Cleopatra's Needle, London
Cleopatra's Needle in London is one of three similarly named Egyptian obelisks and is located in the City of Westminster, on the Victoria Embankment near the Golden Jubilee Bridges. It is close to the Embankment underground station. It was presented to the United Kingdom in 1819 by the ruler of Egypt and Sudan Muhammad Ali, in commemoration of the victories of Lord Nelson at the Battle of the Nile and Sir Ralph Abercromby at the Battle of Alexandria in 1801. Although the British government welcomed the gesture, it declined to fund the expense of transporting it to London.
The obelisk was originally erected in the Egyptian city of Heliopolis on the orders of Thutmose III, around 1450 BC. The material of which it was cut is granite, brought from the quarries of Aswan, near the first cataract of the Nile. Thutmose III had a single column of text carved on each face, these were translated by E.A.Wallis Budge. Other inscriptions were added about 200 years later by Ramesses II to commemorate his military victories, these are in two columns on each face and these flank the original inscriptions. The obelisks were moved to Alexandria and set up in the Caesareum – a temple built by Cleopatra in honor of Mark Antony or Julius Caesar – by the Romans in 12 BC, during the reign of Augustus, but were toppled some time later. This had the fortuitous effect of burying their faces and so preserving most of the hieroglyphs from the effects of weathering.
Transport from Alexandria
The obelisk remained in Alexandria until 1877 when Sir William James Erasmus Wilson, a distinguished anatomist and dermatologist, sponsored its transportation to London from Alexandria at a cost of some £10,000 (a very considerable sum in those days). Following consultation with Mathew William Simpson, a railway and locomotive engineer working for the Khedive of Egypt and a friend of Wilson who shared his passion for Egyptian antiquities, it was dug out of the sand in which it had been buried for nearly 2,000 years and was encased in a great iron cylinder, 92 feet (28 m) long and 16 feet (4.9 m) in diameter. This was designed by the engineer John Dixon (from original plans drawn up for Wilson by Mathew William Simpson, who was unable to undertake the work due to being under contract to the Khedive), and dubbed Cleopatra, to be commanded by Captain Carter. It had a vertical stem and stern, a rudder, two bilge keels, a mast for balancing sails, and a deck house. This acted as a floating pontoon which was to be towed to London by the ship Olga, commanded by Captain Booth.
The effort almost met with disaster on 14 October 1877, in a storm in the Bay of Biscay, when the Cleopatra began wildly rolling, and became uncontrollable. The Olga sent out a rescue boat with six volunteers, but the boat capsized and all six crew were lost – they are named on a bronze plaque attached to the foot of the needle's mounting stone. Captain Booth on the Olga eventually managed to get his ship next to the Cleopatra and rescued Captain Carter and the five crew members aboard Cleopatra. Captain Booth reported the Cleopatra "abandoned and sinking", but she stayed afloat, drifting in the Bay, until found four days later by Spanish trawler boats, and then rescued by the Glasgow steamer Fitzmaurice and taken to Ferrol in Spain for repairs. The Master of the Fitzmaurice lodged a salvage claim of £5,000 which had to be settled before departure from Ferrol, but it was negotiated down and settled for £2,000. The William Watkins Ltd paddle tug Anglia, under the command of Captain David Glue, was then commissioned to tow the Cleopatra back to the Thames. On their arrival in the estuary on 21 January 1878, the school children of Gravesend were given the day off. A wooden model of the obelisk had previously been placed outside the Houses of Parliament, but the location had been rejected, so the London needle was finally erected on the Victoria Embankment on 12 September 1878.
On erection of the obelisk in 1878, a time capsule was concealed in the front part of the pedestal containing: a set of 12 photographs of the best-looking English women of the day, a box of hairpins, a box of cigars, several tobacco pipes, a set of imperial weights, a baby's bottle, some children's toys, a shilling razor, a hydraulic jack and some samples of the cable used in the erection, a 3 foot (0.91 m) bronze model of the monument, a complete set of contemporary British coins, a rupee, a portrait of Queen Victoria, a written history of the transport of the monument, plans on vellum, a translation of the inscriptions, copies of the Bible in several languages, a copy of John 3:16 in 215 languages, a copy of Whitaker's Almanack, a Bradshaw Railway Guide, a map of London and copies of 10 daily newspapers.
Cleopatra's Needle is flanked by two faux-Egyptian sphinxes, designed by the English architect George John Vulliamy. The sphinxes are cast in bronze and bear hieroglyphic inscriptions that say netjer nefer men-kheper-re di ankh, which translates as "the good god, Thuthmosis III given life". These sphinxes appear to be looking at the Needle rather than guarding it, due to the sphinxes' improper or backwards installation. The Embankment has other Egyptian flourishes, such as buxom winged sphinxes on the armrests of benches. On 4 September 1917, during World War I, a bomb from a German air raid landed near the needle. In commemoration of this event, the damage remains unrepaired to this day and is clearly visible in the form of shrapnel holes and gouges on the right-hand sphinx. Restoration work was carried out in 2005. The original master stone mason who worked on the granite foundation was Lambeth-born William Henry Gould (1822–1891).
- "Geology of National Parks". 3dparks.wr.usgs.gov. 21 August 2013. Retrieved 5 December 2013.
- Budge, E. A. Wallis (1926). Cleopatra's Needles and Other Egyptian Obelisks. London: Religious Tract Society. pp. 168–171.
- That Darn Needle! ThamesTugs.co.uk
- SS Anglia ThamesTugs.co.uk
- Chaney, Edward (2011). "Roma Britannica and the Cultural Memory of Egypt: Lord Arundel and the Obelisk of Domitian". In Marshall, D.; Wolfe, K.; Russell, S. (eds.). Roma Britannica: Art Patronage and Cultural Exchange in Eighteenth-Century Rome. British School at Rome. pp. 147–70.
- Canton, William (1904). The story of the Bible Society. London: John Murray. p. 1.
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