Vishnu (//; Sanskrit pronunciation: [ʋɪʂɳʊ]; Sanskrit: विष्णु, IAST: Viṣṇu) is one of the principal deities of Hinduism. The "preserver" in the Hindu triad (Trimurti), Vishnu is revered as the supreme being In Vaishnavism as identical to the metaphysical concept of Brahman (Atman, the self, or unchanging ultimate reality), and is notable for adopting various incarnations (avatars such as Rama and Krishna) to preserve and protect dharmic principles whenever the world is threatened with evil, chaos, and destructive forces. In the Smarta Tradition of Hinduism Vishnu is also one of the five equivalent deities worshipped in Panchayatana puja.
God of Protection, Preservation of Good, Controller of entire Universe, Karma restoration, Moksha
|Member of Trimurti|
|Affiliation||Dashavatara, Parabrahman (Vaishnavism), Trimurti, Deva, Tridev|
|Abode||Vaikuntha, Kshir Sagar|
|Mantra||ॐ नमो नारायणाया (Om Namo Narayanaya)|
ॐ नमो भगवते वासुदेवाय (Om Namo Bhagavate Vasudevaya)
|Weapon||Discus (Sudarshana Chakra) and mace (Kaumodaki gada),Conch (Panchajanya) Bow (Sharanga) Sword (Nandaka)|
|Mount||Shesha and Garuda|
|Festivals||Holi, Ram Navami, Krishna Janmashtami, Narasimha Jayanti, Diwali, Onam, Vivaha Panchami, Vijayadashami, Anant Chaturdashi, Devshayani Ekadashi, Kartik Purnima, Tulsi Vivah|
|Consorts||Lakshmi (Sridevi), Bhudevi, Nila Devi, Tulsi, Padmavati|
|Children||Ayyappan (in some denominations of Hinduism)|
|Siblings||Adi Parashakti alias Parvati (in some denominations of Hinduism)|
Vishnu (or Viṣṇu, Sanskrit विष्णु) means 'all pervasive', and according to Medhātith (circa 1000 CE), 'one who is everything and inside everything'. Vedanga scholar Yaska (circa 600 BCE) in the Nirukta defines Vishnu as 'viṣṇur viṣvater vā vyaśnoter vā', meaning 'one who enters everywhere', adding 'atha yad viṣito bhavati tad viṣnurbhavati', meaning 'that which is free from fetters and bondage is Vishnu'.
The 108 Names of Vishnu
In the tenth part of the Padma Purana, Danta (Son of Bhīma and King of Vidarbha) lists 108 names of Vishnu (17.98-102). These include the ten primary avatars (see Dashavarara, below) and descriptions of the qualities, attributes, or aspects of God.
The 1000 Names of Vishnu
The Anushasana Parva of the Mahabharata and the Garuda Purana (chapter XV) both list over 1000 names for Vishnu, each name describing a quality, attribute, or aspect of God. Known as the Vishnu Sahasranama, 'Vishnu' here is defined as 'the omnipresent'. Other notable names in this list include Hari ('remover of sins'), Kala ('time'), Vasudeva ('Son of Vasudeva', i.e. Krishna), Atman ('the soul'), Purusa ('the divine being') and Prakrti ('the divine nature').
MahaVishnu ('Great Vishnu') - also known as Karanodakasayi Vishnu - is another important name that denotes his being the source and creator of the multiverse as the total material energy (also known as mahat-tattva). Garbhodakaśāyī Viṣṇu (stimulation of energy to create diverse forms) and Kṣīrodakaśāyī Vishnu (diffusion of the paramatman or 'supersoul' in the hearts of all living beings) are expansions of MahaVishnu.
In Hindu mythology, Vishnu is depicted as having:
- A dark blue to black complexion
- Earrings in the shape of sharks
- A garland of flowers hanging from His neck (Vaijayanti)
- Four arms:
- The Kaustubha gem on his chest
- Yellow-coloured silk trousers
The bow of Vishnu is known as Sharanga and His sword is known as Nandaka. A traditional depiction of Vishnu is that of Him reclining on the coils of the serpent Shesha, accompanied by his consort Lakshmi, as he "dreams the universe into reality".
Particularly in Vaishnavism, the so-called 'Hindu Triad' (or 'Great Trinity' or Trimurti) represents the three fundamental forces (gunas) through which the universe is created, maintained, and destroyed in cyclic succession. Each of these forces is represented by a Hindu deity:
- Brahma: Represents Rajas (passion, creation)
- Vishnu: Represents Sattva (goodness, preservation)
- Shiva: Represents Tamas (darkness, destruction)
The concept of the avatar (or incarnation) within Hinduism is most often associated with Vishnu, the preserver or sustainer aspect of God within the Hindu Trimurti. The avatars of Vishnu descend to empower the good and to destroy evil, thereby restoring Dharma and relieving the burden of the Earth. An oft-quoted passage from the Bhagavad Gita describes the typical role of an avatar of Vishnu:
Whenever righteousness wanes and unrighteousness increases I send myself forth.
For the protection of the good and for the destruction of evil,
and for the establishment of righteousness,
I come into being age after age.— Bhagavad Gita 4.7–8
Vedic literature, in particular the Puranas (meaning 'ancient', similar to encyclopedias) and Itihasa (meaning 'chronicle', 'history', and 'legend'), narrate numerous avatars of Vishnu. The most well-known of these avatars are Krishna (most notably in the Vishnu Purana, Bhagavata Purana, and Mahabharata; the latter encompassing the Bhagavad Gita), and Rama (most notably in the Ramayana). Krishna in particular is venerated in Vaishnavism as the ultimate, primeval, transcendental source of all existence, including all the other demigods and gods such as Vishnu.
Appearing in the forms of a swan [Hamsa], a tortoise [Kurma], a fish [Matsya], O foremost of regenerate ones, I shall then display myself as a boar [Varaha], then as a Man-lion (Nrisingha), then as a dwarf [Vamana], then as Rama of Bhrigu's race, then as Rama, the son of Dasaratha, then as Krishna the scion of the Sattwata race, and lastly as Kalki.
