Chick Corea

Armando Anthony "Chick" Corea (born June 12, 1941) is an American jazz pianist/electric keyboardist and composer.[3] His compositions "Spain", "500 Miles High", "La Fiesta" and "Windows", are considered jazz standards.[4] As a member of Miles Davis's band in the late 1960s, he participated in the birth of jazz fusion. In the 1970s he formed the fusion band Return to Forever.[3] With Herbie Hancock, McCoy Tyner, Keith Jarrett and Bill Evans, he has been described as one of the major jazz piano voices to emerge in the post-John Coltrane era.[5]

Chick Corea
Corea performing in 2018
Background information
Birth nameArmando Anthony Corea
Born (1941-06-12) June 12, 1941[1]
Chelsea, Massachusetts, U.S.
  • Musician
  • composer
  • bandleader
Years active1962–present[2]
Associated acts

Corea continued to pursue other collaborations and to explore musical styles throughout the 1980s and 1990s. He is also known for promoting and fundraising for a number of social issues.[6]

Life and career


Armando Corea was born in Chelsea, Massachusetts. He is of southern Italian descent.[7][8] His father, a jazz trumpeter who led a Dixieland band in Boston in the 1930s and 1940s, introduced him to the piano at the age of four. Surrounded by jazz, he was influenced at an early age by bebop and Dizzy Gillespie, Charlie Parker, Bud Powell, Horace Silver, and Lester Young. At eight he took up drums, which would influence his use of the piano as a percussion instrument.

Corea developed his piano skills by exploring music on his own. A notable influence was concert pianist Salvatore Sullo, from whom Corea started taking lessons at age eight and who introduced him to classical music, helping spark his interest in musical composition. He also spent several years as a performer and soloist for the St. Rose Scarlet Lancers, a drum and bugle corps based in Chelsea.

Given a black tuxedo by his father, he started playing gigs when in high school. He enjoyed listening to Herb Pomeroy's band at the time and had a trio that played Horace Silver's music at a local jazz club. He moved to New York City, where he studied musical education for one month at Columbia University and six months at Juilliard. He quit after finding both disappointing, but he liked New York City and made it the starting point for his career.

Early career

Corea began his career in the early 1960s with Mongo Santamaria, Willie Bobo, Blue Mitchell, Herbie Mann, and Stan Getz. He released his debut album, Tones for Joan's Bones, in 1966. Two years later he released a trio album, Now He Sings, Now He Sobs, with Roy Haynes and Miroslav Vitous.[9]

From 1968 to 1971 Corea had associations with avant-garde players, and his solo style revealed a dissonant orientation. In 1970 he played electric piano on Spaces, Larry Coryell's third album as a leader. The album was released on the Vanguard label with John McLaughlin on guitar, Miroslav Vitous on bass, and Billy Cobham on drums. The album was produced by Daniel Weiss and engineered by David Baker with assistance of Paul Berkowitz. Spaces is sometimes considered to have started the jazz fusion genre.

His avant-garde playing can be heard on his solo works of the period such as his ECM debut, his solos in live recordings under the leadership of Miles Davis, his recordings with Circle, and his playing on Joe Farrell's Song of the Wind album on CTI Records.

In September 1968 Corea replaced Herbie Hancock in Davis's band and appeared on Filles de Kilimanjaro, In a Silent Way, and Bitches Brew. In concert, Davis's rhythm section of Corea, Dave Holland, and Jack DeJohnette combined elements of free jazz improvisation and rock music. Corea experimented with using electric instruments, mainly the Fender Rhodes electric piano, in the Davis band.

