving a United States flag next to Franklin Delano Roosevelt.[2]

By the age of 5, she had her own line of various endorsed items, including dolls in her likeness, sheet music, jewelry, and even milk.[9][2]

As a child, Frances Gumm (later Judy Garland) owned at least one Baby Peggy doll. Cary would later befriend Garland, and wrote in her autobiography that she believed Garland's mother had pursued fame for her children based on Baby Peggy's success.[10]

While under contract with Century and Universal, Peggy commanded an impressive salary. By 1923 she was signed to a $1.5 million a year contract at Universal (equivalent to $20.6 million in 2014 dollars); on her vaudeville tours she made $300 per day. Her parents handled all of the finances; money was spent on expensive cars, homes, and clothing.[9]

Nothing was set aside for the welfare or education of Peggy or her sister. Peggy herself was paid one nickel for every vaudeville performance. Through reckless spending and corrupt business partners of her father, her entire fortune was gone before she hit puberty. When fellow child star Jackie Coogan sued his parents in 1938, Peggy's parents asked her if she was going to do the same. Believing it would do no good, Peggy did not pursue legal action. Coogan's case, and cases like Baby Peggy's, eventually inspired the Coogan Act to protect child actors' earnings.[11]

Working conditions

Peggy's working conditions, as described in later interviews and her autobiography, were harsh. As a toddler she worked eight hours a day, six days a week. She was generally required to perform her own stunts, which included being held underwater in the ocean until she fainted (Sea Shore Shapes), escaping alone from a burning room (The Darling of New York), and riding underneath a train car (Miles of Smiles). While at Century she also witnessed several instances of animal cruelty and saw a trainer crushed to death by an elephant.[12]

Schooling for both Peggy and her sister, Louise, was sporadic at best. Neither attended school until the end of the vaudeville era; for their secondary education, they worked to pay for their tuition at Lawlor Professional School, which offered flexible schedules and allowed them to continue performing in films.[13]

Baby Peggy’s career was controlled by her father, who accompanied her to the studio every day and made every decision about her contracts. Mr. Montgomery often claimed that Peggy's success was based not on her own talent, but on her ability to follow orders unquestioningly.[14]

Decline and stage work

Baby Peggy's film career abruptly ended in 1925 when her father had a falling out with producer Sol Lesser over her salary and canceled her contract.[13] She found herself essentially blacklisted and was able to land only one more part in silent films, a minor role in the 1926 picture April Fool.[8]

From 1925 to 1929, Peggy had a successful career as a vaudeville performer. Although her routine, which included a comedy sketch, singing and a dramatic monologue, was initially met with skepticism, it soon became a popular and respected act. Although she was prohibited from "playing the Palace" because of her young age, she appeared onstage there as a special guest. Peggy and her family toured the United States and Canada, performing in major venues, until the family tired of touring.[13]

While on the vaudeville circuit, Peggy was frequently ill with tonsillitis and other ailments; however, she continued working. In What Ever Happened to Baby Peggy?, she wrote, "On several occasions I went onstage so yellow-dog sick they had to put buckets in the wings: I threw up in one before I made my entrance, and in the second when I exited, before changing and going back out for my encore." Her mother feared for her health, another reason for leaving the rough life of touring.[14]

Peggy's father planned to buy a ranch and convert it into a high-end getaway. However, the stock market crash of 1929 put an immediate halt to the plans. Having made a $75,000 deposit on the land and existing property, the Montgomerys were forced to move to rural Wyoming where they lived near the Jelm Mountains. Peggy found the change in pace refreshing and hoped her stage days were over. However, the family struggled to make a living, and as a last-ditch effort returned to Hollywood in the early 1930s, much to the teen-aged Peggy's chagrin.[13]

Peggy posed for publicity photos with Douglas Fairbanks Sr. and signed with a new manager. Hopes of a comeback were mostly dashed by false rumors of a bad screen test that had never taken place. The entire family was forced to take extra work while Peggy attended Fairfax High School. She loathed screen work and retired soon after appearing in Having Wonderful Time in 1938.[13]

