Adam and Evelyne

Adam and Evelyne, released in the U.S. as Adam and Evalyn, is a 1949 romance film starring Stewart Granger and Jean Simmons. According to Robert Osborne, host of Turner Classic Movies, this suited the stars, as they were romantically involved at the time, despite their age difference. They married the next year.[2][3]

Adam and Evelyne
Poster with the American title
Directed byHarold French
Produced byHarold French
Written byNoel Langley (story)
George Barraud
Nicholas Phipps
Lesley Storm
StarringStewart Granger
Jean Simmons
Distributed byRank Films
Release date
31 May 1949 (1949-05-31)
Running time
70 minutes
CountryUnited Kingdom
Box office189,023 admissions (France)[1]


When jockey Chris Kirby (Fred Johnson) is fatally injured in a horse race, he gets his best friend, gambler Adam Black (Stewart Granger), to promise to take care of his teenage daughter, Evelyne (Jean Simmons), who has been raised apart from her father. Unbeknownst to Adam, Evelyne had been led to believe that Adam is her father in correspondence between parent and child. Adam is unable to tell her the truth; his butler and friend Bill Murray (Edwin Styles) tries and fails as well. Finally, Adam's sometime girlfriend Moira (Helen Cherry) breaks the news to the girl.

Adam sends Evelyne to an exclusive boarding school. When she has grown up, she reappears unexpectedly in his life. Because of the hatred she has for gambling, Adam does not reveal that he stages illegal gambling sessions; instead he tells her that he makes his money on the stock exchange. She begins casually dating Adam's no-good brother Roddy (Raymond Young).

When Adam tells Moira that he is getting out of the business, she accuses him of being in love with his "ward". Roddy has his own grudge against his brother – Adam refuses to finance a shady deal – and the two of them tip off the police about Adam's last operation. Roddy also brings Evelyne to see what Adam really does for a living.

Shocked, she quarrels with Adam and leaves. A kindly gambler, Colonel Bradley (Wilfred Hyde-White), gives her some sage advice and persuades her to reconcile with Adam.



Stewart Granger says the storyline of the film was his, based on the old silent film Daddy Long Legs, He contacted the writer Noel Langley and they wrote it as a vehicle for Jean Simmons. "It was a very good vehicle for her", he said. "It was a sweet film, a charming light comedy."[4]

Director Harold French also said he "really liked" the film.[5]

This was the first adult role of Jean Simmons, who had become a star in Great Expectations.[6]

Simmons and Granger were rumoured to be romantically involved during filming although they denied it to the press.[7]

Production of the film was interrupted by a strike from crew members at Denham Studios in protest over recent sackings of film workers. (Others which ceased production were The Cardboard Cavalier and Tottie True.)[8]


The film was voted best comedy of the year at the International Film Festival in Locarno Switzerland.[9]

Box Office

It was successful at the box office in Britain.[10][11]


Critic Leonard Maltin called it a "Pleasant but ordinary tale";[12] and Rank and File wrote, "The audience isn't certain whether they are watching a drama or a not particularly funny screwball comedy...Despite these shortcoming the film has a certain charm and remains watchable."[13]


  1. Box office information for Stewart Granger films in France at Box Office Story
  2. "Wedding bells mean journeys for Jean Simmons". The Australian Women's Weekly. 30 December 1950. p. 31. Retrieved 20 June 2015 via National Library of Australia.
  3. "Romance started for Jean Simmons when 14". Sunday Mail. Brisbane. 14 January 1951. p. 15. Retrieved 20 June 2015 via National Library of Australia.
  4. Brian MacFarlane, An Autobiography of British Cinema, Methuen 1997 p 231
  5. Brian MacFarlane, An Autobiography of British Cinema, Methuen 1997 p 213
  6. "JEAN SIMMONDS TO FACE F/LIGHTS". Townsville Daily Bulletin. Qld. 16 November 1948. p. 4. Retrieved 20 June 2015 via National Library of Australia.
  7. "Famous stars are real-life friends". The Australian Women's Weekly. 8 January 1949. p. 32. Retrieved 20 June 2015 via National Library of Australia.
  8. "FILM STRIKE". The Sunday Times. Perth. 31 October 1948. p. 12 Section: The Sunday Times Sporting Section. Retrieved 4 March 2013 via National Library of Australia.
  9. DEVELOPMENT CHARGES. (20 July 1949). The Scotsman
  10. "FILM NEWS". South Western Advertiser. Perth. 16 June 1949. p. 15. Retrieved 20 June 2015 via National Library of Australia.
  11. Thumim, Janet. "The popular cash and culture in the postwar British cinema industry". Screen. Vol. 32 no. 3. p. 258.
  12. "Adam And Evelyne (1949) - Overview -". Turner Classic Movies.
  13. "Rank and File – A British Cinema Blog".
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