Diandrea "Dee" Rees (born February 7, 1977) is an American screenwriter and director. She is known for her feature films Pariah (2011), Bessie (2015), and Mudbound (2017). The latter was adapted from the 2008 novel by the same name by Hillary Jordan and earned Rees an Academy Award nomination for Best Adapted Screenplay.
Rees at Sundance Times Talk in 2012
February 7, 1977
|Alma mater||New York University|
Florida A&M University
Early life and education
Rees was born in 1977 in Nashville, Tennessee. She attended local schools and college at Florida A&M University. After business school, Rees held an array of jobs, including working as a salesperson for panty-liners, a vendor for wart-remover and bunion pads, and also worked in marketing and brand management. While working for Dr. Scholl's, Rees worked on set for a commercial and she realized she enjoyed the creation of film content. This led her to pursue film school. For graduate school, she attended New York University's Tisch School of the Arts. While at New York University for film, Spike Lee was her professor and mentor. Dee Rees went on to work under Spike Lee on his films Inside Man (2006) and When the Levees Broke (2006). During this time, she worked on a script for what would later be the feature film Pariah. For her graduate thesis, she adapted the first act of the script and directed it as a short film of the same name. In 2007, the short played at 40 film festivals around the world, winning numerous accolades, including the Audience Award at the Los Angeles Film Festival.
Rees' first full-length film was a documentary, Eventual Salvation (2009), aired on the Sundance Channel. The film follows her American-born, 80-year-old grandmother, Amma, as she returns to Monrovia, Liberia to rebuild her home and community. She had barely escaped a decade earlier from the devastating Liberian civil war.
Rees completed development and filming of her debut feature film, Pariah, which she has described as semi-autobiographical. In graduate school Rees interned for Spike Lee, whom she got to executive direct the film. It premiered at the 2011 Sundance Film Festival. Lisa Schwartzman of Entertainment Weekly wrote, "In her fearless, world-here-I-am! debut Pariah, writer-director Dee Rees demonstrates, with simplicity and verve, that there's no substitute for authenticity". Pariah explores the complexities of religion, politics and socioeconomic class within and surrounding a Black family. The short film version of Pariah was initially a thesis project done by Dee Rees in film school. It was difficult to receive funding for the feature film, and the process took about five years to reach completion. The format and content changed significantly from the short film to the feature film. The transition from short film to feature film meant it needed to be more accessible for a wider audience in order to make money. This accessibility reached new audiences and sparked new conversations that were focused on blackness and sexuality in a new way.
At the time Pariah (2011) was released, the film was one of the very few films that follow the journey of a young person of color as they come to terms with their sexuality and come out to their friends and families. In 2011, she won many awards for Pariah, including the John Cassavetes Award at the Independent Spirit Awards, the Gotham Independent Film Award for Breakthrough Director, the Outstanding Independent Motion Picture Award at the NAACP Image Awards, and the Outstanding Film –Limited Release Award at the GLAAD Media Award in 2012.
Pariah has been compared to the written work of Audre Lorde, specifically Zami: a New Spelling of my name. Both forms provide a different take on the lived experiences of young Black lesbian women in a way that gives the characters depth and power. Both stories of identity, they are not only diversifying the characters audiences enjoy in media, but also providing an authentic expression of these lives.
It also won four Primetime Emmy Awards, including the Primetime Emmy Award for Outstanding Television Movie. Rees was nominated for Outstanding Directing for a Miniseries, Movie or a Dramatic Special and Outstanding Writing for a Miniseries, Movie or a Dramatic Special.
Together with Virgil Williams, Rees wrote Mudbound, a period drama adapted from the 2008 novel of the same name by Hillary Jordan. Rees also directed the film, starring Carey Mulligan, Garrett Hedlund, Jason Clarke, Jason Mitchell, and Mary J. Blige. After being shown at Sundance in 2017, Mudbound became the highest purchase of the festival, being bought for $12.5 million by Netflix. Mudbound was shot in New Orleans over 28 days in the summer of 2016. The film tells the story of two families in the Mississippi Delta in the 1940s. The McAllan family is white and their neighbors, the Jacksons, are black. The Jacksons are sharecroppers who have a connection to the land, while the McAllans are a middle-class family that own a large plot of land in Mississippi. Mudbound tells a story of racism and race relations that continue to be played out today. The movie explores whiteness and the privilege associated with it, while comparing and contrasting the experiences of white and Black folk of the period. This work contains many personal connections for Rees, such as her grandfathers experiences in the army and her grandmother who aspired to be a stenographer, an ambition shared with one of the characters in the film. Rees used her grandmother's journal to help guide her process. It contained family photographs of their slave ancestors, with the names of who fought in wars. Rees says that by using this it was a way of interrogating her own personal history. She used written text from the journal, a war ration book, and a photograph of her great grandmother, and each one was an inspiration for something in Mudbound.
Rees and Williams were nominated for the Academy Award for Best Adapted Screenplay for Mudbound, which made Rees the first black woman to be nominated for any Academy Award in a writing category, and the first black woman to be nominated for the Academy Award for Best Adapted Screenplay. As well, the nomination of Mary J. Blige for the Academy Award for Best Supporting Actress for Mudbound made Rees the first black woman to direct a film for which an actor or actress was nominated for an Academy Award.