In live performance he frequently processed the output of his electric piano with a device called a ring modulator. Using this style, he appeared on multiple Davis albums, including Black Beauty: Live at the Fillmore West and Miles Davis at Fillmore: Live at the Fillmore East. His live performances with the Davis band continued into 1970, with a touring band of Steve Grossman, tenor sax, Keith Jarrett, additional electric piano and organ, Jack DeJohnette, drums, Dave Holland, bass, Airto Moreira, percussion, and Davis on trumpet.[3]

Holland and Corea left to form their own group, Circle, active in 1970 and 1971. This free jazz group featured multi-reed player Anthony Braxton and drummer Barry Altschul. This band was recorded on Blue Note and ECM. Aside from soloing in an atonal style, Corea sometimes reached into the body of the piano and plucked the strings. In 1971 or 1972 Corea struck out on his own. In April 1971 he recorded the sessions that became Piano Improvisations Vol. 1 and Piano Improvisations Vol. 2 for ECM.

The concept of communication with an audience became a big thing for me at the time. The reason I was using that concept so much at that point in my life – in 1968, 1969 or so – was because it was a discovery for me. I grew up kind of only thinking how much fun it was to tinkle on the piano and not noticing that what I did had an effect on others. I did not even think about a relationship to an audience, really, until way later.[10]

Jazz fusion

In the early 1970s, Corea took a profound stylistic turn from avant-garde to a crossover jazz fusion style that incorporated Latin jazz with Return to Forever. Named after their eponymous 1972 album, the band relied on both acoustic and electronic instrumentation and drew upon Latin American styles more than on rock music. On their first two records, Return to Forever consisted of Flora Purim on vocals, Joe Farrell on flute and soprano saxophone, Airto Moreira on drums , and Stanley Clarke on double bass.[3] Drummer Lenny White and guitarist Bill Connors later joined Corea and Clarke to form the second version of the group, which expanded the earlier Latin jazz elements with a more rock and funk-oriented sound inspired by the Mahavishnu Orchestra, led by his Bitches Brew bandmate John McLaughlin. This incarnation of the group recorded the album Hymn of the Seventh Galaxy, before Connors' departure and replacement by Al Di Meola, who was present on the subsequent releases Where Have I Known You Before, No Mystery, and Romantic Warrior.

Corea's composition "Spain" appeared on the 1972 Return to Forever album Light as a Feather. This is probably his most popular piece, and it has been recorded by a variety of artists. There are also a variety of recordings by Corea himself. These included an arrangement for piano and symphony orchestra that appeared in 1999 and a collabration with vocalist Bobby McFerrin on the 1992 album Play. Corea usually performs "Spain" with a prelude based on Joaquín Rodrigo's Concierto de Aranjuez (1940), which earlier received a jazz orchestration on Davis and Gil Evans' Sketches of Spain.

In 1976, he issued My Spanish Heart, influenced by Latin American music and featuring vocalist Gayle Moran (Corea's wife) and electric violinist Jean-Luc Ponty. The album combined jazz and flamenco, supported by Minimoog backup and a horn section.

Duet projects

In the 1970s Corea started working with vibraphonist Gary Burton, with whom he recorded several duet albums for ECM, including 1972's Crystal Silence. They reunited in 2006 for a concert tour. A new record called The New Crystal Silence was issued in 2008 and won a Grammy Award in 2009. The package includes a disc of duets and another disc with the Sydney Symphony Orchestra.

Toward the end of the 1970s, Corea embarked on a series of concerts and two albums with Hancock. These concerts were presented in elegant settings with both pianists dressed formally and performing on Yamaha concert grand pianos. The two traded playing each other's compositions, as well as pieces by other composers such as Béla Bartók. In 1982, Corea performed The Meeting, a live duet with the classical pianist Friedrich Gulda.

In December 2007 Corea recorded a duet album, The Enchantment, with banjoist Béla Fleck.[11] Fleck and Corea toured extensively for the album in 2007. Fleck was nominated in the Best Instrumental Composition category at the 49th Grammy Awards for the track "Spectacle".[12]

In 2008 Corea collaborated with Japanese pianist Hiromi Uehara on the live album Duet (Chick Corea and Hiromi). The duo played a concert at Tokyo's Budokan arena on April 30.[13]

In 2015 he reprised the duet concert series with Hancock, again sticking to a dueling-piano format, though both also had synthesizers at their station. The first concert in this series was played at the Paramount Theatre in Seattle and included improvised music, songs by the duo, and standards by other composers.[14]

Later work

Corea's other bands include the Chick Corea Elektric Band, its traditional jazz trio reduction called Akoustic Band, Origin, and its traditional jazz trio reduction called the New Trio. Corea signed a record deal with GRP Records in 1986 which led to the release of ten albums between 1986 and 1994, seven with the Elektric Band, two with the Akoustic Band, and a solo album, Expressions.