Specified avatars of Vishnu are listed against some of the Puranas in the table below. However, this is a complicated process and the lists are unlikely to be exhaustive because:
- Not all Puranas provide lists per se (e.g. the Agni Purana dedicates entire chapters to avatars, and some of these chapters mention other avatars within them)
- A list may be given in one place but additional avatars may be mentioned elsewhere (e.g. the Bhagavata Purana lists 22 avatars in Canto 1, but mentions others elsewhere)
- A personality in one Purana may be considered an avatar in another (e.g. Narada is not specified as an avatar in the Matsya Purana but is in the Bhagavata Purana)
- Some avatars consist of two or more people considered as different aspects of a single incarnation (e.g. Nara-Narayana, Rama and his three brothers)
|Purana||Avatars||Names / Descriptions (with chapters and verses) - Dashavatara lists are in bold|
|Agni||12(a)||Matsya (2), Kurma (3), Dhanvantari (3.11), Mohini (3.12), Varaha (4), Narasimha (4.3-4), Vamana (4.5-11), Parasurama (4.12-20), Rama (5-11; one of the 'four forms' of Vishnu, including his brothers Bharata, Laksmana and Satrughna), Krishna (12), Buddha (16), Kalki (16)|
|10(a)||Matsya, Kurma, Varaha, Narasimha, Vamana, Parasurama, Rama, Buddha, and Kalki (Chapter 49)|
|Bhagavata||22(b)||Kumaras, Varaha, Narada, Nara-Narayana, Kapila, Dattatreya, Yajna, Rsabha, Prthu, Matsya, Kurma, Dhanvantari, Mohini, Nrsimha, Vamana, Parashurama, Vyasadeva, Rama, Balarama and Krishna, Buddha, and Kalki (Canto 1, Chapter 3).|
|20(b)||Varaha, Suyajna (Hari), Kapila, Dattātreya, Four Kumaras, Nara-Narayana, Prthu, Rsabha, Hayagriva, Matsya, Kurma, Nṛsiṁha, Vamana, Manu, Dhanvantari, Parashurama, Rama, Krishna, Buddha, and Kalki (Canto 2, Chapter 7)|
|Brahma||15||Matsya, Kurma, Varaha, Narasimha, Vamana, Hayagriva, Buddha, Rama, Kalki, Ananta, Acyuta, Jamadagnya (Parashurama), Varuna, Indra, and Yama (Volume 4: 52.68-73)|
|Garuda||20(c)||Kumara, Varaha, Narada, Nara-Narayana, Kapila, Datta (Dattatreya), Yajna, Urukrama, Prthu, Matsya, Kurma, Dhanavantari, Mohini, Narasimha, Vamana, Parasurama, Vyasadeva, Balarama, Krishna, and Kalki (Volume 1: Chapter 1)|
|10(c)||Matsya, Kurma, Varaha, Nrsimha, Vamana, Parasurama, Rama, Krishna, Buddha, and Kalki (Volume 1, Chapter 86, Verses 10-11)|
|10(c)||Matsya, Kurma, Varaha, Nrsimha, Rama, Parasurama, Krishna, Balarama, Buddha, and Kalki (Volume 3, Chapter 30, Verse 37)|
|Linga||10(d)||Matsya, Kurma, Varaha, Nrsimha, Vamana, Rama, Parasurama, Krishna, Buddha, and Kalki (Part 2, Chapter 48, Verses 31-32)|
|Matsya||10(e)||3 celestial incarnations of Dharma, Nrishimha, and Vamana; and 7 human incarnations of Dattatreya, Mandhitri, Parasurama, Rama, Vedavyasa (Vyasa), Buddha, and Kalki (Volume 1: Chapter XLVII / 47)|
|Narada||10||Matsya, Kurma, Varaha, Narasimha, Trivikrama (Vamana), Parasurama, Sri-Rama, Krisna, Buddha, and Kalki (Part 4, Chapter 119, Verses 14-19)|
|Padma||10||Part 7: Yama (66.44-54) and Brahma (71.23-29) name 'Matsya, Kurma, and Varaha. Narasimha and Vamana, (Parasu-)rama, Rama, Krsna, Buddha, and Kalki'; Part 9: this list is repeated by Shiva (229.40-44).|
|Shiva||10||Matsya, Kurma, Varaha, Nrsimha, Vamana, 'Rama trio' [Rama, Parasurama, Balarama], Krishna, Kalki|
|Skanda||14||Varaha, Matsya, Kurma, Nrsimha, Vamana, Kapila, Datta, Rsabha, Bhargava Rama (Parashurama), Dasarathi Rama, Krsna, Krsna Dvaipayana (Vyasa), Buddha, and Kalki (Part 7: Vasudeva-Mamatmya: Chapter 18)|
|Varaha||10||Matsya, Kurma, Varaha, Nrsimha, Vamana, Parasurama, Rama, Krishna, Buddha, and Kalki (Chapter 4, Verses 2-3 and Chapter 211, Verses 2-3)|
|(a) Rama and his brothers are considered as one unit. Volume 3, Chapter 276 also lists the same incarnations. Samba, Pradyumna, and Aniruddha have not been counted; a list of the Dashavatara is provided in chapter 49.|
The Dashavarara is a list of the so-called Vibhavas or ‘10 (primary) avatars’ of Vishnu. The Agni Purana, Varaha Purana, Padma Purana, Linga Purana, Narada Purana, and Garuda Purana all provide matching lists. The same Vibhavas are also found in the Garuda Purana Saroddhara, a commentary or ‘extracted essence’ written by Navanidhirama about the Garuda Purana (i.e. not the Purana itself, with which it seems to be confused):
The Fish, the Tortoise, the Boar, the Man-Lion, the Dwarf, Parasurama, Rama, Krisna, Buddha, and also Kalki: These ten names should always be meditated upon by the wise. Those who recite them near the diseased are called relatives.
Apparent disagreements concerning the placement of either the Buddha or Balarama in the Dashavarara seems to occur from the Dashavarara list in the Shiva Purana (the only other list with ten avatars including Balarama in the Garuda Purana substitutes Vamana, not Buddha). Regardless, both versions of the Dashavarara have a scriptural basis in the cannon of authentic Vedic literature (but not from the Garuda Purana Saroddhara).
Matrikas (Mother Goddesses) are the feminine, personified powers of different Devas (and avatars of Vishnu). For example, the female form (or Shakti) of Vishnu is Vaishnavi, of the man-lion avatar Narasimha it is Narasimhi, of the tortoise avatar Kurma it is Kumari, and of the boar avatar Varaha it is Varahi. There is no scriptural evidence that any of Matrikas are counted as de-facto avatars of Vishnu or any other Deva.
Perumal (Tamil: பெருமாள்), or Perumaal or Thirumal (Tamil: திருமால்), also known as Maayon (as he is described in the Tamil scriptures), was appropriated as manifestation of Lord Vishnu in later Hinduism is a popular Hindu deity among Tamilans in Tamil Nadu as well among the Tamil diaspora.
The iconography of Hindu god Vishnu has been widespread in history.
Vishnu is a RigVedic deity, but not a prominent one when compared to Indra, Agni and others. Just 5 out of 1028 hymns of the Rigveda are dedicated to Vishnu, although He is mentioned in other hymns. Vishnu is mentioned in the Brahmana layer of text in the Vedas, thereafter his profile rises and over the history of Indian mythology, states Jan Gonda, Vishnu becomes a divinity of the highest rank, one equivalent to the Supreme Being.
Though a minor mention and with overlapping attributes in the Vedas, he has important characteristics in various hymns of Rig Veda, such as 1.154.5, 1.56.3 and 10.15.3. In these hymns, the Vedic mythology asserts that Vishnu resides in that highest home where departed Atman (souls) reside, an assertion that may have been the reason for his increasing emphasis and popularity in Hindu soteriology. He is also described in the Vedic literature as the one who supports heaven and earth.
In the Vedic hymns, Vishnu is invoked alongside other deities, especially Indra, whom he helps in killing the symbol of evil named Vritra. His distinguishing characteristic in Vedas is his association with light. Two Rigvedic hymns in Mandala 7 refer to Vishnu. In section 7.99 of the Rgveda, Vishnu is addressed as the god who separates heaven and earth, a characteristic he shares with Indra. In the Vedic texts, the deity or god referred to as Vishnu is Surya or Savitr (Sun god), who also bears the name Suryanarayana. Again, this link to Surya is a characteristic Vishnu shares with fellow Vedic deities named Mitra and Agni, wherein different hymns, they too "bring men together" and cause all living beings to rise up and impel them to go about their daily activities.
In hymn 7.99 of Rigveda, Indra-Vishnu are equivalent and produce the sun, with the verses asserting that this sun is the source of all energy and light for all. In other hymns of the Rigveda, Vishnu is a close friend of Indra. Elsewhere in Rigveda, Atharvaveda and Upanishadic texts, Vishnu is equivalent to Prajapati, both are described as the protector and preparer of the womb, and according to Klaus Klostermaier, this may be the root behind post-Vedic fusion of all the attributes of the Vedic Prajapati unto the avatars of Vishnu.
In the Yajurveda, Taittiriya Aranyaka (10.13.1), Narayana sukta, Narayana is mentioned as the supreme being. The first verse of Narayana Suktam mentions the words paramam padam, which literally mean highest post and may be understood as the supreme abode for all souls. This is also known as Param Dhama, Paramapadam or Vaikuntha. Rig Veda 1.22.20 also mentions the same paramam padam.
In the Atharvaveda, the mythology of a boar who raises goddess earth from the depths of cosmic ocean appears, but without the word Vishnu or his alternate avatar names. In post-Vedic mythology, this legend becomes one of the basis of many cosmogonic myth called the Varaha legend, with Varaha as an avatar of Vishnu.
Trivikrama: The Three Steps of Vishnu
Several hymns of the Rigveda repeat the mighty deed of Vishnu called the Trivikrama, which is one of the lasting mythologies in Hinduism since the Vedic times. It is an inspiration for ancient artwork in numerous Hindu temples such as at the Ellora Caves, which depict the Trivikrama legend through the Vamana avatar of Vishnu. Trivikrama refers to the celebrated three steps or "three strides" of Vishnu. Starting as a small insignificant looking being, Vishnu undertakes a herculean task of establishing his reach and form, then with his first step covers the earth, with second the ether, and the third entire heaven.
