Creature from the Black Lagoon

Creature from the Black Lagoon is a 1954 American black-and-white 3D monster horror film from Universal-International, produced by William Alland, directed by Jack Arnold, that stars Richard Carlson, Julia Adams, Richard Denning, Antonio Moreno and Whit Bissell. The Creature was played by Ben Chapman on land and by Ricou Browning underwater. The film premiered in Detroit on February 12 and was released on a regional basis, opening on various dates.

Creature from the Black Lagoon
Directed byJack Arnold
Produced byWilliam Alland
Screenplay byHarry Essex
Arthur A. Ross
Story byMaurice Zimm
StarringRichard Carlson
Julia Adams
Richard Denning
Antonio Moreno
Music byHenry Mancini
Hans J. Salter
Herman Stein
CinematographyWilliam E. Snyder
Edited byTed J. Kent
Distributed byUniversal Pictures
Release date
  • February 12, 1954 (1954-02-12)
  • March 5, 1954 (1954-03-05)
(et al., regional openings)
Running time
79 minutes
CountryUnited States
Box office$1,300,000

Creature from the Black Lagoon was filmed in 3D and originally projected by the polarized light method. The audience wore viewers with gray polarizing filters, similar to the viewers most commonly used today. Because the brief 1950s 3D film fad had peaked in mid-1953 and was fading fast in early 1954, many audiences actually saw the film "flat", in 2D. Typically, the film was shown in 3D in large downtown theaters and flat in smaller neighborhood theaters. In 1975 Creature from the Black Lagoon was re-released to theaters in the inferior red-and-blue-glasses anaglyph 3D format, which was also used for a 1980 home video release on Beta and VHS videocassettes.[1]

For marketing reasons, a comedic appearance with Abbott and Costello on an episode of The Colgate Comedy Hour aired prior to the film's release. The appearance is commonly known as Abbott and Costello Meet the Creature from the Black Lagoon. Ben Chapman reprised his role as the Gill-Man for the program.

Creature from the Black Lagoon generated two sequels: Revenge of the Creature (1955), which was also filmed and released in 3D in hopes of reviving the format, and The Creature Walks Among Us (1956), filmed in 2D. The Creature, also known as the Gill-Man, is usually counted among the classic Universal Monsters.


A geology expedition in the Amazon uncovers fossilized evidence (a skeletal hand with webbed fingers) from the Devonian period that provides a direct link between land and sea animals. Expedition leader Dr. Carl Maia orders his two assistants to stay in camp while he visits the marine biology institute.

Carl reunites with his friend and former student, ichthyologist Dr. David Reed. David works at an aquarium in California, but more recently he has been a guest at Carl's institute in Brazil to study lungfish. David persuades his boss, the financially minded Dr. Mark Williams, to fund a return expedition to the Amazon to look for the remainder of the skeleton.

Soon after Carl leaves camp, a piscine amphibious humanoid, a living member of the same species from which the fossil originated, becomes curious about the expedition's camp. When its sudden appearance frightens the assistants, they panic and attack, and, in response, the enraged Creature kills them both.

The group goes aboard the tramp steamer Rita, captained by crusty Lucas. The expedition consists of David, Carl, Mark, as well as David's girlfriend and colleague, Kay Lawrence, and another scientist, Dr. Edwin Thompson. When they arrive at the camp, they discover Carl's assistants have been killed while he was away. Lucas suggests it was likely done by a jaguar, but the others are unsure.

A further excavation of the area where Carl found the fossil turns up nothing. Mark is ready to give up the search, but David suggests that perhaps thousands of years ago the part of the embankment containing the rest of the skeleton fell into the water and was washed downriver, broken up by the current. Carl says the tributary empties into a lagoon. Lucas calls it the "Black Lagoon", a paradise from which no one has ever returned. The scientists decide to risk it, unaware that the amphibious "Gill-man" that killed Carl's assistants has been watching them. Taking notice of the beautiful Kay, the creature follows the Rita all the way downriver to the Black Lagoon. Once the expedition arrives, David and Mark go diving to collect rock samples from the lagoon floor. After they return, Kay goes swimming and is stalked underwater by the Gill-man, who then gets briefly caught in one of the ship's drag lines. Although it escapes, the creature leaves a claw behind in the net, revealing its existence.