In the spring of 1940, Peggy’s career had reached such a low, journalist Walter Winchell in his column ‘On Broadway’ reported Peggy and her husband Gordon Ayres were now living in a small furnished room in New York City, with only doughnuts to eat. Gordon Ayres was working as a bartender while Peggy was looking for a screen job.[15]

Post-acting years

Peggy married Gordon Ayres in 1938 and a few years later adopted the name Diana Ayres in an effort to distance herself from the Baby Peggy image. Working at the time as a writer for radio shows, she found that people who figured out her identity were more interested in her Baby Peggy persona than in her writing abilities. She later changed her name to Diana Serra Cary explaining, "After my divorce [from Gordon Ayres] and when I became a Catholic I took Serra as my confirmation name. When I married Bob [her second husband] I became Mrs. Cary."[16]

Eventually, after years of emotional struggle and open derision from Hollywood insiders and the media,[13] Cary made peace with her Baby Peggy past. She has had successful careers as a publisher, historian, and author on Hollywood subjects, writing, among other works, an autobiography of her life as a child star, What Ever Happened to Baby Peggy: The Autobiography of Hollywood's Pioneer Child Star, and a biography of her contemporary and rival, Jackie Coogan: The World's Boy King: A Biography of Hollywood's Legendary Child Star.[14][17]

As an adult, Cary has worked on numerous books about the early film industry, Hollywood cowboys, and harsh working conditions for child stars in Hollywood. At the end of her own autobiography, she recounts the fates of numerous child stars, including Judy Garland and Shirley Temple. She has also advocated for reforms in child performer protection laws, most recently as a member of the organization A Minor Consideration.[18]

Cary has appeared in numerous television documentaries and interviews about her work, and she has made guest appearances at silent film festivals. At the age of 99, Cary self-published her first novel The Drowning of the Moon.[17]

Personal life

At the age of seventeen, trying to escape the film industry and her parents' plans for her life, Cary ran away from home and rented an apartment with her sister Louise. She married actor Gordon Ayres, whom she met on the set of Ah, Wilderness!, in 1938. They divorced in 1948.[19] In 1954, she married artist Robert "Bob" Cary (sometimes listed as Bob Carey).[20] They had one son, Mark. They remained married until Cary's death in 2001. She lived in Gustine, California near Modesto for many years.[20]


On November 8, 2008, ten days after her 90th birthday, Cary was honored at the Edison Theatre in Niles, California, with a screening of two of her feature films, Helen's Babies and Captain January.[21]

In 2012, a campaign to get Cary a star on the Hollywood Walk of Fame was initiated on the crowd-funding site Indiegogo.[22] On December 3, 2012, Turner Classic Movies presented the 2011 documentary Baby Peggy: The Elephant in the Room.[23] TCM screened the documentary again on October 29, 2018, to mark Cary's 100th birthday.[24]


The vast majority of Cary's Baby Peggy films have not survived and records related to their production have been lost. Century Studios burned down in 1926.[8] In addition, another older actress named Peggy Montgomery (1904-1989) was active in Hollywood Western films between 1924–29; her credits are occasionally confused with those of Baby Peggy. Filmographies at major websites are incomplete, and sometimes incorrect, because of these facts.[25]

A handful of Baby Peggy shorts, including Playmates, Miles of Smiles and Sweetie have been discovered and preserved in film archives around the world, including the Museum of Modern Art in New York City. The full-length movies The Family Secret, April Fool, Captain January and Helen's Babies have also survived, are currently in the public domain, and have been restored and made available for sale by several independent film dealers. A full copy of The Law Forbids is also rumored to exist, but it has not surfaced publicly. In addition, fragments of some works, including The Law Forbids, The Darling of New York and Little Red Riding Hood have surfaced and been restored.[8]

In 2016, it was announced that her lost film Our Pet was found in Japan.[26]