विष्णोर्नु कं वीर्याणि प्र वोचं यः पार्थिवानि विममे रजांसि ।
यो अस्कभायदुत्तरं सधस्थं विचक्रमाणस्त्रेधोरुगायः ॥१॥ (...)
viṣṇōrnu kaṃ vīryāṇi pra vōcaṃ yaḥ pārthivāni vimamē rajāṃsi |
yō askabhāyaduttaraṃ sadhasthaṃ vicakramāṇastrēdhōrugāyaḥ ||1||
I will now proclaim the heroic deeds of Visnu, who has measured out the terrestrial regions,
who established the upper abode having, wide-paced, strode out triply (...)— Rigveda 1.154.1, Translated by Jan Gonda
The Vishnu Sukta 1.154 of Rigveda says that the first and second of Vishnu's strides (those encompassing the earth and air) are visible to the mortals and the third is the realm of the immortals. The Trivikrama describing hymns integrate salvific themes, stating Vishnu to symbolize that which is freedom and life. The Shatapatha Brahmana elaborates this theme of Vishnu, as his herculean effort and sacrifice to create and gain powers that help others, one who realizes and defeats the evil symbolized by the Asuras after they had usurped the three worlds, and thus Vishnu is the savior of the mortals and the immortals (Devas).
Seven germs unripened yet are heaven's prolific seed:
their functions they maintain by Vishnu's ordinance.
Endued with wisdom through intelligence and thought,
they compass us about present on every side.
What thing I truly am I know not clearly:
mysterious, fettered in my mind I wonder.
When the first-born of holy Law approached me,
then of this speech I first obtain a portion.
They call him Indra, Mitra, Varuna, Agni,
and he is heavenly-winged Garutman.
To what is One, sages give many a title.
— Rigveda 1.164.36-37, 46
The Shatapatha Brahmana contains ideas which Vaishnavism tradition of Hinduism has long mapped to a pantheistic vision of Vishnu as supreme, he as the essence in every being and everything in the empirically perceived universe. In this Brahmana, states Klaus Klostermaier, Purusha Narayana (Vishnu) asserts, "all the worlds have I placed within mine own self, and mine own self have I placed within all the worlds". The text equates Vishnu to all knowledge there is (Vedas), calling the essence of everything as imperishable, all Vedas and principles of universe as imperishable, and that this imperishable which is Vishnu is the all.
Vishnu is described to be permeating all object and life forms, states S Giora Shoham, where he is "ever present within all things as the intrinsic principle of all", and the eternal, transcendental self in every being. The Vedic literature, including its Brahmanas layer, while praising Vishnu do not subjugate others gods and goddesses. They present an inclusive pluralistic henotheism. Max Muller states, "Although the gods are sometimes distinctly invoked as the great and the small, the young and the old (Rig Veda 1:27:13), this is only an attempt to find the most comprehensive expression for the divine powers and nowhere is any of the gods represented as the subordinate to others. It would be easy to find, in the numerous hymns of the Veda, passages in which almost every single god is represented as supreme and absolute".
The Vaishnava Upanishads are minor Upanishads of Hinduism, related to Vishnu theology. There are 14 Vaishnava Upanishads in the Muktika anthology of 108 Upanishads. It is unclear when these texts were composed, and estimates vary from the 1st-century BCE to 17th-century CE for the texts.
These Upanishads highlight Vishnu, Narayana, Rama or one of his avatars as the supreme metaphysical reality called Brahman in Hinduism. They discuss a diverse range of topics, from ethics to the methods of worship.
Vishnu is the primary focus of Vaishnavism-focused Puranas genre of Hindu texts. Of these, according to Ludo Rocher, the most important texts are the Bhagavata Purana, Vishnu Purana, Nāradeya Purana, Garuda Purana and Vayu Purana. The Purana texts include many versions of cosmologies, mythologies, encyclopedic entries about various aspects of life, and chapters that were medieval era regional Vishnu temples-related tourist guides called mahatmyas.
One version of the cosmology, for example, states that Vishnu's eye is at the Southern Celestial Pole from where he watches the cosmos. In another version found in section 4.80 of the Vayu Purana, he is the Hiranyagarbha, or the golden egg from which were simultaneously born all feminine and masculine beings of the universe.
The Vishnu Purana presents Vishnu as the central element of its cosmology, unlike some other Puranas where Shiva or Brahma or goddess Shakti are. The reverence and the worship of Vishnu is described in 22 chapters of the first part of Vishnu Purana, along with the profuse use of the synonymous names of Vishnu such as Hari, Janardana, Madhava, Achyuta, Hrishikesha and others.
The Vishnu Purana also discusses the Hindu concept of supreme reality called Brahman in the context of the Upanishads; a discussion that the theistic Vedanta scholar Ramanuja interprets to be about the equivalence of the Brahman with Vishnu, a foundational theology in the Sri Vaishnavism tradition.
Vishnu is equated with Brahman in the Bhagavata Purana, such as in verse 1.2.11, as "learned transcendentalists who know the Absolute Truth call this non-dual substance as Brahman, Paramatma and Bhagavan."
The Bhagavata Purana has been the most popular and widely read Purana texts relating to Vishnu avatar Krishna, it has been translated and available in almost all Indian languages. Like other Puranas, it discusses a wide range of topics including cosmology, genealogy, geography, mythology, legend, music, dance, yoga and culture. As it begins, the forces of evil have won a war between the benevolent devas (deities) and evil asuras (demons) and now rule the universe. Truth re-emerges as the Vishnu avatar first makes peace with the demons, understands them and then creatively defeats them, bringing back hope, justice, freedom and good – a cyclic theme that appears in many legends. The Bhagavata Purana is a revered text in Vaishnavism. The Puranic legends of Vishnu have inspired plays and dramatic arts that are acted out over festivals, particularly through performance arts such as the Sattriya, Manipuri dance, Odissi, Kuchipudi, Kathakali, Kathak, Bharatanatyam, Bhagavata Mela and Mohiniyattam.
Some versions of the Purana texts, unlike the Vedic and Upanishadic texts, emphasize Vishnu as supreme and on whom other gods depend. Vishnu, for example, is the source of creator deity Brahma in the Vaishnavism-focussed Purana texts. Vishnu's iconography typically shows Brahma being born in a lotus emerging from his navel, who then is described as creating all the forms in the universe, but not the primordial universe itself. In contrast, the Shiva-focussed Puranas describe Brahma and Vishnu to have been created by Ardhanarishvara, that is half Shiva and half Parvati; or alternatively, Brahma was born from Rudra, or Vishnu, Shiva and Brahma creating each other cyclically in different aeons (kalpa).
In some Vaishnava Puranas, Vishnu takes the form of Rudra or commands Rudra to destroy the world, thereafter the entire universe dissolves and along with time, everything is reabsorbed back into Vishnu. The universe is then recreated from Vishnu all over again, starting a new Kalpa. For this the Bhagavata Purana employs the metaphor of Vishnu as a spider and the universe as his web. Other texts offer alternate cosmogenic theories, such as one where the universe and time are absorbed into Shiva.
Sangam & Post-Sangam Literature
The Sangam literature refers to an extensive regional collection in the Tamil language, mostly from the early centuries of the common era. These Tamil texts revere Vishnu and his avatars such as Krishna and Rama, as well as other pan-Indian deities such as Shiva, Muruga, Durga, Indra and others. Vishnu is described in these texts as mayon, or "one who is dark or black in color" (in north India, the equivalent word is Krishna). Other terms found for Vishnu in these ancient Tamil genre of literature include mayavan, mamiyon, netiyon, mal and mayan.
Krishna as Vishnu avatar is the primary subject of two post-Sangam Tamil epics Silappadikaram and Manimekalai, each of which was probably composed about the 5th century CE. These Tamil epics share many aspects of the story found in other parts of India, such as those related to baby Krishna such as stealing butter, and teenage Krishna such as teasing girls who went to bathe in a river by hiding their clothes.
