Annie Girardot (25 October 1931 – 28 February 2011) was a three-time César Award winning French actress. She often played strong-willed, independent, hard-working, and often lonely women, imbuing her characters with an earthiness and reality that endeared her to women undergoing similar daily struggles.
Girardot in 2005
|Died||28 February 2011 79) (aged|
|Resting place||Père Lachaise Cemetery|
|Spouse(s)||Renato Salvatori (1962–1988; his death)|
Over the course of a five-decade career, she starred in nearly 150 films. She was a three-time César Award winner (1977, 1996, 2002), a two-time Molière Award winner (2002), a David di Donatello Award winner (1977), a BAFTA nominee (1962), and a recipient of several international prizes including the Volpi Cup (Best actress) at the 1965 Venice Film Festival for Three Rooms in Manhattan.
Breakthrough and early career
After graduating from the prestigious Conservatoire de la rue Blanche in 1954 with two First Prizes in Modern and Classical Comedy, she joined the Comédie Française, where she was a resident actor from 1954-57.
In 1955, she began her film career, making her film debut in Treize à table, but it was with theatre that she started to attract the attention of critics. Her performance in Jean Cocteau's play La Machine à écrire in 1956 was admired by the author who called her "The finest dramatic temperament of the Postwar period". In 1958, Luchino Visconti directed her opposite Jean Marais in a French stage adaptation of William Gibson's Two for the Seesaw.
In 1956, she was awarded the Prix Suzanne Bianchetti as best up-and-coming young actress, but only with Luchino Visconti's epic Rocco e i suoi fratelli (Rocco and His Brothers, 1960), she was able to draw the public's attention to her. In 1962, she married Italian actor Renato Salvatori. Travelling back and forth between two film careers in France and Italy, Girardot also worked with renowned Italian directors, including Marco Ferreri in the scandalous The Ape Woman (1964), which became one of the main attractions at the 1964 Cannes Film Festival. In 1968, she also starred in the cult anti-consumerism French film Erotissimo (Gérard Pirès, 1968).
Famously ignored by French New Wave directors (with the exception of Claude Lelouch), Girardot found her glory in popular cinema alongside more established and traditional directors such as Jean Delannoy, Marcel Carné, Michel Boisrond, André Cayatte, Gilles Grangier, or André Hunebelle.
The 1970s: France's biggest female movie star
By the end of the 1960s, she had become a movie star and a box-office magnet in France with such films as Vice and Virtue (1963); Live for Life (1967); Love Is a Funny Thing (1969); and Mourir d'aimer ("To die of love", 1971), the fact-based tale of Gabrielle Russier (1937-1969), a thirty year old teacher whose affair with a much younger student made her the object of bourgeoisie ridicule. The film was nominated for a Golden Globe, and remains Girardot's biggest box office hit in France.
Throughout the 1970s, Girardot came back and forth between drama and comedy, proving herself an adept comedian in such successful comedies as Claude Zidi's La Zizanie, Michel Audiard's She Does Not Drink, Smoke or Flirt But... She Talks or Philippe de Broca's Dear Detective. In 1974, she starred in the hit teen movie, La Gifle, as Isabelle Adjani's mother. In 1972, she said in an interview to The New York Times, citing as Exhibit A her role as a sideshow freak in The Ape Woman, “I think I’ve proven that I’m opposed to typecasting. I believe that the acting of any role — from duchess to kitchen slavey — must be a form of transformation". In 1977, she won her first César Award for Best Actress portraying the title character in the drama Docteur Françoise Gailland. Throughout the 1970s, she was the highest-paid actress in France, and was nicknamed "La Girardot" by the press due to the fact that her name alone was enough to guarantee the success of a film. Indeed, between the release of Live for Life in 1967 and Jupiter's Thigh in 1980, 24 of her films have attracted more than one million admissions in France.
