Albert Uderzo

Alberto Aleandro Uderzo (French pronunciation: [albɛʁ ydɛʁzo]; Italian: [uˈdɛrtso]; born 25 April 1927), known as Albert Uderzo, is a French comic book artist and scriptwriter. The son of Italian immigrants, he is best known for his work on the Astérix series and also drew other comics such as Oumpah-pah, also in collaboration with René Goscinny.

Albert Uderzo
Uderzo in 2005. Photo by Christian Koehn
Born (1927-04-25) 25 April 1927
Fismes, Marne, France
Area(s)Writer, Artist
Notable works
Tanguy et Laverdure
CollaboratorsRené Goscinny
Awardsfull list

Uderzo retired from drawing in September 2011.[1]

Early life

Uderzo was born in Fismes in the Marne department of France on 25 April 1927 as the fourth child of Silvio Uderzo (1888-1985)[2] and his wife Iria Uderzo (née Crestini, 1897-?)[3]. His parents had met in 1915 in La Spezia, where Silvio Uderzo was recovering after he had been wounded in his service for the Royal Italian Army during World War I. Uderzo's mother, Iria Crestini, was working in the arsenals of La Spezia, along with many young Italian women at the time. Silvio was dismissed from military service after the conclusion of the conflict, on 19 June 1919. The two became a couple and married shortly before the birth of their first child, Bruno Uderzo (1920-2004). After Bruno, they had Rina Uderzo in 1922. They moved from Italy to France with their then two children, first settling in Chauny in the Aisne departement. Because of Silvio's occupation as a carpenter, they had to change location regularly. In Chauny, a son named Albert Uderzo was born in 1925 but died of pneumonia at the age of 8 months. The Uderzos decided to name their next son in honor of the deceased brother, and Uderzo was registered as Alberto Aleandro Uderzo. The fact that his name, intended to just be "Albert" like that of his deceased brother, has been registered as the Italian "Alberto" is because the responsible government official misunderstood Silvio Uderzo's heavy Italian accent. The name "Aleandro" is in honor of Uderzo's paternal grandfather.[4][5]

I once asked [my father]: "Why did you give me an Italian first name, considering we live in France?" His reply was typical for him: "I didn't try to register to you as Alberto, but instead as Alberto." It was hopeless. Without noticing it, my father pronounced 'Albert' the Italian way.

Albert Uderzo: Der weite Weg zu Asterix; p. 11. Translated from French by Heide Skudelny et al.

Uderzo was born on the morning of 25 April 1927 around 07:00. At this point, he was an Italian citizen rather than a French one. Uderzo was born with six fingers on each hand. The additional fingers were surgically removed early in childhood as a precaution, as the infant Uderzo would sometimes violently pull on them when enraged or annoyed.[4]

In the year 1929, the Uderzos moved to Clichy-sous-Bois in the eastern suburbs of Paris, the capital city of France. Here, Uderzo experienced elements of racism against Italian immigrants during his childhood, even though he gained French citizenship in the year 1934. Clichy-sous-Bois, at the time a very politically left-leaning political district, held deep popular sentiments against Mussolini's dictatorship and its involvement in the Spanish Civil War. Uderzo at one particular point became the target of the anger of a victim of Italian-German bombardment in the Spanish Civil War, and said man spit in his face. However, apart from the occasional ethnic resentment against Italians, Uderzo views his childhood and education in Clichy-sous-Bois fondly in retrospect. His mother gave birth to two more children: Jeanne Uderzo was born in 1932 and Marcel Uderzo in 1933.[4]

Uderzo came in touch with the arts for the first time during kindergarten, where he was noted as talented for his age. Most of his siblings also shared certain artistic talents, and their mother used sheets of paper and pencils to give the children, especially her oldest son Bruno, something to do. Bruno became an inspiration for Albert and in turn soon noted the younger brother's talent. At this point, Albert did not yet aim to become a professional artist later in life and instead dreamt about a career as a clown and, after dropping that aspiration, aimed to follow Bruno into the craft of aircraft engineering. At the same time, he came in contact with the American comic and animated cartoon cultures, particularly with the early works of Walt Disney like Mickey Mouse and Donald Duck. The family moved to the Rue de Montreuil in the 11th arrondissement of Paris in October of 1938, changing both schools and the social vicinity. Although Albert, blonde and now equipped with a Parisian accent, was no longer easily recognized as of Italian heritage, he nonetheless had problems in school. His only successful area in his educational pursuits was sketching and the arts. It would take him until around the age of 11 or 12 to go from sketching to painting in colors, however, which was when his parents discovered that Uderzo was color blind. From then on, Uderzo would use labels on his colors, but as he mostly stuck with black-and-white sketching, it would not make a huge impact on his artistic career either way.[4]