Ideas about Vishnu in the mid 1st millennium CE were important to the Bhakti movement theology that ultimately swept India after the 12th century. The Alvars, which literally means "those immersed in God", were Tamil Vaishnava poet-saints who sang praises of Vishnu as they traveled from one place to another. They established temple sites such as Srirangam, and spread ideas about Vaishnavism. Their poems, compiled as Alwar Arulicheyalgal or Divya Prabhandham, developed into an influential scripture for the Vaishnavas. The Bhagavata Purana's references to the South Indian Alvar saints, along with its emphasis on bhakti, have led many scholars to give it South Indian origins, though some scholars question whether this evidence excludes the possibility that bhakti movement had parallel developments in other parts of India.
|Part of a series on|
The Bhagavata Purana summarizes the Vaishnava theology, wherein it frequently discusses the merging of the individual soul with the Absolute Brahman (Ultimate Reality, Supreme Truth), or "the return of Brahman into His own true nature", a distinctly Advaitic or non-dualistic philosophy of Shankara. The concept of moksha is explained as Ekatva (Oneness) and Sayujya (Absorption, intimate union), wherein one is completely lost in Brahman (Self, Supreme Being, one's true nature). This, states Rukmini, is proclamation of "return of the individual soul to the Absolute and its merging into the Absolute", which is unmistakably Advaitic in its trend. In the same passages, the Bhagavata includes a mention of Bhagavan as the object of concentration, thereby presenting the Bhakti path from the three major paths of Hindu spirituality discussed in the Bhagavad Gita.
The theology in the Bhagavad Gita discusses both the sentient and the non-sentient, the soul and the matter of existence. It envisions the universe as the body of Vishnu (Krishna), state Harold Coward and Daniel Maguire. Vishnu in Gita's theology pervades all souls, all matter and time. In Sri Vaishnavism sub-tradition, Vishnu and Sri (goddess Lakshmi) are described as inseparable, that they pervade everything together. Both together are the creators, who also pervade and transcend their creation.
The aim of life is inquiry into the Truth, and not the desire for enjoyment in heaven by performing religious rites,
Those who possess the knowledge of the Truth, call the knowledge of non-duality as the Truth,
It is called Brahman, the Highest Self, and Bhagavan.
Scholars describe the Vaishnava theology as built on the foundation of non-dualism speculations in Upanishads, and term it as "Advaitic Theism". The Bhagavata Purana suggests that God Vishnu and the soul (Atman) in all beings is one. Bryant states that the monism discussed in Bhagavata Purana is certainly built on the Vedanta foundations, but not exactly the same as the monism of Adi Shankara. The Bhagavata asserts, according to Bryant, that the empirical and the spiritual universe are both metaphysical realities, and manifestations of the same Oneness, just like heat and light are "real but different" manifestations of sunlight.
In the Bhakti tradition of Vaishnavism, Vishnu is attributed with numerous qualities such as omniscience, energy, strength, lordship, vigour, and splendour. The Vaishnava tradition started by Madhvacharya considers Vishnu in the form of Krishna to be the supreme creator, personal God, all-pervading, all devouring, one whose knowledge and grace leads to "moksha". In Madhvacharya Vaishnava theology, the supreme Vishnu and the souls of living beings are two different realities and nature (dualism), while in Ramanuja's Sri Vaishnavism, they are different but share the same essential nature (qualified non-dualism).
Relations With Deities
Lakshmi, the Hindu goddess of wealth, fortune and prosperity (both material and spiritual), is the wife and active energy of Vishnu. She is also called Sri or Thirumagal in Tamil because she is the source of eight auspicious strengths for Vishnu. When Vishnu incarnated on the Earth as the avatars Rama and Krishna, Lakshmi incarnated as his respective consorts: Sita (Rama's wife) and Rukmini (Krishna's wife). Lakshmi and Padmavati are wives of Lord Vishnu at Tirupati. In Hinduism, Lord Vishnu had incarnated as Lord Venkatachalapathi at Tirupati, although this grand form of him is not counted as one of the dasavatars.
Vishnu's mount (Vahana) is Garuda, the eagle. Vishnu is commonly depicted as riding on his shoulders. Garuda is also considered as Vedas on which Lord Vishnu travels. Garuda is a sacred bird in Vaishnavism. In Garuda Purana, Garuda carries Lord Vishnu to save the Elephant Gajendra.
Vishvaksena also known as Senadhipathi (all literally "army-chief"), is the commander-in-chief of the army of the Hindu god Vishnu
Harihara and Harirudra
Shiva and Vishnu are both viewed as the ultimate form of god in different Hindu denominations. Harihara is a composite of half Vishnu and half Shiva, mentioned in literature such as the Vamana Purana (chapter 36), and in artwork found from mid 1st millennium CE, such as in the cave 1 and cave 3 of the 6th-century Badami cave temples. Another half Vishnu half Shiva form, which is also called Harirudra, is mentioned in Mahabharata.
Vishnu is referred to as Gorakh in the scriptures of Sikhism. For example, in verse 5 of Japji Sahib, the guru is praised as who gives the word and shows the wisdom, and through whom the awareness of immanence is gained. Guru Nanak, state Christopher Shackle and Arvind Pal-Singh Mandair, teaches that the Guru (teachers) are "Shiva (isar), Vishnu (gorakh), Brahma (barma) and mother Parvati (parbati)", yet the one who is all and true cannot be described.
The Chaubis Avatar text of Sikhism lists the 24 avatars of Vishnu and this includes Krishna and Rama of Hinduism, and the Buddha of Buddhism as avatar of Vishnu. Similarly, the Dasam Granth includes Vishnu mythology mirror that found in the Vaishnav tradition. The latter is of particular importance to Sanatan Sikhs, including Udasis, Nirmalas, Nanak-panthis, Sahajdhari and Keshdhari sub-traditions within Sikhism; however, the Khalsa Sikhs disagree with the Sanatan Sikhs. According to Sanatan Sikh writers, the Gurus of Sikhs were avatars of Vishnu, because the Gurus brought light in the age of darkness and saved people in a time of evil Mughal era persecution.
While some Hindus consider Buddha as an incarnation of Vishnu, Buddhists in Sri Lanka venerate Vishnu as the custodian deity of Sri Lanka and protector of Buddhism. Vishnu is also known as Upulvan or Uthpala Varna, meaning Blue Lotus coloured. Some postulate that Uthpala varna was a local deity who later merged with Vishnu while another belief is that Uthpala Varna was an early form of Vishnu before he became a supreme deity in Puranic Hinduism. According to Chronicles Mahawamsa, Chulawamsa and folklore in Sri Lanka, Buddha himself handed over the custodianship to Vishnu. Others believe that Buddha entrusted this task to Sakra (Indra) and Sakra delegated this task of custodianship to god Vishnu. Many Buddhist and Hindu shrines are dedicated to Vishnu in Sri Lanka. In addition to specific Vishnu Kovils or Devalayas, all Buddhist temples necessarily house shrine rooms (Devalayas) closer to the main Buddhist shrine dedicated to Vishnu.
John Holt states that Vishnu was one of the several Hindu gods and goddesses who were integrated into the Sinhala Buddhist religious culture, such as the 14th and 15th-century Lankatilaka and Gadaladeniya Buddhist temples. He states that the medieval Sinhala tradition encouraged Visnu worship (puja) as a part of Theravada Buddhism just like Hindu tradition incorporated the Buddha as an avatar of Vishnu, but contemporary Theravada monks are attempting to purge the Vishnu worship practice from Buddhist temples. According to Holt, the veneration of Vishnu in Sri Lanka is evidence of a remarkable ability over many centuries, to reiterate and reinvent culture as other ethnicity have been absorbed into their own. Though the Vishnu cult in Ceylon was formally endorsed by Kandyan kings in the early 1700s, Holt states that Vishnu images and shrines are among conspicuous ruins in the medieval capital Polonnaruwa.