The Akoustic Band released a self-titled album in 1989 and a live follow-up, Alive in 1991, both featuring John Patitucci on bass and Dave Weckl on drums. It marked a turn back toward traditional jazz in Corea's career, and the bulk of his subsequent recordings have been acoustic ones. The Akoustic Band has toured intermittently, internationally since 1986.[15][16][17][18] They also provided the music for the 1986 Pixar short Luxo Jr. with their song "The Game Maker".

In 1992, Corea started his own label, Stretch Records.[3]

In 2001, the Chick Corea New Trio, with Avishai Cohen and Jeff Ballard on bass and drums, respectively, released the album Past, Present & Futures. The 11-song album includes only one standard composition (Fats Waller's "Jitterbug Waltz"). The rest of the tunes are Corea originals. He participated in 1998's Like Minds with Gary Burton on vibes, Pat Metheny on guitar, Dave Holland on bass and Roy Haynes on drums.

During the latter part of his career, Corea became more interested in contemporary classical music. He composed his first piano concerto – and an adaptation of his signature piece, "Spain", for a full symphony orchestra – and performed it in 1999 with the London Philharmonic Orchestra. Five years later he composed his first work not to feature any keyboards: his String Quartet No. 1 was specifically written for the Orion String Quartet and performed by them at 2004's Summerfest in Wisconsin.

Corea has continued releasing jazz fusion concept albums such as To the Stars (2004) and Ultimate Adventure (2006). The latter album won the Grammy Award for Best Jazz Instrumental Album, Individual or Group.

In 2008, the third version of Return to Forever (Corea, keyboards; Stanley Clarke, bass; Lenny White, drums; Al Di Meola, guitar) reunited for a worldwide tour. The reunion received positive reviews from most jazz and mainstream publications.[19] Most of the group's studio recordings were re-released on the compilation Return to Forever: The Anthology to coincide with the tour. A concert DVD recorded during their performance at the Montreux Jazz Festival was released in May 2009. He also worked on a collaboration CD with the vocal group The Manhattan Transfer.

A new group, the Five Peace Band, began a world tour in October 2008. Corea had worked with McLaughlin in Davis's late 1960s bands, including the group that recorded Davis's album Bitches Brew. Joining Corea and McLaughlin were saxophonist Kenny Garrett and bassist Christian McBride. Drummer Vinnie Colaiuta played with the band in Europe and on select North American dates; Brian Blade played all dates in Asia and Australia, and most dates in North America. The variety of Corea's music was celebrated in a 2011 retrospective with Corea playing with the Jazz at Lincoln Center Orchestra in the Lincoln Center for the Performing Arts; a New York Times reviewer had high praise for the occasion: "Mr. Corea was masterly with the other musicians, absorbing the rhythm and feeding the soloists. It sounded like a band, and Mr. Corea had no need to dominate; his authority was clear without raising volume."[20]

A new band for 2013, Chick Corea & The Vigil, featured Corea with bassist Hadrien Feraud, Marcus Gilmore on drums (carrying on from his grandfather, Roy Haynes), saxes, flute, and bass clarinet from Tim Garland, and guitarist Charles Altura.

Corea celebrated his 75th birthday in 2016 by playing with more than 20 different groups during a six-week stand at the Blue Note Jazz Club in Greenwich Village, New York City. "I pretty well ignore the numbers that make up 'age'. It seems to be the best way to go. I have always just concentrated on having the most fun I can with the adventure of music."[21]

Personal life

Corea has stated that Scientology has helped deepen his relationships with others, and helped him find a renewed path.[5] Under the "special thanks" notes in all of his later albums, Corea mentions that L. Ron Hubbard, founder of Scientology, has been a continual source of inspiration.[22]

In 1968, Corea read Dianetics, Hubbard's most well known self-help book, and in the early 1970s developed an interest in Hubbard's science fiction novels.