Girardot's popularity became one of the symbols of the 1970s feminist movement in France, as the audience embraced the "everywoman" quality she brought to the strong-minded female characters she regularly played in both dramas and comedies. In her 1989 autobiography, "Vivre d'aimer", she wrote of her popularity that "People didn't come to watch a beautiful, vamp-like creature, but simply a woman. [...] I played a judge, a lawyer, a taxi driver, a cop, a surgeon. I was never a glamorous star."
From the 1980s onwards: Fading stardom and comeback
The 1980s were less kind, as her career floundered and parts dwindled. In 1983, she lost a fortune when Revue Et Corrigée, the musical show she put on and starred in at the Casino de Paris, flopped. She subsequently battled depression, but bounced back with several television series in France and Italy. However, Girardot had a major comeback on the big screen playing a peasant wife in Claude Lelouch's Les Misérables. The role won her a second César Award for Best Supporting Actress in 1996. Upon accepting the award, a joyous and tearful Girardot expressed her happiness that she had not been forgotten by the film industry in a speech that remained very famous. In 1992, she was the Head of the Jury at the 42nd Berlin International Film Festival.
On stage she had a triumph in 1974 with Madame Marguerite, which became her signature role that she reprised on numerous occasions until 2002. That year she was awarded the Molière Award for this role, along with a Honorary Molière Award for her entire stage career.
She married Italian actor Renato Salvatori in 1962. They had a daughter, Giulia, and later separated but never divorced.
Later life and death
After going public in the 21 September 2006 issue of Paris Match with the news that she was suffering from Alzheimer's disease, she became a symbol of the illness in France. On 28 February 2011, Girardot died in a hospital in Paris, aged 79. She was interred at Père-Lachaise Cemetery, in Paris.
- In September 2012, a street located in the 13th arrondissement of Paris was named after her. One month later, in October 2012, France's Postal service has issued a collection of stamps dedicated to six major figures of French Post-War cinema, including Annie Girardot.
- In 2013, the 37th annual César Awards 2012 selected a picture of Annie Girardot from the 1962 film Rocco and His Brothers as the official promotional poster of the ceremony, during which she was paid tribute with a retrospective montage of her most memorable roles on film.
- Sancar Seckiner's book South (Güney), published July 2013, consists of 12 article and essays. One of them, "Girardot's Eyes", highlights broader comment of Annie Girardot' s performance in the cinema of art. ISBN 978-605-4579-45-7.
|1950||Pigalle-Saint-Germain-des-Prés||Une jeune fille||André Berthomieu|
|1955||Thirteen at the Table||Véronique Chambon||André Hunebelle|
|1956||Le Pays d'où je viens||Minor Role||Marcel Carné||Uncredited|
|L'Homme aux clés d'or||Gisèle Delmar / Lewarden||Léo Joannon|
|1957||Reproduction interdite||Viviane||Gilles Grangier|
|Le rouge est mis||Hélène||Gilles Grangier|
|Love Is at Stake||Marie-Blanche Fayard||Marc Allégret|
|1958||Maigret Sets a Trap||Yvonne Maurin||Jean Delannoy|
|Le Désert de Pigalle||Josy||Léo Joannon|
|1960||La Corde raide||Cora||Jean-Charles Dudrumet|