Short subject
Year Title Role Notes
1921 Her Circus Man
1921 On with the Show
1921 The Kid's Pal
1921 Playmates Credited as Peggy Montgomery
1921 On Account
1921 Pals
1921 Third Class Male
1921 The Clean Up
1921 Golfing
1921 Brownie's Little Venus
1921 A Week Off
1921 Brownie's Baby Doll
1921 Sea Shore Shapes
1921 A Muddy Bride
1921 Teddy's Goat
1921 Get-Rich-Quick Peggy
1921 Chums
1922 The Straphanger Unconfirmed
1922 Circus Clowns
1922 The Little Rascal
1922 Fools First Little girl
1922 Little Red Riding Hood Little Red Riding Hood
1923 Peg o' the Movies Peg
1923 Sweetie
1923 The Kid Reporter Peggy
1923 Taking Orders
1923 Nobody's Darling
1923 Tips
1923 Little Miss Hollywood Little Miss Hollywood
1923 Miles of Smiles The Twins (Dual role)
1924 Our Pet
1924 The Flower Girl
1924 Stepping Some
1924 Poor Kid
1923 Hansel and Gretel
1924 Jack and the Beanstalk
1924 Such Is Life
1924 Peg o' the Mounted
Year Title Role Notes
1921 Fool's Paradise Child Uncredited
1922 Little Miss Mischief
1922 Penrod Baby Rennsdale Credited as Peggy Jane
1922 Peggy, Behave! Peggy
1923 Hollywood Herself (cameo) Lost film
1923 Carmen, Jr.
1923 The Darling of New York Santussa Credited as Baby Peggy Montgomery
1924 The Law Forbids Peggy
1924 Captain January Captain January
1924 The Family Secret Peggy Holmes
1924 Helen's Babies Toodie
1926 April Fool Irma Goodman
1926 The Dangerous Dub Rose Cooper
1926 Prisoners of the Storm Joan Le Grande
1932 Off His Base Peggy Credited as Peggy Montgomery
1934 Eight Girls in a Boat Hortense Credited as Peggy Montgomery
1934 The Return of Chandu Judy Allen, party guest Uncredited
1935 Ah, Wilderness! Schoolgirl at graduation Uncredited
1936 Girls' Dormitory Schoolgirl Credited as Peggy Montgomery
1937 Souls at Sea Bit Role Uncredited
1937 True Confession Autograph Hunter Uncredited
1938 Having Wonderful Time Extra Uncredited
Alternative title: Having a Wonderful Time



  • Baby Peggy's Own Story Book, Diana Serra Cary, Frederick A. Stokes, 1924
  • What Ever Happened to Baby Peggy: The Autobiography of Hollywood's Pioneer Child Star, Diana Serra Cary, St. Martins Press, 1996, (ISBN 0-312-14760-0)
  • The Hollywood Posse: The Story of a Gallant Band of Horsemen Who Made Movie History, Diana Serra Cary, University of Oklahoma Press, 1996, (ISBN 0-8061-2835-6)
  • Hollywood's Children: An Inside Account of the Child Star Era, Diana Serra Cary, Southern Methodist University Press, 1997, (ISBN 0-87074-424-0)
  • Jackie Coogan: The World's Boy King: A Biography of Hollywood's Legendary Child Star, Diana Serra Cary, Scarecrow Press, 2003, (ISBN 0-8108-4650-0)
  • The Shirley Temple Story, Lester David, Putnam Pub Group, 1983, (ISBN 0-399-12798-4)
  • Silent Stars Speak: Interviews with Twelve Cinema Pioneers, Tony Villecco, 2001, (ISBN 9780786408146)
  • "At 93, a Party Girl Is Silent No More", photographs, interview and article by Bruce Bennett, in the U.S. edition of The Wall Street Journal, September 5, 2012, page A19.
  • "The Last Silent Star Standing: An Oral History of 1920s Film With Diana Serra Cary," photographs, interview and article by Jeffrey Crouse, Film International, Vol. 11, No. 2, 2013, pages 6–24.
  • Goldrup, Tom; Goldrup, Jim (2002). Growing Up on the Set: Interviews with 39 Former Child Actors of Film and Television. McFarland & Co. pp. 20–29. ISBN 1476613702.