In September of 1939, Germany invaded Poland and France declared war on Germany in response. Albert's father Silvio, by then 51, was too old to be conscripted into the French army, whereas Albert himself was too young at 12. Bruno however was of military age and was called to action. He survived his military service without injury, and the Battle of France lasted between 10 May and 25 June, 1940, ending in a decisive German victory and resulting in a German occupation of France. Albert soon finished his basic education at the age of 13 and decided to follow Bruno into aircraft engineering.[4]

Working with Goscinny

Throughout some more creations and travelling for the next few years, he eventually met René Goscinny in 1951. The two men quickly became good friends, and decided to work together in 1952 at the newly opened Paris office of the Belgian company, World Press. Their first creations were the characters Oumpah-pah, Jehan Pistolet and Luc Junior.[6][7] In 1958 they adapted Oumpah-pah for serial publication in the Franco-Belgian comics magazine Tintin, where it ran until 1962.[8] In 1959 Goscinny and Uderzo became editor and artistic director (respectively) of Pilote magazine, a new venture aimed at older children. The magazine's first issue introduced Astérix to the French world, and it was an instant hit.[6][9] During this period Uderzo also collaborated with Jean-Michel Charlier on the realistic series Michel Tanguy, later named Les Aventures de Tanguy et Laverdure.[6]

Astérix was serialised in Pilote, but in 1961 the first album Astérix le gaulois (Asterix the Gaul) was published as an individual album. By 1967, the comic had become so popular that both decided to completely dedicate their time to the series. After Goscinny's death in 1977, Uderzo continued to write and illustrate the books on his own, though at a significantly slower pace (averaging one album every three to five years compared to two albums a year when working with Goscinny). The cover credits still read "Goscinny and Uderzo".


Uderzo married Ada Milani in 1953 and has one daughter Sylvie Uderzo (b. 1956). According to The Book of Asterix the Gaul, it was speculated that Uderzo had based the characters Panacea and Zaza on Ada and Sylvie respectively, though this has been denied by Uderzo.

After Uderzo fired Sylvie and her husband in 2007 as managers of his estate and agreed to sell his share of Editions Albert René to Hachette Livre, Sylvie accused him in a column in Le Monde, that with this sale to a corporation it was "as if the gates of the Gaulish village had been thrown open to the Roman Empire". Uderzo had previously stated in interviews that Asterix would end with his death; however, the terms of the sale to Hachette allowed the company to continue producing Asterix titles indefinitely with or without Uderzo's participation. Uderzo in 2013 sued his daughter and son-in-law for "psychological violence". Sylvie responded with a lawsuit claiming persons unnamed had abused her father's "frailty". Her case was thrown out of court in 2014 and the two reached an amicable settlement.[10]

Since Uderzo's retirement in 2011, Asterix has been taken over by Jean-Yves Ferri (script) and Didier Conrad (art).

Sylvie owns 40% of Editions Albert René, while the remaining 60%, previously owned by Uderzo and by Goscinny's daughter, is currently owned by Hachette Livre.[11]

Uderzo has a brother, Marcel, also a cartoonist.[12]

Asterix and the Falling Sky was dedicated to his late brother Bruno (1920–2004).


According to the UNESCO's Index Translationum, Uderzo is the 10th most often translated French language author (Goscinny being 4th) and the third most often translated French language comics author behind René Goscinny and Hergé.[13]


  1. "Silvio Uderzo, 1888-1985". geneanet.
  2. "Iria Crestini, 1897-". geneanet.
  3. Uderzo, Albert (1987) [1985]. "1: Die Zeit der Lakritzenstangen 1927-1940" [1: The time of liquorice sticks 1927-1940]. Uderzo: Der weite Weg zu Asterix (in German). Translated by Skudelny, Heide; Wagner, Christine; Boerschel, Andreas (Horizont Klub 1987 ed.). Stuttgart: Horizont Verlag. pp. 11–17. ISBN 3770407008.
  4. Uderzo, Albert (2008). Albert Uderzo se raconte... (in French). Stock. pp. 4–12. ISBN 9782234062726.
  5. Lambiek Comiclopedia. "Albert Uderzo".
  6. Lagardère. "Release of the 33rd Asterix volume".
  7. Asterix International!. "Albert Uderzo". Archived from the original on 2004-12-08.
  8. BDoubliées. "Pilote année 1959" (in French).
  9. "Asterix creator Uderzo ends long dispute with daughter". BBC. 26 September 2014. Retrieved 3 January 2018.
  10. Estelle Shirbon (2009-01-15). "Don't leave our Asterix in a fix, dad". The Independent. Archived from the original on 18 January 2009. Retrieved 2009-01-16.
  11. "Comic creator: Marcel Uderzo". 2006-12-18. Retrieved 2010-12-31.
  12. Index Translationum French top 10
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