|Recours en grâce||Lilla||László Benedek|
|Rocco and His Brothers||Nadia||Luchino Visconti|
|Love and the Frenchwoman||Danielle||(segment "Divorce, Le")|
|1961||Prey for the Shadows||Anna Kraemmer||Alexandre Astruc|
|Le rendez-vous||Madeleine||Jean Delannoy|
|Famous Love Affairs||Mademoiselle Duchesnois||Michel Boisrond||(segment "Les Comédiennes")|
|1962||Le Bateau d'Émile||Fernande Malanpin||Denys de La Patellière|
|Le Crime ne paie pas||Gabrielle Fenayrou||Gérard Oury||(segment "L'affaire Fenayrou")|
|Pourquoi Paris?||Denys de La Patellière|
|1963||The Shortest Day||L'infermiera||Sergio Corbucci|
|Vice and Virtue||Juliette Morand ("Vice")||Roger Vadim|
|The Organizer||Niobe||Mario Monicelli|
|Outlaws of Love||Margherita||Paolo and Vittorio Taviani and Valentino Orsini|
|1964||La Bonne Soupe||Marie / Marinette / Maryse / Marie-Paule jeune||Robert Thomas|
|The Ape Woman||Maria||Marco Ferreri|
|L'autre femme||Agnès||François Villiers|
|La ragazza in prestito||Clara||Alfredo Giannetti|
|Male Companion||Clara||Philippe de Broca|
|Beautiful families||Maria||Ugo Gregoretti||(segment "Il principe azzurro")|
|1965||Déclic et des claques||Sandra||Philippe Clair|
|Una voglia da morire||Eleonora||Duccio Tessari|
|The Dirty Game||Suzette / Monique||Christian-Jaque|
|Three Rooms in Manhattan||Kay Larsi||Marcel Carné|
|1967||The Witches||Valeria||Luchino Visconti||(segment "Strega Bruciata Viva, La")|
|Live for Life||Catherine Colomb||Claude Lelouch|
|The Journalist||Herself||Sergei Gerasimov|
|1968||La Bande à Bonnot||Maria la Belge||Philippe Fourastié|
|It Rains in My Village||Reza||Aleksandar Petrović|
|1969||Dillinger Is Dead||Sabine||Marco Ferreri|
|Metti una sera a cena||Giovanna||Giuseppe Patroni Griffi|
|Les Gauloises bleues||the mother||Michel Cournot|
|Love Is a Funny Thing||Françoise||Claude Lelouch|
|The Seed of Man||the unknown woman||Marco Ferreri|
|Life Love Death||Herself||Claude Lelouch||cameo appearance|
|1970||Story of a Woman||Liliana||Leonardo Bercovici|
|Elle boit pas, elle fume pas, elle drague pas, mais... elle cause !||Germaine||Michel Audiard|
|Les Novices||Mona Lisa||Guy Casaril|
|Le clair de terre||Maria||Guy Gilles|
|1971||Mourir d'aimer||Danièle Guénot||André Cayatte|
|1972||The Old Maid||Muriel Bouchon||Jean-Pierre Blanc|
|La Mandarine||Séverine||Édouard Molinaro|
|Hearth Fires||Marie Louise Boursault||Serge Korber|
|Elle cause plus... elle flingue||Rosemonde du Bois de la Faisanderie||Michel Audiard|
|1973||Shock Treatment||Hélène Masson||Alain Jessua|
|Il n'y a pas de fumée sans feu||Sylvie Peyrac||André Cayatte|
|1974||Ursule et Grelu||Ursule||Serge Korber|
|Juliette et Juliette||Juliette Vidal||Remo Forlani|
|La Gifle||Hélène Douélan||Claude Pinoteau|
|1975||The Suspect||Teresa||Francesco Maselli|
|Il faut vivre dangereusement||Léone||Claude Makovski|
|The Gypsy||Ninie||José Giovanni|
|Il pleut sur Santiago||Maria Olivares||Helvio Soto|
|1976||Docteur Françoise Gailland||Françoise Gailland||Jean-Louis Bertucelli|
|D'amour et d'eau fraîche||Mona||Jean-Pierre Blanc|
|Cours après moi que je t'attrape||Jacqueline||Robert Pouret|
|1977||À chacun son enfer||Madeleine Girard||André Cayatte|
|Jambon d'Ardenne||La patronne du Beauséjour||Benoît Lamy|
|Le Dernier Baiser||Annie||Dolorès Grassian|
|Tendre Poulet||Lise Tanquerelle||Philippe de Broca|