A lesser-known project of Rees' includes the show Philip K. Dick's Electric Dreams, where Rees was given the chance to engage with the many emotions looming around the election of Donald Trump, and manipulate them within a sci-fi context, which is now streaming on Amazon Prime.
Rees is also attached to write and direct An Uncivil War for FilmNation.
Rees is a lesbian, and she described Pariah as semi-autobiographical. On National Coming Out Day in 2011, in an interview with BlackEnterprise.com, Rees discussed her coming out experience. When she came out her parents weren't accepting. They sent her emails, cards, letters and Bible verses. Rees sees Pariah as semi-autobiographical because she can relate to the main concepts of the film.
Rees, who is of African American descent, incorporates her family's history, specifically her own grandmother's, in her most recent film Mudbound where American violence and racism are more relevant to the lives of all citizens and a marker of each individual's identity.
- Orange Bow (2005)
- Pariah (2007)
- Colonial Gods (2009)
Awards and nominations
|2007||Chicago Gay and Lesbian International Film Festival||Best Narrative Short||Pariah||Won|
|Iris Prize Festival||Iris Prize||Won|
|Los Angeles Film Festival||Audience Award – Best Short Film||Won|
|Palm Springs International ShortFest||Future Filmmaker Award||Won|
|Best Live Action Over 15 Minutes||Won|
|San Francisco International Lesbian & Gay Film Festival||Audience Award – Best Short||Won|
|Urbanworld Film Festival||Best Narrative Short||Won|
|2008||Ashland Independent Film Festival||Best Student Film||Won|
|2011||Alliance of Women Film Journalists||Best Woman Director||Pariah||Nominated|
|Best Woman Screenwriter||Nominated|
|Black Film Critics Circle||Best Director||Won|
|Best Original Screenplay||Won|
|Black Reel Awards||Best Screenplay, Original or Adapted||Nominated|
|Gotham Awards||Breakthrough Director||Won|
|NAACP Image Awards||Outstanding Writing in a Motion Picture (Theatrical or Television)||Nominated|
|Outstanding Directing in a Motion Picture (Theatrical or Television)||Nominated|
|Independent Spirit Awards||Independent Spirit John Cassavetes Award||Won|
|Sundance Film Festival||Grand Jury Prize||Nominated|
|Women Film Critics Circle Awards||Best Woman Storyteller||Nominated|
|2015||Primetime Emmy Awards||Outstanding Directing for a Miniseries, Movie or a Dramatic Special||Bessie||Nominated|
|Outstanding Writing for a Miniseries, Movie or a Dramatic Special||Nominated|
|2016||Directors Guild of America Awards||Outstanding Directing – Miniseries or TV Film||Won|
|2017||Academy Awards||Best Adapted Screenplay||Mudbound||Nominated|
|Alliance of Women Film Journalists||Best Woman Director||Nominated|
|Best Woman Screenwriter||Nominated|
|Austin Film Festival||Audience Award – Marquee Feature||Won|
|Chicago Film Critics Association||Best Adapted Screenplay||Nominated|
|Critics' Choice Movie Awards||Best Adapted Screenplay||Nominated|
|Georgia Film Critics Association||Best Adapted Screenplay||Nominated|
|Humanitas Prize||Feature – Drama||Pending|
|Independent Spirit Awards||Independent Spirit Robert Altman Award||Won|
|NAACP Image Awards||Outstanding Writing in a Motion Picture||Nominated|
|Outstanding Directing in a Motion Picture||Nominated|
|New York Film Critics Online||Best Director||Won|
|San Francisco Film Critics Circle||Best Adapted Screenplay||Nominated|
|San Diego Film Critics Society||Best Adapted Screenplay||Runner-up|
|Satellite Awards||Best Director||Nominated|
|St. Louis Gateway Film Critics Association||Best Adapted Screenplay||Nominated|
|USC Scripter Awards||Best Screenplay||Nominated|
|Washington D.C. Area Film Critics Association||Best Director||Nominated|
|Best Adapted Screenplay||Won|
|Women Film Critics Circle||Best Woman Storyteller||Nominated|
|Courage in Filmmaking||Won|
|Writers Guild of America Awards||Best Adapted Screenplay||Nominated|
- Daniels, Karu F. (May 14, 2015). "Filmmaker Dee Rees Gets Queen Latifah to Bare All in 'Bessie'". NBC News.
- Littleton, Cynthia (May 5, 2015). "Dee Rees, Shonda Rhimes Developing Historical Drama 'Warmth of Other Suns' For FX". Variety.
- Vollmer, Deenah (December 15, 2011). "How Dee Rees Built a Cocoon". Interview.
- Schwarzbaum, Lisa (2014). "Not Singing the Blues". Directors Guild of America.
- "This is Us: Dee Rees's Mudbound". Film Comment. Retrieved 2018-02-14.
