Boot Hill (film)

Boot Hill (Italian: La collina degli stivali) is a 1969 Italian Spaghetti Western film starring Terence Hill and Bud Spencer. This film is the last one in a trilogy that started with God Forgives... I Don't! (1967), followed by Ace High (1968).[1]

Boot Hill
(La collina degli stivali)
Directed byGiuseppe Colizzi
Produced byGiuseppe Colizzi
Enzo D'Ambrosio
Screenplay byGiuseppe Colizzi
StarringTerence Hill
Woody Strode
Victor Buono
Bud Spencer
Lionel Stander
Eduardo Ciannelli
Music byCarlo Rustichelli
CinematographyMarcello Masciocchi
Edited byTatiana Morigi Casini
Finanzia San Marco
Crono Cinematografica
B.R.C. Produzione
Distributed byEuro International Film (Italy)
Film Ventures International (US)
Release date
December 20, 1969 (1969-12-20)
Running time
95 minutes

The film was rereleased as Trinity Rides Again.[2] The title change and rerelease was in order to cash in on the success of They Call Me Trinity (1970) and Trinity Is Still My Name (1971).



One night in the Old West, a man named Cat tries to ride out of a town and is ambushed by a large number of men. He is wounded, but manages to lure them away and hides in a wagon belonging to a circus company. Outside town the wagons are searched by men who are shot by Cat and the trapeze artist Thomas, who is a former gunfighter.

Cat leaves the company as soon as he can travel. The same night men arrive and search the wagons during the show and discover traces of him. To retaliate they shoot down Thomas’ partner Joe during their performance. Thomas finds Cat and nurses him back to health saying that he needs him as ”bait for my trap.” Cat takes him to Hutch, who lives in a house together with another big man, who is called Baby Doll and is a mute. Hutch receives Cat with hostility. Cat explains that Sharp, a friend of Hutch who is a prospector, needs help to stop mining boss Fisher from taking his claim, and that Cat had won the deed to the claim in a rigged poker game to be able to take it out of town (that is why he was attacked in the beginning). Hutch reluctantly agrees to come along, together with Baby Doll. They find the remnants of the circus with its manager Mami, refit it, and gather the artists.

At the mining town a county commissioner arrives to review the claims, but the miners are afraid to talk to him – except for the McGavin family, but they are besieged in their home and eventually destroyed with dynamite by the large outlaw band of Finch, who co-operates with Fisher. However, at night a message is delivered to the commissioner in his room by a dwarf (from the circus).

In the morning the circus arrives, and the commissioner convinces Fisher to invite everybody to the show. At the circus show they perform pantomimes about the threat to the miners and the killing of the McGavins. The miners find guns under their seats, while Fisher’s men find feathers. There is a fight and Fisher’s men are killed. The four go out to face the might of the Finch gang in a nightly fight. They get help from the circus people (including dwarves and cancan dancers), and eventually the miners also join in and the gang is wiped out. Fisher shoots Mami in the back. Cat appears and says it will render Fisher the gallows unless he wants to try his luck with the gun. Fisher lays it down and Mami says that makes him the real clown.

At the end Cat and Hutch ride away together, while Baby Doll, who have started talking, stays with one of the cancan dancers at the circus.


In his investigation of narrative structures in Spaghetti Western films, Fridlund writes that all the Colizzi westerns present clever variations on several different kinds of partnerships encountered in other films inspired by For a Few Dollars More. Also, the pervading protagonists Cat and Hutch are differentiated by a set of physical and personal characteristics that reappear in the even more commercially successful They Call Me Trinity and Trinity Is Still My Name.[3]


Wild East Productions released the 92-minute International Version on an out-of-print limited edition DVD in 2003. In September 2015, the film was re-released as a double-bill with Django the Bastard from RetroVision Entertainment, LLC. It features both Italian and English audio.[4]


  1. Hughes, Howard (2011). Cinema Italiano: The Complete Guide from Classics to Cult. I.B. Tauris. p. 165.
  2. "Boot Hill". The New York Times.
  3. Fridlund, Bert: The Spaghetti Western. A Thematic Analysis. Jefferson, NC and London: McFarland & Company Inc., 2006 pp. 199-203, 246-47.
  4. "Archived copy". Archived from the original on 2015-02-21. Retrieved 2015-07-20.CS1 maint: archived copy as title (link)
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