|Le Point de mire||Danièle Gaur||Jean-Claude Tramont|
|1978||La Zizanie||Bernadette Daubray-Lacaze||Claude Zidi|
|Vas-y maman||Annie Larcher||Nicole de Buron|
|L'Amour en question||Suzanne Corbier||André Cayatte|
|La Clé sur la porte||Marie Arnault||Yves Boisset|
|1979||Traffic Jam||Irène||Luigi Comencini|
|Le Cavaleur||Lucienne||Philippe de Broca|
|Cause toujours... tu m'intéresses!||Christine Clément||Édouard Molinaro|
|Bobo Jacco||Magda||Walter Bal|
|1980||Jupiter's Thigh||Lise Tanquerelle||Philippe de Broca|
|Le coeur à l'envers||Laure / Mother||Franck Appréderis|
|1981||Une robe noire pour un tueur||Florence Nat||José Giovanni|
|All Night Long||French teacher||Jean-Claude Tramont|
|La vie continue||Jeanne||Moshé Mizrahi|
|La revanche||Jeanne Jouvert||Pierre Lary|
|1984||Liste noire||Jeanne Dufour||Alain Bonnot|
|Souvenirs, souvenirs||Emma Boccara||Ariel Zeitoun|
|1985||Adieu Blaireau||Colette||Bob Decout|
|Partir, revenir||Hélène Rivière||Claude Lelouch|
|Mussolini and I||Rachele Mussolini||Alberto Negrin||TV Mini-Series, 4 episodes|
|1989||Cinq jours en juin||Marcelle||Michel Legrand|
|The Legendary Life of Ernest Hemingway||Gertrude Stein||José María Sánchez|
|Comédie d'amour||Le Fléau||Jean-Pierre Rawson|
|1990||Il y a des jours... et des lunes||the lone woman||Claude Lelouch|
|Faccia di lepre||Marlene||Liliana Ginanneschi|
|1991||Merci la vie||Évangeline Pelleveau||Bertrand Blier|
|Toujours seuls||Mme Chevillard||Gérard Mordillat|
|1993||Portagli i miei saluti... avanzi di galera||Laura Albani|
|1994||Les Braqueuses||Cécile's mother||Jean-Paul Salomé|
|1995||Les Misérables||Madame Thénardier (1942)||Claude Lelouch|
|1996||Les Bidochon||La mère Bidochon||Serge Korber|
|1997||Shanghai 1937||Mme. Tissaud||Peter Patzak||TV movie|
|When I Will Be Gone (L'Âge de braise)||Caroline Bonhomme||Jacques Leduc|
|2001||The Piano Teacher||Mother||Michael Haneke|
|Ceci est mon corps||Mamie||Rodolphe Marconi|
|2002||Epsteins Nacht||Hannah Liebermann||Urs Egger|
|2003||Raining Cats and Frogs||L'éléphante||Jacques-Rémy Girerd||Voice|
|2005||Let's Be Friends||Madame Mendelbaum||Olivier Nakache & Éric Toledano|
|Hidden||Mother of Georges||Michael Haneke|
|2006||Le Temps des porte-plumes||Alphonsine||Daniel Duval|
|A City Is Beautiful at Night||The Grandmother||Richard Bohringer|
|Christian||Odile||Elisabeth Löchen||(final film role)|
- Grimes, William (1 March 2011). "Annie Girardot, Versatile French Actress, Dies at 79". The New York Times.
- "Archived copy". Archived from the original on 10 August 2011. Retrieved 2011-12-10.CS1 maint: archived copy as title (link)
- "Archived copy". Archived from the original on 8 May 2011. Retrieved 2011-12-10.CS1 maint: archived copy as title (link)
- Video on YouTube
- Douteau. Caroline. "Annie Girardot, une femme libre", Télé 7 jours no 2650, p. 32
- Annie Girardot, Vivre d'aimer, Paris, Robert Laffont, 1989, 175 p.
- Perrone, Pierre (8 March 2011). "Annie Girardot: Actress who eschewed glamorous roles in favour of portraying 'everywoman'". The Independent. London.
- "Berlinale: 1992 Juries". berlinale.de. Retrieved 27 March 2011.
- "Annie Girardot: la comédienne est morte"
- "Archived copy". Archived from the original on 1 March 2012. Retrieved 25 February 2012.CS1 maint: archived copy as title (link)
|Wikimedia Commons has media related to Annie Girardot.|