Vishnu iconography such as statues and etchings have been found in archaeological sites of Southeast Asia, now predominantly of the Theravada Buddhist tradition. In Thailand, for example, statues of four armed Vishnu have been found in provinces near Malaysia and dated to be from the 4th to 9th-century, and this mirror those found in ancient India. Similarly, Vishnu statues have been discovered from the 6th to 8th century eastern Prachinburi Province and central Phetchabun Province of Thailand and southern Đồng Tháp Province and An Giang Province of Vietnam. Krishna statues dated to the early 7th century to 9th century have been discovered in Takéo Province and other provinces of Cambodia. Archeological studies have uncovered Vishnu statues on the islands of Indonesia, and these have been dated to the 5th century and thereafter. In addition to statues, inscriptions and carvings of Vishnu, such as those related to the "three steps of Vishnu" (Trivikrama) have been found in many parts of Buddhist southeast Asia. In some iconography, the symbolism of Surya, Vishnu and Buddha are fused.
Ancient Egyptian God Horus too is a part of a trinity, just like Vishnu is, states James Freeman Clarke. According to Richard Leviton, the younger Horus riding on elder Horus is similar to Vishnu riding on Garuda. According to James Cowles Prichard, while the trinity concept is present in both Egyptian and Indian mythologies, Horus cannot be clearly identified with Vishnu and the link doubtful.
Vishnu rocks are a type of volcanic sediment found in the Grand Canyon, Arizona, USA. Consequently, mass formations are known as Vishnu's temples.
During an excavation in an abandoned village of Russia in the Volga region, archaeologist Alexander Kozhevin excavated an ancient Cult image of Vishnu. The idol dates from between the 7th and 10th centuries. In the interview, Kozhevin stated that "We may consider it incredible, but we have ground to assert that Middle-Volga region was the original land of Ancient Rus. This is a hypothesis, but a hypothesis, which requires thorough research."
Iconography & Temples
Vishnu iconography shows him with a dark blue, blue-gray or black colored skin, and as a well dressed jeweled man. He is typically shown with four arms, but two armed representations are also found and discussed in Hindu texts on artworks. The historic identifiers of his icon include his image holding a conch shell between first two fingers of one hand (left back), a chakra – war discus – in another (right back). The conch shell is spiral and symbolizes all of interconnected spiraling cyclic existence, while the discus symbolizes him as that which restores dharma with war if necessary when cosmic equilibrium is overwhelmed by evil. One of his arms sometimes carries a gadda (club, mace) which symbolizes authority and power of knowledge. In the fourth arm, he holds a lotus flower which symbolizes purity and transcendence. The items he holds in various hands varies, giving rise to twenty four combinations of iconography, each combination representing a special form of Vishnu. Each of these special forms is given a special name in texts such as the Agni Purana and Padma Purana. These texts, however, are inconsistent. Vishnu iconography show him either in standing pose, seated in a yoga pose, or reclining. Hindu texts on iconography describe design rules of these.
Some of the earliest surviving grand Vishnu temples in India have been dated to the Gupta Empire period. The Sarvatobhadra temple in Jhansi, Uttar Pradesh, for example, is dated to the early 6th century and features the ten avatars of Vishnu. Its design based on a square layout and Vishnu iconography broadly follows the 1st millennium Hindu texts on architecture and construction such as the Brihat Samhita and Visnudharmottarapurana.
Archaeological evidence suggest that Vishnu temples and iconography probably were already in existence by the 1st century BCE. The most significant Vishnu-related epigraphy and archaeological remains are the two 1st century BCE inscriptions in Rajasthan which refer to temples of Sankarshana and Vasudeva, the Besnagar Garuda column of 100 BCE which mentions a Bhagavata temple, another inscription in Naneghat cave in Maharashtra by a Queen Naganika that also mentions Sankarshana, Vasudeva along with other major Hindu deities and several discoveries in Mathura relating to Vishnu, all dated to about the start of the common era.
- Wendy Doniger (1999). Merriam-Webster's Encyclopedia of World Religions. Merriam-Webster. p. 1134. ISBN 978-0-87779-044-0.
- Editors of Encyclopaedia Britannica (2008). Encyclopedia of World Religions. Encyclopaedia Britannica, Inc. pp. 445–448. ISBN 978-1-59339-491-2.CS1 maint: extra text: authors list (link)
- Constance Jones; James D. Ryan (2006). Encyclopedia of Hinduism. Infobase Publishing. pp. 491–492. ISBN 978-0-8160-7564-5.
- Muriel Marion Underhill (1991). The Hindu Religious Year. Asian Educational Services. pp. 75–91. ISBN 978-81-206-0523-7.
- Orlando O. Espín; James B. Nickoloff (2007). An Introductory Dictionary of Theology and Religious Studies. Liturgical Press. p. 539. ISBN 978-0-8146-5856-7.
- Gavin Flood, An Introduction to Hinduism (1996), p. 17.
- Zimmer, Heinrich Robert (1972). Myths and Symbols in Indian Art and Civilization. Princeton University Press. p. 124. ISBN 978-0-691-01778-5.
- Swami Chinmayananda's translation of Vishnu sahasranama pgs. 16–17, Central Chinmaya Mission Trust.
- Klaus K. Klostermaier (2000). Hinduism: A Short History. Oneworld. pp. 83–84. ISBN 978-1-85168-213-3.
- Adluri, Vishwa; Joydeep Bagchee (February 2012). "From Poetic Immortality to Salvation: Ruru and Orpheus in Indic and Greek Myth". History of Religions. 51 (3): 245–246. doi:10.1086/662191. JSTOR 10.1086/662191.
- N.A. (1956). THE PADMA-PURANA PART.10. MOTILAL BANARSIDASS PUBLISHERS PVT. DELHI. pp. 3471–3473.
- N.A. (1957). THE GARUDA-PURANA PART. 1. MOTILAL BANARSIDASS PUBLISHERS PVT. DELHI. pp. 44–71.
- Fred S. Kleiner (2007). Gardner's Art through the Ages: Non-Western Perspectives. Cengage Learning. p. 22. ISBN 978-0495573678.
- For definition of Trimurti as the unified form of Brahmā, Viṣṇu and Śiva and use of the phrase the Hindu triad see: Apte, p. 485.
- For the term "Great Trinity" in relation to the Trimurti see: Jansen, p. 83.
- For quotation defining the Trimurti see Matchett, Freda. "The Purāṇas", in: Flood (2003), p. 139.
- For the Trimurti system having Brahma as the creator, Vishnu as the maintainer or preserver, and Shiva as the transformer or destroyer see: Zimmer (1972) p. 124.
- "Srimad Bhagavatam Canto 1 Chapter 2 Verse 23". Vedabase.net. Archived from the original on 23 November 2010. Retrieved 30 November 2011.
- Paul, Pran Gopal; Paul, Debjani (1989). "Brahmanical Imagery in the Kuṣāṇa Art of Mathurā: Tradition and Innovations". East and West. 39 (1/4): 132–136, for the photograph p.138. ISSN 0012-8376.
- "The Mahabharata, Book 12: Santi Parva: Section CCCXL". www.sacred-texts.com. Retrieved 12 December 2019.
- J. L. Shastri, G. P. Bhatt (1 January 1998). Agni Purana Unabridged English Motilal (vol 1.). pp. 1–38.
- "CHAPTER THREE". vedabase.io. Retrieved 31 October 2019.
- "CHAPTER SEVEN". vedabase.io. Retrieved 31 October 2019.
- N.A. (1957). BRAHMA PURANA PART. 4. MOTILAL BANARSIDASS PUBLISHERS PVT. DELHI. p. 970.
- N.A. (1957). THE GARUDA-PURANA PART. 1. MOTILAL BANARSIDASS PUBLISHERS PVT. DELHI. pp. 1–6.
- N.A (1957). THE GARUDA-PURANA PART. 3. MOTILAL BANARSIDASS PUBLISHERS PVT. LTD, DELHI.
- J.L.Shastri (1951). Linga Purana - English Translation - Part 2 of 2. p. 774.
- Basu, B. D. (1916). The Matsya Puranam. pp. 137–138.