- Ramos, Dino-Ray (2017-10-23). "'Mudbound' Director Dee Rees Talks Career Trajectory, Choosing Producers, And Her Love For Ensemble Casts". Deadline. Retrieved 2018-02-14.
- Pariah, retrieved 2018-10-12
- RICH, B. RUBY. “Park City Remix.” Film Quarterly, vol. 64, no. 3, 2011, pp. 62–65. JSTOR, JSTOR, www.jstor.org/stable/10.1525/fq.2011.64.3.62.
- George, Nelson (December 23, 2011). "New Directors Flesh Out Black America, All of It". The New York Times.
- Schwarzbaum, Lisa (January 17, 2015). "Pariah". Entertainment Weekly.
- Kang, Nancy (2016). "Audre's daughter: Black lesbian steganography in Dee Rees' Pariah and Audre Lorde's Zami: A new spelling of my name". Journal of Lesbian Studies. 20 (2): 266–297. doi:10.1080/10894160.2015.1062972. PMID 26914826.
- Loist, Skadi (2015). "Crossover Dreams: Global Circulation of Queer Film on the Film Festival Circuits". Diogenes. 62: 57–72. doi:10.1177/0392192116667014.
- Keeling, Kara; DeClue, Jennifer; Welbon, Yvonne; Stewart, Jacqueline; Rastegar, Roya (2015-06-01). "Pariah and Black Independent Cinema TodayA Roundtable Discussion". GLQ: A Journal of Lesbian and Gay Studies. 21 (2–3): 423–439. doi:10.1215/10642684-2843251. ISSN 1064-2684.
- "Dee Rees | Free The Bid". Free The Bid. Retrieved 2018-10-12.
- Littleton, Cynthia (May 6, 2015). "'Bessie' Director Dee Rees on Bessie Smith's Ferocity and Facing Prejudice". Variety.
- "Bessie (2015)". Rotten Tomatoes. Retrieved February 10, 2016.
- Setoodeh, Ramin (2017-09-05). "Can Netflix Crash the Oscars With Dee Rees' 'Mudbound'?". Variety. Retrieved 2018-04-21.
- Anderson, Tre'vell. "Dee Rees gave 'Mudbound' a personal touch with the help of her grandmother's journal". latimes.com. Retrieved 2018-04-21.
- Libby Hill. "Dee Rees becomes first black woman Oscar-nominated for adapted screenplay with 'Mudbound'". Latimes.com. Retrieved 2018-01-24.
- Rachel Withers. "The 2018 Oscar nominees include these historic firsts". Slate.com. Retrieved 2018-01-24.
- Madison Medeiros (2018-01-19). "Netflix Mudbound Broke 4 Oscar Records Mostly For Women". Refinery29.com. Retrieved 2018-01-24.
- "'Mudbound' director Dee Rees shoots for the stars and gets her dream cast". LA Times. 2017-01-27. Retrieved 2018-01-24.
- Tapley, Kristopher (2018-01-18). "Playback: Dee Rees on 'Mudbound' and Her Trump-Inspired 'Electric Dreams' Episode". Variety. Retrieved 2018-02-14.
- Seetoodeh, Ramin (September 27, 2017). "Dee Rees to Direct Movie Adaptation of Joan Didion Novel 'The Last Thing He Wanted'". Variety. Retrieved July 3, 2018.
- Tartaglione, Nancy (February 18, 2018). "Anne Hathaway To Star In Dee Rees' 'The Last Thing He Wanted' – Berlin". Deadline Hollywood. Retrieved July 3, 2018.
- Kroll, Justin (June 1, 2018). "Willem Dafoe Joins Anne Hathaway in Dee Rees' 'The Last Thing He Wanted' (EXCLUSIVE)". Variety. Retrieved July 3, 2018.
- Kit, Borys (May 24, 2018). "Netflix Reteams With 'Mudbound' Filmmaker Dee Rees for 'The Last Thing He Wanted' (Exclusive)". The Hollywood Reporter. Retrieved July 3, 2018.
- "Rep Sheet Roundup: Dee Rees Signs With Anonymous Content". The Hollywood Reporter. Retrieved 2018-02-14.
- "NAACP Image Awards: 'Marshall,' 'Get Out,' 'Girls Trip' Dominate Film Nominations". The Hollywood Reporter. Retrieved 2018-10-12.
- Swadhin, Amita (December 29, 2011). "GLAAD Interviews 'Pariah' Director Dee Rees". GLAAD.
- cl_admin (2011-10-18). "'Pariah' Film Director Dee Rees Talks About Coming Out Queer". Colorlines. Retrieved 2018-04-21.
- Hornaday, Ann. "Dee Rees wanted to make 'an old-fashioned movie' and ended up with an Oscar contender". Retrieved 8 January 2018.
- Hornaday, Ann (2017-11-10). "Dee Rees wanted to make 'an old-fashioned movie' and ended up with an Oscar contender". Washington Post. ISSN 0190-8286. Retrieved 2018-04-21.
- "Director Dee Rees talks Mudbound, racism, and women in Hollywood". The Independent. 2017-11-17. Retrieved 2018-02-12.