Subsequent encounters with the Gill-man claim the lives of Lucas's crew members, before the Creature is captured and locked in a cage aboard the Rita. It escapes during the night, attacking Edwin, who was guarding it. Kay smashes the Creature with a lantern, driving it off, but Edwin is severely injured. Following this incident, David decides they should return to civilization. Mark, obsessed with capturing (or killing) the Creature, objects. As the Rita tries to leave, they find the Gill-man has blocked the lagoon's entrance with fallen logs. While the others attempt to remove the logs, Mark is mauled to death while trying to capture the Creature single-handedly underwater. The Gill-man then abducts Kay and takes her to its cavern lair. David, Lucas and Carl chase after the Creature and Kay is ultimately rescued. The Creature is riddled with bullets before retreating to the lagoon, where its body sinks into the watery depths.



Producer William Alland was attending a 1941 dinner party during the filming of Citizen Kane (in which he played the reporter Thompson) when Mexican cinematographer Gabriel Figueroa told him about the myth of a race of half-fish, half-human creatures in the Amazon River. Alland wrote story notes titled "The Sea Monster" 10 years later, using Beauty and the Beast as inspiration. In December 1952, Maurice Zimm expanded this into a treatment, which Harry Essex and Arthur Ross rewrote as The Black Lagoon. Following the success of the 3D film House of Wax in 1953, Jack Arnold was hired to direct the film in the same format.[3]

The designer of the approved Gill-Man was Disney animator Milicent Patrick, though her role was deliberately downplayed by make-up artist Bud Westmore, who for half a century would receive sole credit for the creature's conception.[4] Jack Kevan, who worked on The Wizard of Oz (1939) and made prosthetics for amputees during World War II, created the bodysuit, while Chris Mueller Jr. sculpted the head.

Ben Chapman portrayed the Gill-Man for the majority of the scenes shot at Universal City, California. Many of the on-water scenes were filmed at Rice Creek near Palatka, Florida. The costume made it impossible for Chapman to sit for the 14 hours of each day that he wore it and it overheated easily. Due to these difficulties, Chapman often stayed in the studio's back lot lake, frequently requesting to be hosed down. He also could not see very well while wearing the headpiece, which caused him to scrape Julie Adams' head against the wall when carrying her in the grotto scenes. Ricou Browning played the Gill-Man in the underwater shots, which were filmed by the second unit in Wakulla Springs, Florida.[3]

Critical reception

Creature from the Black Lagoon received positive reviews from critics upon its release and is now considered a classic horror film. Leonard Maltin awarded the film three out of a possible four stars, writing, "Archetypal '50s monster movie has been copied so often that some of the edge is gone, but ... is still entertaining, with juicy atmosphere and luminous underwater photography sequences."[5] Film review aggregator website Rotten Tomatoes reports an approval rating of 85%, based on 33 reviews, with an overall rating average of 7.03/10.[6] The film is recognized by American Film Institute in these lists:

Home media

In 1980, Universal released Creature from the Black Lagoon on VHS in anaglyph 3D, using the Deep Vision anaglyph 3D release as its source. Subsequent releases followed on standard 2D VHS, Beta-Max, and DVD. On October 2, 2012, Universal Studios Home Entertainment released the film on Blu-ray as a 2D / Blu-ray 3D dual format disc, a part of the "Universal Classic Monsters: The Essential Collection" box set. On June 4, 2013, a Creature from the Black Lagoon 2D Blu-ray disc was released as a stand-alone title.

In other media


Creature from the Black Lagoon was novelized in 1954 by John Russell Fearn, using the pseudonym "Vargo Statten". Walter Harris, using the pseudonym "Carl Dreadstone", novelized the creature in a 1977 mass market paperback, part of a short-lived series of books based on the classic Universal horror films. The novel, with an introduction by British fantasist Ramsey Campbell, offers a completely different Gill-man, who in this version is gigantic, being almost as big as the Rita herself, and weighing in at 30 tons. The creature is both coldblooded and warmblooded, is a hermaphrodite, and also possesses a long, whip-like tail. The gigantic creature is dubbed "AA", for "Advanced Amphibian", by the expedition team members. After slaying most of them, destroying a Sikorsky helicopter, and kidnapping Kay more than once, the huge Gill-Man is killed by the crew of a United States Navy torpedo boat.

The 1977 novel also rewrites most of its human characters. Only David Reed and Kay Lawrence remain the same. Mark Williams is now a German named "Bruno Gebhardt" and dies, not from drowning, but by the creature falling on him. Lucas is renamed "Jose Goncalves Fonseca de Souza", and is a sympathetic character until he suggests throwing the wounded and unconscious Reed to the Gill-Man. An enraged Gebhardt/Williams instead throws him to the creature. Dr. Thompson and Dr. Maia suffer grisly deaths this time, whereas in the film they both survived. Maia is eaten by the Gill-Man, and Thompson is impaled by the creature, using a long tree branch like a spear (an apparent nod to a deleted scene from Revenge of the Creature, wherein the Gill-Man kills a guard in this fashion).