See also


  1. Voger, Mark. "Baby Peggy: Child star of era before 'talkies' is silent no more". NJ.com. Retrieved October 31, 2015.
  2. Gladysz, Thomas (October 21, 2015). "The Return of Baby Peggy -- The Last Silent Film Star". The Huffington Post. Retrieved November 13, 2015.
  3. "The Star that is Baby Peggy". A Star For Baby Peggy. Retrieved November 21, 2012.
  4. "Diana Serra Cary's Bibliography". A Star For Baby Peggy. March 8, 2012. Retrieved November 21, 2012.
  5. Goldrup, Tom; Goldrup, Jim (2002). Growing Up on the Set: Interviews with 39 Former Child Actors of Film and Television. McFarland & Co. p. 20. ISBN 1476613702.
  6. "Baby Peggy", The Blue Book of the Screen, 1923, Hollywood, California. p.205
  7. Cary, Diana Serra (1996). The Hollywood Posse: The Story of a Gallant Band of Horsemen who Made Movie History. University of Oklahoma Press. p. 30. ISBN 0-806-12835-6.
  8. "Baby Peggy: Hollywood's Tiny Titan". Cinema.ucla.edu. March 19, 2011. Retrieved November 21, 2012.
  9. Gardner, Chris (March 4, 2016). "The Last Living Silent Star: Child Actress Baby Peggy Made the Equivalent of $14M a Movie and Lost It All". The Hollywood Reporter. Retrieved October 21, 2016.
  10. Benziger, Jeff (December 24, 2007). "Diana Cary was bigger than life as child star...BABY PEGGY". Retrieved October 21, 2016.
  11. "Coogan Law". SAG-AFTRA. Retrieved May 15, 2013.
  12. Balducci, Anthony (November 17, 2011). The Funny Parts: A History of Film Comedy Routines and Gags. McFarland. p. 40. ISBN 078648893X.
  13. Orgeron, Marsha (July 2, 2008). ""I Came Back as Nobody": An Interview with the Former Baby Peggy". The Boston Herald   via HighBeam (subscription required) . Archived from the original on December 7, 2017. Retrieved October 21, 2016.
  14. Lamont, Tom (May 23, 2015). "'I spent most of my life as a nobody': the last of the silent movie stars". The Guardian. Retrieved July 14, 2015.
  15. https://thegrandarchive.wordpress.com/man-about-town-2/
  16. Goldrup & Goldrup 2002, p. 29.
  17. "Former Child Star Baby Peggy Self-Publishes Her First Novel at 99".
  18. "Little Girl Lost". Minorcon.org. Retrieved November 21, 2012.
  19. Goldrup & Goldrup 2002, p. 28.
  20. Tibbetts, John C.; Welsh, James M., eds. (2010). American Classic Screen Profiles. Scarecrow Press. p. 110. ISBN 0-810-87677-9.
  21. "Baby Peggy 90th Birthday Bash". KQED Arts. November 7, 2008. Retrieved October 28, 2018.
  22. "A Star For Baby Peggy". A Star For Baby Peggy. February 18, 2012. Retrieved November 21, 2012.
  23. "Baby Peggy: The Elephant in the Room". TCM.com. December 3, 2012. Retrieved October 28, 2018.
  24. "r/silentmoviegifs - Today is the 100th birthday of Diana Serra Cary, a.k.a. Baby Peggy, the last living silent film star". reddit.
  25. "Baby Peggy interview". Silents Are Golden. Retrieved July 4, 2015.
  26. "Long lost 1924 U.S. silent film discovered after Japanese auction". The Mainichi. October 18, 2016. Retrieved August 4, 2017.
  27. Villecco, Tony (2001). Silent Stars Speak: Interviews with Twelve Cinema Pioneers. McFarland. p. 15. ISBN 0-786-48209-5.
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