- N.A (1952). THE NARADA-PURANA PART. 4. MOTILAL BANARSIDASS PUBLISHERS PVT. LTD, DELHI. p. 1486.
- N.A (1952). THE PADMA-PURANA PART. 7. MOTILAL BANARSIDASS PUBLISHERS PVT. LTD, DELHI.
- N.A (1956). THE PADMA-PURANA PART. 9. MOTILAL BANARSIDASS PUBLISHERS PVT. LTD, DELHI.
- J.L.Shastri (1950). Siva Purana - English Translation - Part 4 of 4.
- N.A (1951). THE SKANDA-PURANA PART. 7. MOTILAL BANARSIDASS PUBLISHERS PVT. LTD, DELHI. pp. 285–288.
- N.A (1960). THE VARAHA PURANA PART. 1. MOTILAL BANARSIDASS, DELHI. p. 13.
- N.A (1960). THE VARAHA PURANA PART. 2. MOTILAL BANARSIDASS, DELHI. p. 652.
- Subrahmanyam, S. V. (1911). The Garuda Purana. p. 62.
- "The Garuda Purana: Chapter VIII. An Account of the Gifts for the Dying". www.sacred-texts.com. Retrieved 31 October 2019.
- "Devotion to Mal (Mayon)". University of Cumbria, Division of Religion and Philosophy. Retrieved 10 May 2019.
- Sykes, Egerton,. Who's who in non-classical mythology. Kendall, Alan, 1939- (2nd edition. ed.). London. ISBN 9781136414442. OCLC 872991268.CS1 maint: extra punctuation (link) CS1 maint: multiple names: authors list (link)
- Jan Gonda (1969). Aspects of Early Viṣṇuism. Motilal Banarsidass. pp. 1–2. ISBN 978-81-208-1087-7.
- Arthur Anthony Macdonell (1898). Vedic Mythology. Motilal Banarsidass (1996 Reprint). pp. 167–169. ISBN 978-81-208-1113-3.
- Arthur Anthony Macdonell (1898). Vedic Mythology. Motilal Banarsidass (1996 Reprint). pp. 9–11, 167–169. ISBN 978-81-208-1113-3.
- Arthur Anthony Macdonell (1898). Vedic Mythology. Motilal Banarsidass (1996 Reprint). pp. 18–19. ISBN 978-81-208-1113-3.
- Arthur Anthony Macdonell (1898). Vedic Mythology. Motilal Banarsidass (1996 Reprint). pp. 29–32. ISBN 978-81-208-1113-3.
- Nilakanta Sastri, K.A. (1980). Advanced History of India, Allied Publishers, New Delhi.
- Renate Söhnen-Thieme, Renate Söhnen, Peter Schreiner (1989). Brahmapurāṇa. Otto Harrassowitz Verlag. p. 106. ISBN 9783447029605.CS1 maint: multiple names: authors list (link)
- Klaus K. Klostermaier (2000). Hinduism: A Short History. Oneworld. pp. 84–85. ISBN 978-1-85168-213-3.
- Alice Boner (1990). Principles of Composition in Hindu Sculpture: Cave Temple Period. Motilal Banarsidass. pp. 96–99. ISBN 978-81-208-0705-1.
- Bettina Bäumer; Kapila Vatsyayan (1988). Kalātattvakośa: A Lexicon of Fundamental Concepts of the Indian Arts. Motilal Banarsidas. p. 251. ISBN 978-81-208-1044-0.
- J. Hackin (1994). Asiatic Mythology: A Detailed Description and Explanation of the Mythologies of All the Great Nations of Asia. Asian Educational Services. pp. 130–132. ISBN 978-81-206-0920-4.
- Jan Gonda (1970). Viṣṇuism and Śivaism: a comparison. Bloomsbury Academic. pp. 71–72. ISBN 978-1474280808.
- Klaus K. Klostermaier (2010). A Survey of Hinduism: Third Edition. State University of New York Press. pp. 103 with footnote 10 on page 529. ISBN 978-0-7914-8011-3.
- See also, Griffith's Rigveda translation: Wikisource
- Klaus K. Klostermaier (2000). Hinduism: A Short History. Oneworld. pp. 85–87. ISBN 978-1-85168-213-3.
- S. Giora Shoham (2010). To Test the Limits of Our Endurance. Cambridge Scholars. p. 116. ISBN 978-1-4438-2068-4.
- History of Ancient Sanskrit Literature by Prof Max Muller. Printed by Spottiswoode and Co. New-Street Square London. page 533
- Deussen 1997, p. 556.
- Mahony 1998, p. 290.
- Lamb 2002, p. 191.
- William K. Mahony (1998). The Artful Universe: An Introduction to the Vedic Religious Imagination. State University of New York Press. p. 271. ISBN 978-0-7914-3579-3.
- Moriz Winternitz; V. Srinivasa Sarma (1996). A History of Indian Literature. Motilal Banarsidass. pp. 217–224 with footnotes. ISBN 978-81-208-0264-3.
- Sen 1937, p. 26.
- Rocher 1986, pp. 59-61.
- Ariel Glucklich 2008, p. 146, Quote: The earliest promotional works aimed at tourists from that era were called mahatmyas..
- White, David Gordon (15 July 2010). Sinister Yogis. p. 273 with footnote 47. ISBN 978-0-226-89515-4.
- J.M Masson (2012). The Oceanic Feeling: The Origins of Religious Sentiment in Ancient India. Springer Science. pp. 63 with footnote 4. ISBN 978-94-009-8969-6.
- Rocher 1986, pp. 246-247.
- Stele with Vishnu, His Consorts, His Avatars, and Other Dieties, Brooklyn Museum, Item 1991.244, Gift of David Nalin
- Sucharita Adluri (2015), Textual authority in Classical Indian Thought: Ramanuja and the Visnu Purana, Routledge, ISBN 978-0415695756, pages 1-11, 18-26
- Bhagavata Purana 1.2.11 Archived 23 May 2006 at the Wayback Machine, vadanti tat tattva-vidas tattvam yaj jnanam advayam brahmeti paramatmeti bhagavan iti sabdyate
- Bryant 2007, pp. 112.
- Kumar Das 2006, pp. 172–173.
- Rocher 1986, pp. 138–151.
- Ravi Gupta and Kenneth Valpey (2013), The Bhagavata Purana, Columbia University Press, ISBN 978-0231149990, pages 3-19
- Constance Jones and James Ryan (2007), Encyclopedia of Hinduism, Infobase, ISBN 978-0816054589, page 474
- Bryant 2007, pp. 118.
- Varadpande 1987, pp. 92–97.
- Graham Schweig ( 2007), Encyclopedia of Love in World Religions (Editor: Yudit Kornberg Greenberg), Volume 1, ISBN 978-1851099801, pages 247-249
- Bryant, ed. by Edwin F. (2007). Krishna : a sourcebook. New York: Oxford University Press. p. 18. ISBN 978-0-19-514891-6.CS1 maint: extra text: authors list (link)
- Stella Kramrisch (1994), The Presence of Siva, Princeton University Press, ISBN 978-0691019307, pages 205-206
- Wendy Doniger (1988). Textual Sources for the Study of Hinduism. University of Chicago Press. pp. 71–73. ISBN 978-0-226-61847-0.
- Stella Kramrisch (1993). The Presence of Siva. Princeton University Press. pp. 274–276. ISBN 978-0-691-01930-7.
- Bratindra Nath Mukherjee (2007). Numismatic Art of India: Historical and aesthetic perspectives. Indira Gandhi National Centre for the Arts. pp. 144, 161–162. ISBN 978-81-215-1187-2.
- Bryant 2007, p. 7.
- T. Padmaja (2002). Temples of Kr̥ṣṇa in South India: History, Art, and Traditions in Tamilnāḍu. Abhinav Publications. p. 27. ISBN 978-81-7017-398-4.
- T. Padmaja (2002). Temples of Kr̥ṣṇa in South India: History, Art, and Traditions in Tamilnāḍu. Abhinav Publications. p. 28. ISBN 978-81-7017-398-4.