I came into contact with L. Ron Hubbard's material in 1968 with Dianetics and it kind of opened my mind up and it got me into seeing that my potential for communication was a lot greater than I thought it was.[23]

The two exchanged letters until Hubbard's death in 1986, and Corea had three guest appearances on Hubbard's 1982 album Space Jazz: The Soundtrack of the Book Battlefield Earth, noting that Hubbard "was a great composer and keyboard player as well. He did many, many things. He was a true Renaissance Man."[24] Corea said that Scientology became a profound influence on his musical direction in the early 1970s: "I no longer wanted to satisfy myself. I really want to connect with the world and make my music mean something to people."[25]

In 1993, Corea was excluded from a concert during the 1993 World Championships in Athletics in Stuttgart, Germany. The concert's organizers excluded Corea after the state government of Baden-Württemberg had announced it would review its subsidies for events featuring avowed members of Scientology.[26][27] After Corea's complaint against this policy before the administrative court was unsuccessful in 1996,[28] members of the U.S. Congress decried a violation of Corea's human rights in a letter to the German government.[29] Corea is not banned from performing in Germany, however, and had several appearances at the government-supported International Jazz Festival in Burghausen, where he was awarded a plaque in Burghausen's "Street of Fame" in 2011.[30]

In 1998, Corea and fellow entertainers Anne Archer, Isaac Hayes, and Haywood Nelson attended the 30th anniversary of Freedom magazine, the Church of Scientology's investigative news journal, at the National Press Club in Washington, D.C., to honor eleven activists.[31]


Awards and honors

Grammy Awards

  • Chick Corea has won over 20 Grammy Awards and been nominated over 60 times.[32]
YearCategoryAlbum or song
1976Best Jazz Performance by a GroupNo Mystery (with Return to Forever)
1977Best Instrumental Arrangement"Leprechaun's Dream"
1977Best Jazz Performance by a GroupThe Leprechaun
1979Best Jazz Instrumental Performance, GroupFriends
1980Best Jazz Instrumental Performance, GroupDuet (with Gary Burton)
1982Best Jazz Instrumental Performance, GroupIn Concert, Zürich, October 28, 1979 (with Gary Burton)
1989Best R&B Instrumental Performance"Light Years"
1990Best Jazz Instrumental Performance, GroupChick Corea Akoustic Band
1999Best instrumental Solo"Rhumbata" with Gary Burton
2000Best Jazz Instrumental Performance, Individual or GroupLike Minds
2001Best Instrumental Arrangement"Spain for Sextet & Orchestra"
2004Best Jazz Instrumental Solo"Matrix"
2007Best Jazz Instrumental Album, Individual or GroupThe Ultimate Adventure
2007Best Instrumental Arrangement "Three Ghouls"
2008Best Jazz Instrumental Album, Individual or GroupThe New Crystal Silence (with Gary Burton)
2010Best Jazz Instrumental Album, Individual or GroupFive Peace Band Live
2012Best Improvised Jazz Solo"500 Miles High"[33]
2012Best Jazz Instrumental AlbumForever
2013Best Improvised Jazz Solo"Hot House"
2013Best Instrumental Composition"Mozart Goes Dancing"
2015Best Improvised Jazz Solo"Fingerprints"
2015Best Jazz Instrumental AlbumTrilogy
2007 Best Instrumental Album The Enchantment (with Béla Fleck)
2011 Best Instrumental Album Forever (with Stanley Clarke and Lenny White)

