The structure and themes of the overture follow the play very generally. The main C minor theme represents Coriolanus' resolve and war-like tendencies (he is about to invade Rome), while the more tender E-flat major theme represents the pleadings of his mother to desist. Coriolanus eventually gives in to tenderness, but since he cannot turn back having led an army of his former enemies to Rome's gates, he kills himself. (This differs from the better-known play Coriolanus by William Shakespeare, in which he is murdered. Both Shakespeare's and Collin's plays are about the same semi-legendary figure, Gaius Marcius Coriolanus, whose actual fate was not recorded.)
The overture was premiered in March 1807 at a private concert in the home of Prince Franz Joseph von Lobkowitz. The Symphony No. 4 in B-flat and the Piano Concerto No. 4 in G were premiered at the same concert.
Two of the most highly regarded recordings are of Wilhelm Furtwängler conducting the Berliner Philharmoniker (1943) and Fritz Reiner conducting the Chicago Symphony Orchestra in 1959. Sir Roger Norrington has created a notable period performance version with his recording of the overture with the London Classical Players.
Other notable recordings include those of Herbert von Karajan with the Berlin Philharmonic, Karl Böhm with the Vienna Philharmonic, Carlos Kleiber conducting the Bavarian State Orchestra and Bruno Walter conducting the Columbia Symphony. The work was a staple of Arturo Toscanini's repertoire, and six recordings under Toscanini's baton are extant as well as one recording of rehearsal excerpts.
- Joseph Kerman/Alan Tyson, "Ludwig van Beethoven", Grove Music Online, ed. L. Macy (Accessed 21 August 2007), (subscription access)
- Coriolan Overture: Scores at the International Music Score Library Project (IMSLP) (includes original manuscript)
- Kuthen, Hans-Werner (2013). "Coriolan" Overture op. 62 (Preface) (PDF). G. Henle Publishers. ISMN 979-0-2018-9042-5. Archived from the original (PDF) on 17 May 2018. Retrieved 16 May 2018.
- Rothe, Alexander K. (25 April 2016). "The Theater of the Listener's Imagination in Beethoven's Coriolan Overture". Alexander K. Rothe Musicology.
- Keays, James. "Program Notes: Coriolan Overture". Redlands Symphony Orchestra.