Reboots and remakes


Creature from the Black Lagoon spawned two sequels: Revenge of the Creature (1955), which was also filmed and released in 3D in hopes of reviving the format, and The Creature Walks Among Us (1956), filmed in 2D. A comedic appearance with Abbott and Costello on an episode of The Colgate Comedy Hour aired prior to the film's release. The appearance is commonly known as Abbott and Costello Meet the Creature from the Black Lagoon.

Cancelled remakes

In 1982, John Landis wanted Jack Arnold to direct a remake of the film, and Nigel Kneale was commissioned to write the screenplay. Kneale completed the script, which involved a pair of creatures, one destructive and the other calm and sensitive, being persecuted by the United States Navy.[9] A decision to make the film in 3D led to the remake being canceled by producers at Universal, both for budgetary concerns and to avoid a clash with Jaws 3-D.[9]

In 1992, John Carpenter was developing the remake at Universal.[10] He originally hired Bill Phillips to write the script while Rick Baker was hired to create the 3D model of the Creature, but the project never got green-lit.

Herschel Weingrod and Timothy Harris wrote a new script,[11] and Universal offered Peter Jackson the director's chair in 1995, but he chose to work instead on King Kong.[12]

In February 1996, Ivan Reitman was planning to direct the remake, but it never materialized.[11]

With the financial success of The Mummy remake in May 1999, development of the Creature from the Black Lagoon remake was revived.[13] In December 2001, Gary Ross signed on to write and produce the remake with his father, Arthur A. Ross, one of the original's writers. He told The Hollywood Reporter, "The story my father wrote embodies the clash between primitive men and civilized men, and that obviously makes it a fertile area for re-examination".[14]

In August 2002, Guillermo del Toro, a fan of the original feature, was attached to direct a remake.[15] He had hoped to do a story focused more on the Creature's viewpoint, while also letting him have a successful romantic liaison. He would later go on to turn this idea into the 2017 film The Shape of Water, after Universal rejected the concept.[16] Because of these creative clashes and his commitments to many other projects, Universal was forced to drop del Toro and hired Tedi Sarafian (credited on Terminator 3: Rise of the Machines) to write a script in March 2003.[17]

In October 2005, Breck Eisner signed on as director. "As a kid, I remember loving Jack Arnold's original version of this film", he explained. "What I really want to do is update an iconic image from the '50s and bring in more of the sci-fi sensibility of Alien or John Carpenter's The Thing (1982)".[18] Ross said in March 2007 the Gill-man's origin would be reinvented, with him being the result of a pharmaceutical corporation polluting the Amazon. "It's about the rainforest being exploited for profit", he said.[19]

However, the production was delayed by the 2007–2008 Writers Guild of America strike; as a result, Eisner instead made The Crazies (2010), the number one project on his priority list. His new goal was to finish The Crazies and then begin filming Creature from the Black Lagoon in Manaus, Brazil and on the Amazon River in Peru. Eisner was inspired to shoot on location by the film Fitzcarraldo, and the boat set had been built. Eisner continued to rewrite the script, which was to be a summer blockbuster full of "action and excitement, but [still] scary". Eisner spent six months designing the new incarnation of the Gill-man with Mark McCreery (Jurassic Park, and Davy Jones' designer). The director said the new design was "very faithful to the original, but updated" and that the Gill-man would still remain sympathetic.[20]

In 2009, it was reported that Carl Erik Rinsch might direct a 2010 remake that would be produced by Marc Abraham, Eric Newman, and Gary Ross;[21][22] however, a project featuring the ensemble had been abandoned by 2011.

In March 2012, Universal announced that a remake was in production and would simply be titled The Black Lagoon rather than Creature from the Black Lagoon, in order to distinguish between the two versions. In October 2012, the studio hired Dave Kajganich to write the film.[23] The film was expected to hit theaters by May 2014, but was ultimately cancelled.


