...And His Mother Called Him Bill
...And His Mother Called Him Bill is a studio album by Duke Ellington recorded in the wake of the 1967 death of his long-time collaborator, Billy Strayhorn. It won the Grammy Award for Best Large Jazz Ensemble Album in 1969.
...And His Mother Called Him Bill | ||||
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Studio album by | ||||
Released | 1968 | |||
Recorded | August 28, 1967–November 15, 1967 | |||
Studio | Coast Recorders, San Francisco; RCA Studio A, New York City | |||
Genre | Jazz | |||
Length | 46:12 (Original LP) 71:52 (CD Re-issue) | |||
Label | Bluebird/RCA | |||
Producer | Steve Backer, Brad McCuen | |||
Duke Ellington chronology | ||||
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Background
Ellington recorded the album as a tribute to Billy Strayhorn, who died of cancer in May 1967.[1][2] Strayhorn was a composer, arranger, and one of Ellington's closest friends.[1]
Recording and music
The album was recorded in August and November 1967.[2] The material is Strayhorn's compositions, including some that had not previously been recorded.[1] Ellington chose the songs to demonstrate Strayhorn's versatility and range, as well as to pay homage to the qualities that he most admired in his late writing partner.[1]
"Blood Count" was Strayhorn's last composition, written for the Ellington Orchestra's 1967 concert at Carnegie Hall. Another piece with a medical-related title is "U.M.M.G.", short for 'Upper Manhattan Medical Group'.[2] The 1951 composition "Rock Skippin' at the Blue Note" showcases Cootie Williams, Jimmy Hamilton, and John Sanders.[1]
Reception
Professional ratings | |
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Review scores | |
Source | Rating |
AllMusic | |
The Penguin Guide to Jazz |
...And His Mother Called Him Bill won the Grammy Award for Best Large Jazz Ensemble Album in 1969.[3] The AllMusic reviewer wrote that, "For a man who issued well over 300 albums, this set is among his most profoundly felt and very finest recorded moments."[1]
Track listing
All compositions by Billy Strayhorn except where noted
Side A
- Snibor - 4:13
- Boo-Dah - 3:26
- Blood Count - 4:16
- U.M.M.G. - 3:13
- Charpoy - 3:06
- After All - 3:51
Side B
- The Intimacy of the Blues - 2:57
- Raincheck - 4:35
- Day Dream - 4:23 (Strayhorn-Ellington)
- Rock Skippin' at the Blue Note - 3:01
- All Day Long - 2:56
- Lotus Blossom - 3:54
- Acht O'Clock Rock - 2:21 (Ellington)
Bonus Tracks
- Raincheck (Take 4) - 5:22
- Smada (Take 3) - 3:20 (Strayhorn-Ellington)
- Smada (Take 4) - 3:18
- Midriff - 4:34
- My Little Brown Book - 4:11
- Lotus Blossom (Trio Version) - 4:55
Personnel
- Duke Ellington – piano
- Mercer Ellington – trumpet
- Cat Anderson – trumpet
- Herbie Jones – trumpet
- Cootie Williams – trumpet
- Clark Terry – flugelhorn
- Lawrence Brown – trombone
- Buster Cooper – trombone
- Chuck Connors – bass trombone
- John Sanders – valve trombone
- Johnny Hodges – alto saxophone
- Russell Procope – clarinet and alto saxophone
- Jimmy Hamilton – clarinet and tenor saxophone
- Paul Gonsalves – tenor saxophone
- Harry Carney – baritone saxophone
- Aaron Bell – double bass
- Jeff Castleman – double bass
- Steve Little – drums
- Sam Woodyard – drums[4]
References
- Jurek, Thom. "...And His Mother Called Him Bill". AllMusic. Retrieved November 23, 2018.
- Cook, Richard; Morton, Brian (2008). The Penguin Guide to Jazz Recordings (9th ed.). Penguin. p. 438. ISBN 978-0-141-03401-0.
- "Duke Ellington". grammy.com. Retrieved November 23, 2018.
- "...And His Mother Called Him Bill - Duke Ellington | Credits | AllMusic". AllMusic. Retrieved 28 September 2017.