- T. Padmaja (2002). Temples of Kr̥ṣṇa in South India: History, Art, and Traditions in Tamilnāḍu. Abhinav Publications. pp. 30–31. ISBN 978-81-7017-398-4.
- John Stratton Hawley; Donna Marie Wulff (1982). The Divine Consort: Rādhā and the Goddesses of India. Motilal Banarsidass. pp. 238–244. ISBN 978-0-89581-102-8.
- Guy L. Beck (2012). Alternative Krishnas: Regional and Vernacular Variations on a Hindu Deity. State University of New York Press. pp. 68–69. ISBN 978-0-7914-8341-1.
- Olson, Carl (2007). The many colors of Hinduism: a thematic-historical introduction. Rutgers University Press. p. 231. ISBN 978-0-8135-4068-9.
- Sheridan, Daniel (1986). The Advaitic Theism of the Bhagavata Purana. Columbia, Mo: South Asia Books. ISBN 978-81-208-0179-0.
- J. A. B. van Buitenen (1996). "The Archaism of the Bhāgavata Purāṇa". In S.S Shashi (ed.). Encyclopedia Indica. pp. 28–45. ISBN 978-81-7041-859-7.
- Mystery of Angkor Wat Temple's Huge Stones Solved
- Brown 1983, pp. 553–557
- Sheridan 1986, pp. 1–2, 17–25.
- Rukmani 1993, pp. 217–218
- Murray Milner Jr. (1994). Status and Sacredness: A General Theory of Status Relations and an Analysis of Indian Culture. Oxford University Press. pp. 191–203. ISBN 978-0-19-535912-1.
- Harold Coward; Daniel C. Maguire (2000). Visions of a New Earth: Religious Perspectives on Population, Consumption, and Ecology. State University of New York Press. p. 113. ISBN 978-0-7914-4458-0.
- Sheridan 1986, p. 23 with footnote 17;
Sanskrit: कामस्य नेन्द्रियप्रीतिर्लाभो जीवेत यावता | जीवस्य तत्त्वजिज्ञासा नार्थो यश्चेह कर्मभिः ||
वदन्ति तत्तत्त्वविदस्तत्त्वं यज्ज्ञानमद्वयम् | ब्रह्मेति परमात्मेति भगवानिति शब्द्यते || Source: Bhagavata Purana Archive
- Brown 1998, p. 17.
- Edwin Bryant (2004), Krishna: The Beautiful Legend of God: Srimad Bhagavata Purana Book X, Penguin, ISBN 978-0140447996, pages 43-48
- Tapasyananda (1991). Bhakti Schools of Vedānta. Madras: Sri Ramakrishna Math. ISBN 978-81-7120-226-3.
- Deepak Sarma (2007). Edwin F. Bryant (ed.). Krishna: A Sourcebook. Oxford University Press. pp. 358–360. ISBN 978-0-19-972431-4.
- Sharma, Chandradhar (1994). A Critical Survey of Indian Philosophy. Motilal Banarsidass. p. 373. ISBN 978-81-208-0365-7.
- Stoker, Valerie (2011). "Madhva (1238-1317)". Internet Encyclopedia of Philosophy. Retrieved 17 April 2016.
- Stafford Betty (2010), Dvaita, Advaita, and Viśiṣṭādvaita: Contrasting Views of Mokṣa, Asian Philosophy: An International Journal of the Philosophical Traditions of the East, Volume 20, Issue 2, pages 215-224
- Anand Rao (2004). Soteriologies of India. LIT Verlag Münster. p. 167. ISBN 978-3-8258-7205-2.
- A Parasarthy (1983), Symbolism in Hinduism, Chinmaya Mission Publication, ISBN 978-8175971493, pages 91-92, 160-162
- Monier-Williams, Monier (1899). "lakṣmī". A Sanskrit-English dictionary : etymologically and philologically arranged with special reference to cognate Indo-European languages. Oxford: Clarendon Press.
- John Muir, Original Sanskrit Texts on the Origin and History of the People of India - Their Religions and Institutions at Google Books, Volume 5, pp. 348-362 with footnotes
- Rosen, Steven J. (1 January 2006). Essential Hinduism. Greenwood Publishing Group. p. 136. ISBN 978-0-275-99006-0.
- Edward Quinn (2014). Critical Companion to George Orwell. Infobase Publishing. p. 491. ISBN 9781438108735.
- Gajendra Moksha. archive.org. Retrieved 30 July 2015.
- Wendy Doniger (1993). Purana Perennis: Reciprocity and Transformation in Hindu and Jaina Texts. SUNY Press. p. 127. ISBN 9780791413814.
- Gupta, anand Swarup (1968). The Vamana Purana With English Translation. p. 326.
- Alice Boner (1990), Principles of Composition in Hindu Sculpture: Cave Temple Period, Motilal Banarsidass, ISBN 978-8120807051, pages 89-95, 115-124, 174-184
- TA Gopinatha Rao (1993), Elements of Hindu iconography, Vol 2, Motilal Banarsidass, ISBN 978-8120808775, pages 334-335
- For Harirudra citation to Mahabharata 3:39:76f see: Hopkins (1969), p. 221.
- Nikky-Guninder Kaur Singh (2011). Sikhism: An Introduction. I.B. Tauris. p. 65. ISBN 978-1-84885-321-8.
- Christopher Shackle; Arvind Mandair (2013). Teachings of the Sikh Gurus: Selections from the Sikh Scriptures. Routledge. pp. 5–6. ISBN 978-1-136-45101-0.
- Harjot Oberoi (1994). The Construction of Religious Boundaries: Culture, Identity, and Diversity in the Sikh Tradition. University of Chicago Press. pp. 97–98. ISBN 978-0-226-61593-6.
- Sanatan Singh Sabha, Overview of World Religions, Division of Religion and Philosophy, University of Cumbria
- Harjot Oberoi (1994). The Construction of Religious Boundaries: Culture, Identity, and Diversity in the Sikh Tradition. University of Chicago Press. pp. 102–105. ISBN 978-0-226-61593-6.
- Arvind-Pal Singh Mandair (2013). Sikhism: A Guide for the Perplexed. Bloomsburg Academic. p. 83. ISBN 978-1-4411-0231-7.
- Louis E. Fenech; W. H. McLeod (2014). Historical Dictionary of Sikhism. Rowman & Littlefield. pp. 48, 238. ISBN 978-1-4422-3601-1.
- Swarna Wickremeratne (2012). Buddha in Sri Lanka: Remembered Yesterdays. State University of New York Press. p. 111. ISBN 978-0791468814.
- Wilhelm Geiger. Mahawamsa: English Translation (1908).
- Swarna Wickremeratne (2012). Buddha in Sri Lanka: Remembered Yesterdays. State University of New York Press. p. 226. ISBN 978-0791468814.
- Michel Jacq-Hergoualc'h; Victoria Hobson (Translator) (2002). The Malay Peninsula: Crossroads of the Maritime Silk-Road (100 BC-1300 AD). BRILL Academic. p. xxiii, 116–128. ISBN 978-90-04-11973-4.
- John C Holt (2004). The Buddhist Vishnu: Religious transformation, politics and culture. Columbia University Press. p. 51. ISBN 978-0231133234.
- John C Holt (2004). The Buddhist Vishnu: Religious transformation, politics and culture. Columbia University Press. pp. 5–7, 13–27. ISBN 978-0231133234.
- John Guy (2014). Lost Kingdoms: Hindu-Buddhist Sculpture of Early Southeast Asia. Metropolitan Museum of Art. pp. 131–135, 145. ISBN 978-1-58839-524-5.
- John Guy (2014). Lost Kingdoms: Hindu-Buddhist Sculpture of Early Southeast Asia. Metropolitan Museum of Art. pp. 146–148, 154–155. ISBN 978-1-58839-524-5.
- John Guy (2014). Lost Kingdoms: Hindu-Buddhist Sculpture of Early Southeast Asia. Metropolitan Museum of Art. pp. 7–9. ISBN 978-1-58839-524-5.
