Atra-Hasis is the title of an 18th-century BC[1] Akkadian epic recorded in various versions on clay tablets. It is named for its protagonist, Atrahasis, whose name means "exceedingly wise". The Atra-Hasis tablets include both a creation myth and a flood account, which is one of three surviving Babylonian deluge stories. The name "Atra-Hasis" also appears on one of the Sumerian king lists as king of Shuruppak in the times before a flood.

The oldest known copy of the epic tradition concerning Atrahasis[2] can be dated by colophon (scribal identification) to the reign of Hammurabi’s great-grandson, Ammi-Saduqa (1646–1626 BC), but various Old Babylonian fragments exist; it continued to be copied into the first millennium BC. The Atrahasis story also exists in a later fragmentary Assyrian version, having been first rediscovered in the library of Ashurbanipal, but, because of the fragmentary condition of the tablets and ambiguous words, translations had been uncertain. Its fragments were assembled and translated first by George Smith as The Chaldean Account of Genesis; the name of its hero was corrected to Atra-Hasis by Heinrich Zimmern in 1899.

In 1965 Wilfred G. Lambert and A. R. Millard[3] published many additional texts belonging to the epic, including an Old Babylonian copy (written around 1650 BC) which is the most complete surviving recension of the tale. These new texts greatly increased knowledge of the epic and were the basis for Lambert and Millard’s first English translation of the Atrahasis epic in something approaching entirety.[4] A further fragment has been recovered in Ugarit. Walter Burkert[5] traces the model drawn from Atrahasis to a corresponding passage, the division by lots of the air, underworld and sea among Zeus, Hades and Poseidon in the Iliad, in which “a resetting through which the foreign framework still shows”.

In its most complete surviving version, the Atrahasis epic is written on three tablets in Akkadian, the language of ancient Babylon.[6]


Tablet I contains a creation myth about the Sumerian gods Anu, Enlil, and Enki, gods of sky, wind, and water, “when gods were in the ways of men” according to its incipit. Following the Cleromancy (casting of lots), sky is ruled by Anu, earth by Enlil, and the freshwater sea by Enki. Enlil assigned junior divines[7] to do farm labor and maintain the rivers and canals, but after forty years the lesser gods or dingirs rebelled and refused to do strenuous labor. Instead of punishing the rebels, Enki, who is also the kind, wise counselor of the gods, suggested that humans be created to do the work. The mother goddess Mami is assigned the task of creating humans by shaping clay figurines mixed with the flesh and blood of the slain god Geshtu-E, “a god who had intelligence” (his name means “ear” or “wisdom”).[8] All the gods in turn spit upon the clay. After 10 months, a specially-made womb breaks open and humans are born. Tablet I continues with legends about overpopulation and plagues. Atrahasis is mentioned at the end of Tablet I.

Tablet II begins with more overpopulation of humans and the god Enlil sending first famine and drought at formulaic intervals of 1200 years to reduce the population. In this epic Enlil is depicted as a cruel, capricious god while Enki is depicted as a kind, helpful god, perhaps because priests of Enki were writing and copying the story. Tablet II is mostly damaged, but ends with Enlil's decision to destroy humankind with a flood and Enki bound by an oath to keep the plan secret.

Tablet III of the Atrahasis Epic contains the flood story. This is the part that was adapted in tablet XI of the Epic of Gilgamesh. Tablet III of Atrahasis tells how the god Enki warns the hero Atrahasis (“Extremely Wise”) of Shuruppak, speaking through a reed wall (suggestive of an oracle) to dismantle his house (perhaps to provide a construction site) and build a boat to escape the flood planned by the god Enlil to destroy humankind. The boat is to have a roof “like Apsu” (a subterranean, fresh water realm presided over by the god Enki), upper and lower decks, and to be sealed with bitumen. Atrahasis boards the boat with his family and animals and seals the door. The storm and flood begin. Even the gods are afraid. In tablet III iv, lines 7-9 the words "river" and "riverbank" are used, which probably mean the Euphrates River, because Atrahasis is listed in WB-62 as a ruler of Shuruppak which was on the Euphrates River.

After seven days the flood ends and Atrahasis offers sacrifices to the gods. Enlil is furious with Enki for violating his oath. But Enki denies violating his oath and argues: “I made sure life was preserved.” Enki and Enlil agree on other means for controlling the human population.