Universal Pictures, beginning as early as 2014, began developing a shared universe of rebooted modern-day versions of their classic Universal Monsters, with the studio having various films in different stages of development. The series began with The Mummy (2017) and was intended to be followed by the remake of Bride of Frankenstein in 2019 prior to the critical and commercial failure of The Mummy. The Creature from the Black Lagoon was a remake also intended to be developed within the reboot with a story written by Jeff Pinkner and a script written by Will Beall. In June 2017, Kurtzman revealed that the Gill-man in this film would be from the Amazon.[24] However, on November 8, 2017, Alex Kurtzman and Chris Morgan moved on to other projects, leaving the future of the Dark Universe even further in doubt.[25]

On January 15, 2018, it was reported by Omega Underground that the production team for the Bride of Frankenstein had reassembled and were considering Gal Gadot for the lead role.[26]


The 2017 film The Shape of Water was partly inspired by Guillermo del Toro's childhood memories of Creature from the Black Lagoon; he wished to see the Gill-man and the film's co-star Julie Adams succeed in their "romance".[27]

See also




    1. Furmanek, Bob and Greg Kintz. "An in-depth look at 'Creature from the Black Lagoon'.", 2012. Retrieved: November 19, 2013.
    2. "Portrait of Ginger Stanley sitting on a diving board - Weeki Wachee Springs, Florida." State Archives of Florida. Retrieved: March 23, 2015.
    3. Vieira 2003, pp. 141–143.
    4. Ferrari 2003, p. 287.
    5. Maltin, Leonard. Leonard Maltin's 2014 Movie Guide. Penguin Press. p. 298. ISBN 9780451418104.
    6. "Creature from the Black Lagoon (1954) - Rotten Tomatoes". Rotten Rotten Tomatoes. Retrieved July 10, 2019.
    7. "AFI's 100 Years...100 Movies Nominees" (PDF). Retrieved August 20, 2016.
    8. "AFI's 100 Years...100 Heroes & Villains Nominees" (PDF). Retrieved August 20, 2016.
    9. Murray 2005, pp. 154–156.
    10. Archerd, Army "Olympics to cross finish line in style." Variety, July 19, 1992.
    11. Archerd, Army. "Hiller relieved that noms weren't leaked." Variety, February 12, 1996.
    12. "Recreating the Eighth Wonder." King Kong (3-disc Deluxe Extended Edition DVD), 2006.
    13. Fleming. Michael. "Kornberg reups at U." Variety, May 20, 1999.
    14. Linder, Brian (December 13, 2001). "Back to the Black Lagoon". IGN. Retrieved January 22, 2018.
    15. Linder, Brian (August 7, 2002). "Del Toro to Uni's Creature Redo". IGN. Archived from the original on October 19, 2008. Retrieved January 22, 2018.
    16. "Del Toro Talks Black Lagoon Influence On "Shape" - Dark Horizons". Retrieved November 20, 2017.
    17. Linder, Brian (March 11, 2003). "T3 Scribe Penning Creature". IGN. Archived from the original on August 18, 2012.
    18. Snyder, Gabriel. "U's 'Creature' meets maker." Variety, October 19, 2005.
    19. Cieply, Michael. "On screens soon, abused Earth gets its revenge." The New York Times, March 12, 2007.
    20. Rotten, Ryan. "Exclusive: Eisner on Creature from the Black Lagoon Remake." Shock Till You Drop, May 2, 2008.
    21. Fleming, Mike (December 14, 2009). "Creature to Feature Rinsch?". Variety. Archived from the original on August 22, 2010.
    22. "'Creature from the Black Lagoon' Taps New Director for Revival." Retrieved: March 23, 2015.
    23. Kit, Borys. "'Creature From the Black Lagoon' nabs a writer (Exclusive)." The Hollywood Reporter, October 12, 2012. Retrieved: March 23, 2015.
    24. "Where The Creature From The Black Lagoon Monster Comes From In Universal's Dark Universe". Cinema Blend. June 6, 2017.
    25. Kit, Borys; Couch, Aaron (November 8, 2017). "Universal's "Monsterverse" in Peril as Top Producers Exit (Exclusive)". The Hollywood Reporter. Retrieved November 8, 2017.
    26. "Bill Condon's 'Bride of Frankenstein' Assembles A Production Team - When Will It Shoot? - Omega Underground". Archived from the original on June 11, 2018. Retrieved January 16, 2018.
    27. "The Iconic Horror Movie Scene That Inspired 'The Shape of Water' – Bloody Disgusting". Retrieved October 16, 2017.


    • Ferrari, Andrea. Il Cinema Dei Mostri. Milan, Italy: Mondadori, 2003. ISBN 88-435-9915-1.
    • Murray, Andy. Into the Unknown: The Fantastic Life of Nigel Kneale. Stockport, Cheshire, UK: Critical Vision, 2005. ISBN 1-900486-50-4.
    • Vieira, Mark A. Hollywood Horror: From Gothic to Cosmic. New York: Harry N. Abrams, 2003. ISBN 0-8109-4535-5.
    • Warren, Bill. Keep Watching the Skies: American Science Fiction Films of the Fifties, 21st Century Edition. Jefferson, North Carolina: McFarland & Company, 2009, (First edition 1982). ISBN 0-89950-032-3.
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