See also


  1. "Today in history". ABC News. Associated Press. June 12, 2014.
  2. Yanow, Scott (June 12, 1941). "Chick Corea". AllMusic. Retrieved July 1, 2011.
  3. Yanow, Scott. "Chick Corea". AllMusic. Retrieved January 24, 2018.
  4. "Chick Corea". Blue Note. Retrieved July 25, 2017.
  5. Heckman, Don (August 18, 2001). "Playing in His Key". Los Angeles Times. Retrieved June 7, 2011.
  6. "Literacy 2005: Celebrities, Church of Scientology Vow to Eradicate Social Ill". The Sacramento Observer. 36 (43). September 15, 1999. p. F2.
  7. "Chick Corea Interview".
  8. "Musica Jazz, Italy – Chick Corea".
  9. Yanow, Scott. "Chick Corea". AllMusic. Retrieved January 27, 2018.
  10. "Chick Corea Interview". Retrieved March 28, 2008.
  11. Levine, Doug (April 24, 2007). "Chick Corea, Bela Fleck Collaborate On New CD". VOA News. Voice of America. Archived from the original on January 24, 2009. Retrieved January 1, 2009.
  12. "Concord | Independent Music". Archived from the original on November 17, 2008.
  13. "Website undergoing maintenance |". January 26, 2009.
  14. de Barros, Paul (March 15, 2015). "Herbie Hancock, Chick Corea prove masters know how to have fun". The Seattle Times. Retrieved March 15, 2015.
  15. "Chick Corea Akoustic Band Concert Setlists (page 2)".
  16. "Tour Schedule – Chick Corea".
  17. "Archived copy". Archived from the original on July 13, 2019. Retrieved July 13, 2019.CS1 maint: archived copy as title (link)
  19. Chinen, Nate (August 3, 2008). "The Return of Return to Forever". The New York Times. Retrieved April 1, 2010.
  20. Ratliff, Ben (January 23, 2011). "A Jazz Man Returns to His Past". The New York Times. Retrieved June 20, 2013.
  21. "Chick Corea, 75th Birthday Celebration, October 19 thru December 11, 2016," New York: Blue Note
  22. "13 Musicians Who Are (Or Were) Scientologists". March 13, 2015. Retrieved March 13, 2015.
  23. Corea, Chick (February 13, 2016). "Chick Corea, on 'The Ultimate Adventure'". NPR Music. Retrieved February 13, 2016. I came into contact with L. Ron Hubbard's material in 1968 with Dianetics and it kind of opened my mind up and it got me into seeing that my potential for communication was a lot greater than I thought it was.
  24. "All About Jazz – Chick Corea interview". Retrieved March 24, 2008.
  25. Down Beat, October 21, 1976, p.47. "I no longer wanted to satisfy myself. I really want to connect with the world and make my music mean something to people."
  26. "Biographie bei". Retrieved October 6, 2010.
  27. Werner Bloch (January 23, 1999). "Chick Corea: Scientology-Zeuge gegen Deutschland: Ein peinlicher Auftritt in Berlin: Chick Coreas Konzert im Namen von Scientology". Süddeutsche Zeitung. Retrieved October 6, 2010.
  28. VGH Baden-Württemberg, Urteil vom 15. Oktober 1996, Az. 10 S 176/96
  29. Hennessey, Mike (January 18, 2011). "U.S. lawmakers rip Germany's ban of Corea show". Billboard. Retrieved June 9, 2011.
  30. Haserer, Wolfgang (January 18, 2011). "Musikalisch unumstritten". OVB Online. Archived from the original on March 25, 2012. Retrieved June 13, 2011.
  31. "Haywood You Remember Garden City Park". Archived from the original on July 7, 2011.
  32. "Chick Corea". November 28, 2017. Retrieved May 14, 2018.
  33. "Billboard" (Jan 7-21). January 7, 2012: 38, 44, 47. Cite journal requires |journal= (help)
  34. "Chick Corea" (PDF). The Kurland Agency. November 2015. Retrieved January 24, 2018.
  35. "Chick Corea utnevnt til æresdoktor – NRK Trøndelag – NRK Nyheter". Retrieved July 1, 2011.
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