Lineages of Atrahasis

In later versions of the flood story, contained in the Epic of Gilgamesh and the Sumerian Flood Story, the hero is not named Atrahasis. In Gilgamesh, the name of the flood hero is Utnapishtim, who is said to be the son of Ubara-Tutu, king of Shuruppak. According to Gilgamesh XI, "Gilgamesh spoke to Utnapishtim, the Faraway... O man of Shuruppak, son of Ubara-Tutu."[9] In the Sumerian Flood Story, first recorded in the 17th century BC (Old Babylonian Empire), the hero is named Ziusudra, who also features in the Instructions of Shuruppak as the son of the eponymous Shuruppak, who himself is called the son of Ubara-Tutu.[10]

Many available tablets comprising The Sumerian King Lists support the lineage of the flood hero given in The Epic of Gilgamesh by omitting a king named Shuruppak as a historical ruler of Shuruppak. These lists imply a belief that the flood story took place after or during the rule of Ubara-Tutu. These lists also make no mention of Ziusudra, Atrahasis, or Utnapishtim.[11] However, tablet WB-62 lists a different chronology. In it, Atrahasis is listed as a ruler of Shuruppak and a gudug priest, who was preceded by his father Shuruppak, who is in turn preceded by his father Ubara-Tutu, as in The Instructions of Shuruppak. This tablet is unique in that it mentions both Shuruppak and Atrahasis.

Alterations and adaptations

The flood story found in the "standard version" of the Epic of Gilgamesh (Gilgamesh XI) was a late addition, and seems to have been paraphrased or copied from a lost, intermediate version of The Epic of Atrahasis[12] between 1300 and 1000 BC.[13] The Atrahasis epic provides information on the flood and the flood hero that was omitted when it was added to Gilgamesh and other subsequent versions of the Ancient Near East flood myth. For example, according to Atrahasis III ii.40–47, the flood hero was at a banquet when the storm and flood began: "He invited his a banquet...He sent his family on board. They ate and they drank. But he (Atrahasis) was in and out. He could not sit, could not crouch, for his heart was broken and he was vomiting gall." Editorial changes were also made, some of which had long-term consequences. For example, Atrahasis III iv, lines 6–7: "Like dragonflies they have filled the river" was changed in Gilgamesh XI line 123 to: "Like the spawn of fishes, they fill the sea."

Other editorial changes were made to the Atrahasis text. In the Epic of Gilgamesh, anthropomorphic descriptions of the gods are weakened. For example, Atrahasis OB III, 30–31 “The Anunnaki (the senior gods) [were sitt]ing in thirst and hunger.” was changed in Gilgamesh XI, 113 to “The gods feared the deluge.” Sentences in Atrahasis III iv were omitted in Gilgamesh, e.g. “She was surfeited with grief and thirsted for beer” and “From hunger they were suffering cramp.” Of these and other editorial changes to the Atrahasis text in Gilgamesh, Jeffrey H. Tigay commented, “The dropping of individual lines between others which are preserved, but are not synonymous with them, appears to be a more deliberate editorial act. These lines share a common theme, the hunger and thirst of the gods during the flood.”

See also


  1. Jean Bottéro, Ancestor of the West: Writing, Reasoning, and Religion in Mesopotamia, Elam, and Greece, p. 40. University of Chicago Press, 2000. ISBN 978-0226067155.
  2. The variant versions are not direct translations of a single original.
  3. Lambert and Millard, Cuneiform Texts from Babylonian Tablets in the British Museum, London, 1965.
  4. Lambert and Millard, Atrahasis: The Babylonian Story of the Flood, Oxford, 1969
  5. Burkert, The Orientalizing Revolution: Near Eastern Influence on Greek Culture in the Early Archaic Age (Harvard) 1992, pp 88–91.
  6. Lambert and Millard, pages 8–15
  7. The Akkadian determinative dingir, which is usually translated as “god” or “goddess” can also mean “priest” or “priestess” (Margaret Whitney Green, Eridu in Sumerian Literature, PhD dissertation, University of Chicago [1975], p. 224) although there are other Akkadian words (e.g. ēnu and ēntu) that are also translated priest and priestess. The noun “divine” would preserve the ambiguity in dingir.
  8. On some tablets the under-god Weila or Aw-ilu, was slain for this purpose.
  11. "Archived copy". Archived from the original on 2011-07-16. Retrieved 2011-07-16.CS1 maint: archived copy as title (link)
  12. Tigay, pages 238–239
  13. George, Andrew R., trans. & edit. (1999), The Epic of Gilgamesh (reprinted with corrections 2003 ed.), Penguin Books, ISBN 0-14-044919-1


  • W. G. Lambert and A. R. Millard, Atrahasis: The Babylonian Story of the Flood, Eisenbrauns, 1999, ISBN 1-57506-039-6.
  • Q. Laessoe, “The Atrahasis Epic, A Babylonian History of Mankind”, Biblioteca Orientalis 13 [1956] 90–102.
  • Jeffrey H. Tigay, The Evolution of the Gilgamesh Epic, University of Pennsylvania Press, Philadelphia, 1982, ISBN 0-8122-7805-4.
  • Robert M. Best, Noah's Ark and the Ziusudra Epic, Eisenbrauns, 1999, ISBN 0-9667840-1-4.
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