- John Guy (2014). Lost Kingdoms: Hindu-Buddhist Sculpture of Early Southeast Asia. Metropolitan Museum of Art. pp. 11–12, 118–129. ISBN 978-1-58839-524-5.
- John Guy (2014). Lost Kingdoms: Hindu-Buddhist Sculpture of Early Southeast Asia. Metropolitan Museum of Art. pp. 221–225. ISBN 978-1-58839-524-5.
- Nichiren (1987). The Major Writings of Nichiren Daishonin. Nichiren Shoshu International Center. p. 1107. ISBN 978-4-88872-012-0., Alternate site: Archive
- Richard Leviton (1871). Ten Great Religions: an Essay in Comparative Theology. Trübner & Company. p. 247.
- Richard Leviton (2002). What's Beyond That Star: A Chronicle of Geomythic Adventure. Clairview Books. p. 160.
- James Cowles Prichard (1819). An Analysis of the Egyptian Mythology: To which is Subjoined a Critical Examination of the Remains of Egyptian Chronology. J. and A. Arch. p. 285.
- Vishnu & 4034 Vishnu Asteroid – Pasadena, CA – Extraterrestrial Locations on Waymarking.com
- Vishnu Temple at the Grand Canyon – The Panda's Thumb
- Ancient Vishnu idol found in Russian town" Times of India 4 Jan 2007
- Steven Kossak; Edith Whitney Watts (2001). The Art of South and Southeast Asia: A Resource for Educators. Metropolitan Museum of Art. pp. 30–31, 16, 25, 40–41, 74–78, 106–108. ISBN 978-0-87099-992-5.
- T. A. Gopinatha Rao (1993). Elements of Hindu iconography. Motilal Banarsidass. pp. 73–115. ISBN 978-81-208-0878-2.
- James G. Lochtefeld (2002). The Illustrated Encyclopedia of Hinduism, Vol. 1: A-M. The Rosen Publishing Group. pp. 137, 231, 624 (Vol. 2). ISBN 978-0-8239-3179-8.
- P.B.B. Bidyabinod, Varieties of the Vishnu Image, Memoirs of Archaeological Survey of India, No. 2, Calcutta, pages 23-33
- Alexander Lubotsky (1996), The Iconography of the Viṣṇu Temple at Deogarh and the Viṣṇudharmottarapurāṇa, Ars Orientalis, Vol. 26 (1996), page 65
- Alexander Lubotsky (1996), The Iconography of the Viṣṇu Temple at Deogarh and the Viṣṇudharmottarapurāṇa, Ars Orientalis, Vol. 26 (1996), pages 66-80
- Bryant 2007, p. 18 with footnote 19.
- Doris Srinivasan (1997). Many Heads, Arms, and Eyes: Origin, Meaning, and Form of Multiplicity in Indian Art. BRILL Academic. pp. 211–220, 240–259. ISBN 978-90-04-10758-8.
- [a] Doris Srinivasan (1989). Mathurā: The Cultural Heritage. Manohar. pp. 389–392. ISBN 978-81-85054-37-7.;
[b] Doris Srinivasan (1981). "Early Krishan Icons: the case at Mathura". In Joanna Gottfried Williams (ed.). Kalādarśana: American Studies in the Art of India. BRILL Academic. pp. 127–136. ISBN 978-90-04-06498-0.
- "Keralas Sree Padmanabha Swamy temple may reveal more riches". India Today. 7 July 2011. Retrieved 8 October 2016.
- Pomfret, James (19 August 2011). "Kerala temple treasure brings riches, challenges". Reuters India. Retrieved 8 October 2016.
- Blitzer, Jonathan (23 April 2012). "The Secret of the Temple". The New Yorker. Retrieved 8 October 2016.
- "A One Trillion Dollar Hidden Treasure Chamber is Discovered at India's Sree Padmanabhaswamy Temple". Forbes.com.
- Mittal & Thursby 2005, p. 456.
- Brown, C. Mackenzie (1983). "The Origin and Transmission of the Two "Bhāgavata Purāṇas": A Canonical and Theological Dilemma". Journal of the American Academy of Religion. Oxford University Press. 51 (4): 551–567. doi:10.1093/jaarel/li.4.551. JSTOR 1462581.
- Brown, Cheever Mackenzie (1998). The Devī Gītā: the song of the Goddess; a translation, annotation, and commentary. SUNY Press. ISBN 978-0-7914-3940-1.
- Bryant, Edwin Francis (2007). Krishna: A Sourcebook. Oxford University Press US. ISBN 978-0-19-514891-6.
- Cutler, Norman (1987). Songs of Experience. Indiana University Press. p. 1. ISBN 978-0-253-35334-4.
- Deussen, Paul (1997). Sixty Upanishads of the Veda. Motilal Banarsidass. ISBN 978-81-208-1467-7.
- Ariel Glucklich (2008). The Strides of Vishnu : Hindu Culture in Historical Perspective: Hindu Culture in Historical Perspective. Oxford University Press. ISBN 978-0-19-971825-2.
- Kumar Das, Sisir (2006). A history of Indian literature, 500–1399. Sahitya Akademi. ISBN 978-81-260-2171-0.
- Lamb, Ramdas (2002). Rapt in the Name: The Ramnamis, Ramnam, and Untouchable Religion in Central India. SUNY Press. ISBN 978-0-7914-5386-5.
- Mahony, William K. (1998). The Artful Universe: An Introduction to the Vedic Religious Imagination. State University of New York Press. ISBN 978-0-7914-3579-3.
- Translation by Richard W. Lariviere (1989). The Nāradasmr̥ti. University of Philadelphia.
- Olivelle, Patrick (2007). "The Date and Provenance of the Viṣṇu Smṛti" (PDF). 33. Indologica Taurinensia: 49–163. Archived from the original (PDF) on 22 July 2011. Retrieved 23 October 2015. Cite journal requires
- Rocher, Ludo (1986). The Puranas. Otto Harrassowitz Verlag. ISBN 978-3447025225.
- Devdutt Pattanaik (2011). 7 Secrets of Vishnu. westland ltd. ISBN 978-93-80658-68-1.
- Daniélou, Alain (1991) . The myths and gods of India. Inner Traditions, Vermont, USA. ISBN 0-89281-354-7. pp. 164–187.
- Coleman, T. (2011). "Avatāra". Oxford Bibliographies Online: Hinduism. doi:10.1093/obo/9780195399318-0009. Short introduction and bibliography of sources about Avatāra (subscription required).
- Matchett, Freda (2001). Krishna, Lord or Avatara?: the relationship between Krishna and Vishnu. Routledge. ISBN 978-0700712816.
- Paul Hacker (1978). Lambert Schmithausen (ed.). Zur Entwicklung der Avataralehre (in German). Otto Harrassowitz. ISBN 978-3447048606.
- James Lochtefeld (2002). The Illustrated Encyclopedia of Hinduism, Vol. 1&2. Rosen Publishing. ISBN 978-0-8239-2287-1.
- Mittal, Sushil; Thursby, G. R. (2005). The Hindu World. New York: Routelge. ISBN 978-0-203-67414-7.
- Sen, S.C. (1937). The Mystical Philosophy Of The Upanishads. Cosmo Publications. ISBN 978-81-307-0660-3.
- Rukmani, T. S. (1993). "Siddhis in the Bhāgavata Purāṇa and in the Yogasutras of Patanjali – a Comparison". In Wayman, Alex (ed.). Researches in Indian and Buddhist philosophy: essays in honour of Professor Alex Wayman. Motilal Banarsidass. pp. 217–226. ISBN 978-81-208-0994-9.
- Sheridan, Daniel (1986). The Advaitic Theism of the Bhāgavata Purāṇa. Columbia, Mo: South Asia Books. ISBN 978-81-208-0179-0.
- Sheth, Noel (2002). "Hindu Avatāra and Christian Incarnation: A Comparison". Philosophy East and West. University of Hawai'i Press. 52 (1 (January)): 98–125. doi:10.1353/pew.2002.0005. JSTOR 1400135.
- Varadpande, Manohar Laxman (1987). History of Indian theatre. vol. 3. Abhinav Publications. ISBN 978-81-7017-221-5.